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Department
Voice, Jasper Johns American, Lithograph
Voice
Multiple artists/makers
1966–67
0 through 9, Jasper Johns American, Lithograph
0 through 9
Jasper Johns
Printer Donn Steward
Publisher Universal Limited Art Editions
1967
Untitled, Second State, Jasper Johns American, Etching and aquatint
Untitled, Second State
Jasper Johns
Printer Donn Steward
Publisher Universal Limited Art Editions
1969
Untitled, Second State, Jasper Johns American, Etching and aquatint
Untitled, Second State
Jasper Johns
Printer Donn Steward
Publisher Universal Limited Art Editions
1969
high-pool, James Rosenquist American, Lithograph
high-pool
James Rosenquist
Printer Donn Steward
Publisher Universal Limited Art Editions
1964–66
The Coiffure, after Mary Cassatt, Janet Lee Kadesky Ruttenberg, Drypoint and soft-ground etching, printed in color, on heavy ivory wove paper
The Coiffure, after Mary Cassatt
Multiple artists/makers
1975
The Coiffure, after Mary Cassatt, Janet Lee Kadesky Ruttenberg, Soft-ground etching, printed in ochre on wove paper; (impression from first soft-ground plate)
The Coiffure, after Mary Cassatt
Multiple artists/makers
1975
The Coiffure, after Mary Cassatt, Janet Lee Kadesky Ruttenberg, Soft-ground etching, printed in red on wove paper (impression from the second soft-ground plate)
The Coiffure, after Mary Cassatt
Multiple artists/makers
1975
The Coiffure, after Mary Cassatt, Janet Lee Kadesky Ruttenberg, Soft-ground etching, printed in ochre and rose on wove paper (impression of first and second soft-ground plates)
The Coiffure, after Mary Cassatt
Multiple artists/makers
1975
The Coiffure, after Mary Cassatt, Janet Lee Kadesky Ruttenberg, Soft-ground etching and drypoint, printed in brown, ochre, and rose on wove paper
The Coiffure, after Mary Cassatt
Multiple artists/makers
1975
In the Omnibus, after Mary Cassatt, Janet Lee Kadesky Ruttenberg, Drypoint printed in black with touch of red on white wove (Arches) paper ("master plate"), with corrections in pencil
In the Omnibus, after Mary Cassatt
Multiple artists/makers
1975–77
In the Omnibus, after Mary Cassatt, Janet Lee Kadesky Ruttenberg, Soft-ground etching printed in black, green, brown, and red on white wove (Arches) paper (First color plate)
In the Omnibus, after Mary Cassatt
Multiple artists/makers
1975–77
In the Omnibus, after Mary Cassatt, Janet Lee Kadesky Ruttenberg, Soft-ground etching printed in brown, blue, yellow, red, and black on white wove (Arches) paper: Second color plate
In the Omnibus, after Mary Cassatt
Multiple artists/makers
1975–77
In the Omnibus, after Mary Cassatt, Janet Lee Kadesky Ruttenberg, Drypoint and soft-ground etching, printed in black, ochre, yellow, and blue on white wove (Arches) paper: Master plate and second color plate
In the Omnibus, after Mary Cassatt
Multiple artists/makers
1975–77
In the Omnibus, after Mary Cassatt, Janet Lee Kadesky Ruttenberg, Soft-ground etching printed in black and yellow
In the Omnibus, after Mary Cassatt
Multiple artists/makers
1975–77
In the Omnibus, after Mary Cassatt, Janet Lee Kadesky Ruttenberg, Soft-ground etching printed in color on white wove paper (Arches) from three plates
In the Omnibus, after Mary Cassatt
Multiple artists/makers
1975–77
In the Omnibus, after Mary Cassatt, Janet Lee Kadesky Ruttenberg , artist/engraver/printer, Drypoint and soft-ground etching, printed in color
In the Omnibus, after Mary Cassatt
Multiple artists/makers
1975–77
Centennial Certificate MMA, Robert Rauschenberg American, Color lithograph
Centennial Certificate MMA
Multiple artists/makers
1969
Numbers, Jasper Johns American, Etching and open-bite
Numbers
Jasper Johns
Printer Donn Steward
Publisher Published by Universal Limited Art Editions
1967, published in 1st Etchings, 2nd State 1967–69
Untitled Etching #1, Barnett Newman American, Etching and aquatint
Untitled Etching #1
Barnett Newman
Printer Donn Steward
Publisher Universal Limited Art Editions
1969
Sketches, Cy Twombly American, Etching
Sketches
Cy Twombly
Printer Donn Steward
Publisher Universal Limited Art Editions
1967–75
A, from "Sketches", Cy Twombly American, Etching
A, from "Sketches"
Multiple artists/makers
1967–75
B, from "Sketches", Cy Twombly American, Etching
B, from "Sketches"
Cy Twombly
Printer Donn Steward
Publisher Universal Limited Art Editions
1967–75
C, from "Sketches", Cy Twombly American, Etching
C, from "Sketches"
Cy Twombly
Printer Donn Steward
Publisher Universal Limited Art Editions
1967–75
D, from "Sketches", Cy Twombly American, Etching
D, from "Sketches"
Cy Twombly
Printer Donn Steward
Publisher Universal Limited Art Editions
1967 (published 1975)
E, from "Sketches", Cy Twombly American, Etching
E, from "Sketches"
Cy Twombly
Printer Donn Steward
Publisher Universal Limited Art Editions
1967–75
F, from "Sketches", Cy Twombly American, Etching
F, from "Sketches"
Cy Twombly
Printer Donn Steward
Publisher Universal Limited Art Editions
1967–75
Fifth Stone, Sixth Stone
Multiple artists/makers
1967–68
A la pintura: end page
Robert Motherwell
Printer Printed by Donn Steward
Publisher Published by Universal Limited Art Editions
1972
Mezzotint in Crimson
Robert Motherwell
Printer Printed by Donn Steward
Publisher Published by Universal Limited Art Editions
1969
A la pintura: frontispiece
Multiple artists/makers
1972
A la pintura: preface
Robert Motherwell
Printer Printed by Donn Steward
1972
A la pintura: To the Palette
Multiple artists/makers
1972
A la pintura: Black 1 – 3
Multiple artists/makers
1972
A la pintura: Black 4
Multiple artists/makers
1972
A la pintura: 5–11
Multiple artists/makers
1972
A la pintura: Blue 1–3
Multiple artists/makers
1972
A la pintura: Blue 4
Multiple artists/makers
1972
A la pintura: Blue 5
Multiple artists/makers
1972
A la pintura: Blue 12 – 13
Multiple artists/makers
1972
A la pintura: Red 1–3
Multiple artists/makers
1972
A la pintura: Red 4 – 7
Multiple artists/makers
1972

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The Metropolitan Museum of Art presents over 5,000 years of art from around the world, and our online collection reflects ongoing work conducted over the course of our more than 150-year history. You may encounter objects or images that may be inappropriate for some viewers or information that may be outdated.