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The Singer, Emile Bernard  French, Lithograph
Emile Bernard
1887–88
The Little Flowers of St. Francis, Emile Bernard  French, Woodcut, black and brown ink
Multiple artists/makers
1928
Mont Sainte-Victoire, Emile Bernard  French, Watercolor on heavy wove paper
Attributed to Emile Bernard
Former Attribution Formerly attributed to Paul Cézanne
1936
Crucifixion, also called Christ, from "L'Estampe Originale", Emile Bernard  French, Woodcut
Emile Bernard
January–March 1894
He Takes Her By Her Long Beautiful Hair (The Unfaithful Wife), Emile Bernard  French, Hand-colored zincograph
Emile Bernard
1892
He Takes Her By Her Long Beautiful Hair (The Unfaithful Wife), Emile Bernard  French, Zincograph
Emile Bernard
1888
He Takes Her By Her Long Beautiful Hair (The Unfaithful Wife), Emile Bernard  French, Zincograph, printed in sepia
Emile Bernard
1892
Go Kill My Husband (The Unfaithful Wife), Emile Bernard  French, Hand-colored zincograph
Emile Bernard
1892
Go Kill My Husband (The Unfaithful Wife), Emile Bernard  French, Zincograph printed in sepia
Emile Bernard
1892
The Countess Combing Her Hair (Esmérée) or Dancing Music (Esmérée), Emile Bernard  French, Zincograph printed in sepia
Emile Bernard
1892
The Countess Brushes Her Hair (Esmérée) or Dancing Music (Esmérée), Emile Bernard  French, Zincograph printed in sepia
Emile Bernard
1892
The Old Woman from Berkeley, from "Les Cantilènes", Emile Bernard  French, Hand-colored zincograph
Emile Bernard
1892
The Old Woman from Berkeley, Emile Bernard  French, Zincograph printed in sepia
Emile Bernard
1892
Death of the Horseman or Brandemart Crying (Roland Furieux), Emile Bernard  French, Hand-colored zincograph
Emile Bernard
1892
The Good Carpenter or Destiny, Emile Bernard  French, Zincograph printed in sienna
Emile Bernard
1892
Young Breton Woman, Emile Bernard  French, Color monotype with brush and ink
Emile Bernard
1892
Emile Bernard
1889
Multiple artists/makers
1916

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The Metropolitan Museum of Art presents over 5,000 years of art from around the world, and our online collection reflects ongoing work conducted over the course of our more than 150-year history. You may encounter objects or images that may be inappropriate for some viewers or information that may be outdated.