Tickets
English
DonateMembership
Tickets

Search for Art

1-42 of 431 results
Sort by:
Show only
Images
Date
For BCE dates, enter a negative number. E.g. For 2000 BCE, enter -2000.
–
Artist / culture
1
Object type / material
Match
 
Show results matching
selected filters.
Geographic location
Match
 
Show results matching
selected filters.
Department
Two Armorial Trophies marked by the incorporation of a Broken Amphora on the Left, Plate 2 from the Libro de' Trofei, Anonymous, Italian , 16th century Italian, Engraving, Italian, Rome
Two Armorial Trophies marked by the incorporation of a Broken Amphora on the Left, Plate 2 from the Libro de' Trofei
Multiple artists/makers
ca. 1550–53
Wine cooler with Charles V’s Victory at Mühlberg, Enea Vico Italian, Maiolica (tin-glazed earthenware), Italian, Urbino
Wine cooler with Charles V’s Victory at Mühlberg
Based on an engraving by Enea Vico
Probably after a design by Battista Franco
ca. 1560–90
Man in Turkish Costume Holding a Shield, Anonymous, 16th century, Pen and brown ink, brush and brown wash, over traces of black chalk
Man in Turkish Costume Holding a Shield
Multiple artists/makers
16th century
Costume Plate: Galla Serva, Enea Vico Italian, Engraving
Costume Plate: Galla Serva
Engraved by Enea Vico
ca. 1557–58
Costume Plate: Woman with Hooded Garment, Enea Vico Italian, Engraving
Costume Plate: Woman with Hooded Garment
Engraved by Enea Vico
ca. 1557–58
Candlestick with Two Ignudi on Top of a Vase with Lion Heads, Anonymous, Italian, 16th century Italian, Engraving; first state
Candlestick with Two Ignudi on Top of a Vase with Lion Heads
Anonymous, Italian, 16th century
Possibly after Enea Vico
Publisher Antonio Salamanca
1552
Antique Lidded Urn Decorated with a Motif of Diamond Rings and Lions, from "Vases after the Antique", Enea Vico Italian, Engraving on laid paper, first or second state
Antique Lidded Urn Decorated with a Motif of Diamond Rings and Lions, from "Vases after the Antique"
Enea Vico
1543 or after
Antique Lidded Urn with Hybrid Male Sphinxes and a Female Mask on the Body, from "Vases after the Antique", Enea Vico Italian, Engraving; first or second state
Antique Lidded Urn with Hybrid Male Sphinxes and a Female Mask on the Body, from "Vases after the Antique"
Enea Vico
1543 or after
Costume Plate: Hispana Rustica (with label on rock), Enea Vico Italian, Engraving
Costume Plate: Hispana Rustica (with label on rock)
Engraved by Enea Vico
ca. 1557–58
Costume Plate: Hispania Rustica (with laundry on head), Enea Vico Italian, Engraving
Costume Plate: Hispania Rustica (with laundry on head)
Engraved by Enea Vico
ca. 1557–58
Costume Plate: Bearded Man from Spain, Enea Vico Italian, Engraving
Costume Plate: Bearded Man from Spain
Engraved by Enea Vico
ca. 1557–58
Antique Ewer with a Handle in the Shape of Two Snakes coming from the Head of Medusa below, from "Vases after the Antique", Enea Vico Italian, Engraving; second state
Antique Ewer with a Handle in the Shape of Two Snakes coming from the Head of Medusa below, from "Vases after the Antique"
Enea Vico
1543 or after
Lancet-shaped panel of grotesque decoration, Enea Vico Italian, Engraving
Lancet-shaped panel of grotesque decoration
Enea Vico
1541
Rinceaux Panels, One Fontainebleau School Cartouche, Enea Vico Italian, Etching and engraving
Rinceaux Panels, One Fontainebleau School Cartouche
Enea Vico
Anonymous, Italian, 16th century
Anonymous, French, 16th century
16th century
Portrait of Giovanni de' Medici facing right within an elaborate cartouche flanked by Victory at the left and Mars at right, winged figures holding Medici coat of arms top center, Enea Vico Italian, Engraving
Portrait of Giovanni de' Medici facing right within an elaborate cartouche flanked by Victory at the left and Mars at right, winged figures holding Medici coat of arms top center
Multiple artists/makers
1550
Lucretia naked and seated before a window, a dagger in her right hand and holding drapery in her left, Enea Vico Italian, Engraving
Lucretia naked and seated before a window, a dagger in her right hand and holding drapery in her left
Enea Vico
After Parmigianino (Girolamo Francesco Maria Mazzola)
Publisher Antonio Salamanca
ca. 1535–67
Combat between Amazons and men in front of architectural arcades, an oval composition with weapons, headgear, and bodies strewn along the bottom margin, Enea Vico Italian, Engraving
Combat between Amazons and men in front of architectural arcades, an oval composition with weapons, headgear, and bodies strewn along the bottom margin
Enea Vico
Possibly after Perino del Vaga (Pietro Buonaccorsi)
1543
Entombment of Christ, whose chest is grasped by Joseph of Arimathea, with two kneeling and two standing female mourners at left and crown of thorns at bottom right, Enea Vico Italian, Engraving
Entombment of Christ, whose chest is grasped by Joseph of Arimathea, with two kneeling and two standing female mourners at left and crown of thorns at bottom right
Enea Vico
After Raphael (Raffaello Sanzio or Santi)
Publisher Antonio Salamanca
1543
Designs for Ornamental Military Trophies (recto and verso), Enea Vico (?) Italian, Pen and brown ink (recto and verso)
Designs for Ornamental Military Trophies (recto and verso)
Former Attribution Formerly attributed to Enea Vico
ca. 1540–70
Designs for Cartouches, Containing Arms of Cardinal Aldobrandini (Later Pope Clement VIII), with Arch in Upper Left (recto); engraving by Enea Vico, urn with lion heads and garlands (verso), Christofero Albani Italian, Pen and brown ink over leadpoint or black chalk (recto); engraving (verso)
Designs for Cartouches, Containing Arms of Cardinal Aldobrandini (Later Pope Clement VIII), with Arch in Upper Left (recto); engraving by Enea Vico, urn with lion heads and garlands (verso)
Attributed to Christofero Albani
Verso: reverse copy of engraving by Agostino Veneziano (Agostino dei Musi)
Former Attribution Engraving on verso formerly attributed to Enea Vico
n.d.
Warrior Pulling a Rider from His Horse, from "Ex Antiquis Cameorum et Gemmae Delineata/ Liber Secundus/et ab Enea Vico Parmen Incis", Anonymous, Italian, 16th century Italian, Engraving
Warrior Pulling a Rider from His Horse, from "Ex Antiquis Cameorum et Gemmae Delineata/ Liber Secundus/et ab Enea Vico Parmen Incis"
Multiple artists/makers
published ca. 1599–1622
The Annunciation with Kneeling Angel, Enea Vico Italian, Engraving
The Annunciation with Kneeling Angel
Attributed to Enea Vico
Design attributed to Raphael (Raffaello Sanzio or Santi)
ca. 1540–41
The Holy Family with St. Anne and St. Catherine, Enea Vico Italian, Engraving, state IV
The Holy Family with St. Anne and St. Catherine
Multiple artists/makers
1542, published 1627–50
Nature, Enea Vico Italian, Engraving
Nature
Engraved by Enea Vico
ca. 1545–50
Calamity, Enea Vico Italian, Engraving
Calamity
Engraved by Enea Vico
ca. 1545–50
Penitence (Poenitentia), Enea Vico Italian, Engraving
Penitence (Poenitentia)
Engraved by Enea Vico
ca. 1545–50
Column of Antoninus and a Roman Obelisk, Enea Vico Italian, Engraving
Column of Antoninus and a Roman Obelisk
Enea Vico
Publisher Antonio Salamanca
ca. 1543–44
Column of Antoninus and a Roman Obelisk, from "Speculum Romanae Magnificentiae", Anonymous, Italian, 16th century Italian, Engraving
Column of Antoninus and a Roman Obelisk, from "Speculum Romanae Magnificentiae"
Anonymous, Italian, 16th century
After Enea Vico
Publisher Antonio Lafreri
ca. 1543–70
Aristotle, from "Speculum Romanae Magnificentiae", Anonymous, Italian, mid-16th century Italian, Engraving
Aristotle, from "Speculum Romanae Magnificentiae"
Anonymous, Italian, mid-16th century
After Enea Vico
Publisher Antonio Lafreri
1553
Flora, from "Speculum Romanae Magnificentiae", Anonymous, Italian, 16th century Italian, Engraving
Flora, from "Speculum Romanae Magnificentiae"
Multiple artists/makers
mid-16th century
Pan Teaching the Young Olympus to Play the Flute, from "Speculum Romanae Magnificentiae", Anonymous, Engraving
Pan Teaching the Young Olympus to Play the Flute, from "Speculum Romanae Magnificentiae"
Anonymous
After Battista Franco
Former Attribution Formerly attributed to Enea Vico
ca. 1540–80
Subjects after Antique Cameos and Gems, from "Speculum Romanae Magnificentiae", Anonymous, Italian, 16th century Italian, Engraving; state i before numbers
Subjects after Antique Cameos and Gems, from "Speculum Romanae Magnificentiae"
Multiple artists/makers
ca. 1550–77
Subjects after Antique Cameos and Gems, from "Speculum Romanae Magnificentiae", Anonymous, Italian, 16th century Italian, Engraving; state i before numbers
Subjects after Antique Cameos and Gems, from "Speculum Romanae Magnificentiae"
Multiple artists/makers
ca. 1550–77
Ornamental Foliage with the Left Half of a Mask, Anonymous, Italian, 16th century Italian, Engraving, 2nd state
Ornamental Foliage with the Left Half of a Mask
Anonymous, Italian, 16th century
Attributed to Enea Vico
mid-16th century
St George Killing the Dragon, Enea Vico Italian, Engraving
St George Killing the Dragon
Engraved by Enea Vico
After Giulio Clovio
Publisher Published by Antonio Salamanca
1542
Vanity, Enea Vico Italian, Engraving
Vanity
Engraved by Enea Vico
1545–50
Predestination, Enea Vico Italian, Engraving
Predestination
Engraved by Enea Vico
ca. 1545–50
Entrapment, Enea Vico Italian, Engraving
Entrapment
Enea Vico
ca. 1545–50
Frontispiece to "Ex Antiquis Cameorum et Gemmae Delineata/ Liber Secundus/et ab Enea Vico Parmen Incis", Anonymous, Italian, 16th century Italian, Engraving; third state
Frontispiece to "Ex Antiquis Cameorum et Gemmae Delineata/ Liber Secundus/et ab Enea Vico Parmen Incis"
Multiple artists/makers
published ca. 1599–1622
Costume Plate: Woman from Germany, Enea Vico Italian, Engraving
Costume Plate: Woman from Germany
Reverse copy after Enea Vico
ca. 1558–70
Costume Plate: Peasant Woman from Spain, from "Diversarum gentium nostrae aetatis habitus", Enea Vico Italian, Engraving
Costume Plate: Peasant Woman from Spain, from "Diversarum gentium nostrae aetatis habitus"
Enea Vico
ca. 1555–58
Subjects after Antique Cameos and Gems, from "Speculum Romanae Magnificentiae", Anonymous, Italian, 16th century Italian, Engraving; first state
Subjects after Antique Cameos and Gems, from "Speculum Romanae Magnificentiae"
Multiple artists/makers
ca. 1550–70