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View of the Campidoglio as re-designed by Michelangelo, from "Speculum Romanae Magnificentiae", Etienne DuPérac French, Etching and engraving
View of the Campidoglio as re-designed by Michelangelo, from "Speculum Romanae Magnificentiae"
Etienne DuPérac
1569
Marriage of Annibale Altemps and Ortensia Borromeo, Rome, March 5, 1565, from "Speculum Romanae Magnificentiae", Etienne DuPérac French, Engraving
Marriage of Annibale Altemps and Ortensia Borromeo, Rome, March 5, 1565, from "Speculum Romanae Magnificentiae"
Etienne DuPérac
Publisher Antonio Lafreri
1565
Palazzo Nerone, Anonymous, Netherlandish, 16th century Netherlandish, Pen and brown ink, brush and pale red wash; framing lines in pen and brown ink
Palazzo Nerone
Multiple artists/makers
16th century
View of the column of Trajan, shown with its pedestal dug out from the earth, surrounded by buildings at the base of the Quirinal Hill, Rome, plate 31 from "Ruins of the antiquity of Rome, Tivoli, Pozzuoli, and other places" (Vestigi della antichità di Roma, Tivoli, Pozzvolo et altri luochi), Aegidius Sadeler II Netherlandish, Etching and engraving
View of the column of Trajan, shown with its pedestal dug out from the earth, surrounded by buildings at the base of the Quirinal Hill, Rome, plate 31 from "Ruins of the antiquity of Rome, Tivoli, Pozzuoli, and other places" (Vestigi della antichità di Roma, Tivoli, Pozzvolo et altri luochi)
Aegidius Sadeler II
After Etienne DuPérac
1606
View from the west of ruins of the Aventine Hill, Rome, with boats on the river Tiber in the foreground, plate 21 from "Ruins of the antiquity of Rome, Tivoli, Pozzuoli, and other places" (Vestigi della antichità di Roma, Tivoli, Pozzvolo et altri luochi), Aegidius Sadeler II Netherlandish, Etching and engraving
View from the west of ruins of the Aventine Hill, Rome, with boats on the river Tiber in the foreground, plate 21 from "Ruins of the antiquity of Rome, Tivoli, Pozzuoli, and other places" (Vestigi della antichità di Roma, Tivoli, Pozzvolo et altri luochi)
Aegidius Sadeler II
After Etienne DuPérac
1606
View of the Baths of Caracalla, indicating with inscribed letter 'A' the places from which columns were reportedly taken by Pope Pius IV to be sent to the Grand Duke of Florence, plate 19 from "Ruins of the antiquity of Rome, Tivoli, Pozzuoli, and other places" (Vestigi della antichità di Roma, Tivoli, Pozzvolo et altri luochi), Aegidius Sadeler II Netherlandish, Etching and engraving
View of the Baths of Caracalla, indicating with inscribed letter 'A' the places from which columns were reportedly taken by Pope Pius IV to be sent to the Grand Duke of Florence, plate 19 from "Ruins of the antiquity of Rome, Tivoli, Pozzuoli, and other places" (Vestigi della antichità di Roma, Tivoli, Pozzvolo et altri luochi)
Aegidius Sadeler II
After Etienne DuPérac
1606
Tivoli Palace and Gardens, from "Speculum Romanae Magnificentiae", Etienne DuPérac French, Etching
Tivoli Palace and Gardens, from "Speculum Romanae Magnificentiae"
Etienne DuPérac
Publisher Antonio Lafreri
1573
St Peter's, dome, model, half elevation (recto) blank (verso), Anonymous, French, 16th century French, Dark brown ink, black chalk, and incised lines
St Peter's, dome, model, half elevation (recto) blank (verso)
Draftsman Drawn by Anonymous, French, 16th century
Circle of Etienne DuPérac
early to mid-16th century
Elevation Showing the Exterior of Saint Peter's Basilica from the South as Conceived by Michelangelo (published in 1569), from "Speculum Romanae Magnificentiae", Etienne DuPérac French, Engraving with etching
Elevation Showing the Exterior of Saint Peter's Basilica from the South as Conceived by Michelangelo (published in 1569), from "Speculum Romanae Magnificentiae"
Etienne DuPérac
1558–61
Antiquarum Statuorum urbis Romae... Icones, Etienne DuPérac French, Engraving
Antiquarum Statuorum urbis Romae... Icones
Multiple artists/makers
1575, 1584, 1600
St. Peter's, apse, window, elevation (recto) Unidentified, portal, elevation (verso), Anonymous, French, 16th century French, Dark brown ink, black chalk, and incised lines
St. Peter's, apse, window, elevation (recto) Unidentified, portal, elevation (verso)
Draftsman Drawn by Anonymous, French, 16th century
Circle of Etienne DuPérac
early to mid-16th century
Half-Section of the Model of the Attic and Dome of Saint Peter's Basilica as Conceived by Michelangelo (recto); Detail Studies Relating to the Plan, Section, and Elevation of the Dome of Saint Peter's Basilica (verso)., Etienne DuPérac French, Pen and brown ink, over leadpoint or black chalk.
Half-Section of the Model of the Attic and Dome of Saint Peter's Basilica as Conceived by Michelangelo (recto); Detail Studies Relating to the Plan, Section, and Elevation of the Dome of Saint Peter's Basilica (verso).
Etienne DuPérac
1551, 1558–69
Longitudinal Section Showing the Interior of Saint Peter's Basilica as Conceived by Michelangelo (published in 1569), from "Speculum Romanae Magnificentiae", Etienne DuPérac French, Etching with engraving
Longitudinal Section Showing the Interior of Saint Peter's Basilica as Conceived by Michelangelo (published in 1569), from "Speculum Romanae Magnificentiae"
Etienne DuPérac
1551, 1558–61
St. Peter's, drum, interior, elevation (recto) St. Peter's, drum, pedestal, section (verso), Etienne DuPérac French, Dark brown ink, black chalk, and incised lines
St. Peter's, drum, interior, elevation (recto) St. Peter's, drum, pedestal, section (verso)
Attributed to Etienne DuPérac
early to mid-16th century
St Peter's, entablature profile; reflected ceiling details of the cornice, and profiles of column bases and pedestals (recto) St. Peter's, section through drum of model and entablature of upper story (verso), Anonymous, French, 16th century French, Dark brown ink, black chalk, and incised lines

St Peter's, entablature profile; reflected ceiling details of the cornice, and profiles of column bases and pedestals (recto) St. Peter's, section through drum of model and entablature of upper story (verso)

Draftsman Drawn by Anonymous, French, 16th century
Circle of Etienne DuPérac
early to mid-16th century
St. Peter's, drum, exterior, elevation (recto) St. Peter's, tribune, entablature, section and details (verso), Anonymous, French, 16th century French, Pen and dark brown ink, black chalk, and incised lines
St. Peter's, drum, exterior, elevation (recto) St. Peter's, tribune, entablature, section and details (verso)
Draftsman Drawn by Anonymous, French, 16th century
Circle of Etienne DuPérac
early to mid-16th century
St. Peter's, dome and drum, interior section and elevation, and labeled details (recto); St. Peter's, moulding profiles, details (verso), Etienne DuPérac French, Pen and brown ink, black chalk, and incised lines
St. Peter's, dome and drum, interior section and elevation, and labeled details (recto); St. Peter's, moulding profiles, details (verso)
Attributed to Etienne DuPérac
early to mid-16th century
St. Peter's, from "Speculum Romanae Magnificentiae", Etienne DuPérac French, Engraving and etching
St. Peter's, from "Speculum Romanae Magnificentiae"
Multiple artists/makers
16th century
Plan of St. Peter's, from "Speculum Romanae Magnificentiae", Etienne DuPérac French, Engraving
Plan of St. Peter's, from "Speculum Romanae Magnificentiae"
Etienne DuPérac
1569
View of the Roman Capitol, from "Speculum Romanae Magnificentiae", Etienne DuPérac French, Etching; second state of two
View of the Roman Capitol, from "Speculum Romanae Magnificentiae"
Etienne DuPérac
1569
Temples on the Isle of Tiber, from "Speculum Romanae Magnificentiae", Etienne DuPérac French, Engraving and etching
Temples on the Isle of Tiber, from "Speculum Romanae Magnificentiae"
Etienne DuPérac
1582
Sepulchre of Augustus, from "Speculum Romanae Magnificentiae", Etienne DuPérac French, Engraving and etching; first state of two (Robert-Dumesnil)
Sepulchre of Augustus, from "Speculum Romanae Magnificentiae"
Etienne DuPérac
Publisher Antonio Lafreri
1575
Naval engagement set inside a Roman arena, with the river Tiber and nymphs at lower left and right, Etienne DuPérac French, Etching
Naval engagement set inside a Roman arena, with the river Tiber and nymphs at lower left and right
Etienne DuPérac
1577–85
View of the church of San Bartolomeo all'Isola on Tiber Island, Rome, flanked by bridges, plate 37 from "Ruins of the antiquity of Rome, Tivoli, Pozzuoli, and other places" (Vestigi della antichità di Roma, Tivoli, Pozzvolo et altri luochi), Aegidius Sadeler II Netherlandish, Etching and engraving
View of the church of San Bartolomeo all'Isola on Tiber Island, Rome, flanked by bridges, plate 37 from "Ruins of the antiquity of Rome, Tivoli, Pozzuoli, and other places" (Vestigi della antichità di Roma, Tivoli, Pozzvolo et altri luochi)
Aegidius Sadeler II
After Etienne DuPérac
1606
Face of an Egyptian canopic vase, from "Speculum Romanae Magnificentiae", Etienne DuPérac French, Etching
Face of an Egyptian canopic vase, from "Speculum Romanae Magnificentiae"
Etienne DuPérac
Publisher Claudio Duchetti
late 16th to early 17th century
Back of an Egyptian canopic vase, from "Speculum Romanae Magnificentiae", Etienne DuPérac French, Etching
Back of an Egyptian canopic vase, from "Speculum Romanae Magnificentiae"
Etienne DuPérac
Publisher Claudio Duchetti
late 16th to early 17th century
Title page engraved within architectonic and sculptural border, from "Speculum Romanae Magnificentiae", Etienne DuPérac French, Engraving
Title page engraved within architectonic and sculptural border, from "Speculum Romanae Magnificentiae"
Etienne DuPérac
Publisher Antonio Lafreri
1573–77
Ancient Rome and its Hills, from the West, from "Speculum Romanae Magnificentiae", Etienne DuPérac French, Engraving and etching
Ancient Rome and its Hills, from the West, from "Speculum Romanae Magnificentiae"
Etienne DuPérac
Publisher Antonio Lafreri
1573
Sepulchre of Augustus, from "Speculum Romanae Magnificentiae", Etienne DuPérac French, Engraving and etching; first state of two (Robert-Dumesnil)
Sepulchre of Augustus, from "Speculum Romanae Magnificentiae"
Etienne DuPérac
Publisher Antonio Lafreri
1575
Fountain and Gardens of the Villa d'Este at Tivoli, from "Speculum Romanae Magnificentiae", Etienne DuPérac French, Etching; first state of two (Robert-Dumesnil)
Fountain and Gardens of the Villa d'Este at Tivoli, from "Speculum Romanae Magnificentiae"
Etienne DuPérac
Publisher Antonio Lafreri
1575
Port of Rome, from "Speculum Romanae Magnificentiae", Giovanni Ambrogio Brambilla Italian, Etching and engraving
Port of Rome, from "Speculum Romanae Magnificentiae"
Giovanni Ambrogio Brambilla
After Etienne DuPérac
Publisher Claudio Duchetti
1581
Plan of St. Peter's, from "Speculum Romanae Magnificentiae", Etienne DuPérac French, Engraving
Plan of St. Peter's, from "Speculum Romanae Magnificentiae"
Etienne DuPérac
Publisher Claudio Duchetti
1569
Vatican Reception of the Duke of Tuscany, from "Speculum Romanae Magnificentiae", Etienne DuPérac French, Etching and engraving
Vatican Reception of the Duke of Tuscany, from "Speculum Romanae Magnificentiae"
Attributed to Etienne DuPérac
Attributed to Giovanni Ambrogio Brambilla
ca. 1570
Egyptian Obelisk, from "Speculum Romanae Magnificentiae", Etienne DuPérac French, Engraving
Egyptian Obelisk, from "Speculum Romanae Magnificentiae"
Etienne DuPérac
Publisher Claudio Duchetti
mid-to-late 16th century
Face of an Egyptian canopic vase, from "Speculum Romanae Magnificentiae", Etienne DuPérac French, Etching
Face of an Egyptian canopic vase, from "Speculum Romanae Magnificentiae"
Attributed to Etienne DuPérac
Publisher Giovanni Orlandi
Publisher Claudio Duchetti
late 16th to early 17th century
Pitratto nel quale si rappresenta il vero sito dell'horti et fontane che con ingeniosissimi adornamenti et maraviglie si vedono nella villa in Tivoli fatta dalla Fe. Me. D. Hippolito da Este Card. di Ferrara (Villa d'Este, Tivoli)
Francesco Corduba
After Etienne DuPérac
Publisher Published by Giovanni Giacomo De Rossi
ca. 1620
I Vestigi dell'Antichitá di Roma Raccolti et Ritratti in Perspettiva con Ogni Diligentia da Stefano Du Perac
Etienne DuPérac
Publisher Lorenzo Vaccari
1575
Fabulae Centum
Multiple artists/makers
1565
Ecce Homo
Cornelis Cort
After Etienne DuPérac
1533–78
Ecce Homo
Cornelis Cort
After Etienne DuPérac
1533–78
Ecce Homo
Cornelis Cort
After Etienne DuPérac
ca. 1553–78
Ecce Homo
Cornelis Cort
After Etienne DuPérac
1533–78