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A Swiss Guard, Federico Zuccaro (Zuccari) Italian, Pen and brown ink, brown wash, over extensive black chalk underdrawing; squared in black chalk.
A Swiss Guard
Attributed to Federico Zuccaro (Zuccari)
late 16th–early 17th century
God the Father, Federico Zuccaro (Zuccari) Italian, Pen and brown ink, brush and blue wash, highlighted with white gouache, over traces of black chalk, on blue prepared paper
God the Father
Federico Zuccaro (Zuccari)
1570–80
The Agony of Christ on Mount Olive, Monogrammist SM German, Engraving
The Agony of Christ on Mount Olive
Multiple artists/makers
1569
The Dispute of the Church Fathers over the Holy Sacrament, Cornelis Cort Netherlandish, Engraving
The Dispute of the Church Fathers over the Holy Sacrament
Cornelis Cort
After Federico Zuccaro (Zuccari)
1575
The Calumny of Apelles, Cornelis Cort Netherlandish, Engraving
The Calumny of Apelles
Cornelis Cort
After Federico Zuccaro (Zuccari)
Publisher Giovanni Orlandi
1602
Christ in the Garden of Gethsemane (Matthew 26:36-46), Anonymous, German, 16th century German, Pen and black ink over underdrawing in gray and brown ink, brush and gray wash
Christ in the Garden of Gethsemane (Matthew 26:36-46)
Anonymous, German, 16th century
Former Attribution Formerly attributed to Federico Zuccaro (Zuccari)
ca. 1600
The Calumny of Apelles, Cornelis Cort Netherlandish, Engraving
The Calumny of Apelles
Cornelis Cort
After Federico Zuccaro (Zuccari)
Publisher Giovanni Orlandi
1602
Lament of the Art of Painting (Upper Half), Cornelis Cort Netherlandish, Engraving
Lament of the Art of Painting (Upper Half)
Cornelis Cort
After Federico Zuccaro (Zuccari)
1579
The Coronation of the Virgin with St Lawrence, St Paul, St Peter and St Sixtus, Cornelis Cort Netherlandish, Engraving
The Coronation of the Virgin with St Lawrence, St Paul, St Peter and St Sixtus
Multiple artists/makers
1576
Study for The Allegory of Spring, Federico Zuccaro (Zuccari) Italian, Pen and brown ink, over red chalk and black chalk, brush and brown wash, highlighted with white gouache
Study for The Allegory of Spring
Federico Zuccaro (Zuccari)
1579
Design for a "Quarantore" Decoration, Federico Zuccaro (Zuccari) Italian, Pen and brown ink, brush and brown wash, highlighted with white, over traces of black chalk
Design for a "Quarantore" Decoration
Federico Zuccaro (Zuccari)
1540–1609
Half-Length Study of a Man Standing in Frontal View, Leaning on Armor and Accompanied by a Boy, Federico Zuccaro (Zuccari) Italian, Black and red chalk on tan paper
Half-Length Study of a Man Standing in Frontal View, Leaning on Armor and Accompanied by a Boy
Worshop of Federico Zuccaro (Zuccari)
1540–1609
The Plague of Flies (Exodus 8:21), Federico Zuccaro (Zuccari) Italian, Pen and brown ink, brush and brown wash, over traces of graphite
The Plague of Flies (Exodus 8:21)
Workshop of Federico Zuccaro (Zuccari)
1540–1609
Design for a Cartouche with a Religious Subject in the Central Compartment, Taddeo Zuccaro Italian, Pen and brown ink, brush and brown wash, over leadpoint (?)
Design for a Cartouche with a Religious Subject in the Central Compartment
Attributed to Taddeo Zuccaro
or attributed to Federico Zuccaro (Zuccari)
16th century
Saint Michael and Saint Giovanni Gualberto (after Andrea del Sarto's Vallombrosa Altarpiece), Federico Zuccaro (Zuccari) Italian, Black and red chalk
Saint Michael and Saint Giovanni Gualberto (after Andrea del Sarto's Vallombrosa Altarpiece)
After Federico Zuccaro (Zuccari)
1540/41–1609
Saint John the Baptist and Saint Bernardo degli Uberti (after Andrea del Sarto's Vallombrosa Altarpiece), Federico Zuccaro (Zuccari) Italian, Black and red chalk
Saint John the Baptist and Saint Bernardo degli Uberti (after Andrea del Sarto's Vallombrosa Altarpiece)
After Federico Zuccaro (Zuccari)
1540/41–1609
Christ Preaching, Federico Zuccaro (Zuccari) Italian, Pen and brown ink, brush and brown wash, on brownish paper
Christ Preaching
After Federico Zuccaro (Zuccari)
16th century
The Virgin and Child with Saint Joseph, Attendant Angels, and a Group of Supplicants, Federico Zuccaro (Zuccari) Italian, Pen and brown ink, brush and brown wash, over traces of red chalk (recto); black chalk sketch of a nude male torso (verso)
The Virgin and Child with Saint Joseph, Attendant Angels, and a Group of Supplicants
Federico Zuccaro (Zuccari)
1540/41–1609
The Virgin and Child Appearing to Saint Peter, Saint Damasus, Saint Lawrence, and Saint Paul; the Martyrdom of Saint Lawrence in the Background, Federico Zuccaro (Zuccari) Italian, Pen and brown ink, brush and brown wash, over traces of red and black chalk, on beige paper
The Virgin and Child Appearing to Saint Peter, Saint Damasus, Saint Lawrence, and Saint Paul; the Martyrdom of Saint Lawrence in the Background
Federico Zuccaro (Zuccari)
1566–68
Paradise, Federico Zuccaro (Zuccari) Italian, Pen and brown ink, brush and brown wash, watercolor, gouache, highlighted with white gouache, left and central sections squared in red chalk, on three sheets of brown paper, joined vertically. A piece of brown paper with figures of Christ, the Virgin, and St. John the Baptist, measuring 14.0 x 24.0 cm., has been affixed at the center of the drawing.
Paradise
Federico Zuccaro (Zuccari)
1565–77
A Standing Angel and two Cherubs, Federico Zuccaro (Zuccari) Italian, Pen and brown ink, brush and brown wash, highlighted with white gouache
A Standing Angel and two Cherubs
Ascribed to Federico Zuccaro (Zuccari)
ca. 1566
The Wedding Feast at Cana (after Paolo Veronese), Federico Zuccaro (Zuccari) Italian, Pen and brown ink on blue paper
The Wedding Feast at Cana (after Paolo Veronese)
After Federico Zuccaro (Zuccari)
After Paolo Veronese (Paolo Caliari)
Traditionally attributed to Maerten de Vos
1540–1609
Scene from the Last Judgment, Study for the Fresco Decoration of One of the Segments of the Cupola of the Cathedral of Santa Maria del Fiore in Florence, Federico Zuccaro (Zuccari) Italian, Pen and brown ink, brush and brown wash, over red chalk on ecru paper. The paper is cut to the shape of a segment of an octagonal cupola
Scene from the Last Judgment, Study for the Fresco Decoration of One of the Segments of the Cupola of the Cathedral of Santa Maria del Fiore in Florence
Federico Zuccaro (Zuccari)
1576–79
The Vision of Saint Eustace, Federico Zuccaro (Zuccari) Italian, Point of brush with brown, gray, green, yellow, and red wash, highlighted with white, over red and black chalk; lightly squared in black chalk
The Vision of Saint Eustace
Federico Zuccaro (Zuccari)
1542–1609
Decorative Group, Federico Zuccaro (Zuccari) Italian, Pen and brown ink, on brown paper
Decorative Group
After Federico Zuccaro (Zuccari)
16th century
Ecce Homo, Federico Zuccaro (Zuccari) Italian, Pen and brown ink, brush and brown wash, highlighted with white, on beige paper
Ecce Homo
Federico Zuccaro (Zuccari)
1540/41–1609
Drawing for a Memorial Tablet: Two Winged Children Holding an Empty Oval in a Frame with Gryphons, Federico Zuccaro (Zuccari) Italian, Pen and brown ink and wash
Drawing for a Memorial Tablet: Two Winged Children Holding an Empty Oval in a Frame with Gryphons
Follower of Federico Zuccaro (Zuccari)
n.d.
Drawing of a Roman Emperor Receiving a Petition, Federico Zuccaro (Zuccari) Italian, Pen and brown ink
Drawing of a Roman Emperor Receiving a Petition
After Federico Zuccaro (Zuccari)
n.d.
Birth of the Virgin (copy), Julius Goltzius Netherlandish, Engraving; first state of two
Birth of the Virgin (copy)
Multiple artists/makers
1581
The Lament of the Art of Painting, Cornelis Cort Netherlandish, Engraving; two plates printed on two sheets
The Lament of the Art of Painting
Cornelis Cort
After Federico Zuccaro (Zuccari)
1579
Birth of the Virgin, Cornelis Cort Netherlandish, Engraving
Birth of the Virgin
Cornelis Cort
After Federico Zuccaro (Zuccari)
1578
Mary, Queen of Scots (from "Select Biography: Containing Instructive and Entertaining Accounts of the Lives, Characters, and Actions of the Most Eminent Persons of All Ages and All Countries"), T. Clerk British, Scottish, Stipple and engraving
Mary, Queen of Scots (from "Select Biography: Containing Instructive and Entertaining Accounts of the Lives, Characters, and Actions of the Most Eminent Persons of All Ages and All Countries")
Multiple artists/makers
early 19th century
Mary, Queen of Scots, William Satchwell Leney American, born England, Engraving
Mary, Queen of Scots
Multiple artists/makers
1816
Bust-length Portrait of Torquato Tasso, Federico Zuccaro (Zuccari) Italian, Black and red chalk
Bust-length Portrait of Torquato Tasso
Attributed to Federico Zuccaro (Zuccari)
Former attribution: Anonymous, French, 17th century
ca. 1594
Mary, Queen of Scots (frontispiece, from "De vita et rebus gestis... principis Mariae Scotorum reginae, Franciae dotariae, quae scriptis tradidere autores sedecim...," volume 1), George Vertue British, Etching and engraving
Mary, Queen of Scots (frontispiece, from "De vita et rebus gestis... principis Mariae Scotorum reginae, Franciae dotariae, quae scriptis tradidere autores sedecim...," volume 1)
Multiple artists/makers
1725
Mary, Queen of Scots, Friedrich Fleischmann German, Etching
Mary, Queen of Scots
Multiple artists/makers
ca. 1825
Mary, Queen of Scots, Robert Cooper British, Stipple engraving
Mary, Queen of Scots
Attributed to Robert Cooper
After (?) Federico Zuccaro (Zuccari)
Sitter Mary, Queen of Scots
early 19th century
Mary, Queen of Scots, William Henry Worthington British, Engraving
Mary, Queen of Scots
Multiple artists/makers
ca. 1825
Mary, Queen of Scots (?), Federico Zuccaro (Zuccari) Italian, Mezzotint; first state of three (O'Donoghue)
Mary, Queen of Scots (?)
After (?) Federico Zuccaro (Zuccari)
Sitter possibly Mary, Queen of Scots
first half 18th century
Mary, Queen of Scots, Federico Zuccaro (Zuccari) Italian, Engraving and etching
Mary, Queen of Scots
After (?) Federico Zuccaro (Zuccari)
Sitter Mary, Queen of Scots
later 19th century (?)
Mary, Queen of Scots, John Keyse Sherwin British, Engraving
Mary, Queen of Scots
Multiple artists/makers
January 1, 1788
Mary, Queen of Scots, John Keyse Sherwin British, Engraving
Mary, Queen of Scots
Multiple artists/makers
January 1, 1788