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A Swiss Guard, Federico Zuccaro (Zuccari)  Italian, Pen and brown ink, brown wash, over extensive black chalk underdrawing; squared in black chalk.
Attributed to Federico Zuccaro (Zuccari)
late 16th–early 17th century
Study for The Allegory of Spring, Federico Zuccaro (Zuccari)  Italian, Pen and brown ink, over red chalk and black chalk, brush and brown wash, highlighted with white gouache
Federico Zuccaro (Zuccari)
1579
Birth of the Virgin (copy), Julius Goltzius  Netherlandish, Engraving; first state of two
Multiple artists/makers
1581
The Calumny of Apelles, Cornelis Cort  Netherlandish, Engraving
Cornelis Cort
After Federico Zuccaro (Zuccari)
Publisher Giovanni Orlandi
1602
The Calumny of Apelles, Cornelis Cort  Netherlandish, Engraving
Cornelis Cort
After Federico Zuccaro (Zuccari)
Publisher Giovanni Orlandi
1602
Lament of the Art of Painting (Upper Half), Cornelis Cort  Netherlandish, Engraving
Cornelis Cort
After Federico Zuccaro (Zuccari)
1579
God the Father, Federico Zuccaro (Zuccari)  Italian, Pen and brown ink, brush and blue wash, highlighted with white gouache, over traces of black chalk, on blue prepared paper
Federico Zuccaro (Zuccari)
1570–80
The Agony of Christ on Mount Olive, Monogrammist SM  German, Engraving
Multiple artists/makers
1569
The Dispute of the Church Fathers over the Holy Sacrament, Cornelis Cort  Netherlandish, Engraving
Cornelis Cort
After Federico Zuccaro (Zuccari)
1575
The Plague of Flies (Exodus 8:21), Federico Zuccaro (Zuccari)  Italian, Pen and brown ink, brush and brown wash, over traces of graphite
Workshop of Federico Zuccaro (Zuccari)
1540–1609
Paradise, Federico Zuccaro (Zuccari)  Italian, Pen and brown ink, brush and brown wash, watercolor, gouache, highlighted with white gouache, left and central sections squared in red chalk, on three sheets of brown paper, joined vertically.  A piece of brown paper with figures of Christ, the Virgin, and St. John the Baptist, measuring 14.0 x 24.0 cm., has been affixed at the center of the drawing.
Federico Zuccaro (Zuccari)
1565–77
The Vision of Saint Eustace, Federico Zuccaro (Zuccari)  Italian, Point of brush with brown, gray, green, yellow, and red wash, highlighted with white, over red and black chalk; lightly squared in black chalk
Federico Zuccaro (Zuccari)
1542–1609
Design for a "Quarantore" Decoration, Federico Zuccaro (Zuccari)  Italian, Pen and brown ink, brush and brown wash, highlighted with white, over traces of black chalk
Federico Zuccaro (Zuccari)
1540–1609
Decorative Group, Federico Zuccaro (Zuccari)  Italian, Pen and brown ink, on brown paper
After Federico Zuccaro (Zuccari)
16th century
Ecce Homo, Federico Zuccaro (Zuccari)  Italian, Pen and brown ink, brush and brown wash, highlighted with white, on beige paper
Federico Zuccaro (Zuccari)
1540/41–1609
A Standing Angel and two Cherubs, Federico Zuccaro (Zuccari)  Italian, Pen and brown ink, brush and brown wash, highlighted with white gouache
Ascribed to Federico Zuccaro (Zuccari)
ca. 1566
The Wedding Feast at Cana (after Paolo Veronese), Federico Zuccaro (Zuccari)  Italian, Pen and brown ink on blue paper
After Federico Zuccaro (Zuccari)
After Paolo Veronese (Paolo Caliari)
Traditionally attributed to Maerten de Vos
1540–1609
The Lament of the Art of Painting, Cornelis Cort  Netherlandish, Engraving; two plates printed on two sheets
Cornelis Cort
After Federico Zuccaro (Zuccari)
1579
Design for a Cartouche with a Religious Subject in the Central Compartment, Taddeo Zuccaro  Italian, Pen and brown ink, brush and brown wash, over leadpoint (?)
Attributed to Taddeo Zuccaro
or attributed to Federico Zuccaro (Zuccari)
16th century
Christ Preaching, Federico Zuccaro (Zuccari)  Italian, Pen and brown ink, brush and brown wash, on brownish paper
After Federico Zuccaro (Zuccari)
16th century
Drawing of a Roman Emperor Receiving a Petition, Federico Zuccaro (Zuccari)  Italian, Pen and brown ink
After Federico Zuccaro (Zuccari)
n.d.
Birth of the Virgin, Cornelis Cort  Netherlandish, Engraving
Cornelis Cort
After Federico Zuccaro (Zuccari)
1578
Christ in the Garden of Gethsemane (Matthew 26:36-46), Anonymous, German, 16th century  German, Pen and black ink over underdrawing in gray and brown ink, brush and gray wash
Anonymous, German, 16th century
Former Attribution Formerly attributed to Federico Zuccaro (Zuccari)
ca. 1600
Mary, Queen of Scots, John Keyse Sherwin  British, Engraving
Multiple artists/makers
January 1, 1788
Mary, Queen of Scots, John Keyse Sherwin  British, Engraving
Multiple artists/makers
January 1, 1788
Christ raising the son of the widow outside the gate of the city of Naim, Aliprando Caprioli  Italian, Engraving
Attributed to Aliprando Caprioli
After Federico Zuccaro (Zuccari)
ca. 1570–1600
The Resurrection of Christ, with soldiers awakening before the tomb, Martino Rota  Italian, Engraving
Martino Rota
After Federico Zuccaro (Zuccari)
Publisher Claudio Duchetti
1565–83
Mary, Queen of Scots (?), Federico Zuccaro (Zuccari)  Italian, Mezzotint; first state of three (O'Donoghue)
After (?) Federico Zuccaro (Zuccari)
Sitter possibly Mary, Queen of Scots
first half 18th century
Mary, Queen of Scots, William Henry Worthington  British, Engraving
Multiple artists/makers
ca. 1825
Mary, Queen of Scots, Friedrich Fleischmann  German, Etching
Multiple artists/makers
ca. 1825
Mary, Queen of Scots, Robert Cooper  British, Stipple engraving
Attributed to Robert Cooper
After (?) Federico Zuccaro (Zuccari)
Sitter Mary, Queen of Scots
early 19th century
Mary, Queen of Scots, Federico Zuccaro (Zuccari)  Italian, Engraving and etching
After (?) Federico Zuccaro (Zuccari)
Sitter Mary, Queen of Scots
later 19th century (?)