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A Swiss Guard, Federico Zuccaro (Zuccari)  Italian, Pen and brown ink, brown wash, over extensive black chalk underdrawing; squared in black chalk.
Attributed to Federico Zuccaro (Zuccari)
late 16th–early 17th century
Christ in the Garden of Gethsemane (Matthew 26:36-46), Anonymous, German, 16th century  German, Pen and black ink over underdrawing in gray and brown ink, brush and gray wash
Anonymous, German, 16th century
Former Attribution Formerly attributed to Federico Zuccaro (Zuccari)
ca. 1600
The Lament of the Art of Painting, Cornelis Cort  Netherlandish, Engraving; two plates printed on two sheets
Cornelis Cort
After Federico Zuccaro (Zuccari)
1579
Christ Preaching, Federico Zuccaro (Zuccari)  Italian, Pen and brown ink, brush and brown wash, on brownish paper
After Federico Zuccaro (Zuccari)
16th century
Half-Length Study of a Man Standing in Frontal View, Leaning on Armor and Accompanied by a Boy, Federico Zuccaro (Zuccari)  Italian, Black and red chalk on tan paper
Worshop of Federico Zuccaro (Zuccari)
1540–1609
Scene from the Last Judgment, Study for the Fresco Decoration of One of the Segments of the Cupola of the Cathedral of Santa Maria del Fiore in Florence, Federico Zuccaro (Zuccari)  Italian, Pen and brown ink, brush and brown wash, over red chalk on ecru paper. The paper is cut to the shape of a segment of an octagonal cupola
Federico Zuccaro (Zuccari)
1576–79
The Plague of Flies (Exodus 8:21), Federico Zuccaro (Zuccari)  Italian, Pen and brown ink, brush and brown wash, over traces of graphite
Workshop of Federico Zuccaro (Zuccari)
1540–1609
Paradise, Federico Zuccaro (Zuccari)  Italian, Pen and brown ink, brush and brown wash, watercolor, gouache, highlighted with white gouache, left and central sections squared in red chalk, on three sheets of brown paper, joined vertically.  A piece of brown paper with figures of Christ, the Virgin, and St. John the Baptist, measuring 14.0 x 24.0 cm., has been affixed at the center of the drawing.
Federico Zuccaro (Zuccari)
1565–77
The Vision of Saint Eustace, Federico Zuccaro (Zuccari)  Italian, Point of brush with brown, gray, green, yellow, and red wash, highlighted with white, over red and black chalk; lightly squared in black chalk
Federico Zuccaro (Zuccari)
1542–1609
The Virgin and Child with Saint Joseph, Attendant Angels, and a Group of Supplicants, Federico Zuccaro (Zuccari)  Italian, Pen and brown ink, brush and brown wash, over traces of red chalk (recto); black chalk sketch of a nude male torso (verso)
Federico Zuccaro (Zuccari)
1540/41–1609
Saint Michael and Saint Giovanni Gualberto (after Andrea del Sarto's Vallombrosa Altarpiece), Federico Zuccaro (Zuccari)  Italian, Black and red chalk
After Federico Zuccaro (Zuccari)
1540/41–1609
Design for a "Quarantore" Decoration, Federico Zuccaro (Zuccari)  Italian, Pen and brown ink, brush and brown wash, highlighted with white, over traces of black chalk
Federico Zuccaro (Zuccari)
1540–1609
The Virgin and Child Appearing to Saint Peter, Saint Damasus, Saint Lawrence, and Saint Paul; the Martyrdom of Saint Lawrence in the Background, Federico Zuccaro (Zuccari)  Italian, Pen and brown ink, brush and brown wash, over traces of red and black chalk, on beige paper
Federico Zuccaro (Zuccari)
1566–68
Saint John the Baptist and Saint Bernardo degli Uberti (after Andrea del Sarto's Vallombrosa Altarpiece), Federico Zuccaro (Zuccari)  Italian, Black and red chalk
After Federico Zuccaro (Zuccari)
1540/41–1609
Decorative Group, Federico Zuccaro (Zuccari)  Italian, Pen and brown ink, on brown paper
After Federico Zuccaro (Zuccari)
16th century
Ecce Homo, Federico Zuccaro (Zuccari)  Italian, Pen and brown ink, brush and brown wash, highlighted with white, on beige paper
Federico Zuccaro (Zuccari)
1540/41–1609
A Standing Angel and two Cherubs, Federico Zuccaro (Zuccari)  Italian, Pen and brown ink, brush and brown wash, highlighted with white gouache
Ascribed to Federico Zuccaro (Zuccari)
ca. 1566
The Wedding Feast at Cana (after Paolo Veronese), Federico Zuccaro (Zuccari)  Italian, Pen and brown ink on blue paper
After Federico Zuccaro (Zuccari)
After Paolo Veronese (Paolo Caliari)
Traditionally attributed to Maerten de Vos
1540–1609
Design for a Cartouche with a Religious Subject in the Central Compartment, Taddeo Zuccaro  Italian, Pen and brown ink, brush and brown wash, over leadpoint (?)
Attributed to Taddeo Zuccaro
or attributed to Federico Zuccaro (Zuccari)
16th century
Drawing for a Memorial Tablet: Two Winged Children Holding an Empty Oval in a Frame with Gryphons, Federico Zuccaro (Zuccari)  Italian, Pen and brown ink and wash
Follower of Federico Zuccaro (Zuccari)
n.d.
Drawing of a Roman Emperor Receiving a Petition, Federico Zuccaro (Zuccari)  Italian, Pen and brown ink
After Federico Zuccaro (Zuccari)
n.d.
Study for The Allegory of Spring, Federico Zuccaro (Zuccari)  Italian, Pen and brown ink, over red chalk and black chalk, brush and brown wash, highlighted with white gouache
Federico Zuccaro (Zuccari)
1579
Birth of the Virgin, Cornelis Cort  Netherlandish, Engraving
Cornelis Cort
After Federico Zuccaro (Zuccari)
1578
Birth of the Virgin (copy), Julius Goltzius  Netherlandish, Engraving; first state of two
Multiple artists/makers
1581
The Agony of Christ on Mount Olive, Monogrammist SM  German, Engraving
Multiple artists/makers
1569
The Dispute of the Church Fathers over the Holy Sacrament, Cornelis Cort  Netherlandish, Engraving
Cornelis Cort
After Federico Zuccaro (Zuccari)
1575
The Coronation of the Virgin with St. Lawrence, St. Paul, St. Peter and St. Sixtus, Cornelis Cort  Netherlandish, Engraving
Multiple artists/makers
1576
The Calumny of Apelles, Cornelis Cort  Netherlandish, Engraving
Cornelis Cort
After Federico Zuccaro (Zuccari)
Publisher Giovanni Orlandi
1602
The Calumny of Apelles, Cornelis Cort  Netherlandish, Engraving
Cornelis Cort
After Federico Zuccaro (Zuccari)
Publisher Giovanni Orlandi
1602
Lament of the Art of Painting (Upper Half), Cornelis Cort  Netherlandish, Engraving
Cornelis Cort
After Federico Zuccaro (Zuccari)
1579
God the Father, Federico Zuccaro (Zuccari)  Italian, Pen and brown ink, brush and blue wash, highlighted with white gouache, over traces of black chalk, on blue prepared paper
Federico Zuccaro (Zuccari)
1570–80
Mary, Queen of Scots, William Satchwell Leney  American, born England, Engraving
Multiple artists/makers
1816
Mary, Queen of Scots (from "Select Biography: Containing Instructive and Entertaining Accounts of the Lives, Characters, and Actions of the Most Eminent Persons of All Ages and All Countries"), T. Clerk  British, Scottish, Stipple and engraving
Multiple artists/makers
early 19th century
Mary, Queen of Scots, John Keyse Sherwin  British, Engraving
Multiple artists/makers
January 1, 1788
Mary, Queen of Scots, John Keyse Sherwin  British, Engraving
Multiple artists/makers
January 1, 1788
Mary, Queen of Scots (frontispiece, from "De vita et rebus gestis... principis Mariae Scotorum reginae, Franciae dotariae, quae scriptis tradidere autores sedecim...," volume 1), George Vertue  British, Etching and engraving
Multiple artists/makers
1725
Mary, Queen of Scots (?), Federico Zuccaro (Zuccari)  Italian, Mezzotint; first state of three (O'Donoghue)
After (?) Federico Zuccaro (Zuccari)
Sitter possibly Mary, Queen of Scots
first half 18th century
Mary, Queen of Scots, William Henry Worthington  British, Engraving
Multiple artists/makers
ca. 1825
Mary, Queen of Scots, Friedrich Fleischmann  German, Etching
Multiple artists/makers
ca. 1825
Mary, Queen of Scots, Robert Cooper  British, Stipple engraving
Attributed to Robert Cooper
After (?) Federico Zuccaro (Zuccari)
Sitter Mary, Queen of Scots
early 19th century
Mary, Queen of Scots, Federico Zuccaro (Zuccari)  Italian, Engraving and etching
After (?) Federico Zuccaro (Zuccari)
Sitter Mary, Queen of Scots
later 19th century (?)
Bust-length Portrait of Torquato Tasso, Federico Zuccaro (Zuccari)  Italian, Black and red chalk
Attributed to Federico Zuccaro (Zuccari)
Former attribution: Anonymous, French, 17th century
ca. 1594

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