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Showing 88 results
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Two-handled vase with maidens from the "Dancing Hours"
Wedgwood and Bentley
ca. 1776–80
Spy or opera glass
Josiah Wedgwood
late 18th century
Compositions from the Tragedies of Aeschylus
Aeschylus
1831
Sketch-Book, Including drawings for Hesiod: Works and Days
John Flaxman
ca. 1817
Thetis and Eurynome Receiving the Infant Vulcan, from Homer's Iliad
Joseph Andrews
1828–37
The Iliad and the Odyssey
John Flaxman
1834
"Sacred to Bacchus" wine ewer
Josiah Wedgwood and Sons
ca. 1785–90
Two male classical figures with three horses (design for large fireplace white tiles produced in Wedgwood's factory)
John Flaxman
19th century
Illustration for "Seven Chiefs Against Thebes" (recto); Studies of Figures (verso)
John Flaxman
ca. 1794
Figure Studies, after Flaxman
Eugène Delacroix
ca. 1821
The Iliad and the Odyssey
John Flaxman
1834
Minerva receiving Holy Roman Emperor Francis II (1768–1835) (r. 1792–1804), afterwards Emperor Francis I of Austria, (r. 1804–35)
British, Etruria, Staffordshire
ca. 1792
Design for large fireplace white tiles produced in Wedgwood's factory
John Flaxman
19th century
Chessman (Knight)
John Flaxman
1785
The Muses Watering Pegasus on Mount Helikon
John Flaxman
ca. 1780
The Fine Arts of the English School
John Britton
1812
Compositions by John Flaxman, Sculptor, R.A., from the Divine Poem of Dante Alighieri, containing Hell, Purgatory and Paradise with quotations from the Italian and translations from the version of the Reverend H. Boyd
John Flaxman
1807
Compositions of the "Acts of Mercy"
John Flaxman
1831
Candelabra with Angel Holding a Wreath over an Armorial Shield Supported by Lions, on a Three Footed Base
John Flaxman
1780–1850
The Iliad and the Odyssey
John Flaxman
1834
Tragedy Placing the Wreath on John Kemble, On His Retiring from the Stage
John Flaxman
18th–19th century
Saint Michael Overcoming Satan
Edward William Wyon
1842
Augustus, Viscount Keppel
British, Etruria, Staffordshire
ca. 1780
Ornament For the Rim of a Plate, with Putti and Roses, a Helmeted Putto Below
John Flaxman
18th–19th century
Cameo medallion
British, Etruria, Staffordshire
ca. 1800
La Divina Commedia di Dante Alighieri, Cioe l'Inferno, il Purgatorio, ed il Paradiso
Dante Alighieri
1802
Plaque
Josiah Wedgwood
ca. 1790 (?)
Chessmen (32)
John Flaxman
early 19th century
Ulysses at the Table of Circe (The Odyssey of Homer)
John Flaxman
1805
Compositions by John Flaxman, Sculptor, R.A., from the Divine Poem of Dante Alghieri, Containing Hell, Purgatory and Paradise, with Quotations from the Italian and translations from the version of the Rev. H. Boyd
Dante Alighieri
1807
Diana and Nymphs
John Flaxman
1780–1850
Composition from the "Tragedies of Aeschylus," plate 17 (recto); Goddess statue from "The Suppliants," plate 7 (verso)
John Flaxman
19th century
Liberty Freeing an Enslaved Person
John Flaxman
1750–1850
Lamp
British, Etruria, Staffordshire
ca. 1780–1800
Aurora and the Seasons
John Flaxman
1780–1850
Aurora and the Seasons
John Flaxman
1750–1850
Cameo medallion
British, Etruria, Staffordshire
ca. 1789
A Collection of Portraits, Sketched from the Life Since the Year 1793...and engraved in imitation of original drawings, vol. 1
William Daniell
1809
The Sisters and Mother of Phaeton Transformed into Poplars and Cyenus into a Swan
John Flaxman
1780–1834
Two Helmetted Putti, on Seated on a Drum, the Other on Canonballs, Woman in Classical Dress Carrying a Miltary Trophy Accompanied by a Third Helmeted Putto
John Flaxman
18th–19th century