Visiting Sleeping Beauties: Reawakening Fashion? You must join the virtual exhibition queue when you arrive. If capacity has been reached for the day, the queue will close early.

Learn more
ticketsMember | Make a donation
Search

Search The Collection

Filter By

Object Type / Material
Geographic Location
Date / Era
Department
Show Only:
  • As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes.
    APIPublic domain data for this object can also be accessed using the Met's Open Access API
  • Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more
Showing 87 results
Sort By:
Chessmen (32)
John Flaxman
early 19th century
Peleus, Paris and Enone
John Flaxman
1780–1850
Two-handled vase with maidens from the "Dancing Hours"
Wedgwood and Bentley
ca. 1776–80
The Fine Arts of the English School
John Britton
1812
Compositions from the Tragedies of Aeschylus
John Flaxman
1795
Illustration for "Seven Chiefs Against Thebes" (recto); Studies of Figures (verso)
John Flaxman
ca. 1794
Sketch-Book, Including drawings for Hesiod: Works and Days
John Flaxman
ca. 1817
"Sacred to Bacchus" wine ewer
Josiah Wedgwood and Sons
ca. 1785–90
Sketch for the Title-Page of an Edition of Aeschylus
John Flaxman
1793
Compositions by John Flaxman, Sculptor, R.A., from the Divine Poem of Dante Alghieri, Containing Hell, Purgatory and Paradise, with Quotations from the Italian and translations from the version of the Rev. H. Boyd
Dante Alighieri
1807
The Muses Watering Pegasus on Mount Helikon
John Flaxman
ca. 1780
Diana and Nymphs
John Flaxman
1780–1850
Jupiter Fighting the Giants
John Flaxman
1780–1850
Ulysses at the Table of Circe (The Odyssey of Homer)
John Flaxman
1805
Carolus Linneaus
Josiah Wedgwood
ca. 1779
Composition from the "Tragedies of Aeschylus," plate 17 (recto); Goddess statue from "The Suppliants," plate 7 (verso)
John Flaxman
19th century
The Iliad and the Odyssey
John Flaxman
1834
Male classical figure holding a torch (design for large fireplace white tiles produced in Wedgwood's factory)
John Flaxman
19th century
Sheet of Sketches
John Flaxman
1793
Vase with cover (one of a pair)
John Flaxman
ca. 1780–1800
Vase with cover (one of a pair)
Josiah Wedgwood
ca. 1780–1800
Saint Michael Overcoming Satan
Edward William Wyon
1842
Peleus Seizing Thetis
John Flaxman
1780–1850
Dante and Virgil in the Suicidal Wood (Inferno, Canto 13, verses 22-23)
John Flaxman
1792–93
Design for large fireplace white tiles produced in Wedgwood's factory
John Flaxman
19th century
Sheet of studies with female figure kneeling and embracing standing figure
John Flaxman
1775–1826
Lamp
British, Etruria, Staffordshire
ca. 1780–1800
Three Female Figures Representing Liberality, Friendship and Benevolence
John Flaxman
18th–19th century
Design for large fireplace white tiles produced in Wedgwood's factory
John Flaxman
19th century
The Iliad and the Odyssey
John Flaxman
1834
The Iliad and Odyssey of Homer, Engraved From the Compositions of John Flaxman, Sculptor, Rome
John Flaxman
1793
Two women grieving
John Flaxman
1779–1810
Candelabra with Angel Holding a Wreath over an Armorial Shield Supported by Lions, on a Three Footed Base
John Flaxman
1780–1850
Aurora and the Seasons
John Flaxman
1780–1850
Morning: Pope's Odyssey, Book 12 (recto); Study for the final drawing (verso)
John Flaxman
1792
Hercules and Cerberus Protected by Athena
John Flaxman
1780–1834
Design for a Vase Honoring a Shakespearean Tragic Actor
John Flaxman
18th–19th century
The Iliad of Homer Engraved From the Compositions of John Flaxman, R.A., Sculptor
John Flaxman
1805
Aurora and the Seasons
John Flaxman
1750–1850
Two male classical figures with three horses (design for large fireplace white tiles produced in Wedgwood's factory)
John Flaxman
19th century