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Plate 4: five grotesque heads, from "Friezes, foliage, and grotesques" (Frises, feuillages et grotesques), Stefano della Bella Italian, Etching
Plate 4: five grotesque heads, from "Friezes, foliage, and grotesques" (Frises, feuillages et grotesques)
Stefano della Bella
Publisher François Collignon
ca. 1642–43
Crucifixion, Robert van Audenaerde Flemish, Etching and engraving
Crucifixion
Robert van Audenaerde
Publisher François Collignon
After Carlo Maratti
1670–90
The Holy Trinity; Christ on the cross flanked by two angels, the Holy Spirit as a dove and God in heaven above the cross, a rectangular composition with half-circle at the top, after Reni, Robert van Audenaerde Flemish, Etching
The Holy Trinity; Christ on the cross flanked by two angels, the Holy Spirit as a dove and God in heaven above the cross, a rectangular composition with half-circle at the top, after Reni
Robert van Audenaerde
After Guido Reni
Publisher François Collignon
1683–87
Plate 6: Two studies of children, from "Collection of various doodles and etching proofs" (Recueil de divers griffonnements et preuves d'eauforte), Stefano della Bella Italian, Etching
Plate 6: Two studies of children, from "Collection of various doodles and etching proofs" (Recueil de divers griffonnements et preuves d'eauforte)
Stefano della Bella
Publisher François Collignon
ca. 1646
Plate 6: view of a village with a horse trough in center, horses and houses to either side, a church in center background, François Collignon French, Etching
Plate 6: view of a village with a horse trough in center, horses and houses to either side, a church in center background
François Collignon
Publisher Israël Henriet
1636–61
Plate 1: a cartouche with a lion head with wings at top center, a putto holding a blank escutcheon to either side, from "Twelve cartouches" (Recueil de douze cartouches), François Collignon French, Etching; second state of four
Plate 1: a cartouche with a lion head with wings at top center, a putto holding a blank escutcheon to either side, from "Twelve cartouches" (Recueil de douze cartouches)
François Collignon
After Stefano della Bella
Publisher François Langlois
ca. 1640–45
Plate 2: a cartouche with a child seen from the back to left and a child seen from the front to right, each playing with the head of a sheep crowned with flowers, from "Twelve cartouches" (Recueil de douze cartouches), François Collignon French, Etching; second state of four
Plate 2: a cartouche with a child seen from the back to left and a child seen from the front to right, each playing with the head of a sheep crowned with flowers, from "Twelve cartouches" (Recueil de douze cartouches)
François Collignon
After Stefano della Bella
Publisher François Langlois
ca. 1640–45
Plate 3: a cartouche with a woman with wings ending in a serpent's tail to left, seen from the front, a similar woman seen from the back to right, from "Twelve cartouches" (Recueil de douze cartouches), François Collignon French, Etching; second state of four
Plate 3: a cartouche with a woman with wings ending in a serpent's tail to left, seen from the front, a similar woman seen from the back to right, from "Twelve cartouches" (Recueil de douze cartouches)
François Collignon
After Stefano della Bella
Publisher François Langlois
ca. 1640–45
Plate 4: a cartouche with the head of a cherub at top center, leaves and flowers to either side, from "Twelve cartouches" (Recueil de douze cartouches), François Collignon French, Etching; second state of four
Plate 4: a cartouche with the head of a cherub at top center, leaves and flowers to either side, from "Twelve cartouches" (Recueil de douze cartouches)
François Collignon
After Stefano della Bella
Publisher François Langlois
ca. 1640–45
Plate 5: a cartouche with a blank escutcheon at top center, a chimera to either side, their bodies ending in scrollwork and dragon tails, from "Twelve cartouches" (Recueil de douze cartouches), François Collignon French, Etching; second state of four
Plate 5: a cartouche with a blank escutcheon at top center, a chimera to either side, their bodies ending in scrollwork and dragon tails, from "Twelve cartouches" (Recueil de douze cartouches)
François Collignon
After Stefano della Bella
Publisher François Langlois
ca. 1640–45
Plate 6: a cartouche with a ram skull at top center, grapes and other fruits to either side, from "Twelve cartouches" (Recueil de douze cartouches), François Collignon French, Etching; second state of four
Plate 6: a cartouche with a ram skull at top center, grapes and other fruits to either side, from "Twelve cartouches" (Recueil de douze cartouches)
François Collignon
After Stefano della Bella
Publisher François Langlois
ca. 1640–45
Plate 7: a cartouche with the mask of an ogre at top center, scrollwork to either side, from "Twelve cartouches" (Recueil de douze cartouches), François Collignon French, Etching; second state of four
Plate 7: a cartouche with the mask of an ogre at top center, scrollwork to either side, from "Twelve cartouches" (Recueil de douze cartouches)
François Collignon
After Stefano della Bella
Publisher François Langlois
ca. 1640–45
Plate 8: a cartouche with the head of an old man at top center, scrollwork to either side, from "Twelve cartouches" (Recueil de douze cartouches), François Collignon French, Etching; second state of four
Plate 8: a cartouche with the head of an old man at top center, scrollwork to either side, from "Twelve cartouches" (Recueil de douze cartouches)
François Collignon
After Stefano della Bella
Publisher François Langlois
ca. 1640–45
Plate 9: a cartouche with the head of a ram at top center, flowers at top left and right, from "Twelve cartouches" (Recueil de douze cartouches), François Collignon French, Etching; second state of four
Plate 9: a cartouche with the head of a ram at top center, flowers at top left and right, from "Twelve cartouches" (Recueil de douze cartouches)
François Collignon
After Stefano della Bella
Publisher François Langlois
ca. 1640–45
Plate 10: a cartouche with the heads of two lions in profile to left and right in the center, two chimera heads to either side below with their mouths around empty escutcheons, from "Twelve cartouches" (Recueil de douze cartouches), François Collignon French, Etching; second state of four
Plate 10: a cartouche with the heads of two lions in profile to left and right in the center, two chimera heads to either side below with their mouths around empty escutcheons, from "Twelve cartouches" (Recueil de douze cartouches)
François Collignon
After Stefano della Bella
Publisher François Langlois
ca. 1640–45
Plate 11: a cartouche with fruits, flowers, and leaves at top, a mask of a faun in profile to either side with a festoon of fruits and flowers in each of their mouths, from "Twelve cartouches" (Recueil de douze cartouches), François Collignon French, Etching; second state of four
Plate 11: a cartouche with fruits, flowers, and leaves at top, a mask of a faun in profile to either side with a festoon of fruits and flowers in each of their mouths, from "Twelve cartouches" (Recueil de douze cartouches)
François Collignon
After Stefano della Bella
Publisher François Langlois
ca. 1640–45
Plate 12: a cartouche with an empty escutcheon at top center, a head of a lion in profile to either side, from "Twelve cartouches" (Recueil de douze cartouches), François Collignon French, Etching; second state of four
Plate 12: a cartouche with an empty escutcheon at top center, a head of a lion in profile to either side, from "Twelve cartouches" (Recueil de douze cartouches)
François Collignon
After Stefano della Bella
Publisher François Langlois
ca. 1640–45
Callot figures; two children carrying a cartouche to left, a dwarf in a plumed hat carrying a standard at right, from "Six grotesques" (Six pièces de figures grotesques), Agostino Mitelli II Italian, Etching
Callot figures; two children carrying a cartouche to left, a dwarf in a plumed hat carrying a standard at right, from "Six grotesques" (Six pièces de figures grotesques)
Agostino Mitelli II
After François Collignon
After Stefano della Bella
1684
Callot figures; a dwarf man with a spear at left walking towards the right, another dwarf man with a pegleg firing a musket at right, from "Six grotesques" (Six pièces de figures grotesques), Agostino Mitelli II Italian, Etching
Callot figures; a dwarf man with a spear at left walking towards the right, another dwarf man with a pegleg firing a musket at right, from "Six grotesques" (Six pièces de figures grotesques)
Agostino Mitelli II
After François Collignon
After Stefano della Bella
1684
Callot figures; an old dwarf woman dancing with a young dwarf man to left, an old dwarf man touching the shoulder of a young, smiling dwarf woman, from "Six grotesques" (Six pièces de figures grotesques), Agostino Mitelli II Italian, Etching
Callot figures; an old dwarf woman dancing with a young dwarf man to left, an old dwarf man touching the shoulder of a young, smiling dwarf woman, from "Six grotesques" (Six pièces de figures grotesques)
Agostino Mitelli II
After François Collignon
After Stefano della Bella
1684
Callot figures; two seated dwarf lovers to left, the woman holding a fan, an old dwarf woman, in profile towards the right, standing with a dwarf man with long hair to right, from "Six grotesques" (Six pièces de figures grotesques), Agostino Mitelli II Italian, Etching
Callot figures; two seated dwarf lovers to left, the woman holding a fan, an old dwarf woman, in profile towards the right, standing with a dwarf man with long hair to right, from "Six grotesques" (Six pièces de figures grotesques)
Agostino Mitelli II
After François Collignon
After Stefano della Bella
1684
Callot figures; a well-dressed dwarf man to left declaring his love to an old dwarf woman to left, a dwarf man playing the guitar and a dwarf woman dancing with a tambourine to right, from Six grotesques (Six pièces de figures grotesques), Agostino Mitelli II Italian, Etching
Callot figures; a well-dressed dwarf man to left declaring his love to an old dwarf woman to left, a dwarf man playing the guitar and a dwarf woman dancing with a tambourine to right, from Six grotesques (Six pièces de figures grotesques)
Agostino Mitelli II
After François Collignon
After Stefano della Bella
1684
Callot figures; a dwarf man playing the drum at left, a beefeater in center, a flute player to right, from "Six grotesques" (Six pièces de figures grotesques), Agostino Mitelli II Italian, Etching
Callot figures; a dwarf man playing the drum at left, a beefeater in center, a flute player to right, from "Six grotesques" (Six pièces de figures grotesques)
Agostino Mitelli II
After François Collignon
After Stefano della Bella
1684
An allegory with Innocent X who is seated on horsback on the right, figures represting Rome in the lowe left, François Collignon French, Etching
An allegory with Innocent X who is seated on horsback on the right, figures represting Rome in the lowe left
François Collignon
After Pietro Testa
ca.1645–55
An allegory of painting, François Collignon French, Etching
An allegory of painting
François Collignon
After Pietro Testa
17th century
An eagle walking towards the right, a bust of a woman to right turned in profile towards the left, plate 1 from "Friezes, foliage, and grotesques" (Frises, feuillages et grotesques), Stefano della Bella Italian, Etching
An eagle walking towards the right, a bust of a woman to right turned in profile towards the left, plate 1 from "Friezes, foliage, and grotesques" (Frises, feuillages et grotesques)
After Stefano della Bella
Publisher François Collignon
ca. 1638–43
Festa Fatta in Roma Alli 25 Febraio MDCXXXIV, François Collignon French, Etchings
Festa Fatta in Roma Alli 25 Febraio MDCXXXIV
Multiple artists/makers
February 25, 1649
The Queen of Sheba before Solomon, François Collignon French, Engraving
The Queen of Sheba before Solomon
François Collignon
After Johann Matthias Kager
1631
Libro De Catafalchi, Tabernacoli, con varij designi di Porte fenestre et altri ornamenti di Architettura, Lodovico Scalzi Italian, Etching
Libro De Catafalchi, Tabernacoli, con varij designi di Porte fenestre et altri ornamenti di Architettura
Multiple artists/makers
1599, 1647
Title Page Designed for the Sale of the Series of Paysages Gravés pour Jean de Médicis, from "Paysages Gravés pour Jean de Médicis appelées aussi Paysages Dessinés a Florence, Vues de Florence, Paysages d'Italie, et Paysages Définitifs" (Landscapes Engraved for Giovanni de'Medici, Landscapes Designed in Florence, Views of Florence, Landscapes of Italy, and Definitive Landscapes), François Collignon French, Etching and engraving; second state of two (Lieure)
Title Page Designed for the Sale of the Series of Paysages Gravés pour Jean de Médicis, from "Paysages Gravés pour Jean de Médicis appelées aussi Paysages Dessinés a Florence, Vues de Florence, Paysages d'Italie, et Paysages Définitifs" (Landscapes Engraved for Giovanni de'Medici, Landscapes Designed in Florence, Views of Florence, Landscapes of Italy, and Definitive Landscapes)
François Collignon
After Jacques Callot
Publisher Israël Henriet
ca. 1618
Saint Peter standing in the centre surrounded by Apostles distraught at the death of Christ who is shown ascending from the tomb in the upper section, François Collignon French, Etching
Saint Peter standing in the centre surrounded by Apostles distraught at the death of Christ who is shown ascending from the tomb in the upper section
François Collignon
After Pietro Testa
1650–1700
An allegory of painting, who as an child in the centre left draws on a tablet, surrounded by figures, many of whom are drawing, Pietro Testa Italian, Etching
An allegory of painting, who as an child in the centre left draws on a tablet, surrounded by figures, many of whom are drawing
After Pietro Testa
Publisher François Collignon
1650–1700
St. Carlo Borromeo surrounded by angels, Pietro Testa Italian, Etching
St. Carlo Borromeo surrounded by angels
After Pietro Testa
Publisher François Collignon
1650–70
Self-Portrait, Pietro Testa Italian, Etching
Self-Portrait
Pietro Testa
Sitter Pietro Testa
Publisher François Collignon
ca. 1645
Frontispiece, from "Variae tum Passionis Christi tum vitae beatae Mariae Virginis; Les Mystères de la Passion suite appelée aussi Mystères de la Vie de Jésus et Mystères de la Vie de Jésus et de la Vie de la Ste. Vierge" (The Mysteries of the Passion, also called the Mysteries of the Life of Jesus, and the Mysteries of the Life of Jesus and of the Virgin), Abraham Bosse French, Etching
Frontispiece, from "Variae tum Passionis Christi tum vitae beatae Mariae Virginis; Les Mystères de la Passion suite appelée aussi Mystères de la Vie de Jésus et Mystères de la Vie de Jésus et de la Vie de la Ste. Vierge" (The Mysteries of the Passion, also called the Mysteries of the Life of Jesus, and the Mysteries of the Life of Jesus and of the Virgin)
Attributed to Abraham Bosse
Attributed to François Collignon
Publisher Israël Henriet
ca. 1631
Plate 27: The female personification of Fortitude, holding a pillar and stroking a lion, from "Galeria nel Palazzo Farnese in Roma ... dipinta da Annibale Caracci", Carlo Cesi Italian, Etching
Plate 27: The female personification of Fortitude, holding a pillar and stroking a lion, from "Galeria nel Palazzo Farnese in Roma ... dipinta da Annibale Caracci"
Multiple artists/makers
1657
The Martyrs of Gorchum, François Collignon French, Engraving
The Martyrs of Gorchum
François Collignon
After Abraham van Diepenbeeck
1630–87
The death of Saint Anne with various family members surrounding her and angels overhead, Cesare Fantetti Italian, Etching and engraving
The death of Saint Anne with various family members surrounding her and angels overhead
Cesare Fantetti
After Andrea Sacchi
Publisher François Collignon
1670–80
An Old Male Dwarf Plucks a Guitar while an Old Female Dwarf Dances with a Tambourine
Designed by Stefano della Bella
Etched by François Collignon
ca. 1643
A Male and Female Dwarf Seated on the Ground
Designed by Stefano della Bella
Etched by François Collignon
ca. 1643
A Well-dressed Male Dwarf Approaches an Old, Well-dressed Female Dwarf
Designed by Stefano della Bella
Etched by François Collignon
Publisher Published by François Collignon
ca. 1643
Frontispiece: Facétieuses inventions d'amour et de guerre
Designed by Stefano della Bella
Etched and published by François Collignon
ca. 1643