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Atabalipa, Rex Peruviæ, Jerôme David French?, Engraving
Atabalipa, Rex Peruviæ
Multiple artists/makers
ca. 1634–37
Young Lady's Reply to the Captain's Letter, Abraham Bosse French, Etching; second state of two
Young Lady's Reply to the Captain's Letter
Abraham Bosse
Publisher François Langlois
ca. 1636
Captain's Love Letter, Abraham Bosse French, Etching; second state of two
Captain's Love Letter
Abraham Bosse
Publisher François Langlois
ca. 1636
A horse lying down at center, a cow and two goats at right, two seated shepherds to left, a waterfall and a mountain at left in the background, plate 10 from "Roman landscapes and ruins" (Paysages et ruines de Rome), Stefano della Bella Italian, Etching; fourth state of nine (Talbierska)
A horse lying down at center, a cow and two goats at right, two seated shepherds to left, a waterfall and a mountain at left in the background, plate 10 from "Roman landscapes and ruins" (Paysages et ruines de Rome)
Stefano della Bella
Publisher François Langlois
ca. 1646
The pyramid of Caius Cestius at right in the background, a horse grazing at center, a foal suckling a mare at left, two shepherds at right, plate 11 from "Roman landscapes and ruins" (Paysages et ruines de Rome), Stefano della Bella Italian, Etching; fourth state of nine (Talbierska)
The pyramid of Caius Cestius at right in the background, a horse grazing at center, a foal suckling a mare at left, two shepherds at right, plate 11 from "Roman landscapes and ruins" (Paysages et ruines de Rome)
Stefano della Bella
Publisher François Langlois
ca. 1646
A skirmish, two horsemen battling with swords to the right, men carrying a flag running away towards the right, a dead man on the ground and a horseman seen from behind to the left, from "Varie figure", Stefano della Bella Italian, Etching; first state of four
A skirmish, two horsemen battling with swords to the right, men carrying a flag running away towards the right, a dead man on the ground and a horseman seen from behind to the left, from "Varie figure"
Stefano della Bella
Publisher François Langlois
ca. 1645
Campo Vaccino, a buffalo and two shepherds in center, the Fontanone to right in the middle ground, various animals and people in the background, plate 2 from "Roman landscapes and ruins" (Paysages et ruines de Rome), Stefano della Bella Italian, Etching; fourth state of nine (Talbierska)
Campo Vaccino, a buffalo and two shepherds in center, the Fontanone to right in the middle ground, various animals and people in the background, plate 2 from "Roman landscapes and ruins" (Paysages et ruines de Rome)
Stefano della Bella
Publisher François Langlois
ca. 1646
A gale in the forest, two horsemen wrapped in their cloaks, with the wind blowing from the left side, plate 3 from "Roman landscapes and ruins" (Paysages et ruines de Rome), Stefano della Bella Italian, Etching; fourth state of nine (Talbierska)
A gale in the forest, two horsemen wrapped in their cloaks, with the wind blowing from the left side, plate 3 from "Roman landscapes and ruins" (Paysages et ruines de Rome)
Stefano della Bella
Publisher François Langlois
ca. 1646
A Corinthian capital on the ground at left, a monument with figures in low relief at left in the middleground, various animals and two shepherds at right, plate 4 from "Roman landscapes and ruins" (Paysages et ruines de Rome), Stefano della Bella Italian, Etching; fourth state of nine (Talbierska)
A Corinthian capital on the ground at left, a monument with figures in low relief at left in the middleground, various animals and two shepherds at right, plate 4 from "Roman landscapes and ruins" (Paysages et ruines de Rome)
Stefano della Bella
Publisher François Langlois
ca. 1646
A woman carrying a child on a horse at left, a camel following her, a herd of goats, sheep, and a shepherd in front of her at right, plate 5 from "Roman landscapes and ruins" (Paysages et ruines de Rome), Stefano della Bella Italian, Etching; fourth state of nine (Talbierska)
A woman carrying a child on a horse at left, a camel following her, a herd of goats, sheep, and a shepherd in front of her at right, plate 5 from "Roman landscapes and ruins" (Paysages et ruines de Rome)
Stefano della Bella
Publisher François Langlois
ca. 1646
The Arch of Constantine at left, part of the Colosseum at right, various horses and figures in foreground and background, plate 9 from "Roman landscapes and ruins" (Paysages et ruines de Rome), Stefano della Bella Italian, Etching; fourth state of nine (Talbierska)
The Arch of Constantine at left, part of the Colosseum at right, various horses and figures in foreground and background, plate 9 from "Roman landscapes and ruins" (Paysages et ruines de Rome)
Stefano della Bella
Publisher François Langlois
ca. 1646
Fragments from ancient monuments, plate 1 from "Roman landscapes and ruins" (Paysages et ruines de Rome), Stefano della Bella Italian, Etching; fourth state of nine (Talbierska)
Fragments from ancient monuments, plate 1 from "Roman landscapes and ruins" (Paysages et ruines de Rome)
Stefano della Bella
Publisher François Langlois
Dedicatee Antoine le Charron, Baron de Dormelles
ca. 1646
Declaration of War on Spain by Louis XIII: The King as Hercules, Abraham Bosse French, Etching; second state of four
Declaration of War on Spain by Louis XIII: The King as Hercules
Abraham Bosse
Publisher François Langlois
ca. 1635
Louis XIII as Hercules, Abraham Bosse French, Etching; third state of four (Join-Lambert and Préaud)
Louis XIII as Hercules
Abraham Bosse
Publisher François Langlois
ca. 1635
Atabalipa, Roi du Pérou, Jerôme David French?, Engraving
Atabalipa, Roi du Pérou
Multiple artists/makers
ca. 1634–37
A Pikeman, Abraham Bosse French, Etching; second state of two
A Pikeman
Abraham Bosse
Publisher François Langlois
1632
Plate 1: a cartouche with a lion head with wings at top center, a putto holding a blank escutcheon to either side, from "Twelve cartouches" (Recueil de douze cartouches), François Collignon French, Etching; second state of four
Plate 1: a cartouche with a lion head with wings at top center, a putto holding a blank escutcheon to either side, from "Twelve cartouches" (Recueil de douze cartouches)
François Collignon
After Stefano della Bella
Publisher François Langlois
ca. 1640–45
Plate 5: a cartouche with a blank escutcheon at top center, a chimera to either side, their bodies ending in scrollwork and dragon tails, from "Twelve cartouches" (Recueil de douze cartouches), François Collignon French, Etching; second state of four
Plate 5: a cartouche with a blank escutcheon at top center, a chimera to either side, their bodies ending in scrollwork and dragon tails, from "Twelve cartouches" (Recueil de douze cartouches)
François Collignon
After Stefano della Bella
Publisher François Langlois
ca. 1640–45
Plate 9: a cartouche with the head of a ram at top center, flowers at top left and right, from "Twelve cartouches" (Recueil de douze cartouches), François Collignon French, Etching; second state of four
Plate 9: a cartouche with the head of a ram at top center, flowers at top left and right, from "Twelve cartouches" (Recueil de douze cartouches)
François Collignon
After Stefano della Bella
Publisher François Langlois
ca. 1640–45
Plate 10: a cartouche with the heads of two lions in profile to left and right in the center, two chimera heads to either side below with their mouths around empty escutcheons, from "Twelve cartouches" (Recueil de douze cartouches), François Collignon French, Etching; second state of four
Plate 10: a cartouche with the heads of two lions in profile to left and right in the center, two chimera heads to either side below with their mouths around empty escutcheons, from "Twelve cartouches" (Recueil de douze cartouches)
François Collignon
After Stefano della Bella
Publisher François Langlois
ca. 1640–45
Plate 12: a cartouche with an empty escutcheon at top center, a head of a lion in profile to either side, from "Twelve cartouches" (Recueil de douze cartouches), François Collignon French, Etching; second state of four
Plate 12: a cartouche with an empty escutcheon at top center, a head of a lion in profile to either side, from "Twelve cartouches" (Recueil de douze cartouches)
François Collignon
After Stefano della Bella
Publisher François Langlois
ca. 1640–45
Composition with three figure groups: at left a woman struggles with a male assailant, at center a female satyr and male satryr sit upon a pedestal, at right putti surround two young satyrs riding a goat, from a series of twelve frieze-like designs showing bacchanals, sacrifices, and dances, Pierre Brebiette French, Etching
Composition with three figure groups: at left a woman struggles with a male assailant, at center a female satyr and male satryr sit upon a pedestal, at right putti surround two young satyrs riding a goat, from a series of twelve frieze-like designs showing bacchanals, sacrifices, and dances
Pierre Brebiette
Publisher François Langlois
ca. 1617–25
Composition of figures arranged in a landscape foreground before a statue of a female goddess, at left two nude figures support a nude woman riding a goat led by a putto, at center a draped woman holds one finger to her eye behind a satyr holding a bow, at right Mercury twists away from the satyr, from a series of twelve frieze-like designs showing bacchanals, sacrifices, and dances, Pierre Brebiette French, Etching
Composition of figures arranged in a landscape foreground before a statue of a female goddess, at left two nude figures support a nude woman riding a goat led by a putto, at center a draped woman holds one finger to her eye behind a satyr holding a bow, at right Mercury twists away from the satyr, from a series of twelve frieze-like designs showing bacchanals, sacrifices, and dances
Pierre Brebiette
Publisher François Langlois
ca. 1617–25
Plate 2: a cartouche with a child seen from the back to left and a child seen from the front to right, each playing with the head of a sheep crowned with flowers, from "Twelve cartouches" (Recueil de douze cartouches), François Collignon French, Etching; second state of four
Plate 2: a cartouche with a child seen from the back to left and a child seen from the front to right, each playing with the head of a sheep crowned with flowers, from "Twelve cartouches" (Recueil de douze cartouches)
François Collignon
After Stefano della Bella
Publisher François Langlois
ca. 1640–45
Plate 3: a cartouche with a woman with wings ending in a serpent's tail to left, seen from the front, a similar woman seen from the back to right, from "Twelve cartouches" (Recueil de douze cartouches), François Collignon French, Etching; second state of four
Plate 3: a cartouche with a woman with wings ending in a serpent's tail to left, seen from the front, a similar woman seen from the back to right, from "Twelve cartouches" (Recueil de douze cartouches)
François Collignon
After Stefano della Bella
Publisher François Langlois
ca. 1640–45
Ceres sows seeds and walks behind a goat-drawn plough, at right a man draped with a lion skin grasps a woman's garment and a female satyr receives an embrace from another figure, from a series of twelve frieze-like designs showing bacchanals, sacrifices, and dances, Pierre Brebiette French, Etching
Ceres sows seeds and walks behind a goat-drawn plough, at right a man draped with a lion skin grasps a woman's garment and a female satyr receives an embrace from another figure, from a series of twelve frieze-like designs showing bacchanals, sacrifices, and dances
Pierre Brebiette
Publisher François Langlois
ca. 1617–25
Bacchanal with young Bacchus grasping grapes in his raised left hand; at left a satyr, putti, and a donkey crowd around Bacchus; at right a she-goat suckles a child and women pass a bowl; from a series of twelve frieze-like designs showing bacchanals, sacrifices, and dances, Pierre Brebiette French, Etching
Bacchanal with young Bacchus grasping grapes in his raised left hand; at left a satyr, putti, and a donkey crowd around Bacchus; at right a she-goat suckles a child and women pass a bowl; from a series of twelve frieze-like designs showing bacchanals, sacrifices, and dances
Pierre Brebiette
Publisher François Langlois
ca. 1617–25
Death of St. Peter and St. Paul (Saint Pierre et Saint Paul dans le tombeau), Claude Vignon French, Etching
Death of St. Peter and St. Paul (Saint Pierre et Saint Paul dans le tombeau)
Claude Vignon
Publisher Published by François Langlois
17th century
Plate 4: a cartouche with the head of a cherub at top center, leaves and flowers to either side, from "Twelve cartouches" (Recueil de douze cartouches), François Collignon French, Etching; second state of four
Plate 4: a cartouche with the head of a cherub at top center, leaves and flowers to either side, from "Twelve cartouches" (Recueil de douze cartouches)
François Collignon
After Stefano della Bella
Publisher François Langlois
ca. 1640–45
Plate 6: a cartouche with a ram skull at top center, grapes and other fruits to either side, from "Twelve cartouches" (Recueil de douze cartouches), François Collignon French, Etching; second state of four
Plate 6: a cartouche with a ram skull at top center, grapes and other fruits to either side, from "Twelve cartouches" (Recueil de douze cartouches)
François Collignon
After Stefano della Bella
Publisher François Langlois
ca. 1640–45
Plate 7: a cartouche with the mask of an ogre at top center, scrollwork to either side, from "Twelve cartouches" (Recueil de douze cartouches), François Collignon French, Etching; second state of four
Plate 7: a cartouche with the mask of an ogre at top center, scrollwork to either side, from "Twelve cartouches" (Recueil de douze cartouches)
François Collignon
After Stefano della Bella
Publisher François Langlois
ca. 1640–45
Plate 8: a cartouche with the head of an old man at top center, scrollwork to either side, from "Twelve cartouches" (Recueil de douze cartouches), François Collignon French, Etching; second state of four
Plate 8: a cartouche with the head of an old man at top center, scrollwork to either side, from "Twelve cartouches" (Recueil de douze cartouches)
François Collignon
After Stefano della Bella
Publisher François Langlois
ca. 1640–45
Plate 11: a cartouche with fruits, flowers, and leaves at top, a mask of a faun in profile to either side with a festoon of fruits and flowers in each of their mouths, from "Twelve cartouches" (Recueil de douze cartouches), François Collignon French, Etching; second state of four
Plate 11: a cartouche with fruits, flowers, and leaves at top, a mask of a faun in profile to either side with a festoon of fruits and flowers in each of their mouths, from "Twelve cartouches" (Recueil de douze cartouches)
François Collignon
After Stefano della Bella
Publisher François Langlois
ca. 1640–45
Procession of satyrs and draped figures leading two goats and cow to sacrifice, at right the figure of Pan stands on a rocky pedestal, from a series of twelve frieze-like designs showing bacchanals, sacrifices, and dances, Pierre Brebiette French, Etching
Procession of satyrs and draped figures leading two goats and cow to sacrifice, at right the figure of Pan stands on a rocky pedestal, from a series of twelve frieze-like designs showing bacchanals, sacrifices, and dances
Pierre Brebiette
Publisher François Langlois
ca. 1617–25
Procession of draped female dancers, women bearing baskets, and male musicians, at right a satyr lies bound on a pyre, from a series of twelve frieze-like designs showing bacchanals, sacrifices, and dances, Pierre Brebiette French, Etching
Procession of draped female dancers, women bearing baskets, and male musicians, at right a satyr lies bound on a pyre, from a series of twelve frieze-like designs showing bacchanals, sacrifices, and dances
Pierre Brebiette
Publisher François Langlois
ca. 1617–25
Procession of draped women leading captives and animals, at left Envy rides a lion, at right Silenus rides a donkey, from a series of twelve frieze-like designs showing bacchanals, sacrifices, and dances, Pierre Brebiette French, Etching
Procession of draped women leading captives and animals, at left Envy rides a lion, at right Silenus rides a donkey, from a series of twelve frieze-like designs showing bacchanals, sacrifices, and dances
Pierre Brebiette
Publisher François Langlois
ca. 1617–25
Composition of figures between a Pan herm and a sculpted bust: at left putti carry grapevines, at center a satyr supports Silenus upon a leopard skin, at right a satyr shoes a donkey, from a series of twelve frieze-like designs showing bacchanals, sacrifices, and dances, Pierre Brebiette French, Etching
Composition of figures between a Pan herm and a sculpted bust: at left putti carry grapevines, at center a satyr supports Silenus upon a leopard skin, at right a satyr shoes a donkey, from a series of twelve frieze-like designs showing bacchanals, sacrifices, and dances
Pierre Brebiette
Publisher François Langlois
ca. 1617–25
Frieze-like procession of draped women bearing offerings and horns, at right a man cuts a ram's throat before an altar, from a series of twelve frieze-like designs showing bacchanals, sacrifices, and dances, Pierre Brebiette French, Etching
Frieze-like procession of draped women bearing offerings and horns, at right a man cuts a ram's throat before an altar, from a series of twelve frieze-like designs showing bacchanals, sacrifices, and dances
Pierre Brebiette
Publisher François Langlois
ca. 1617–25
Seven vases, the vase in the middle decorated with the face of Medusa, Plate 1 from "Collection of Various Vases" (Raccolta di Vasi Diversi), Stefano della Bella Italian, Etching
Seven vases, the vase in the middle decorated with the face of Medusa, Plate 1 from "Collection of Various Vases" (Raccolta di Vasi Diversi)
Stefano della Bella
Publisher François Langlois
ca. 1650–56
Seven vases, the vase in the middle formed by three infants, each holding an ewer, plate 3 from "Collection of Various Vases" (Raccolta di Vasi Diversi), Stefano della Bella Italian, Etching
Seven vases, the vase in the middle formed by three infants, each holding an ewer, plate 3 from "Collection of Various Vases" (Raccolta di Vasi Diversi)
Stefano della Bella
Publisher François Langlois
ca. 1650–56
Eight vases, the largest one in the middle with three sculptures in the round of two nymphs and a triton, plate 2 from "Collection of Various Vases" (Raccolta di Vasi Diversi), Stefano della Bella Italian, Etching
Eight vases, the largest one in the middle with three sculptures in the round of two nymphs and a triton, plate 2 from "Collection of Various Vases" (Raccolta di Vasi Diversi)
Stefano della Bella
Publisher François Langlois
ca. 1650–56
Six vases, and two sketches of vases on the extremities, plate 5 from "Collection of Various Vases" (Raccolta di Vasi Diversi), Stefano della Bella Italian, Etching
Six vases, and two sketches of vases on the extremities, plate 5 from "Collection of Various Vases" (Raccolta di Vasi Diversi)
Stefano della Bella
Publisher François Langlois
ca. 1650–56