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Department
Four Nude Warriors, Francesco Allegrini  Italian, Pen and brown ink. Framing lines in pen and brown ink
attributed to Francesco Allegrini
1624–63
Horse, Francesco Allegrini  Italian, Pen and brown ink.  Framing lines in pen and brown ink on mount
attributed to Francesco Allegrini
1624–63
Horses' Heads, Francesco Allegrini  Italian, Pen and brown ink.  Framing lines in pen and brown ink on mount
attributed to Francesco Allegrini
1624–63
Cavalry Engagement, Francesco Allegrini  Italian, Pen and brown ink
attributed to Francesco Allegrini
1624–63
Boar Hunt, Francesco Allegrini  Italian, Pen and brown ink.   Framing lines in pen and brown ink on mount
attributed to Francesco Allegrini
1624–63
Horsemen Hunting, Francesco Allegrini  Italian, Pen and brown ink, brush and brown wash
attributed to Francesco Allegrini
1624–63
The Arrest of Christ, Francesco Allegrini  Italian, Pen and brown ink
attributed to Francesco Allegrini
1624–63
Figures before a Palace or Temple, Francesco Allegrini  Italian, Pen and brown ink, brush and brown wash, over a little red chalk; raming lines in pen and brown ink on mount
Attributed to Francesco Allegrini
1624–63
The Departure of Aeneas Announced to Dido?, Francesco Allegrini  Italian, Pen and brown ink, brush and brown wash, over black chalk; framing lines in red chalk
Francesco Allegrini
1624–63
Cavalry Engagement, Francesco Allegrini  Italian, Pen and brown ink; framing lines in pen and brown ink on mount
attributed to Francesco Allegrini
1624–63
Landscape with a Fortified Building, Francesco Allegrini  Italian, Pen and brown ink, brush and brown wash; framing lines in pen and brown ink on mount
attributed to Francesco Allegrini
Former Attribution Formerly attributed to Carracci School
1624–63
Aeneas and Achates Entering Dido's Palace in a Cloud, Francesco Allegrini  Italian, Pen and brown ink, brush and brown wash, over black chalk; framing lines in black chalk, and in pen and brown ink on mount
attributed to Francesco Allegrini
1624–63
The Death of Dido, Francesco Allegrini  Italian, Pen and brown ink, brush and brown wash, over black chalk; framing lines in pen and brown ink on mount
attributed to Francesco Allegrini
1624–63
Aeneas Carrying Anchises in the Burning of Troy, Francesco Allegrini  Italian, Pen and brown ink, brush and brown wash; framing lines in pen and brown ink on mount
attributed to Francesco Allegrini
1624–63
Lot and His Daughters, Francesco Allegrini  Italian, Pen and brown ink, brush and brown wash; framing lines in red chalk, and pen and brown ink on mount
attributed to Francesco Allegrini
1624–63
The Judgment of Solomon, Francesco Allegrini  Italian, Pen and brown ink, brush and faint green wash.  Framing lines in pen and brown ink on mount
attributed to Francesco Allegrini
1624–63
Landscape with a Ruined Temple, Francesco Allegrini  Italian, Brush and brown wash.  Framing lines in pen and brown ink on mount
attributed to Francesco Allegrini
Former Attribution Formerly attributed to Carracci School
1624–63
Battle of the Titans, Francesco Allegrini  Italian, Pen and brown ink, brush and brown wash.  Framing lines in black chalk, and pen and brown ink on mount
attributed to Francesco Allegrini
1624–63
Man on Horseback with Attendant, Francesco Allegrini  Italian, Pen and brown ink.  Framing lines in pen and brown ink on mount
attributed to Francesco Allegrini
1624–63
Christ before the High Priest Caiphas, Francesco Allegrini  Italian, Pen and brown ink.  Framing lines in pen and brown ink on mount
attributed to Francesco Allegrini
1624–63
Figures, Francesco Allegrini  Italian, Pen and brown ink, brush and brown wash
attributed to Francesco Allegrini
1624–63
Athletes, Francesco Allegrini  Italian, Pen and brown ink.  Framing lines in pen and brown ink on mount
attributed to Francesco Allegrini
1624–63
Soldiers, Francesco Allegrini  Italian, Pen and brown ink.  Framing lines in pen and brown ink on mount
attributed to Francesco Allegrini
1624–63
Mother and Child, Francesco Allegrini  Italian, Pen and brown ink.  Framing lines in pen and brown ink on mount
attributed to Francesco Allegrini
1624–63
The Rape of the Sabines, Francesco Allegrini  Italian, Pen and brown ink, over a little black chalk.  Framing lines in pen and brown ink on mount
attributed to Francesco Allegrini
1624–63
Figures, Francesco Allegrini  Italian, Pen and brown ink.  Framing lines in pen and brown ink on mount
attributed to Francesco Allegrini
1624–63
Horse, Francesco Allegrini  Italian, Pen and brown ink.  Framing lines in pen and brown ink on mount
attributed to Francesco Allegrini
1624–63
Battle Scene, Francesco Allegrini  Italian, Pen and brown ink, brush and red wash
Francesco Allegrini
1624–63
Standing Male Figure with Cloak and Staff, Francesco Allegrini  Italian, Pen and brown ink; framing lines in pen and brown ink on mount
Francesco Allegrini
1624–63
Landscape with Figures: The Silver Age, Francesco Allegrini  Italian, Pen and brown ink, brush and brown wash; framing lines in black chalk, and in pen and brown ink on mount
attributed to Francesco Allegrini
1624–63
Unidentified Subject (Nine Figures and a Horse), Francesco Allegrini  Italian, Pen and brown ink, over red chalk; framing lines in pen and brown ink on mount
attributed to Francesco Allegrini
1624–63
Four Flying Angels (recto); Two Flying Figures (verso), Francesco Allegrini  Italian, Pen and brown ink, brush and brown wash (recto); two flying figures in pen and brown ink (verso)
attributed to Francesco Allegrini
1624–63
Procession of Musicians, Francesco Allegrini  Italian, Pen and brown ink
attributed to Francesco Allegrini
1624–63
Cain Slaying Abel, Francesco Allegrini  Italian, Pen and brown ink; framing lines in pen and brown ink on mount
attributed to Francesco Allegrini
1624–63
The Library of Pergamus Given to Cleopatra, Francesco Allegrini  Italian, Pen and brown ink, brush and brown wash; framing lines in pen and brown ink on mount
attributed to Francesco Allegrini
1624–63
Scene of Sacrifice, Francesco Allegrini  Italian, Pen and brown ink, brush and brown wash; framing lines in black chalk, and pen and brown ink on mount
Attributed to Francesco Allegrini
1624–63
Horses, Parmigianino (Girolamo Francesco Maria Mazzola)  Italian, Pen and brown ink; framing lines in pen and brown ink on mount
Parmigianino (Girolamo Francesco Maria Mazzola)
Former Attribution Formerly attributed to Francesco Allegrini
1530–40
Six Horses, Francesco Allegrini  Italian, Pen and brown ink.  Framing lines in pen and brown ink on mount
attributed to Francesco Allegrini
1624–63
Study of an Actor, Francesco Allegrini  Italian, Pen and brown ink
attributed to Francesco Allegrini
1624–63