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Design for a Garden Fête with a Semi-circular Wall and Statues in Niches., Francesco Allegrini Italian, Pen and brown ink, brush and brown wash over traces of graphite; some strokes cancelled with white gouache
Design for a Garden Fête with a Semi-circular Wall and Statues in Niches.
Francesco Allegrini
1615–79
Religious Scene (Job and His Comforters?), Francesco Allegrini Italian, Pen and brown ink; framing lines in black chalk, and in pen and brown ink on mount
Religious Scene (Job and His Comforters?)
attributed to Francesco Allegrini
1624–63
Battle Scene, Francesco Allegrini Italian, Pen and brown ink, brush and red wash
Battle Scene
Francesco Allegrini
1624–63
The Departure of Aeneas Announced to Dido?, Francesco Allegrini Italian, Pen and brown ink, brush and brown wash, over black chalk; framing lines in red chalk
The Departure of Aeneas Announced to Dido?
Francesco Allegrini
1624–63
Seated Female Nude and Dancing Female Figure, Francesco Allegrini Italian, Pen and brown ink
Seated Female Nude and Dancing Female Figure
Francesco Allegrini
1624–63
Standing Male Figure with Cloak and Staff, Francesco Allegrini Italian, Pen and brown ink; framing lines in pen and brown ink on mount
Standing Male Figure with Cloak and Staff
Francesco Allegrini
1624–63
Unidentified Subject (Two Falling Figures and Two Standing Women in a Landscape), Francesco Allegrini Italian, Pen and brown ink; framing lines in pen and brown ink on mount
Unidentified Subject (Two Falling Figures and Two Standing Women in a Landscape)
attributed to Francesco Allegrini
1624–63
Two Monastic Figures Standing before a Church, Francesco Allegrini Italian, Pen and brown ink; framing lines in pen and brown ink on mount
Two Monastic Figures Standing before a Church
attributed to Francesco Allegrini
1624–63
Unidentified Subject (Nine Figures and a Horse), Francesco Allegrini Italian, Pen and brown ink, over red chalk; framing lines in pen and brown ink on mount
Unidentified Subject (Nine Figures and a Horse)
attributed to Francesco Allegrini
1624–63
Four Flying Angels (recto); Two Flying Figures (verso), Francesco Allegrini Italian, Pen and brown ink, brush and brown wash (recto); two flying figures in pen and brown ink (verso)
Four Flying Angels (recto); Two Flying Figures (verso)
attributed to Francesco Allegrini
1624–63
Procession of Musicians, Francesco Allegrini Italian, Pen and brown ink
Procession of Musicians
attributed to Francesco Allegrini
1624–63
The Expulsion of Adam and Eve from Paradise (recto); Studies for the Same Composition (verso), Francesco Allegrini Italian, Pen and brown ink, over red chalk
The Expulsion of Adam and Eve from Paradise (recto); Studies for the Same Composition (verso)
attributed to Francesco Allegrini
1624–63
Two Horses, Francesco Allegrini Italian, Pen and brown ink; framing lines in pen and brown ink on mount
Two Horses
attributed to Francesco Allegrini
1624–63
Cain Slaying Abel, Francesco Allegrini Italian, Pen and brown ink; framing lines in pen and brown ink on mount
Cain Slaying Abel
attributed to Francesco Allegrini
1624–63
Group of Horsemen, Francesco Allegrini Italian, Pen and brown ink. Framing lines in pen and brown ink on mount
Group of Horsemen
attributed to Francesco Allegrini
1624–63
The Death of Polyxena, Francesco Allegrini Italian, Pen and brown ink, brush and brown wash; double framing lines in pen and brown ink on mount
The Death of Polyxena
Attributed to Francesco Allegrini
1624–63
Group of Five Allegorical Figures, Francesco Allegrini Italian, Pen and brown ink; framing lines in pen and brown ink
Group of Five Allegorical Figures
Attributed to Francesco Allegrini
1624–63
Horses, Francesco Allegrini Italian, Pen and brown ink; double framing lines in pen and brown ink on mount
Horses
Attributed to Francesco Allegrini
1624–63
Christ before the High Priest Caiphas, Francesco Allegrini Italian, Pen and brown ink. Framing lines in pen and brown ink on mount
Christ before the High Priest Caiphas
attributed to Francesco Allegrini
1624–63
Horses, Parmigianino (Girolamo Francesco Maria Mazzola) Italian, Pen and brown ink; framing lines in pen and brown ink on mount
Horses
Parmigianino (Girolamo Francesco Maria Mazzola)
Former Attribution Formerly attributed to Francesco Allegrini
1530–40
Six Horses, Francesco Allegrini Italian, Pen and brown ink. Framing lines in pen and brown ink on mount
Six Horses
attributed to Francesco Allegrini
1624–63
Christ Crucified with the Good Thief, Francesco Allegrini Italian, Pen and brown ink, brush and brown wash. Framing lines in red chalk, and in pen and brown ink on mount
Christ Crucified with the Good Thief
attributed to Francesco Allegrini
1624–63
Group of Standing and Seated Female Figures (recto); Costumed Female Figure (verso), Francesco Allegrini Italian, Red chalk (recto). Pen and brown ink sketch of a costumed female figure (verso)
Group of Standing and Seated Female Figures (recto); Costumed Female Figure (verso)
attributed to Francesco Allegrini
1624–63
Figures, Francesco Allegrini Italian, Pen and brown ink
Figures
attributed to Francesco Allegrini
1624–63
Horse and Rider, Francesco Allegrini Italian, Pen and brown ink over black chalk
Horse and Rider
attributed to Francesco Allegrini
1624–63
Study of an Actor, Francesco Allegrini Italian, Pen and brown ink
Study of an Actor
attributed to Francesco Allegrini
1624–63
Cavalry Charge, Francesco Allegrini Italian, Pen and brown ink
Cavalry Charge
attributed to Francesco Allegrini
1624–63
Cavalry Charge, Francesco Allegrini Italian, Pen and brown ink, brush and brown wash
Cavalry Charge
attributed to Francesco Allegrini
1624–63
Four Horsemen in Battle, Francesco Allegrini Italian, Pen and brown ink, brush and brown wash. Framing lines in pen and brown ink on mount
Four Horsemen in Battle
attributed to Francesco Allegrini
1624–63
Horsemen and Three Foot Soldiers in Battle, Francesco Allegrini Italian, Pen and brown ink, brush and brown wash
Horsemen and Three Foot Soldiers in Battle
attributed to Francesco Allegrini
1624–63
Supplicants before an Enthroned King and Queen, Francesco Allegrini Italian, Pen and brown ink
Supplicants before an Enthroned King and Queen
attributed to Francesco Allegrini
1624–63
Cavalry Engagement (recto); Concert of Angels (verso), Francesco Allegrini Italian, Pen and brown ink (recto). Faint pen and brown ink sketch of an angelic concert (verso). Framing lines in pen and brown ink on mount
Cavalry Engagement (recto); Concert of Angels (verso)
attributed to Francesco Allegrini
1624–63
Horsemen and Archers, Francesco Allegrini Italian, Pen and brown ink. Framing lines in pen and brown ink
Horsemen and Archers
attributed to Francesco Allegrini
1624–63
Four Nude Warriors, Francesco Allegrini Italian, Pen and brown ink. Framing lines in pen and brown ink
Four Nude Warriors
attributed to Francesco Allegrini
1624–63
Figures, Francesco Allegrini Italian, Pen and brown ink, brush and brown wash
Figures
attributed to Francesco Allegrini
1624–63
Athletes, Francesco Allegrini Italian, Pen and brown ink. Framing lines in pen and brown ink on mount
Athletes
attributed to Francesco Allegrini
1624–63
Figures, Francesco Allegrini Italian, Pen and brown ink. Framing lines in pen and brown ink on mount
Figures
attributed to Francesco Allegrini
1624–63
Figures, Francesco Allegrini Italian, Pen and brown ink, brush and brown wash; framing lines in pen and brown ink on mount
Figures
Attributed to Francesco Allegrini
1624–63
King Solomon Receiving the Queen of Sheba, Francesco Allegrini Italian, Pen and brown ink; framing lines in pen and brown ink on mount
King Solomon Receiving the Queen of Sheba
attributed to Francesco Allegrini
1624–63
Two Standing Male Figures in Antique Military Costume, Francesco Allegrini Italian, Pen and brown ink, brush with brown and blue wash. Framing lines in pen and brown ink on mount
Two Standing Male Figures in Antique Military Costume
attributed to Francesco Allegrini
1624–63
The Death of Lucretia?, Francesco Allegrini Italian, Pen and brown ink, brush and brown wash. Framing lines in pen and brown ink on mount
The Death of Lucretia?
attributed to Francesco Allegrini
1624–63
The Library of Pergamus Given to Cleopatra, Francesco Allegrini Italian, Pen and brown ink, brush and brown wash; framing lines in pen and brown ink on mount
The Library of Pergamus Given to Cleopatra
attributed to Francesco Allegrini
1624–63