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Religious Scene (Job and His Comforters?), Francesco Allegrini Italian, Pen and brown ink; framing lines in black chalk, and in pen and brown ink on mount
Religious Scene (Job and His Comforters?)
attributed to Francesco Allegrini
1624–63
Battle Scene, Francesco Allegrini Italian, Pen and brown ink, brush and red wash
Battle Scene
Francesco Allegrini
1624–63
The Departure of Aeneas Announced to Dido?, Francesco Allegrini Italian, Pen and brown ink, brush and brown wash, over black chalk; framing lines in red chalk
The Departure of Aeneas Announced to Dido?
Francesco Allegrini
1624–63
Seated Female Nude and Dancing Female Figure, Francesco Allegrini Italian, Pen and brown ink
Seated Female Nude and Dancing Female Figure
Francesco Allegrini
1624–63
Standing Male Figure with Cloak and Staff, Francesco Allegrini Italian, Pen and brown ink; framing lines in pen and brown ink on mount
Standing Male Figure with Cloak and Staff
Francesco Allegrini
1624–63
Unidentified Scene: Figures in a Landscape, Francesco Allegrini Italian, Pen and brown ink; framing lines in pen and brown ink
Unidentified Scene: Figures in a Landscape
Francesco Allegrini
1624–63
Cavalry Engagement, Francesco Allegrini Italian, Pen and brown ink; framing lines in pen and brown ink on mount
Cavalry Engagement
attributed to Francesco Allegrini
1624–63
Landscape with a Fortified Building, Francesco Allegrini Italian, Pen and brown ink, brush and brown wash; framing lines in pen and brown ink on mount
Landscape with a Fortified Building
attributed to Francesco Allegrini
Former Attribution Formerly attributed to Carracci School
1624–63
Group of Figures Copied from Michelangelo's Last Judgment, Francesco Allegrini Italian, Pen and brown ink, over traces of black chalk; framing lines in pen and brown ink on mount
Group of Figures Copied from Michelangelo's Last Judgment
Attributed to Francesco Allegrini
After Michelangelo Buonarroti
1624–63
Landscape with Figures: The Silver Age, Francesco Allegrini Italian, Pen and brown ink, brush and brown wash; framing lines in black chalk, and in pen and brown ink on mount
Landscape with Figures: The Silver Age
attributed to Francesco Allegrini
1624–63
The Rape of Europa, Francesco Allegrini Italian, Pen and brown ink; framing lines in black chalk, and in pen and brown ink on mount
The Rape of Europa
attributed to Francesco Allegrini
1624–63
Aeneas and Achates Entering Dido's Palace in a Cloud, Francesco Allegrini Italian, Pen and brown ink, brush and brown wash, over black chalk; framing lines in black chalk, and in pen and brown ink on mount
Aeneas and Achates Entering Dido's Palace in a Cloud
attributed to Francesco Allegrini
1624–63
The Death of Dido, Francesco Allegrini Italian, Pen and brown ink, brush and brown wash, over black chalk; framing lines in pen and brown ink on mount
The Death of Dido
attributed to Francesco Allegrini
1624–63
Aeneas Carrying Anchises in the Burning of Troy, Francesco Allegrini Italian, Pen and brown ink, brush and brown wash; framing lines in pen and brown ink on mount
Aeneas Carrying Anchises in the Burning of Troy
attributed to Francesco Allegrini
1624–63
Lot and His Daughters, Francesco Allegrini Italian, Pen and brown ink, brush and brown wash; framing lines in red chalk, and pen and brown ink on mount
Lot and His Daughters
attributed to Francesco Allegrini
1624–63
Unidentified Subject (Two Falling Figures and Two Standing Women in a Landscape), Francesco Allegrini Italian, Pen and brown ink; framing lines in pen and brown ink on mount
Unidentified Subject (Two Falling Figures and Two Standing Women in a Landscape)
attributed to Francesco Allegrini
1624–63
Two Monastic Figures Standing before a Church, Francesco Allegrini Italian, Pen and brown ink; framing lines in pen and brown ink on mount
Two Monastic Figures Standing before a Church
attributed to Francesco Allegrini
1624–63
Unidentified Subject (Nine Figures and a Horse), Francesco Allegrini Italian, Pen and brown ink, over red chalk; framing lines in pen and brown ink on mount
Unidentified Subject (Nine Figures and a Horse)
attributed to Francesco Allegrini
1624–63
Four Flying Angels (recto); Two Flying Figures (verso), Francesco Allegrini Italian, Pen and brown ink, brush and brown wash (recto); two flying figures in pen and brown ink (verso)
Four Flying Angels (recto); Two Flying Figures (verso)
attributed to Francesco Allegrini
1624–63
Procession of Musicians, Francesco Allegrini Italian, Pen and brown ink
Procession of Musicians
attributed to Francesco Allegrini
1624–63
The Expulsion of Adam and Eve from Paradise (recto); Studies for the Same Composition (verso), Francesco Allegrini Italian, Pen and brown ink, over red chalk
The Expulsion of Adam and Eve from Paradise (recto); Studies for the Same Composition (verso)
attributed to Francesco Allegrini
1624–63
Two Horses, Francesco Allegrini Italian, Pen and brown ink; framing lines in pen and brown ink on mount
Two Horses
attributed to Francesco Allegrini
1624–63
Cain Slaying Abel, Francesco Allegrini Italian, Pen and brown ink; framing lines in pen and brown ink on mount
Cain Slaying Abel
attributed to Francesco Allegrini
1624–63
Group of Horsemen, Francesco Allegrini Italian, Pen and brown ink. Framing lines in pen and brown ink on mount
Group of Horsemen
attributed to Francesco Allegrini
1624–63
The Death of Polyxena, Francesco Allegrini Italian, Pen and brown ink, brush and brown wash; double framing lines in pen and brown ink on mount
The Death of Polyxena
Attributed to Francesco Allegrini
1624–63
Group of Five Allegorical Figures, Francesco Allegrini Italian, Pen and brown ink; framing lines in pen and brown ink
Group of Five Allegorical Figures
Attributed to Francesco Allegrini
1624–63
Figures, Francesco Allegrini Italian, Pen and brown ink, brush and brown wash; framing lines in pen and brown ink on mount
Figures
Attributed to Francesco Allegrini
1624–63
King Solomon Receiving the Queen of Sheba, Francesco Allegrini Italian, Pen and brown ink; framing lines in pen and brown ink on mount
King Solomon Receiving the Queen of Sheba
attributed to Francesco Allegrini
1624–63
Two Standing Male Figures in Antique Military Costume, Francesco Allegrini Italian, Pen and brown ink, brush with brown and blue wash. Framing lines in pen and brown ink on mount
Two Standing Male Figures in Antique Military Costume
attributed to Francesco Allegrini
1624–63
The Death of Lucretia?, Francesco Allegrini Italian, Pen and brown ink, brush and brown wash. Framing lines in pen and brown ink on mount
The Death of Lucretia?
attributed to Francesco Allegrini
1624–63
The Library of Pergamus Given to Cleopatra, Francesco Allegrini Italian, Pen and brown ink, brush and brown wash; framing lines in pen and brown ink on mount
The Library of Pergamus Given to Cleopatra
attributed to Francesco Allegrini
1624–63
The Judgment of Solomon, Francesco Allegrini Italian, Pen and brown ink, brush and faint green wash. Framing lines in pen and brown ink on mount
The Judgment of Solomon
attributed to Francesco Allegrini
1624–63
Landscape with a Ruined Temple, Francesco Allegrini Italian, Brush and brown wash. Framing lines in pen and brown ink on mount
Landscape with a Ruined Temple
attributed to Francesco Allegrini
Former Attribution Formerly attributed to Carracci School
1624–63
Men Carrying Jars, Francesco Allegrini Italian, Pen and brown ink, and brush and brown wash. Framing lines in pen and brown ink on mount
Men Carrying Jars
attributed to Francesco Allegrini
1624–63
Battle of the Titans, Francesco Allegrini Italian, Pen and brown ink, brush and brown wash. Framing lines in black chalk, and pen and brown ink on mount
Battle of the Titans
attributed to Francesco Allegrini
1624–63
Enthroned Warrior Distributing Crowns, Francesco Allegrini Italian, Pen and brown ink, brush and brown wash; framing lines in pen and brown ink on mount
Enthroned Warrior Distributing Crowns
attributed to Francesco Allegrini
Former Attribution Formerly attributed to Carracci School
1624–63
Scene of Sacrifice, Francesco Allegrini Italian, Pen and brown ink, brush and brown wash; framing lines in black chalk, and pen and brown ink on mount
Scene of Sacrifice
Attributed to Francesco Allegrini
1624–63
The Martyrdom of Saint Sebastian (recto); Bearded Old Man Blessing Seen in Half-length (verso), Francesco Allegrini Italian, Pen and brown ink (recto and verso). <br/>Framing lines in black chalk, and pen and brown ink on mount
The Martyrdom of Saint Sebastian (recto); Bearded Old Man Blessing Seen in Half-length (verso)
attributed to Francesco Allegrini
1624–63
Four Figures Studies, One of a Standing Archer, Francesco Allegrini Italian, Pen and brown ink. Framing lines in pen and brown ink on mount
Four Figures Studies, One of a Standing Archer
attributed to Francesco Allegrini
1624–63
Man on Horseback with Attendant, Francesco Allegrini Italian, Pen and brown ink. Framing lines in pen and brown ink on mount
Man on Horseback with Attendant
attributed to Francesco Allegrini
1624–63
Horses, Francesco Allegrini Italian, Pen and brown ink; double framing lines in pen and brown ink on mount
Horses
Attributed to Francesco Allegrini
1624–63
Christ before the High Priest Caiphas, Francesco Allegrini Italian, Pen and brown ink. Framing lines in pen and brown ink on mount
Christ before the High Priest Caiphas
attributed to Francesco Allegrini
1624–63

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The Metropolitan Museum of Art presents over 5,000 years of art from around the world, and our online collection reflects ongoing work conducted over the course of our more than 150-year history. You may encounter objects or images that may be inappropriate for some viewers or information that may be outdated.