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Brisé fan with depiction of allegorical figure of Music, Francesco Bartolozzi  Italian, Pierced, gilded, and painted ivory; painted paper; printed and painted silk ribbon; glass, British
Central engraving possibly Francesco Bartolozzi
After Giovanni Battista Cipriani
last quarter 18th century
[Designs for Various Ornaments], Michelangelo Pergolesi  Italian, Illustrations: etching
Artist and publisher Michelangelo Pergolesi
Engraver Francesco Bartolozzi
After Giovanni Battista Cipriani
1777–92
John Ward, 2nd Viscount Dudley and Ward, Francesco Bartolozzi  Italian, Black and red chalk, varnished
Francesco Bartolozzi
Former Attribution Formerly attributed to John Singleton Copley
Sitter John Ward, 2nd Viscount Dudley and Ward
1779–1802
John Hinchcliffe, Bishop of Peterborough, Francesco Bartolozzi  Italian, Black and red chalk, varnished
Francesco Bartolozzi
Former Attribution Formerly attributed to John Singleton Copley
Sitter John Hinchcliffe, Bishop of Petersborough
1779–1802
William Murray, 1st Earl of Mansfield, Francesco Bartolozzi  Italian, Black and red chalk, varnished
Francesco Bartolozzi
Former Attribution Formerly attributed to John Singleton Copley
Sitter William Murray, 1st Earl of Mansfield
1779–1802
William Henry Cavendish Bentinck, 3rd Duke of Portland, Francesco Bartolozzi  Italian, Black and red chalk, varnished
Francesco Bartolozzi
Former Attribution Formerly attributed to John Singleton Copley
Sitter William Cavendish-Bentinck, 3rd Duke of Portland
1764–1802
Richard Brocklesby, physician, Francesco Bartolozzi  Italian, Black and red chalk, varnished
Francesco Bartolozzi
Former Attribution Formerly attributed to John Singleton Copley
Sitter Richard Brocklesby
1764–1802
Charles Pratt, Baron Camden (later 1st Earl Camden), Francesco Bartolozzi  Italian, Black and red chalk, varnished
Francesco Bartolozzi
Former Attribution Formerly attributed to John Singleton Copley
Sitter Charles Pratt, 1st Earl Camden
1764–1802
Frederick, Lord North, Francesco Bartolozzi  Italian, Black, red, and white chalk
Francesco Bartolozzi
Former Attribution Formerly attributed to John Singleton Copley
Sitter Frederick North, 2nd Earl of Guilford
1764–1802
Thomas Howard, 3rd Earl of Effingham and 9th Baron Howard, Francesco Bartolozzi  Italian, Black and red chalk, varnished
Francesco Bartolozzi
Former Attribution Formerly attributed to John Singleton Copley
Sitter Thomas Howard, 3rd Earl of Effingham
1764–1802
Head of a Woman, Francesco Bartolozzi  Italian, Red crayon
Attributed to Francesco Bartolozzi
After François Boucher
1760–1815
Roland Furieux, Poëme Héroique de l'Arioste, Ludovico Ariosto  Italian, Engraving
Multiple artists/makers
1775–76
Miss Elizabeth Farren, Countess of Derby, Francesco Bartolozzi  Italian, Color stipple engraving and etching; fifth state
Francesco Bartolozzi
After Sir Thomas Lawrence
Sitter Elizabeth Farren, Countess of Derby
1792
Anonymous portrait, Francesco Bartolozzi  Italian, Red chalk and graphite
Francesco Bartolozzi
After Hans Holbein the Younger
ca. 1794–1802
Anonymous portrait, Francesco Bartolozzi  Italian, Red chalk and graphite
Francesco Bartolozzi
After Hans Holbein the Younger
ca. 1794–1802
The Conclusion of the Treaty of Troyes, Francesco Bartolozzi  Italian, Stipple engraving; third state
Engraved by Francesco Bartolozzi
After William Hamilton
1788
S. Isidorus, S. Vincentius, S. Hyacinthus, Francesco Bartolozzi  Italian, Engraving
Francesco Bartolozzi
after Giovanni Battista Piazzetta
Publisher Published by Joseph Wagner
1760
Hagar Sent into the Wildnerness, Francesco Bartolozzi  Italian, Engraving and etching
Francesco Bartolozzi
After Giuseppe Zocchi
Publisher Published Venice by Joseph Wagner
1758
The Right Honorable Charles Pratt, 1st Earl Camden, Lord Chancellor, Francesco Bartolozzi  Italian, Stipple engraving and etching; fifth state
Francesco Bartolozzi
After Thomas Gainsborough
Sitter Portrait of Charles Pratt, 1st Earl Camden
1795
Ignatius Sancho, Francesco Bartolozzi  Italian, Stipple engraving and etching; third(?) state of three
Multiple artists/makers
1802
Mrs. Abington as Thalia, Francesco Bartolozzi  Italian, Stipple engraving and etching, printed in brown ink; first state of seven
Multiple artists/makers
August 20, 1783
Sir Henry Clinton, Francesco Bartolozzi  Italian, Stipple engraving and etching; first state, before letters
Multiple artists/makers
October 8, 1780
Mrs. Abington as Thalia, Francesco Bartolozzi  Italian, Stipple engraving and etching; working proof, printed in brown ink
Multiple artists/makers
1783
Jupiter and Juno on Mount Ida, Francesco Bartolozzi  Italian, Stipple engraving and etching, printed in color; second state of four
Engraver Francesco Bartolozzi
After Giovanni Battista Cipriani
Publisher Torre & Co.
January 1, 1784
Lady Smith and her Children, Francesco Bartolozzi  Italian, Stipple engraving and etching; third (?) state of five
Engraver Francesco Bartolozzi
After Sir Joshua Reynolds
Sitter Lady Charlotte Sophia Smith
March 15, 1789
Title Page, "Sancho's Letters, with Memoirs of his Life," by Joseph Jekyll, Esq., M.P., Francesco Bartolozzi  Italian, Etching and engraving; fourth state of four
Francesco Bartolozzi
Publisher William Sancho
Author Related author Ignatius Sancho
December 20, 1802
Ophelia (Shakespeare, Hamlet, Act 4), Francesco Bartolozzi  Italian, Etching and stipple engraving, printed in brown ink; fourth state of four
Engraver Francesco Bartolozzi
After James Nixon
Subject William Shakespeare
1784
The Flight of Mary Queen of Scots to England, Francesco Bartolozzi  Italian, Etching and engraving, printed in brown ink; fourth state
Multiple artists/makers
August 2, 1794
Demosthenes, Cicero and William Pitt, Earl of Chatham, Francesco Bartolozzi  Italian, Etching and engraving
Attributed to Francesco Bartolozzi
Sitter William Pitt, 1st Earl of Chatham
1750–1815
The Adoration of  the Shepherds, Francesco Bartolozzi  Italian, Etching and aquatint, printed in brown ink; only state
Engraver Francesco Bartolozzi
After Giovanni Benedetto Castiglione (Il Grechetto)
before 1764
Monument to Johann Christian Bach, Francesco Bartolozzi  Italian, Etching and engraving; fourth state of four
Multiple artists/makers
March 10, 1782

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