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Panaromic View of the Bacino di San Marco, Looking up the Giudecca Canal, Francesco Guardi Italian, Pen and brown ink, light brown wash, on two sheets of paper, joined.
Panaromic View of the Bacino di San Marco, Looking up the Giudecca Canal
Francesco Guardi
1780–93
Fantastic Landscape, Francesco Guardi Italian, Oil on canvas
Fantastic Landscape
Francesco Guardi
ca. 1765
Fantastic Landscape, Francesco Guardi Italian, Oil on canvas
Fantastic Landscape
Francesco Guardi
ca. 1765
Venice from the Bacino di San Marco, Francesco Guardi Italian, Oil on canvas
Venice from the Bacino di San Marco
Francesco Guardi
ca. 1765–75
Santa Maria della Salute, Francesco Guardi Italian, Oil on canvas
Santa Maria della Salute
Francesco Guardi
mid- to late 1760s
Piazza San Marco, Francesco Guardi Italian, Oil on canvas
Piazza San Marco
Francesco Guardi
late 1760s
Venice: The Rialto, Francesco Guardi Italian, Oil on wood
Venice: The Rialto
Workshop of Francesco Guardi
The Villa Loredan, Paese, Francesco Guardi Italian, Oil on canvas
The Villa Loredan, Paese
Francesco Guardi
early 1780s
The Island of San Michele, Venice, Francesco Guardi Italian, Oil on canvas
The Island of San Michele, Venice
Francesco Guardi
1770s
The Grand Canal above the Rialto, Francesco Guardi Italian, Oil on canvas
The Grand Canal above the Rialto
Francesco Guardi
late 1760s
Venice: The Dogana and Santa Maria della Salute, Francesco Guardi Italian, Oil on wood
Venice: The Dogana and Santa Maria della Salute
Workshop of Francesco Guardi
The Antechamber of the Sala del Maggior Consiglio, Francesco Guardi Italian, Oil on canvas
The Antechamber of the Sala del Maggior Consiglio
Francesco Guardi
ca. 1765–68
The Ridotto Pubblico at Palazzo Dandolo, Francesco Guardi Italian, Oil on canvas
The Ridotto Pubblico at Palazzo Dandolo
Francesco Guardi
ca. 1765–68
Panorama of Venice from the Bacino di San Marco, Including the Project for the Proposed Teatro Manin, Francesco Guardi Italian, Pen and brown ink, gray wash, and a little body color
Panorama of Venice from the Bacino di San Marco, Including the Project for the Proposed Teatro Manin
Francesco Guardi
ca. 1788–93
Figure Studies, Francesco Guardi Italian, Pen and brown ink, light and dark brown and grayish brown wash
Figure Studies
Francesco Guardi
ca. 1765–70
A Venetian Capriccio: A Rio Leading to a Bridge, Francesco Guardi Italian, Pen and brown ink, brown wash
A Venetian Capriccio: A Rio Leading to a Bridge
Francesco Guardi
ca. 1780–85
A Colonnade, Partly Ruined, with Figures, Francesco Guardi (?) Italian, Pen and brown ink, brown and gray wash
A Colonnade, Partly Ruined, with Figures
Francesco Guardi
Giacomo Guardi
ca. 1780–90
Capriccio with a Circular Tower, Two Houses, and a Bridge, Francesco Guardi Italian, Oil on paper, laid down on Masonite
Capriccio with a Circular Tower, Two Houses, and a Bridge
Follower of Francesco Guardi
18th century
Capriccio with a Square Tower and Two Houses, Francesco Guardi Italian, Oil on paper, laid down on Masonite
Capriccio with a Square Tower and Two Houses
Follower of Francesco Guardi
18th century
Capriccio with an Island, a Tower, and Houses, Francesco Guardi Italian, Oil on paper, laid down on Masonite
Capriccio with an Island, a Tower, and Houses
Follower of Francesco Guardi
18th century
An Architectural Capriccio, with Classical Ruins, Francesco Guardi Italian, Pen and brown ink, brown wash
An Architectural Capriccio, with Classical Ruins
Francesco Guardi
ca. 1780–85
Fantastic Landscape, Francesco Guardi Italian, Oil on canvas
Fantastic Landscape
Francesco Guardi
ca. 1765
The Grand Canal above the Rialto (recto); A Priest Celebrating Mass and Saint Vincent Ferrer Preaching (verso), Francesco Guardi Italian, Pen and brown ink, brush and brown wash, over black chalk (recto); red chalk, pen and brown ink, brush and brown wash (verso)
The Grand Canal above the Rialto (recto); A Priest Celebrating Mass and Saint Vincent Ferrer Preaching (verso)
Francesco Guardi
1712–93
The Staircase of the Giants, Ducal Palace, Venice, Francesco Guardi Italian, Pen and brown ink, brush and brown wash, over red chalk. Selectively pricked holes for the construction of straight lines
The Staircase of the Giants, Ducal Palace, Venice
Francesco Guardi
1712–93
Architectural Capriccio: Vaulted Colonnade of a Palace, Francesco Guardi Italian, Pen and brown ink, over red chalk
Architectural Capriccio: Vaulted Colonnade of a Palace
Francesco Guardi
1712–93
Architectural Capriccio: Courtyard of a Palace, Francesco Guardi Italian, Pen and brown ink, brush and brown wash, over red chalk
Architectural Capriccio: Courtyard of a Palace
Francesco Guardi
1712–93
Architectural Fantasy: Figures on a Grand Staircase, Francesco Guardi Italian, Pen and brown ink, brush and brown wash. Framing lines in pen and brown ink
Architectural Fantasy: Figures on a Grand Staircase
Francesco Guardi
1712–93
The Fenice Theater in Venice (recto); Fragment of a Larger Drawing Representing Part of a Column and a Cornice (verso), Francesco Guardi (recto) Italian, Pen and brown ink, brush with brown and gray wash over traces of black chalk (recto); pen and brown ink, brush and gray wash (verso)
The Fenice Theater in Venice (recto); Fragment of a Larger Drawing Representing Part of a Column and a Cornice (verso)
Francesco Guardi
Giacomo Guardi
1712–1835
The Fire at San Marcuola (recto); Roman Ruins (verso), Francesco Guardi Italian, Pen and brown ink, brush and brown wash, over black chalk (recto); framing lines in pen and brown ink<br/>Pen and brown ink, brush and brown wash, over black chalk; framing lines in pen and brown ink at the left, top and bottom border in graphite at the right border (verso)
The Fire at San Marcuola (recto); Roman Ruins (verso)
Francesco Guardi
1712–93
Lagoon Capriccio with a Tower, Francesco Guardi Italian, Pen and brown ink, brush and brown wash, over black chalk
Lagoon Capriccio with a Tower
Francesco Guardi
1712–93
Architectural Capriccio: A Palace Colonnade, Francesco Guardi Italian, Pen and brown ink, brush and brown wash, over black chalk; framing lines in pen and brown ink
Architectural Capriccio: A Palace Colonnade
Francesco Guardi
1712–93
Gardens of the Villa Correr, near Strà (recto); Study for The Transverberation of Saint Teresa of Jesus and a Study of Hands (verso), Francesco Guardi Italian, Pen and brown ink, brush and brown wash, over charcoal (recto). Framing lines in pen and brown ink; charcoal (verso)
Gardens of the Villa Correr, near Strà (recto); Study for The Transverberation of Saint Teresa of Jesus and a Study of Hands (verso)
Francesco Guardi
1712–93
The Piazzetta, Looking Toward San Giorgio Maggiore (recto); Two Columns (verso), Francesco Guardi Italian, Pen and brown ink, brush and brown wash (recto). Framing lines in pen and brown ink. Pen and brown ink sketch of two columns (verso)
The Piazzetta, Looking Toward San Giorgio Maggiore (recto); Two Columns (verso)
Francesco Guardi
1712–93
The Island of Anconetta (recto); Two Feet Wearing Pointed Shoes (verso), Francesco Guardi Italian, Pen and brown ink, brush with brown and gray wash, over red chalk (recto); at upper border appear two feet wearing pointed shoes, pricked for transfer and executed in brush and brown, blue, and yellow wash (verso)
The Island of Anconetta (recto); Two Feet Wearing Pointed Shoes (verso)
Francesco Guardi
1712–93
Capriccio with a Seaport and Classical Ruins, Francesco Guardi Italian, Pen and brown ink, brush and brown wash, over black chalk
Capriccio with a Seaport and Classical Ruins
Francesco Guardi
1712–93
Capriccio with Roman Ruins, Francesco Guardi Italian, Pen and brown ink, brush and brown wash, over graphite; framing lines in pen and brown ink drawn by the artist; sheet glued onto secondary paper support
Capriccio with Roman Ruins
Francesco Guardi
18th century
Architectural Capriccio: Courtyard of a Palace (recto); Saint Aloysius Gonzaga Holding a Crucifix (verso), Francesco Guardi Italian, Pen and brown ink, brush and brown wash, over black chalk (recto); graphite (verso)
Architectural Capriccio: Courtyard of a Palace (recto); Saint Aloysius Gonzaga Holding a Crucifix (verso)
Francesco Guardi
1712–93
Dice Players in a Venetian Square, Francesco Guardi Italian, Pen and brown ink, brush and brown wash, over traces of graphite or lead or black chalk; framing lines in pen and brown ink
Dice Players in a Venetian Square
Francesco Guardi
1712–93
Architectural Capriccio: Garden Entrance to a Palace (recto); Three Masked and Costumed Figures and Other Figure Studies (verso), Francesco Guardi Italian, Pen and brown ink, brush and brown wash, over black chalk. Framing lines in pen and brown ink (recto); pen and light brown ink for costumed figures; dark brown ink for the other figures; in graphite, drawing of a head in profile (verso)
Architectural Capriccio: Garden Entrance to a Palace (recto); Three Masked and Costumed Figures and Other Figure Studies (verso)
Francesco Guardi
1712–93
Architectural Capriccio: Vaulted Passageway Leading to a Square, Francesco Guardi Italian, Pen and brown ink, brush and brown wash, over black chalk; framing lines in pen and brown ink
Architectural Capriccio: Vaulted Passageway Leading to a Square
Francesco Guardi
1712–93
Architectural Capriccio: A Vaulted Passageway (recto); Ruined Loggia (verso), Francesco Guardi Italian, Pen and brown ink, brush and brown wash (recto); pen and brown ink (verso); framing lines in pen and brown ink
Architectural Capriccio: A Vaulted Passageway (recto); Ruined Loggia (verso)
Francesco Guardi
18th century
Lagoon Capriccio with an Obelisk, Francesco Guardi Italian, Pen and brown ink, brush and gray wash, over black chalk
Lagoon Capriccio with an Obelisk
Francesco Guardi
ca. 1750–70