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The Girandola at the Castel Sant'Angelo, Rome, Louis Jean Desprez French, Etching with hand-coloring
The Girandola at the Castel Sant'Angelo, Rome
Designed and hand colored by Louis Jean Desprez
Etched by Francesco Piranesi
ca. 1781–1784
Ceremony held in the Cappella Paolina, Vatican, Francesco Piranesi Italian, Etching; second sate of three (Wollin)
Ceremony held in the Cappella Paolina, Vatican
Francesco Piranesi
After Louis Jean Desprez
1787
View opposite the entrance gate of all of the shops to the right and left of the street of the City of Pompeii, from "Antiquités de Pompeïa, tome premier, Antiquités de la Grande Grèce..." (Antiquities of Pompeii, volume one, Antiquities of Great Greece...), volume 1, plate 13, Francesco Piranesi Italian, Etching
View opposite the entrance gate of all of the shops to the right and left of the street of the City of Pompeii, from "Antiquités de Pompeïa, tome premier, Antiquités de la Grande Grèce..." (Antiquities of Pompeii, volume one, Antiquities of Great Greece...), volume 1, plate 13
Francesco Piranesi
After Giovanni Battista Piranesi
1804
View of the interior of the city of Pompeii, from "Antiquités de Pompeïa, tome premier, Antiquités de la Grande Grèce..." (Antiquities of Pompeii, volume one, Antiquities of Great Greece...), volume 1, plate 6, Francesco Piranesi Italian, Etching
View of the interior of the city of Pompeii, from "Antiquités de Pompeïa, tome premier, Antiquités de la Grande Grèce..." (Antiquities of Pompeii, volume one, Antiquities of Great Greece...), volume 1, plate 6
Francesco Piranesi
After Giovanni Battista Piranesi
1804
Large plan of the entrance of the town of Pompeii, and its surrounding buildings, from "Antiquités de Pompeïa, tome premier, Antiquités de la Grande Grèce..." (Antiquities of Pompeii, volume one, Antiquities of Great Greece...), volume 1, plate 2, Francesco Piranesi Italian, Etching
Large plan of the entrance of the town of Pompeii, and its surrounding buildings, from "Antiquités de Pompeïa, tome premier, Antiquités de la Grande Grèce..." (Antiquities of Pompeii, volume one, Antiquities of Great Greece...), volume 1, plate 2
Francesco Piranesi
After Giovanni Battista Piranesi
1804
View from the street entering beneath the gateway to the city of Pompeii, with the foot paths and the shops, from "Antiquités de Pompeïa, tome premier, Antiquités de la Grande Grèce..." (Antiquities of Pompeii, volume one, Antiquities of Great Greece...), volume 1, plate 8, Francesco Piranesi Italian, Etching
View from the street entering beneath the gateway to the city of Pompeii, with the foot paths and the shops, from "Antiquités de Pompeïa, tome premier, Antiquités de la Grande Grèce..." (Antiquities of Pompeii, volume one, Antiquities of Great Greece...), volume 1, plate 8
Francesco Piranesi
After Giovanni Battista Piranesi
1804
Cross-sections, which show the different aspects of the buildings shown in the plan of Pompeii [the preceding plate], from "Antiquités de Pompeïa, tome premier, Antiquités de la Grande Grèce..." (Antiquities of Pompeii, volume one, Antiquities of Great Greece...), volume 1, plate 3, Francesco Piranesi Italian, Etching
Cross-sections, which show the different aspects of the buildings shown in the plan of Pompeii [the preceding plate], from "Antiquités de Pompeïa, tome premier, Antiquités de la Grande Grèce..." (Antiquities of Pompeii, volume one, Antiquities of Great Greece...), volume 1, plate 3
Francesco Piranesi
After Giovanni Battista Piranesi
1804
View of Pompeii (Altra veduta della Stanza dove si preparava il Bogno Caldo . . . ), Francesco Piranesi Italian, Etching
View of Pompeii (Altra veduta della Stanza dove si preparava il Bogno Caldo . . . )
Francesco Piranesi
n.d.
Parti in grande restaurati de' Trofei de Ottaviano Augusto (Restored detail of the Trophy of Octavian Augusto), Francesco Piranesi Italian, Etching
Parti in grande restaurati de' Trofei de Ottaviano Augusto (Restored detail of the Trophy of Octavian Augusto)
Francesco Piranesi
ca. 1753
Prima Parte di Architettura, e Prospettive inventate, ed incise da Giambatista Piranesi Architetto Veneziano fra gli Arcadi Salcindio Tiseio; Lettere di Giustificazione a Milord Charlemont plates, which were adapted to appear in the Opere Varie; Opere Varie; Grotteschi; Carceri; Archi Trionfali, and Trofei di Ottaviano Augusto , Giovanni Battista Piranesi Italian, Etching

Prima Parte di Architettura, e Prospettive inventate, ed incise da Giambatista Piranesi Architetto Veneziano fra gli Arcadi Salcindio Tiseio; Lettere di Giustificazione a Milord Charlemont plates, which were adapted to appear in the Opere Varie; Opere Varie; Grotteschi; Carceri; Archi Trionfali, and Trofei di Ottaviano Augusto

Giovanni Battista Piranesi
Francesco Piranesi
1761–1809
Plate 45, Volume II of "Antiquités de la Grande-Grèce", Francesco Piranesi Italian, Etching
Plate 45, Volume II of "Antiquités de la Grande-Grèce"
Francesco Piranesi
ca. 1807
Vasi, candelabri, cippi, sarcofagi, tripodi, lucerne, ed ornamenti antichi disegnati ed incisi dal Cav. Gio. Batt. Piranesi, Vol. I (Vases, candelabra, grave stones, sarcophagi, tripods, lamps, and ornaments designed and etched by Cavalieri Giovanni Battista Piranesi), Giovanni Battista Piranesi Italian, Etching
Vasi, candelabri, cippi, sarcofagi, tripodi, lucerne, ed ornamenti antichi disegnati ed incisi dal Cav. Gio. Batt. Piranesi, Vol. I (Vases, candelabra, grave stones, sarcophagi, tripods, lamps, and ornaments designed and etched by Cavalieri Giovanni Battista Piranesi)
Giovanni Battista Piranesi
Francesco Piranesi
1778–80
Vasi, candelabri, cippi, sarcofagi, tripodi, lucerne, ed ornamenti antichi disegnati ed incisi dal Cav. Gio. Batt. Piranesi, Vol. II (Vases, candelabra, grave stones, sarcophagi, tripods, lamps, and ornaments designed and etched by Cavalieri Giovanni Battista Piranesi), Giovanni Battista Piranesi Italian, Etching
Vasi, candelabri, cippi, sarcofagi, tripodi, lucerne, ed ornamenti antichi disegnati ed incisi dal Cav. Gio. Batt. Piranesi, Vol. II (Vases, candelabra, grave stones, sarcophagi, tripods, lamps, and ornaments designed and etched by Cavalieri Giovanni Battista Piranesi)
Giovanni Battista Piranesi
Francesco Piranesi
1778–80
Louis Jean Desprez French, Brush and brown wash over etching
A view of the Tomb of Mamia, in Pompeii
Louis Jean Desprez
etching by Francesco Piranesi
n.d.
Prison Scene, Francesco Piranesi Italian, Etching
Prison Scene
Francesco Piranesi
After Giovanni Battista Piranesi
n.d.
Fête pour la Paix Générale donnée à Paris le 18 Brumaire. Pont Royal, Francesco Piranesi Italian, Line engraving with watercolor and gouache, text printed in gold ink
Fête pour la Paix Générale donnée à Paris le 18 Brumaire. Pont Royal
Francesco Piranesi
François Jean Sablet
1801–2
Fête pour la Paix Générale donnée à Paris le 18 Brumaire. Pont et Place de la Concorde., Francesco Piranesi Italian, Line engraving with watercolor and gouache
Fête pour la Paix Générale donnée à Paris le 18 Brumaire. Pont et Place de la Concorde.
Francesco Piranesi
François Jean Sablet
1801–2
Plan of the Temple of Isis, two theaters, soldiers' quarter, a large portico, and a palestra, from "Antiquités de Pompeïa, tome second, Antiquités de la Grande Grèce..." (Antiquities of Pompeii, volume two, Antiquities of Great Greece...), volume 2, plate 58
Francesco Piranesi
After Giovanni Battista Piranesi
1805
Large illustration of columns from the Temple of Vesta and the Temple of Sibyl, tavola 6 from "Raccolta de'Tempi Antichi, Prima Parte" (Collection of Antique Temples, First Part)
Francesco Piranesi
Publisher Francesco Piranesi
ca. 1750–80
Illustration of the door of the Temple of Vesta in Tivoli and its modinature, tavola 8 from "Raccolta de'Tempi Antichi, Prima Parte" (Collection of Antique Temples, First Part)
Francesco Piranesi
Publisher Francesco Piranesi
ca. 1750–80
Illustration of the various ornaments of the Temple of Vesta, which include the symbols of Vesta, tavola 7 from "Raccolta de'Tempi Antichi, Prima Parte" (Collection of Antique Temples, First Part)
Francesco Piranesi
Publisher Francesco Piranesi
ca. 1750–80
Temple of Sibyl in Tivoli, now called the Church of S. George, tavola 13 from "Raccolta de'Tempi Antichi, Prima Parte" (Collection of Antique Temples, First Part)
Francesco Piranesi
Publisher Francesco Piranesi
ca. 1750–80
Plan of the Temple of Honor, and of Virtue, now the Church of S. Urbano outside the Port of S. Sebastiano, tavola 1 from "Raccolta de'Tempi Antichi, Prima Parte" (Collection of Antique Temples, First Part)
Francesco Piranesi
Publisher Francesco Piranesi
ca. 1750–80

Side view of the Temple of Honor, and of Virtue, tavola 3 from "Raccolta de'Tempi Antichi, Prima Parte" (Collection of Antique Temples, First Part)

Francesco Piranesi
Publisher Francesco Piranesi
ca. 1750–80
Ground plan of the current state of the Pantheon, or Rotunda, from "Raccolta de'Tempi Antichi, Prima Parte" (Collection of Antique Temples, First Part)
Francesco Piranesi
Publisher Francesco Piranesi
ca. 1750–80
View of the Temple of Isis, and of its two wings of the Peristyle, all taken from the front, from "Antiquités de Pompeïa, tome second, Antiquités de la Grande Grèce..." (Antiquities of Pompeii, volume two, Antiquities of Great Greece...), volume 2, plate 66
Francesco Piranesi
After Giovanni Battista Piranesi
1806
View of the interior of the portico of the temple of Isis and of the cell of the Temple of Isis, from "Antiquités de Pompeïa, tome second, Antiquités de la Grande Grèce..." (Antiquities of Pompeii, volume two, Antiquities of Great Greece...), volume 2, plate 67
Francesco Piranesi
After Giovanni Battista Piranesi
1805
Parapet of the Pantheon in its current state, without the modern bell towers, from "Raccolta de'Tempi Antichi, Prima Parte" (Collection of Antique Temples, First Part)
Francesco Piranesi
Publisher Francesco Piranesi
ca. 1750–80
View of the Pantheon with a reconstruction of its ornament, from "Raccolta de'Tempi Antichi, Prima Parte" (Collection of Antique Temples, First Part)
Francesco Piranesi
Publisher Francesco Piranesi
ca. 1750–80

View of the Pantheon, called the Rotonda, from "Raccolta de'Tempi Antichi, Prima Parte" (Collection of Antique Temples, First Part)

Francesco Piranesi
Publisher Francesco Piranesi
ca. 1750–80
Large illustration of a part of the Portico of the Pantheon, from "Raccolta de'Tempi Antichi, Prima Parte" (Collection of Antique Temples, First Part)
Francesco Piranesi
Publisher Francesco Piranesi
ca. 1750–80
Large illustration of a part of the Portico of the Pantheon, from "Raccolta de'Tempi Antichi, Prima Parte" (Collection of Antique Temples, First Part)
Francesco Piranesi
Publisher Francesco Piranesi
ca. 1750–80
Large illustration of a part of the Pronao, or Portico of the Pantheon, from "Raccolta de'Tempi Antichi, Prima Parte" (Collection of Antique Temples, First Part)
Francesco Piranesi
Publisher Francesco Piranesi
ca. 1750–80
Large modinature of the first order of the interior of the Pantheon, from "Raccolta de'Tempi Antichi, Prima Parte" (Collection of Antique Temples, First Part)
Francesco Piranesi
Publisher Francesco Piranesi
ca. 1750–80

Title page, from "Il Teatro d'Ercolano" (The Theater at Herculaneum)

Francesco Piranesi
1783
The Genius of Diana (Génie de Diane), plate 8 from "Peintures de la Villa Lante, à Rome, de l'Invention de Jules Romain, Recueillies par les Piranesi, et Dessinées par Thomas Piroli" (Paintings from the Villa Lante by Giulio Romano, published by the Piranesi brothers and drawn by Thomas Piroli)
Multiple artists/makers
1803
Venus in her chariot, pulled by two flying cupids, plate 9 from "Peintures de la Villa Lante, à Rome, de l'Invention de Jules Romain, Recueillies par les Piranesi, et Dessinées par Thomas Piroli" (Paintings from the Villa Lante by Giulio Romano, published by the Piranesi brothers and drawn by Thomas Piroli)
Multiple artists/makers
1803
Terracotta bas-relief of a chariot race, from "Vasi, candelabri, cippi, sarcofagi, tripodi, lucerne, ed ornamenti antichi disegnati ed incisi dal Cav. Gio. Batt. Piranesi, Vol. II" (Vases, candelabra, grave stones, sarcophagi, tripods, lamps, and ornaments designed and etched by Cavalieri Giovanni Battista Piranesi)
Francesco Piranesi
1791
The Abduction of Europa (Enlévement d'Europe), plate 13 from "Peintures de la Villa Lante, à Rome, de l'Invention de Jules Romain, Recueillies par les Piranesi, et Dessinées par Thomas Piroli" (Paintings from the Villa Lante by Giulio Romano, published by the Piranesi brothers and drawn by Thomas Piroli)
Multiple artists/makers
1803
Amphitrite, plate 14 from "Peintures de la Villa Lante, à Rome, de l'Invention de Jules Romain, Recueillies par les Piranesi, et Dessinées par Thomas Piroli" (Paintings from the Villa Lante by Giulio Romano, published by the Piranesi brothers and drawn by Thomas Piroli)
Multiple artists/makers
1803

Ground plan of both of the Precinzioni of stairs, and of the scena stabile [architectural units of the stage] and the scena mobile [scenery], tavola 3 from "Il Teatro d'Ercolano" (The Theater at Herculaneum)

Francesco Piranesi
1783
The Birth of Venus (La Naissance de Vénus), plate 7 from "Peintures du Cabinet de Jules II, au Vatican de l'Invention de Raphael, Recueillies par les Piranesi, et Dessinées par Thomas Piroli" (Paintings from the Chambers of Jules II in the Vatican by Raphael, published by the Piranesi brothers and drawn by Thomas Piroli)
Multiple artists/makers
1804