Bilhetes
Português
DoarAssinaturaBilhetes
Estamos a trabalhar para traduzir esta página o mais rapidamente possível. Obrigado pela vossa compreensão.

Search for Art

Search Tips
33 results
Sort by:
Show only
Images
Date
For BCE dates, enter a negative number. E.g. For 2000 BCE, enter -2000.
–
Artist / culture
1
Object type / material
Match
 
Show results matching
selected filters.
Geographic location
Match
 
Show results matching
selected filters.
Department
Border Designs for the Mortlake "Acts of the Apostles" Tapestries, Franz Cleyn German, Watercolor with white heightening, details in pen and ink and graphite
Border Designs for the Mortlake "Acts of the Apostles" Tapestries
Franz Cleyn
ca. 1626–36
The Works of Publius Virgilius Maro: Translated, Adorned with Sculpture, and illustrated with Annotations, Virgil Italian, Illustrations: etching
The Works of Publius Virgilius Maro: Translated, Adorned with Sculpture, and illustrated with Annotations
Multiple artists/makers
1654
The Sack of Troy: Pyrrhus Killing Priam, Franz Cleyn German, Black chalk and gray wash; incised for transfer; framing lines in graphite; verso treated with red chalk for transfer
The Sack of Troy: Pyrrhus Killing Priam
Franz Cleyn
before 1654
A scallop shell chariot, William Carter British, Etching
A scallop shell chariot
Etcher William Carter
After Franz Cleyn
Formerly attributed to Wenceslaus Hollar
1654
The Sack of Troy–Pyrrhus Killing Priam, Pierre Lombart French, Engraving
The Sack of Troy–Pyrrhus Killing Priam
Engraved by Pierre Lombart
Designed by Franz Cleyn
before 1654
Aeneas and Mercury (from "The Works of Virgil: Containing his Pastorals, Georgics and Aeneis," 1697), Wenceslaus Hollar Bohemian, Etching and engraving; fifth state of five, the plate reduced, as published in 1697 or 1698
Aeneas and Mercury (from "The Works of Virgil: Containing his Pastorals, Georgics and Aeneis," 1697)
Etcher Wenceslaus Hollar
After Franz Cleyn
Author Related author Virgil
1654
Hearing (Auditus), from "Quinque Sensuum", Franz Cleyn German, Engraving
Hearing (Auditus), from "Quinque Sensuum"
Franz Cleyn
Publisher Robert Walton
ca. 1655
Sight (Visus), from "Quinque Sensuum", Franz Cleyn German, Engraving
Sight (Visus), from "Quinque Sensuum"
Franz Cleyn
Publisher Robert Walton
ca. 1655
Smell (Odor), from "Quinque Sensuum", Franz Cleyn German, Engraving
Smell (Odor), from "Quinque Sensuum"
Franz Cleyn
Publisher Robert Walton
ca. 1655
Title Plate, from "Quinque Sensuum", Franz Cleyn German, Engraving
Title Plate, from "Quinque Sensuum"
Franz Cleyn
Publisher Robert Walton
ca. 1655
Touch (Tactus), from "Quinque Sensuum", Franz Cleyn German, Engraving
Touch (Tactus), from "Quinque Sensuum"
Franz Cleyn
Publisher Robert Walton
ca. 1655
Taste (Gustus), from "Quinque Sensuum", Franz Cleyn German, Engraving
Taste (Gustus), from "Quinque Sensuum"
Franz Cleyn
Publisher Robert Walton
ca. 1655
Dido complains: Her Sister gives advice to cherish Love and offer Sacrifice to favouring Gods
Pierre Lombart
After Franz Cleyn
ca. 1654
Varii Zophori, Figuris Animalium Ornati...
Franz Cleyn
1645
Quinque Sensum Descriptio
Franz Cleyn
1646
Ovid's Metamorphosis Englished, Mythologiz'd, and Represented in Figures: An Essay to the Translation of Virgil's Æneis.
Multiple artists/makers
1632
Self-Portrait
Franz Cleyn
n.d.
Initial letter "V" (U) (from John Ogilby's "The Works of Publius Virgilius Maro," London: 1654, p.1)
Etcher Wenceslaus Hollar
After Franz Cleyn
Author Related author John Ogilby
1654
The Cat and the Cock (from John Ogilby, "The Fables of Aesop Paraphras'd in Verse: Adorned with Sculpture and Illustrated with Annotations," London, 1665)
Multiple artists/makers
1665
The Stag and the Horse (from John Ogilby, "The Fables of Aesop Paraphras'd in Verse: Adorned with Sculpture and Illustrated with Annotations," London, 1665)
Multiple artists/makers
1665
The Lion and the Forester (from John Ogilby, "The Fables of Aesop Paraphras'd in Verse: Adorned with Sculpture and Illustrated with Annotations," London, 1665)
Multiple artists/makers
1665
The Lion and the Mouse (from John Ogilby, "The Fables of Aesop Paraphras'd in Verse: Adorned with Sculpture and Illustrated with Annotations," London, 1665)
Multiple artists/makers
1665
The Wolf, the Lamb, and the Crane (from John Ogilby, "The Fables of Aesop Paraphras'd in Verse: Adorned with Sculpture and Illustrated with Annotations," London, 1665)
Multiple artists/makers
1665
The Fox and the Cock (from John Ogilby, "The Fables of Aesop Paraphras'd in Verse: Adorned with Sculpture and Illustrated with Annotations," London, 1665)
Multiple artists/makers
1665
The Woodman (from John Ogilby, "The Fables of Aesop Paraphras'd in Verse: Adorned with Sculpture and Illustrated with Annotations," London, 1665)
Multiple artists/makers
1665
Initial Letter "P" (from John Ogilby's "The Works of Publius Virgilius Maro," London: 1654)
Etcher Wenceslaus Hollar
After Franz Cleyn
Author Related author John Ogilby
1654
Orpheus Taming the Animals?
Pierre Lombart
After Franz Cleyn
1630–82
The Works of Horatio Walpole, Earl of Orford, vol. III
Multiple artists/makers
1798
Venus and Cupid (from Variae Deorum Ethnicorum Effigies or Divers pourtraicturs of Heathen Gods)
Josias English
After Franz Cleyn
1654
The Works of Virgil: Containing his Pastorals, Georgics, and Aeneid, Translated into English Verse by Mr. Dryden, Adorn'd with a Hundred Sculptures, the Second Edition
Multiple artists/makers
1698
Frontispiece: The Works of Publius Virgilius Maro
Engraver Pierre Lombart
After Franz Cleyn
Publisher John Ogilby
1654–68
Christ and the woman taken in adultery
Franz Cleyn
1620–45
Christ and the woman taken into adultery
Franz Cleyn
1620–45

Content Notice

The Metropolitan Museum of Art presents over 5,000 years of art from around the world, and our online collection reflects ongoing work conducted over the course of our more than 150-year history. You may encounter objects or images that may be inappropriate for some viewers or information that may be outdated.