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Study of a female nude, seated, George Richmond British, Red and black chalk
Study of a female nude, seated
George Richmond
1870–79 (?)
Portrait of George Eliot, seen in profile to the left, George Richmond British, Graphite
Portrait of George Eliot, seen in profile to the left
George Richmond
Sitter George Eliot
1881
Portrait of John Keble, George Richmond British, Reproductive print
Portrait of John Keble
Multiple artists/makers
1863
George Richmond – Self-portrait, George Richmond British, Stipple engraving on chine collé
George Richmond – Self-portrait
After George Richmond
Engraver William Holl, the Younger
1863
Landscape at Margate, George Richmond British, Black chalk
Landscape at Margate
George Richmond
1840–60 (?)
Cedar trees in a park, George Richmond British, Black, red and white chalk on brown paper
Cedar trees in a park
George Richmond
1840–70
A figure weeping over a grave, George Richmond British, Pen and brown ink over graphite
A figure weeping over a grave
George Richmond
1827 or 1829
Portrait of two children, George Richmond British, Watercolor and gouache (bodycolor) with touches of gum and gold, on yellow paper
Portrait of two children
George Richmond
1837
"Jocund Day Stands Tip Toe on the Misty Mountain Tops" (Shakespeare, Romeo and Juliet, Act 3, Scene 5), George Richmond British, Graphite
"Jocund Day Stands Tip Toe on the Misty Mountain Tops" (Shakespeare, Romeo and Juliet, Act 3, Scene 5)
George Richmond
Subject William Shakespeare
ca. 1830
Study for a male figure in "Comus–The Measure" (recto); Reclining male nude (verso), George Richmond British, Black chalk
Study for a male figure in "Comus–The Measure" (recto); Reclining male nude (verso)
George Richmond
Subject Relates to John Milton
before 1864
Study of a man gazing down, George Richmond British, Pen and brown ink
Study of a man gazing down
George Richmond
1840–80
Portrait of Michael Faraday, George Richmond British, Stipple engraving on chine collé
Portrait of Michael Faraday
After George Richmond
Engraver William Holl, the Younger
Sitter Michael Faraday
1852
Study of a tree, George Richmond British, Watercolor
Study of a tree
George Richmond
possibly 1848
Burdock, George Richmond British, Black and white chalk on blue-gray paper
Burdock
George Richmond
1820–90
Study of a plant, George Richmond British, Black chalk
Study of a plant
George Richmond
1840–80
Compositional Study for "Comus–The Measure" (recto); Studies of a Man's Right Leg, after Titian, and a Profile, for "Comus–The Measure" (verso), George Richmond British, Black chalk
Compositional Study for "Comus–The Measure" (recto); Studies of a Man's Right Leg, after Titian, and a Profile, for "Comus–The Measure" (verso)
George Richmond
After Titian (Tiziano Vecellio)
Subject Relates to John Milton
before 1864
Examples of the Architecture of Venice, Selected and Drawn to Measurement from the Edifices (extra illustrated), John Ruskin British, Mezzotint, etching, aquatint, engraving and lithographs with tint stones, numbered plates on chine collé
Examples of the Architecture of Venice, Selected and Drawn to Measurement from the Edifices (extra illustrated)
Multiple artists/makers
1851–83
Hagar and Ishmael in the Wilderness (recto); Two portrait studies of the artist's wife, and a study of a leg and torso (verso), George Richmond British, Graphite, pen and black ink, brush and black wash, with white gouache (bodycolor) (recto); graphite and black chalk with touches of gouache (bodycolor) (verso)
Hagar and Ishmael in the Wilderness (recto); Two portrait studies of the artist's wife, and a study of a leg and torso (verso)
George Richmond
1829–33
Fisher's Drawing Room Scrap-Book, 1837. With Poetical Illustrations by L.E.L
Multiple artists/makers
1837
The Book of Pearls: A Choice Garland of Prose, Poetry, and Art
Multiple artists/makers
1849
George Gilbert Scott
Etcher Anna Lea Merritt
After George Richmond
Sitter Sir George Gilbert Scott
1879
Harriet Martineau
Multiple artists/makers
May 31, 1851