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Plate 1: cross-section of the Hall of the Institute of Bologna, which served as the residence for the Clementine Academy, with fresco paintings by Pellegrino Tibaldi in the vault, Bartolomeo Crivellari Italian, Etching
Plate 1: cross-section of the Hall of the Institute of Bologna, which served as the residence for the Clementine Academy, with fresco paintings by Pellegrino Tibaldi in the vault
Bartolomeo Crivellari
After Angelo Carboni
Author Giampietro Zanotti
1756
Plate 2: cross-section of the Hall of the Institute of Bologna, Bartolomeo Crivellari Italian, Etching
Plate 2: cross-section of the Hall of the Institute of Bologna
Bartolomeo Crivellari
After Angelo Carboni
Author Giampietro Zanotti
1756
Plate 3: cross-section of the Hall of the Institute of Bologna, Bartolomeo Crivellari Italian, Etching
Plate 3: cross-section of the Hall of the Institute of Bologna
Bartolomeo Crivellari
After Angelo Carboni
Author Giampietro Zanotti
1756
Plate 4: cross-section of the Hall of the Institute of Bologna, with the entrance to the room, Giovanni Battista Brustolon Italian, Etching
Plate 4: cross-section of the Hall of the Institute of Bologna, with the entrance to the room
Giovanni Battista Brustolon
After Angelo Carboni
Author Giampietro Zanotti
1756
Plate 5: view of the ceiling with its ornaments and frescoed paintings, Bartolomeo Crivellari Italian, Etching
Plate 5: view of the ceiling with its ornaments and frescoed paintings
Multiple artists/makers
1756
Plate 34: Auriga, the charioteer, falls from the chariot at center, with three horses at left, Sebastiano Gamma Italian, Etching and engraving
Plate 34: Auriga, the charioteer, falls from the chariot at center, with three horses at left
Multiple artists/makers
1756
Plate 6: Ulysses driving a burning stake into Polyphemus' eye, Bartolomeo Crivellari Italian, Etching and engraving
Plate 6: Ulysses driving a burning stake into Polyphemus' eye
Multiple artists/makers
1756
Plate 7: the blinded Polyphemus, guarding the entrance of his cavern, with Ulysses and his companions escaping below by covering themselves with ram skins, Bartolomeo Crivellari Italian, Etching and engraving
Plate 7: the blinded Polyphemus, guarding the entrance of his cavern, with Ulysses and his companions escaping below by covering themselves with ram skins
Multiple artists/makers
1756
Plate 8: Ulysses receiving the winds in a leather bag from Aeolus, Bartolomeo Crivellari Italian, Etching and engraving
Plate 8: Ulysses receiving the winds in a leather bag from Aeolus
Multiple artists/makers
1756
Plate 9: the Greeks opening the bag of wind, thinking there is gold inside, driving their vessel to the island of Circe, Bartolomeo Crivellari Italian, Etching and engraving
Plate 9: the Greeks opening the bag of wind, thinking there is gold inside, driving their vessel to the island of Circe
Multiple artists/makers
1756
Plate 10: Ulysses compelling Circe to restore his companions' human shapes, which she had changed into monsters, Bartolomeo Crivellari Italian, Etching and engraving
Plate 10: Ulysses compelling Circe to restore his companions' human shapes, which she had changed into monsters
Multiple artists/makers
1756
Plate 34: Auriga, the charioteer, falls from the chariot at center, with three horses at left, Bartolomeo Crivellari Italian, Etching and engraving
Plate 34: Auriga, the charioteer, falls from the chariot at center, with three horses at left
Multiple artists/makers
1756
Plate 15: mythological figure wearing a helmet and holding a shield, Bartolomeo Crivellari Italian, Etching and engraving
Plate 15: mythological figure wearing a helmet and holding a shield
Multiple artists/makers
1756
Plate 16: mythological figure holding a mirror, Bartolomeo Crivellari Italian, Etching and engraving
Plate 16: mythological figure holding a mirror
Multiple artists/makers
1756
Plate 17: two nude figures wearing veils, Bartolomeo Crivellari Italian, Etching and engraving
Plate 17: two nude figures wearing veils
Multiple artists/makers
1756
Plate 18: two nude figures wearing veils, seen from behind, Bartolomeo Crivellari Italian, Etching and engraving
Plate 18: two nude figures wearing veils, seen from behind
Multiple artists/makers
1756
Plate 19: figure seen from behind with left hand raised, Bartolomeo Crivellari Italian, Etching and engraving
Plate 19: figure seen from behind with left hand raised
Multiple artists/makers
1756
Plate 20: bearded figure, half clothed, Bartolomeo Crivellari Italian, Etching and engraving
Plate 20: bearded figure, half clothed
Multiple artists/makers
1756
Plate 21: two nude figures wearing veils, seen from behind, Bartolomeo Crivellari Italian, Etching and engraving
Plate 21: two nude figures wearing veils, seen from behind
Multiple artists/makers
1756
Plate 22: two nude figures wearing veils, Bartolomeo Crivellari Italian, Etching and engraving
Plate 22: two nude figures wearing veils
Multiple artists/makers
1756
Plate 24: Ulysses's companions stealing the oxen sacred to Apollo, Bartolomeo Crivellari Italian, Etching and engraving
Plate 24: Ulysses's companions stealing the oxen sacred to Apollo
Multiple artists/makers
1756
Plate 25: a shipwreck, Bartolomeo Crivellari Italian, Etching and engraving
Plate 25: a shipwreck
Multiple artists/makers
1756
Plate 26: Ulysses escaping on a raft with the aid of the sea deity Leucothea, Bartolomeo Crivellari Italian, Etching and engraving
Plate 26: Ulysses escaping on a raft with the aid of the sea deity Leucothea
Multiple artists/makers
1756
Plate 27: Ulysses received by Alcinous king of Phoeacia and his Queen Areta after his shipwreck, Bartolomeo Crivellari Italian, Etching and engraving
Plate 27: Ulysses received by Alcinous king of Phoeacia and his Queen Areta after his shipwreck
Multiple artists/makers
1756
A standing man in a niche holding an open book, Bartolomeo Crivellari Italian, Etching and engraving
A standing man in a niche holding an open book
Multiple artists/makers
1756
A standing man in a niche reaching forward with one arm, Bartolomeo Crivellari Italian, Etching and engraving
A standing man in a niche reaching forward with one arm
Multiple artists/makers
1756
A standing man in a niche with his elbow resting on a column, Bartolomeo Crivellari Italian, Etching and engraving
A standing man in a niche with his elbow resting on a column
Multiple artists/makers
1756
A standing man in a niche looking toward the left, Bartolomeo Crivellari Italian, Etching and engraving
A standing man in a niche looking toward the left
Multiple artists/makers
1756
Minerva assisting Prometheus as he attempts to scale the heavens, Bartolomeo Crivellari Italian, Etching and engraving
Minerva assisting Prometheus as he attempts to scale the heavens
Multiple artists/makers
1756
Three bearded men, one wearing fur, Bartolomeo Crivellari Italian, Etching and engraving
Three bearded men, one wearing fur
Multiple artists/makers
1756
Plate 40: the division of the elect from the reprobate, Bartolomeo Crivellari Italian, Etching and engraving
Plate 40: the division of the elect from the reprobate
Multiple artists/makers
1756
Plate 41: Saint John the Baptist preaching to a large crowd and baptizing children, Bartolomeo Crivellari Italian, Etching and engraving
Plate 41: Saint John the Baptist preaching to a large crowd and baptizing children
Multiple artists/makers
1756