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Study for a Cartouche, Gilles-Marie Oppenord French, Pen and black ink, brush and gray wash; framing lines in pen and brown ink
Study for a Cartouche
Gilles-Marie Oppenord
Study for a Cartouche, Gilles-Marie Oppenord French, Pen and black ink with brush and gray wash. Framing lines in pen and black ink.
Study for a Cartouche
Gilles-Marie Oppenord
Study for a Cartouche, Gilles-Marie Oppenord French, Pen and black ink, with brush and gray wash. Framing lines in pen and brown ink.
Study for a Cartouche
Gilles-Marie Oppenord
Study for a Cartouche, Gilles-Marie Oppenord French, Pen and black ink, brush and gray wash; framing lines in pen and brown ink
Study for a Cartouche
Gilles-Marie Oppenord
Study for a Cartouche, Gilles-Marie Oppenord French, Pen and black ink with brush and gray wash. Framing lines in pen and brown ink.
Study for a Cartouche
Gilles-Marie Oppenord
Study for a Decorated Initial A with the Annunciation, Gilles-Marie Oppenord French, Pen and brown ink, heightened with white. Framing lines in pen and brown ink with some gold.
Study for a Decorated Initial A with the Annunciation
Gilles-Marie Oppenord
Design for a Vase, Gilles-Marie Oppenord French, Black chalk, stumped
Design for a Vase
Attributed to Gilles-Marie Oppenord
Study for a Garden Capriccio, Gilles-Marie Oppenord French, Red chalk over black chalk underdrawing.
Study for a Garden Capriccio
Gilles-Marie Oppenord
Brackets, Caryatids and other Architectural Details (recto and verso), Gilles-Marie Oppenord French, Pen and black and dark brown ink, brush and dark brown and gray wash, over traces of graphite underdrawing
Brackets, Caryatids and other Architectural Details (recto and verso)
Attributed to Gilles-Marie Oppenord
ca. 1690–1710
Design for Stucco Decorations with a Cartouche at Left, Gilles-Marie Oppenord French, Red chalk and red chalk wash over graphite underdrawing
Design for Stucco Decorations with a Cartouche at Left
Attributed to Gilles-Marie Oppenord
ca. 1725–40
Design for a Decorative Panel with a Flutist (recto); Design for molding (verso), Gilles-Marie Oppenord French, Red chalk (recto); black chalk (verso)
Design for a Decorative Panel with a Flutist (recto); Design for molding (verso)
Gilles-Marie Oppenord
Former Attribution Formerly attributed to Claude Gillot
ca. 1700–20
Design for the Wrought-Iron Entrance Grille of a Chapel, Gilles-Marie Oppenord French, Pen and gray ink, brush and gray, brown, red, and blue wash
Design for the Wrought-Iron Entrance Grille of a Chapel
Gilles-Marie Oppenord
ca. 1700–1720
Classical Scene with a Tomb and Flaming Brazier, Gilles-Marie Oppenord French, Pen and black and gray ink, brush and black and gray wash, over traces of graphite underdrawing; framing lines in pen and black ink
Classical Scene with a Tomb and Flaming Brazier
Gilles-Marie Oppenord
Former Attribution Formerly attributed to Anonymous, French, 18th century
ca. 1700–10
Design for a Monument to a Military Leader, Gilles-Marie Oppenord French, Pen and dark brown ink, brush and gray wash. Framing lines in pen and gray and brown ink
Design for a Monument to a Military Leader
Gilles-Marie Oppenord
ca. 1690–1740
Designs for a Picture Frame, Gilles-Marie Oppenord French, Pen and brown ink over traces of black chalk
Designs for a Picture Frame
Gilles-Marie Oppenord
ca. 1730–40
Study for a Garden Capriccio, Gilles-Marie Oppenord French, Pen and black ink, over traces of graphite; framing lines in pen and black ink
Study for a Garden Capriccio
Workshop of Gilles-Marie Oppenord
n.d.
Design for a Garden Capriccio, Gilles-Marie Oppenord French, Pen and black ink, with graphite underdrawing; framing lines in pen and black ink
Design for a Garden Capriccio
Workshop of Gilles-Marie Oppenord
n.d.
Study for a Garden Capriccio, Gilles-Marie Oppenord French, Pen and black ink, over traces of graphite underdrawing; framing lines in pen and black ink
Study for a Garden Capriccio
Workshop of Gilles-Marie Oppenord
n.d.
Study for a Garden Capriccio, Gilles-Marie Oppenord French, Pen and black ink, over graphite underdrawing; framing lines in pen and black ink
Study for a Garden Capriccio
Workshop of Gilles-Marie Oppenord
n.d.
Study for a Garden Capriccio, Gilles-Marie Oppenord French, Pen and black ink, over traces of graphite; framing lines in pen and black ink
Study for a Garden Capriccio
Workshop of Gilles-Marie Oppenord
n.d.
Book of New Trophies, Jacques Dumont, called le Romain French, Engraving
Book of New Trophies
Multiple artists/makers
1720–74
Le Denier de César (The Tribute Money), from "Le Nouveau Testament" (The New Testament), Jacques Callot French, Etching
Le Denier de César (The Tribute Money), from "Le Nouveau Testament" (The New Testament)
Multiple artists/makers
printed 18th century
Livre Nouveau ou Regles des cinq ordres d'Architecture, par Jacques Barozzio de Vignole. Nouvellement revû, corrigé et augmenté par Monsieur B.*** Architecte du Roy. Avec plusieurs morceaux de Michel-Ange, Vitruve, Mansard, et autres Célebres Architectes
Multiple artists/makers
1767
[Plans of Portals, Altars, etc.]
Multiple artists/makers
n.d. [after 1738]
Works by Gille Marie Oppenord
Multiple artists/makers
n.d. [after 1748]
Works by Gille Marie Oppenord
Multiple artists/makers
Receuil de Différents Caractères de Testes Dessinées d'Apres la Colonne Trajane (Study of Different Types of Heads Designed after the Column of Trajan)
Multiple artists/makers
18th century
Title Page, from Receuil de Différents Caractères de Testes Dessinées d'Apres la Colonne Trajane (Study of Different Types of Heads Designed after the Column of Trajan)
Gabriel Huquier
After Gilles-Marie Oppenord
Publisher Gabriel Huquier
18th century

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