Search The Collection - The Metropolitan Museum of Art

Christ standing at left addressing the Woman of Samaria at right who is standing by a well, lagoon in the background, Giulio Campagnola Italian, Engraving — Christ standing at left addressing the Woman of Samaria at right who is standing by a well, lagoon in the background
Multiple artists/makers
ca. 1510–12

Young shepherd seated in a landscape looking toward an old man in the lower right, buildings in the background and a tree and mountain at left, Giulio Campagnola Italian, Engraving (stipple) — Young shepherd seated in a landscape looking toward an old man in the lower right, buildings in the background and a tree and mountain at left
Giulio Campagnola
After (?) Giorgione
ca. 1509–12

Nude woman (Venus) reclining in a landscape, Domenico Campagnola Italian, Engraving — Nude woman (Venus) reclining in a landscape
Domenico Campagnola
In the manner of Giulio Campagnola
Possibly based on a prototype by Giorgione
1517

Putto Bending a Bow, Giorgione Italian, Red chalk. Original sheet, 15.7 x 6.6 cm.; this has been made up (almost certainly by Pierre-Jean Mariette) to a sheet 23.7 x 15.2 cm. on which a base and a surrounding niche for the putto have been indicated in pen and brown ink, red chalk and brush and red wash — Putto Bending a Bow
Attributed to Giorgione
1477/78–1510

Judith standing with her foot on the head of Holofernes, Antoinette Larcher French, Etching and engraving — Judith standing with her foot on the head of Holofernes
Antoinette Larcher
After Giorgione
Former Attribution After Raphael (Raffaello Sanzio or Santi)
ca. 1729

Le Christ a la colonne, Jean Morin French, Etching — Le Christ a la colonne
Jean Morin
After Giorgione

Saint John the Baptist standing in landscape, figures and buildings in the background, Giulio Campagnola Italian, Engraving — Saint John the Baptist standing in landscape, figures and buildings in the background
Multiple artists/makers
ca. 1505–10

(XXI) Raccolta di Alcuni Disegni del Barberi da Cento detto il Guernico, incisi in Rame, e presentati al singolar merito del Sig. Tommaso Jenkins pittore, ed accademico di S. Luca, in atto di respetto e d'amicizia dall'architetto e suo coaccademio: Gio. Battista Piranesi (Collection of several drawings after Barbieri da Cento (known as Guercino) etched on copper and presented to Thomas Jenkins, painter and member of the Academy of St. Luke, out of respect and friendship from his fellow member, the architect Gio. Battista Piranesi); (XXII) Schola Italica Picturae

Multiple artists/makers

1764–73

Portraits of Celebrated Painters with Medallions from Their Best Performances

Multiple artists/makers

1825

Varie pitture a fresco de'principali maestri veneziani ora per la prima volta con le stampe pubblicate (Frescoes by the Most Important Venetian Masters Published in Print for the First Time)

Multiple artists/makers

1760

Rocky landscape with buildings at center and a watermill at right

Multiple artists/makers

1720–65

Old Italian Masters, II, Engraved by Timothy Cole, Japan Proofs

Multiple artists/makers

1892

Portrait of a young woman (Petrach's "Laura")

Etcher Wenceslaus Hollar

After Giorgione

1646

The Concert

Engraver Timothy Cole

After Giorgione

1892

Giorgione (David with the head of Goliath)

Multiple artists/makers

1650

A Partially Nude Young Man Extending His Left Arm, plate 1 from "Varie pitture a fresco de'principali maestri veneziani ora per la prima volta con le stampe pubblicate" (Frescoes by the Most Important Venetian Masters Published in Print for the First Time)

Antonio Maria Zanetti II

After Giorgione

1760

A Nude Female Figure Seated, Leaning to Her Right, plate 2 from "Varie pitture a fresco de'principali maestri veneziani ora per la prima volta con le stampe pubblicate" (Frescoes by the Most Important Venetian Masters Published in Print for the First Time)

Antonio Maria Zanetti II

After Giorgione

1760

A Nude Female Figure in a Niche, plate 3 from "Varie pitture a fresco de'principali maestri veneziani ora per la prima volta con le stampe pubblicate" (Frescoes by the Most Important Venetian Masters Published in Print for the First Time)

Antonio Maria Zanetti II

After Giorgione

1760

Allegory of Fortitude, plate 4 from "Varie pitture a fresco de'principali maestri veneziani ora per la prima volta con le stampe pubblicate" (Frescoes by the Most Important Venetian Masters Published in Print for the First Time)

Antonio Maria Zanetti II

After Giorgione

1760

A Man and Woman Embracing, plate 20 from "Schola Italica Picturae"

Domenico Cunego

After Giorgione

Publisher Gavin Hamilton

1773

A Predication, volume 2, plate 122 from "Monuments des Arts du Dessin"

Multiple artists/makers

1829

View of a Roman Street, volume 2, plate 123 from "Monuments des Arts du Dessin"

Multiple artists/makers

1829

Senator Angelo Querini, bound in L'Oeuvre original de Vivant Denon. Collection de eaux-fortes, Volume 2

Baron Dominique Vivant Denon

After Giorgione