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The Adoration of the Magi, Giotto di Bondone Italian, Tempera on wood, gold ground
The Adoration of the Magi
Giotto di Bondone
possibly ca. 1320
Free Copy of Giotto's "Navicella" (recto); Copy of Adam in Masaccio's "Expulsion from the Garden of Eden", and other Figure Studies (verso), Parri Spinelli (recto) Italian, Pen and brown ink (recto and verso). glued onto a secondary backing sheet of paper drawn in pen and brown ink, over black chalk
Free Copy of Giotto's "Navicella" (recto); Copy of Adam in Masaccio's "Expulsion from the Garden of Eden", and other Figure Studies (verso)
Parri Spinelli
Anonymous Italian Artist after Masaccio (Tommaso di Ser Giovanni di Mone Casai)
After Giotto di Bondone
ca. 1420
Death of St. Francis, after Giotto, upper Church San Francesco, Assisi, William Young Ottley British, Pen and black ink, brush and gray wash; framing lines in pen and black ink
Death of St. Francis, after Giotto, upper Church San Francesco, Assisi
William Young Ottley
After Giotto di Bondone
1795–1836
Giotto and Cimabue, from "L'Artiste", Armand Vastine French, Lithograph
Giotto and Cimabue, from "L'Artiste"
Multiple artists/makers
July 7, 1844
Saint Paul, volume 2, plate 64 from "Monuments des Arts du Dessin"
Multiple artists/makers
1829
Old Italian Masters, I, Engraved by Timothy Cole, Japan Proofs
Multiple artists/makers
1892
Dante, from "Gazette des Beaux-Arts"
Multiple artists/makers
ca. 1870–80
A first thought for the celebrated Mosaic called the bark of St Peter at Rome
J. Vivares
After Giotto di Bondone
1823
Giotto
Multiple artists/makers
1682–95

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