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Scene of Martyrdom, after Giovanni Angelo Canini, Jean Robert Ango French, Red chalk, over traces of black chalk
Scene of Martyrdom, after Giovanni Angelo Canini
Jean Robert Ango
After Giovanni Angelo Canini
Copy after a Sculpture of the Sleeping Eros Based on an Antique Model (from Cassiano dal Pozzo's 'Paper Museum'), Giovanni Angelo Canini Italian, Pen and brown ink, brush and brown wash; framing lines in pen and brown ink
Copy after a Sculpture of the Sleeping Eros Based on an Antique Model (from Cassiano dal Pozzo's 'Paper Museum')
Giovanni Angelo Canini
ca. 1630
Scene of Martyrdom, Giovanni Angelo Canini Italian, Pen and brown ink, brush and gray-brown wash, over red chalk (recto); illegible red chalk notations (verso)
Scene of Martyrdom
Giovanni Angelo Canini
1615–66
Unidentified Subject: Reclining Nude Male Figure and Cattle, Giovanni Angelo Canini Italian, Pen and brown ink (recto); illegible black chalk notations (verso)
Unidentified Subject: Reclining Nude Male Figure and Cattle
Giovanni Angelo Canini
1615–66
The Virgin and Child Appearing to Saint Anthony of Padua and a Hermit, Giovanni Angelo Canini Italian, Red chalk, brush and red wash
The Virgin and Child Appearing to Saint Anthony of Padua and a Hermit
Giovanni Angelo Canini
1615–66
Design for a Frontispiece; Allegorical Composition with a Young Man Kneeling before a Tree, Giovanni Angelo Canini Italian, Pen and brown ink, brush and brown wash, highlighted with white, over black chalk, on brown-washed paper
Design for a Frontispiece; Allegorical Composition with a Young Man Kneeling before a Tree
Giovanni Angelo Canini
1615–66
The Vision of Saint William of Aquitaine, Giovanni Angelo Canini Italian, Brush and brown wash, highlighted with white gouache, over black chalk, on brown-washed paper
The Vision of Saint William of Aquitaine
Giovanni Angelo Canini
late 1650s

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