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A Satyr Holding a Violin, from Twelve Ornamental Panels, Giovanni Antonio da Brescia Italian, Engraving
A Satyr Holding a Violin, from Twelve Ornamental Panels
Giovanni Antonio da Brescia
Former Attribution Giovanni Pietro da Birago
1490–1515
Candelabra grotesque with four children with a cat and a dog, from a series of twelve candelabra grotesques, Giovanni Antonio da Brescia Italian, Engraving
Candelabra grotesque with four children with a cat and a dog, from a series of twelve candelabra grotesques
Giovanni Antonio da Brescia
Former Attribution Giovanni Pietro da Birago
1490–1515
Joseph's cup found in Benjamin's sack from the biblical story of Joseph (Genesis 44); a scene with soldiers, mules and various figures, Giovanni Antonio da Brescia Italian, Engraving
Joseph's cup found in Benjamin's sack from the biblical story of Joseph (Genesis 44); a scene with soldiers, mules and various figures
Giovanni Antonio da Brescia
After Baldassarre Tommaso Peruzzi
ca. 1520–25
The Flagellation of Christ who is tied to a column at center set within an arcade, Giovanni Antonio da Brescia Italian, Engraving
The Flagellation of Christ who is tied to a column at center set within an arcade
Giovanni Antonio da Brescia
1509
Candelabra grostesque with two children wearing helmets, from a series of twelve candelabra grotesques, Giovanni Antonio da Brescia Italian, Engraving
Candelabra grostesque with two children wearing helmets, from a series of twelve candelabra grotesques
Giovanni Antonio da Brescia
Former Attribution Giovanni Pietro da Birago
1490–1515
A Nereid and Two Children Playing Musical Instruments, from Twelve Ornamental Panels, Giovanni Antonio da Brescia Italian, Engraving
A Nereid and Two Children Playing Musical Instruments, from Twelve Ornamental Panels
Giovanni Antonio da Brescia
Former Attribution Giovanni Pietro da Birago
1490–1515
A Triton and Two Infant Satyrs, from Twelve Ornamental Panels, Giovanni Antonio da Brescia Italian, Engraving
A Triton and Two Infant Satyrs, from Twelve Ornamental Panels
Giovanni Antonio da Brescia
Former Attribution Giovanni Pietro da Birago
1490–1515
Candelabra grotesque with four children playing, from a series of twelve candelabra grotesques, Giovanni Antonio da Brescia Italian, Engraving
Candelabra grotesque with four children playing, from a series of twelve candelabra grotesques
Giovanni Antonio da Brescia
Former Attribution Giovanni Pietro da Birago
1490–1515
Head of an old man, Giovanni Antonio da Brescia Italian, Engraving
Head of an old man
Giovanni Antonio da Brescia
After Leonardo da Vinci
Formerly attributed to Andrea Mantegna
ca. 1490–1525
Two female figures seated in the clouds flanking an angel and another flying above carrying a banderole, Giovanni Antonio da Brescia Italian, Engraving
Two female figures seated in the clouds flanking an angel and another flying above carrying a banderole
Giovanni Antonio da Brescia
After Raphael (Raffaello Sanzio or Santi)
ca. 1510–25
Ignorance and Mercury (an allegory of Virtue and Vice), Mercury kneeling at right holding a staff and taking the hand of a man who emerges from a pile of naked bodies, at left a tree with the torso and head of a woman (Daphne), Giovanni Antonio da Brescia Italian, Engraving
Ignorance and Mercury (an allegory of Virtue and Vice), Mercury kneeling at right holding a staff and taking the hand of a man who emerges from a pile of naked bodies, at left a tree with the torso and head of a woman (Daphne)
Giovanni Antonio da Brescia
ca. 1490–1525
The Triumph of Caesar: the senators, Giovanni Antonio da Brescia Italian, Engraving
The Triumph of Caesar: the senators
Attributed by Bartsch to Giovanni Antonio da Brescia
After Andrea Mantegna
1470–1525
Cupid riding a goat accompanied by two satyrs, landscape in the background, Giovanni Pietro da Birago Italian, Engraving
Cupid riding a goat accompanied by two satyrs, landscape in the background
Circle of Giovanni Pietro da Birago
Possibly by Giovanni Antonio da Brescia
ca. 1500–1505
Studies of Horses' Heads
Giovanni Antonio da Brescia
After Leonardo da Vinci
ca. 1500–1506
Two female figures (Sibyls?) seated in the clouds flanking an angel and another flying above carrying a banderole
Giovanni Antonio da Brescia
After Raphael (Raffaello Sanzio or Santi)
1510–25
Hercules wearing a lion skin holding Antaeus whose arm reaches to the left; an inscribed tablet hanging on a dead tree at right
Giovanni Antonio da Brescia
ca. 1490–1525
Candelabra grotesque with sphinxes supporting shields and two putti holding an oval cartouche, from a series of twelve candelabra grotesques
Giovanni Antonio da Brescia
Former Attribution Giovanni Pietro da Birago
1490–1515
Candelabra grotesque with griffins and two cupids crossing halberds, from a series of twelve candelabra grotesques
Giovanni Antonio da Brescia
Former Attribution Giovanni Pietro da Birago
1490–1515
The seated Virgin with the infant Christ flanked by Joseph at right and Saint Elizabeth with infant John the Baptist at left
Giovanni Antonio da Brescia
ca. 1490–1525
Candelabra grotesque with the head of Aeneas
Giovanni Antonio da Brescia
ca. 1490–1525
Hercules holding Antaeus by the torso next to a bare tree upon which his lion skin hangs
Giovanni Antonio da Brescia
After Andrea Mantegna
ca. 1490–1520
Dejanira at left, naked and seen from behind looking at Hercules also naked, who holds a lion skin and a club
Giovanni Antonio da Brescia
ca. 1490–1525
Frieze with grotesque creatures and acanthus scrolls
Attributed to Giovanni Antonio da Brescia
ca. 1490–1525
Candelabra grotesque with six cupids seated on a pedestal and two nereids
Attributed to Giovanni Antonio da Brescia
ca. 1490–1525
Candelabra grotesque with a child riding a triton, from a series of twelve candelabra grotesques
Giovanni Antonio da Brescia
Former Attribution Giovanni Pietro da Birago
1490–1515
Candelabra grotesque with three children blowing horns, from a series of twelve candelabra grotesques
Giovanni Antonio da Brescia
Former Attribution Giovanni Pietro da Birago
1490–1515
Candelabra grotesque with a nereid ridden by two children, from a series of twelve candelabra grotesques
Giovanni Antonio da Brescia
Former Attribution Giovanni Pietro da Birago
1490–1515
Head of an old man
Giovanni Antonio da Brescia
ca. 1490–1525
Candelabra grotesque with sphinxes and two children holding palms, from a series of twelve candelabra grotesques
Giovanni Antonio da Brescia
Former Attribution Giovanni Pietro da Birago
1490–1515
Frieze with acanthus scrolls and a dog
Attributed to Giovanni Antonio da Brescia
ca. 1490–1525
Hercules standing over the Nemean Lion and holding open its jaws
Giovanni Antonio da Brescia
ca. 1490–1525
The Presentation of the Virgin in the Temple; at left a group of women standing at the base of a staircase across from a beggar with crutches; at center the Virgin ascending stairs towards a priest
Giovanni Antonio da Brescia
ca. 1490–1525
Ornamental Fillet
Daniel Hopfer
After Giovanni Antonio da Brescia
1520s
Ornamental Fillet with the Crucifixion
Daniel Hopfer
After Giovanni Antonio da Brescia
ca. 1525
Ornamental Fillet
Daniel Hopfer
After Giovanni Antonio da Brescia
1520s
Apocalipsis Jesu Christi
Multiple artists/makers
April 7, 1515/1516
Three Horse Heads after Leonardo da Vinci
After Leonardo da Vinci
After Giovanni Antonio da Brescia
ca. 1580–1620