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Ferdinando de' Medici, Grand Prince of Tuscany, Giovanni Battista Foggini Italian, Marble, gray marble, Italian, Florence
Ferdinando de' Medici, Grand Prince of Tuscany
Giovanni Battista Foggini
ca. 1680–82
Cosimo III de' Medici (1642–1723), Grand Duke of Tuscany, Giovanni Battista Foggini Italian, Marble with base of gray marble, Italian, Florence
Cosimo III de' Medici (1642–1723), Grand Duke of Tuscany
Giovanni Battista Foggini
ca. 1680–82
Cosimo III de' Medici, b. 1642, Grand Duke of Tuscany 1670–1723, Giovanni Battista Foggini Italian, Terracotta, Italian, Florence
Cosimo III de' Medici, b. 1642, Grand Duke of Tuscany 1670–1723
Giovanni Battista Foggini
ca. 1676–84
The suicide of Ajax, Giovanni Battista Foggini Italian, Bronze, Italian, Florence
The suicide of Ajax
Giovanni Battista Foggini
ca. 1690
Rape of Proserpina, Doccia Porcelain Manufactory Italian, Hard-paste porcelain, Italian, Florence
Rape of Proserpina
Multiple artists/makers
ca. 1750
The Sabine Women Pleading for Peace, Giovanni Battista Foggini Italian, Pen and brown ink, brush and brown wash, over black chalk
The Sabine Women Pleading for Peace
Giovanni Battista Foggini
1672–1725
Apollo and Coronis, Giovanni Battista Foggini Italian, Pen and brown ink, brush and brown wash, over black chalk
Apollo and Coronis
Giovanni Battista Foggini
1672–1725
A Sheet of Studies with Architectural Motifs and Two Sketches for a Visitation (recto); Sketch for a Funerary Monument (verso), Giovanni Battista Foggini Italian, Pen and brown ink, over black chalk (recto); black chalk (verso)
A Sheet of Studies with Architectural Motifs and Two Sketches for a Visitation (recto); Sketch for a Funerary Monument (verso)
Giovanni Battista Foggini
1672–1725
Design for a Sculpture consisting of a Satyr and Satyress holding a Vase, Giovanni Battista Foggini Italian, Pen and brown ink, brush and gray-brown wash, over black chalk or graphite
Design for a Sculpture consisting of a Satyr and Satyress holding a Vase
Giovanni Battista Foggini
1672–1725
Satyr and Satyress Seated on a Pedestal Supporting a Vase, Giovanni Battista Foggini Italian, Pen and brown ink, brush and gray-brown wash, over black chalk
Satyr and Satyress Seated on a Pedestal Supporting a Vase
Giovanni Battista Foggini
1672–1725
Design for a Ewer with Neptune on his Chariot, Giovanni Battista Foggini Italian, Pen and brown ink, brush and brown and gray wash, over black chalk (recto); pen and brown ink (verso)
Design for a Ewer with Neptune on his Chariot
Giovanni Battista Foggini
1672–1725
Designs for a Funerary Monument with Stairs (recto); Various Funerary Monument Designs (verso), Giovanni Battista Foggini Italian, Pen and brown ink, brush and gray wash, over graphite or black chalk (recto); pen and brown ink, over graphite (verso)
Designs for a Funerary Monument with Stairs (recto); Various Funerary Monument Designs (verso)
Giovanni Battista Foggini
1672–1725
Sheet with Various Designs for Tables and a Funerary Monument, Giovanni Battista Foggini Italian, Pen and brown ink, brush and gray wash, over black chalk
Sheet with Various Designs for Tables and a Funerary Monument
Giovanni Battista Foggini
1672–1725
Designs for Archways and Baldachins with Caryatids and Coats of Arms (recto); Design for a Monument with Statues of Prudence and Fortitude (verso), Giovanni Battista Foggini Italian, Pen and brown ink, over black chalk or graphite (recto and verso)
Designs for Archways and Baldachins with Caryatids and Coats of Arms (recto); Design for a Monument with Statues of Prudence and Fortitude (verso)
Giovanni Battista Foggini
1672–1725
Studies for Coffee Urns, Arched-top Altars, and an Altar Project for the Baptistery of Florence Cathedral (recto); Studies for Chapels and Portals (verso), Giovanni Battista Foggini Italian, Pen and light brown ink, brush and gray wash over traces of black chalk (recto and verso)
Studies for Coffee Urns, Arched-top Altars, and an Altar Project for the Baptistery of Florence Cathedral (recto); Studies for Chapels and Portals (verso)
Giovanni Battista Foggini
1652–1725
Studies for a Sculpture with Figures of Prudence, Industry and Economy Supported by Slaves and an Oval Plaque with Cartouche; Separate Study for a Cupola (recto); Studies for Figural Ornament (verso), Giovanni Battista Foggini Italian, Pen and brown ink, brush and gray wash, over black chalk (recto and verso)
Studies for a Sculpture with Figures of Prudence, Industry and Economy Supported by Slaves and an Oval Plaque with Cartouche; Separate Study for a Cupola (recto); Studies for Figural Ornament (verso)
Giovanni Battista Foggini
1672–1725
Designs for Bed Alcoves (recto); Studies for a figure of St. John the Baptist and a Bed Alcove (verso), Giovanni Battista Foggini Italian, Pen and brown ink, brush and gray wash over traces of black chalk (recto and verso)
Designs for Bed Alcoves (recto); Studies for a figure of St. John the Baptist and a Bed Alcove (verso)
Giovanni Battista Foggini
1652–1725
Studies for a Kneeling Figure of Christ and Altar Fronts, Giovanni Battista Foggini Italian, Pen and brown ink, brush and gray wash over traces of black chalk; the secondary paper support is outlined with brush and pink wash on the verso
Studies for a Kneeling Figure of Christ and Altar Fronts
Giovanni Battista Foggini
1652–1725
Design for a Sarcophagus Supported by Putti for the Church of S. Maria Maddalena de' Pazzi, Florence, Giovanni Battista Foggini (family and workshop) Italian, Pen and brown ink, brush and gray wash over black chalk or graphite
Design for a Sarcophagus Supported by Putti for the Church of S. Maria Maddalena de' Pazzi, Florence
Giovanni Battista Foggini
1652–1725
Female Mask Surrounded by Tendrils, Giovanni Battista Foggini Italian, Pen and brown ink, over black chalk
Female Mask Surrounded by Tendrils
Giovanni Battista Foggini
1672–1725
Design for a Helmet with a Dragon Presented in Frontal View, Giovanni Battista Foggini Italian, Pen and brown ink, brush and light brown wash, over black chalk
Design for a Helmet with a Dragon Presented in Frontal View
Giovanni Battista Foggini
1672–1725
Design for a Tomb of Epitaph (recto); An Unfinished Variation of a Tomb or Epitaph (verso), Giovanni Battista Foggini Italian, Pen and brown ink over black chalk
Design for a Tomb of Epitaph (recto); An Unfinished Variation of a Tomb or Epitaph (verso)
Attributed to Giovanni Battista Foggini
1672–1725
Design for a Helmet with a Sphinx presented in 3/4 View, Giovanni Battista Foggini Italian, Pen and brown ink, brush and light brown wash, over black chalk
Design for a Helmet with a Sphinx presented in 3/4 View
Giovanni Battista Foggini
1672–1725
Two Studies for Helmet Designs Presented En Profil, Giovanni Battista Foggini Italian, Pen and brown ink, brush and light brown wash, over black chalk
Two Studies for Helmet Designs Presented En Profil
Giovanni Battista Foggini
1672–1725
Design for a Helmet with an Elaborate Plume, Giovanni Battista Foggini Italian, Pen and brown ink, brush and light brown wash, over black chalk
Design for a Helmet with an Elaborate Plume
Giovanni Battista Foggini
1672–1725
Outline of Design for a Vase with Two Handles, Giovanni Battista Foggini Italian, Pen and brown ink, over black chalk; glued onto secondary paper support, framed in black chalk or graphite
Outline of Design for a Vase with Two Handles
Giovanni Battista Foggini
1672–1725
Outline of Design for a Two-Handled Vase, Giovanni Battista Foggini Italian, Pen and brown ink over black chalk; glued onto secondary paper support
Outline of Design for a Two-Handled Vase
Giovanni Battista Foggini
1672–1725
Design for a Ewer with Bull Heads under the Handles and Spout, Giovanni Battista Foggini Italian, Pen and brown ink, brush and gray wash, over black chalk; glued onto secondary paper support
Design for a Ewer with Bull Heads under the Handles and Spout
Giovanni Battista Foggini
1672–1725
Design for a Carved or Openworked Frame with a Variant, Giovanni Battista Foggini Italian, Pen and brown ink, brush and brown wash, over black chalk, vertical line in graphite through the center (recto); pen and brown ink, over black chalk (verso)
Design for a Carved or Openworked Frame with a Variant
Giovanni Battista Foggini
1672–1725
Design for an Epitaph, Giovanni Battista Foggini Italian, Pen and light brown ink, brush and brown-gray wash, over black chalk
Design for an Epitaph
Giovanni Battista Foggini
1672–1725
Design for a Frame or Epitaph (recto); Caryatid Supporting a Frame (verso), Giovanni Battista Foggini Italian, Pen and light brown ink, brush and brown wash over black chalk (recto); black chalk (verso)
Design for a Frame or Epitaph (recto); Caryatid Supporting a Frame (verso)
Attributed to Giovanni Battista Foggini
1672–1725
Design for a Chalice (recto); Design for the Base of a Vase (verso), Giovanni Battista Foggini Italian, Pen and brown ink, brush and brown wash, over black chalk (recto); graphite (verso)
Design for a Chalice (recto); Design for the Base of a Vase (verso)
Giovanni Battista Foggini
1672–1725
Design for a Chalice with Acanthus and Shell Decoration, Giovanni Battista Foggini Italian, Pen and brown ink, brush and brown wash, over black chalk
Design for a Chalice with Acanthus and Shell Decoration
Giovanni Battista Foggini
1672–1725
Design for a Vessel, Giovanni Battista Foggini Italian, Pen and brown ink, over black chalk
Design for a Vessel
Giovanni Battista Foggini
1672–1725
Design for a Vessel with Two Tritons Blowing Horns and a Winged Putto on Top, Giovanni Battista Foggini Italian, Pen and brown ink, brush and brown wash over graphite
Design for a Vessel with Two Tritons Blowing Horns and a Winged Putto on Top
Attributed to Giovanni Battista Foggini
1672–1725
Design for a Cartouche, Giovanni Battista Foggini Italian, Pen and light brown ink, over black chalk
Design for a Cartouche
Attributed to Giovanni Battista Foggini
1672–1725
Design for a Cartouche with an Annunication above and a Kneeling Figure with Staff Below, Giovanni Battista Foggini Italian, Pen and brown ink, over black chalk
Design for a Cartouche with an Annunication above and a Kneeling Figure with Staff Below
Giovanni Battista Foggini
1672–1725
Designs for a Pilaster Ornament and Cartouche (recto); Design for a Window or a Wall Plaque (verso), Giovanni Battista Foggini Italian, Pen and brown ink, over black chalk (recto); pen and brown ink over black chalk (verso)
Designs for a Pilaster Ornament and Cartouche (recto); Design for a Window or a Wall Plaque (verso)
Giovanni Battista Foggini
1672–1725
Two Variants for a Cartouche with Palm Leave Decoration, Giovanni Battista Foggini Italian, Pen and brown ink over black chalk
Two Variants for a Cartouche with Palm Leave Decoration
Giovanni Battista Foggini
1672–1725
Design for an Overdoor with a Bust, Giovanni Battista Foggini Italian, Pen and brown ink, over black chalk
Design for an Overdoor with a Bust
Giovanni Battista Foggini
1672–1725
Design for a Rocaille Cartouche, Giovanni Battista Foggini Italian, Black chalk
Design for a Rocaille Cartouche
Attributed to Giovanni Battista Foggini
1672–1725
Design for a Coat of Arms Partially Covered in Drapery, Giovanni Battista Foggini Italian, Black chalk and graphite
Design for a Coat of Arms Partially Covered in Drapery
Giovanni Battista Foggini
1672–1725

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The Metropolitan Museum of Art presents over 5,000 years of art from around the world, and our online collection reflects ongoing work conducted over the course of our more than 150-year history. You may encounter objects or images that may be inappropriate for some viewers or information that may be outdated.