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Samson Slaying the Philistine, after Michelangelo (recto); Figure of Fury, after Rosso Fiorentino (verso), Giovanni Battista Naldini Italian, Red chalk (recto); black chalk (verso) — Samson Slaying the Philistine, after Michelangelo (recto); Figure of Fury, after Rosso Fiorentino (verso)
Giovanni Battista Naldini
After Michelangelo Buonarroti
After Rosso Fiorentino
1537–91

The Dead Christ Supported by Three Figures, Giovanni Battista Naldini Italian, Pen and brown ink, brush and brown wash, highlighted with white, over black chalk, on brown-washed paper — The Dead Christ Supported by Three Figures
Giovanni Battista Naldini
1537–91

Kneeling Male Figure with Outstretched Arms (recto); Semi-Nude Seated Male Figure seen from Behind (verso), Giovanni Battista Naldini Italian, Red chalk (recto and verso) — Kneeling Male Figure with Outstretched Arms (recto); Semi-Nude Seated Male Figure seen from Behind (verso)
Attributed to Giovanni Battista Naldini
1537–91

Design for the End Pier of a Table, Giovanni Battista Naldini Italian, Pen and brown ink, brush and brown wash, over black chalk — Design for the End Pier of a Table
Giovanni Battista Naldini
1537–91

Elevation of Giulio Romano's House (recto); the Ruins from the Caelius Aqueduct and Temple of Claudius in Rome (verso), Giovanni Battista Naldini Italian, Pen and brown ink, over leadpoint — Elevation of Giulio Romano's House (recto); the Ruins from the Caelius Aqueduct and Temple of Claudius in Rome (verso)
Giovanni Battista Naldini
ca. 1557

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