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Design for a Stage Set (recto); Fragmentary Sketch of a Stage Set in Elevation (verso), Giovanni Battista Natali III Italian, Pen and brown ink, brush with brown and gray wash (recto); pen and brown ink (verso)
Design for a Stage Set (recto); Fragmentary Sketch of a Stage Set in Elevation (verso)
Giovanni Battista Natali III
1718–65
Design for a Stage Set (recto); Fragmentary Sketch of a Plan (verso), Giovanni Battista Natali III Italian, Pen and brown ink, brush with brown and gray wash (recto); pen and brown ink (verso)
Design for a Stage Set (recto); Fragmentary Sketch of a Plan (verso)
Giovanni Battista Natali III
1718–65
Design for a Portable Screen, Giovanni Battista Natali III Italian, Pen and brown ink, brush and gray wash, over traces of graphite or black chalk
Design for a Portable Screen
Giovanni Battista Natali III
1698–1765
Design for a Canopy (recto). Design for an Armchair (verso), Giovanni Battista Natali III Italian, Pen and ink, brush and gray wash
Design for a Canopy (recto). Design for an Armchair (verso)
Giovanni Battista Natali III
1698–1765
Design for a Stage Set: Stairway and Arcades Leading to a Salone, Giovanni Battista Natali III Italian, Pen and brown ink, brush with brown and gray wash, over graphite or black chalk
Design for a Stage Set: Stairway and Arcades Leading to a Salone
Giovanni Battista Natali III
1698–1765
Design for a Stage Set: Interior of a Palazzo Decorated with Large Mirrors and Console Tables, Giovanni Battista Natali III Italian, Pen and brown ink, brush with brown and gray wash
Design for a Stage Set: Interior of a Palazzo Decorated with Large Mirrors and Console Tables
Giovanni Battista Natali III
1698–1765
Design for a Stage Set: Groin-Vaulted Stairway Leading to a Gallery with Another Stairway to a Second Story at Left (recto); Slight Sketch Traced Through from the Recto and Reworked (verso), Giovanni Battista Natali III Italian, Pen and gray ink, brush with brown and gray wash (recto); graphite or black chalk (verso)
Design for a Stage Set: Groin-Vaulted Stairway Leading to a Gallery with Another Stairway to a Second Story at Left (recto); Slight Sketch Traced Through from the Recto and Reworked (verso)
Giovanni Battista Natali III
1698–1765
Design for a Stage Sets: Anteroom with Stairs Leading to a Gallery Composed of a Series of Connected Barrel Vaults, Giovanni Battista Natali III Italian, Pen and gray ink, brush with brown and gray wash
Design for a Stage Sets: Anteroom with Stairs Leading to a Gallery Composed of a Series of Connected Barrel Vaults
Giovanni Battista Natali III
1698–1765
Ornament Design with Alternate Suggestion (recto). Variant Ornament Design with Alternate Suggestion (verso), Giovanni Battista Natali III Italian, Brush and gray ink, brush and gray wash
Ornament Design with Alternate Suggestion (recto). Variant Ornament Design with Alternate Suggestion (verso)
Giovanni Battista Natali III
1698–1765
Two Alternative Designs for a Mirror Stand, Giovanni Battista Natali III Italian, Pen and brown ink, brush with brown and gray wash, over traces of graphite or black chalk
Two Alternative Designs for a Mirror Stand
Giovanni Battista Natali III
1698–1765
Designs for Mirror Frames and Sconces, Giovanni Battista Natali III Italian, Pen and brown ink, brush with gray and brown wash, over graphite or black chalk
Designs for Mirror Frames and Sconces
Giovanni Battista Natali III
1698–1765
Design for Mirror Frame, Giovanni Battista Natali III Italian, Pen and brown ink, brush with gray and brown wash, over traces of graphite or black chalk
Design for Mirror Frame
Giovanni Battista Natali III
ca. 1720–40
Two Alternative Designs for a Mirror or Screen with Family Coat of Arms, Giovanni Battista Natali III Italian, Pen and brown ink, brush with gray and brown wash, over traces of graphite or black chalk
Two Alternative Designs for a Mirror or Screen with Family Coat of Arms
Giovanni Battista Natali III
1698–1765
Design for a Stage Set: Double Stairway Pierced by an Arcade (recto); Slight Sketch (verso), Giovanni Battista Natali III Italian, Pen and brown ink, brush and gray wash, over traces of graphite or black chalk (recto); Pen and brown ink (verso)
Design for a Stage Set: Double Stairway Pierced by an Arcade (recto); Slight Sketch (verso)
Giovanni Battista Natali III
1698–1765
Design for a Table, Giovanni Battista Natali III Italian, Pen and brown ink, brush with gray and brown wash, over traces of graphite or black chalk
Design for a Table
Giovanni Battista Natali III
1698–1765
Design for a Frame in the Form of a Cartouche (Mirror?), Giovanni Battista Natali III Italian, Pen and brown ink, brush and brown wash
Design for a Frame in the Form of a Cartouche (Mirror?)
Attributed to Giovanni Battista Natali III
1698–1765
Design for a Crest with Drapery (the Upper Part of a Canopy or Window Treatment), Giovanni Battista Natali III Italian, Pen and brown ink, brush with blue-gray and brown wash, over traces of graphite or black chalk
Design for a Crest with Drapery (the Upper Part of a Canopy or Window Treatment)
Attributed to Giovanni Battista Natali III
1698–1765
Fragmentary Sketches of Various Ornament, Giovanni Battista Natali III Italian, Graphite, pen and brown ink, brush with brown and gray wash
Fragmentary Sketches of Various Ornament
Attributed to Giovanni Battista Natali III
1698–1765
Design for Stage Set with a Circular Arcade (recto); Sketch for Stage Set with Circular Arcade (verso), Giovanni Battista Natali III Italian, Pen and brown ink, brush and gray wash, over traces of graphite (recto); pen and brown ink (verso)
Design for Stage Set with a Circular Arcade (recto); Sketch for Stage Set with Circular Arcade (verso)
Attributed to Giovanni Battista Natali III
1698–1765
Design for Stage Set, Giovanni Battista Natali III Italian, Pen and brown ink, brush and gray wash
Design for Stage Set
Attributed to Giovanni Battista Natali III
1698–1765
Design for Stage Set, Giovanni Battista Natali III Italian, Pen and brown ink, brush and gray wash
Design for Stage Set
Attributed to Giovanni Battista Natali III
1698–1765
Design for Stage Set, Giovanni Battista Natali III Italian, Pen and brown ink, brush and gray wash
Design for Stage Set
Attributed to Giovanni Battista Natali III
1698–1765
Design for Stage Set, Giovanni Battista Natali III Italian, Pen and brown ink, brush and gray wash
Design for Stage Set
Attributed to Giovanni Battista Natali III
1698–1765
Design for Stage Set, Giovanni Battista Natali III Italian, Pen and brown ink, brush and gray wash
Design for Stage Set
Attributed to Giovanni Battista Natali III
1698–1765
Parted Curtains Revealing Angels Upon Clouds Worshipping a Monstrance (Design for a Stage Set?), Giovanni Battista Natali III Italian, Pen and brown ink, brush and gray wash
Parted Curtains Revealing Angels Upon Clouds Worshipping a Monstrance (Design for a Stage Set?)
Attributed to Giovanni Battista Natali III
1698–1765
Design for Stage Set, Giovanni Battista Natali III Italian, Pen and brown ink, brush and gray wash
Design for Stage Set
Giovanni Battista Natali III
1698–1765
Design for Stage Set, Giovanni Battista Natali III Italian, Pen and brown ink, brush and gray wash
Design for Stage Set
Attributed to Giovanni Battista Natali III
1698–1765
Design for Stage Set, Giovanni Battista Natali III Italian, Pen and brown ink, brush and brown wash, on yellow-brown paper
Design for Stage Set
Attributed to Giovanni Battista Natali III
1698–1765
Design for Stage Set, Giovanni Battista Natali III Italian, Pen and brown ink, brush and gray wash
Design for Stage Set
Attributed to Giovanni Battista Natali III
1698–1765

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