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Saint Christopher Carrying the Infant Christ, Giovanni Battista Piazzetta Italian, Oil on canvas
Saint Christopher Carrying the Infant Christ
Giovanni Battista Piazzetta
1730s
Bust of a Man (Saint Matthias?), Giovanni Battista Piazzetta Italian, Oil on canvas
Bust of a Man (Saint Matthias?)
Giovanni Battista Piazzetta
ca. 1715–20
Feeding the Dog, Giovanni Battista Piazzetta Italian, Black chalk, highlighted with white chalk, on blue-gray paper faded to brown
Feeding the Dog
Giovanni Battista Piazzetta
1682–1754
Portraits of Canaletto and Visentini, Antonio Maria Visentini Italian, Etching; first state of three
Portraits of Canaletto and Visentini
Multiple artists/makers
1735
Boy with an Egg, Girl with a Hen, and a Watching Woman, Giovanni Battista Piazzetta Italian, Charcoal (?) and black chalk, highlighted with white chalk, on blue-gray paper faded to brown
Boy with an Egg, Girl with a Hen, and a Watching Woman
Giovanni Battista Piazzetta
1682–1754
Executioner Holding Up a Severed Head, Giovanni Battista Piazzetta Italian, Charcoal, highlighted with white chalk, on gray-blue paper
Executioner Holding Up a Severed Head
Giovanni Battista Piazzetta
1682–1754
David With the Head of Goliath (recto); Study of Lower Leg and Right Foot (verso), Giovanni Battista Piazzetta Italian, Charcoal, highlighted with white, on gray-blue paper faded to gray-brown (recto); black chalk (verso)
David With the Head of Goliath (recto); Study of Lower Leg and Right Foot (verso)
Giovanni Battista Piazzetta
1682–1754
Boy With a Staff, Giovanni Battista Piazzetta Italian, Charcoal or black chalk, highlighted with white chalk, on blue-gray paper faded to light brown
Boy With a Staff
Giovanni Battista Piazzetta
1682–1754
Girl with a Hen, Giovanni Battista Piazzetta Italian, Charcoal, highlighted with white chalk, on blue-gray paper faded to light brown
Girl with a Hen
Giovanni Battista Piazzetta
1682–1754
Vignette Illustrating Torquato Tasso's "Gerusalemme Liberata" (X:78), Giovanni Battista Piazzetta Italian, Red chalk over traces of graphite
Vignette Illustrating Torquato Tasso's "Gerusalemme Liberata" (X:78)
Giovanni Battista Piazzetta
1745
Nude Figure, Giovanni Battista Piazzetta Italian, Black chalk
Nude Figure
After Giovanni Battista Piazzetta
1720
Imaginary portrait head of a man wearing a cap and fur-trimmed coat; from the series of 22 imaginary portrait heads after Giovanni Battista Piazzetta, Johann Lorenz Haid German, Mezzotint printed in blue
Imaginary portrait head of a man wearing a cap and fur-trimmed coat; from the series of 22 imaginary portrait heads after Giovanni Battista Piazzetta
Johann Lorenz Haid
After Giovanni Battista Piazzetta
Publisher Johann Christian Leopold
ca. 1730–50
Imaginary portrait head of a man in a feathered hat; from the series of 22 imaginary portrait heads after Giovanni Battista Piazzetta, Johann Lorenz Haid German, Mezzotint printed in blue
Imaginary portrait head of a man in a feathered hat; from the series of 22 imaginary portrait heads after Giovanni Battista Piazzetta
Johann Lorenz Haid
After Giovanni Battista Piazzetta
Publisher Johann Christian Leopold
ca. 1730–50
Plate 10: Old woman with a rosary and a boy counting coins, from "Icones ad vivum expressae", Giovanni Cattini Italian, Etching
Plate 10: Old woman with a rosary and a boy counting coins, from "Icones ad vivum expressae"
Giovanni Cattini
After Giovanni Battista Piazzetta
1743
Plate 3: Boy with a hat touching the face of a girl, from "Icones ad vivum expressae", Giovanni Cattini Italian, Etching
Plate 3: Boy with a hat touching the face of a girl, from "Icones ad vivum expressae"
Giovanni Cattini
After Giovanni Battista Piazzetta
1743
Plate 9: A youth playing the recorder while a man to the left holds up a music book, from "Icones ad vivum expressae", Giovanni Cattini Italian, Etching
Plate 9: A youth playing the recorder while a man to the left holds up a music book, from "Icones ad vivum expressae"
Giovanni Cattini
After Giovanni Battista Piazzetta
1743
Saint John the Evangelist; head and shoulders, writing with a quill, Johann Lorenz Haid German, Mezzotint
Saint John the Evangelist; head and shoulders, writing with a quill
Johann Lorenz Haid
After Giovanni Battista Piazzetta
Publisher Johann Christian Leopold
ca. 1750–60
Saint Jude, head and shoulders, holding a square rule, Johann Lorenz Haid German, Mezzotint
Saint Jude, head and shoulders, holding a square rule
Johann Lorenz Haid
After Giovanni Battista Piazzetta
Publisher Johann Christian Leopold
ca. 1750–60
Copy in reverse of an old woman with a rosary and a boy counting coins; plate 10 from 'Icones ad vivum expressae' after Giovanni Battista Piazzetta, Niccolò Cavalli Italian, Etching
Copy in reverse of an old woman with a rosary and a boy counting coins; plate 10 from 'Icones ad vivum expressae' after Giovanni Battista Piazzetta
Niccolò Cavalli
After Giovanni Battista Piazzetta
ca. 1750–90
Plate 4: Boy with a lace collar holding a piece of fruit in his hands; from "Icones ad vivum expressae", Giovanni Cattini Italian, Etching
Plate 4: Boy with a lace collar holding a piece of fruit in his hands; from "Icones ad vivum expressae"
Giovanni Cattini
After Giovanni Battista Piazzetta
1743
Man in a fur hat holding a musket, looking upwards; after Giovanni Battista Piazzetta, James Bretherton British, Etching
Man in a fur hat holding a musket, looking upwards; after Giovanni Battista Piazzetta
James Bretherton
After Giovanni Battista Piazzetta
1770–80
Christ and the woman of Samaria at the well, from the series of 112 prints of the sacred history, after the painting by Giovanni Battista Piazzetta, Pietro Monaco Italian, Etching and engraving
Christ and the woman of Samaria at the well, from the series of 112 prints of the sacred history, after the painting by Giovanni Battista Piazzetta
Pietro Monaco
Intermediary draughtsman Domenico Magioto
After Giovanni Battista Piazzetta
1743–63
Head of a young man looking upwards; after Giovanni Battista Piazzetta, Teodoro Viero Italian, Engraving, printed in brown ink
Head of a young man looking upwards; after Giovanni Battista Piazzetta
Teodoro Viero
After Giovanni Battista Piazzetta
1774
Plate XLIX: Pastoral scene with peasants napping, one resting on a woman under a tree, a soldier approaches at right; from 'Studi di pittura gia dissegnati da Giambatista Piazzetta' after Giovanni Battista Piazzetta, Giuliano Giampiccoli Italian, Engraving and etching
Plate XLIX: Pastoral scene with peasants napping, one resting on a woman under a tree, a soldier approaches at right; from 'Studi di pittura gia dissegnati da Giambatista Piazzetta' after Giovanni Battista Piazzetta
Giuliano Giampiccoli
After Giovanni Battista Piazzetta
ca. 1725–59
Plate 4: Boy with a lace collar holding a piece of fruit in his hands, from "Icones ad vivum expressae", Giovanni Cattini Italian, Etching
Plate 4: Boy with a lace collar holding a piece of fruit in his hands, from "Icones ad vivum expressae"
Giovanni Cattini
After Giovanni Battista Piazzetta
1743
Plate 12: A young man leaning on a staff looking outward, with an old man behind to his right, from "Icones ad vivum expressae", Giovanni Cattini Italian, Etching
Plate 12: A young man leaning on a staff looking outward, with an old man behind to his right, from "Icones ad vivum expressae"
Giovanni Cattini
After Giovanni Battista Piazzetta
1743
Plate 8: Man in a hat reading a book with a magnifying glass; from 'Icones ad vivum expressae' after Giovanni Battista Piazzetta, Giovanni Cattini Italian, Etching
Plate 8: Man in a hat reading a book with a magnifying glass; from 'Icones ad vivum expressae' after Giovanni Battista Piazzetta
Giovanni Cattini
After Giovanni Battista Piazzetta
1743
Plate 7: A woman with a basket of pears; from 'Icones ad vivum expressae' after Giovanni Battista Piazzetta, Giovanni Cattini Italian, Etching
Plate 7: A woman with a basket of pears; from 'Icones ad vivum expressae' after Giovanni Battista Piazzetta
Giovanni Cattini
After Giovanni Battista Piazzetta
1743
Plate 1: Pensive man resting his head on his hand, from "Icones ad vivum expressae", Giovanni Cattini Italian, Etching
Plate 1: Pensive man resting his head on his hand, from "Icones ad vivum expressae"
Giovanni Cattini
After Giovanni Battista Piazzetta
1743
Plate 6: A young man embracing a girl, from "Icones ad vivum expressae", Giovanni Cattini Italian, Etching
Plate 6: A young man embracing a girl, from "Icones ad vivum expressae"
Giovanni Cattini
After Giovanni Battista Piazzetta
1743
Saint Philip, head and shoulders, holding a cross and a book; after Giovanni Battista Piazzetta (copy in reverse), Marco Alvise Pitteri Italian, Engraving
Saint Philip, head and shoulders, holding a cross and a book; after Giovanni Battista Piazzetta (copy in reverse)
After Marco Alvise Pitteri
After Giovanni Battista Piazzetta
ca. 1740–80
S. Isidorus, S. Vincentius, S. Hyacinthus, Francesco Bartolozzi Italian, Engraving
S. Isidorus, S. Vincentius, S. Hyacinthus
Francesco Bartolozzi
after Giovanni Battista Piazzetta
Publisher Published by Joseph Wagner
1760
Portrait of a Young Woman Holding a Mask, Johann Lorenz Haid German, Mezzotint
Portrait of a Young Woman Holding a Mask
Johann Lorenz Haid
After Giovanni Battista Piazzetta
Publisher Johann Christian Leopold
ca. 1750s
Portrait of Giovanni Battista Piazzetta, Johann Gottfried Haid German, Mezzotint
Portrait of Giovanni Battista Piazzetta
Johann Gottfried Haid
Publisher Johann Christian Leopold
Sitter Giovanni Battista Piazzetta
18th century
Portrait of Giovanni Battista Piazzetta in a decorative border, from "Compendio delle vite de' pittori veneziani istorici più rinomati del presente secolo con suoi ritratti tratti dal naturale delineati ed incisi"
Alessandro Longhi
Sitter Giovanni Battista Piazzetta
Publisher Alessandro Longhi
1762
Plate 11: a mathematician with long hair, using a pair of dividers to draw on a block, from "Icones ad vivum expressae"
Giovanni Cattini
After Giovanni Battista Piazzetta
1743–63
Plate 13: a hunter and two young women with a bird in a cage, from 'Icones ad vivum expressae'
Giovanni Cattini
After Giovanni Battista Piazzetta
1743–63
Compendio delle vite de' pittori veneziani istorici più rinomati del presente secolo con suoi ritratti tratti dal naturale delineati ed incisi
Multiple artists/makers
1762
Beatae Mariae Virginis Officium
Multiple artists/makers
1740
Plate VII: Saint Philip from the series of Apostles
Marco Alvise Pitteri
After Giovanni Battista Piazzetta
1742
Plate XI: Saint Thaddeus from the series of Apostles
Marco Alvise Pitteri
After Giovanni Battista Piazzetta
1742
Portrait of Giovanni Battista Piazzetta
Marco Alvise Pitteri
after Giovanni Battista Piazzetta
1754