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Aglauros’s Vision of the Bridal Chamber of Herse, from the Story of Mercury and Herse, Giovanni Battista Lodi da Cremona Italian, Wool, silk and precious metal-wrapped threads (20-22 warps per inch, 8-9 warps per cm.), Netherlandish, Brussels
Aglauros’s Vision of the Bridal Chamber of Herse, from the Story of Mercury and Herse
Multiple artists/makers
designed ca. 1540, woven ca. 1570
Bona Sforza (1493–1557), Queen of Poland, Giovanni Jacopo Caraglio Italian, Sardonyx, with inlaid gold and silver details; mounted in 19th century frame as a pendant in gold, with enamel, pearl and ruby, Polish, Krakow cameo with French frame
Bona Sforza (1493–1557), Queen of Poland
Cameo by Giovanni Jacopo Caraglio
cameo ca. 1530–40, frame 19th century
Plate depicting scene of Vulcan, Venus and Mars, Fra Xanto Avelli da Rovigo, Maiolica (tin-glazed earthenware), Italian, Urbino
Plate depicting scene of Vulcan, Venus and Mars
Figures painted by Fra Xanto Avelli da Rovigo
After a print by Giovanni Jacopo Caraglio
After a painting by Perino del Vaga (Pietro Buonaccorsi)
dated 1542
Plate 16: Hebe in a niche with her hands in the air, running to the left while looking to the right, from a series of mythological gods and goddesses, Giovanni Jacopo Caraglio Italian, Engraving
Plate 16: Hebe in a niche with her hands in the air, running to the left while looking to the right, from a series of mythological gods and goddesses
Giovanni Jacopo Caraglio
After Rosso Fiorentino
1526
Plate 15: Hercules standing in a niche, wearing a lion skin and holding a club, viewed from behind, with his head turned to the left, from a series of mythological gods and goddesses, Giovanni Jacopo Caraglio Italian, Engraving
Plate 15: Hercules standing in a niche, wearing a lion skin and holding a club, viewed from behind, with his head turned to the left, from a series of mythological gods and goddesses
Giovanni Jacopo Caraglio
After Rosso Fiorentino
1526
Plate 7: Pluto in a niche, holding a bident, with Cerberus next to him, from a series of mythological gods and goddesses, Giovanni Jacopo Caraglio Italian, Etching
Plate 7: Pluto in a niche, holding a bident, with Cerberus next to him, from a series of mythological gods and goddesses
Giovanni Jacopo Caraglio
After Rosso Fiorentino
1526
Plate 17: Bacchus standing in a niche, holding grapes over a plate, accompanied by an infant satyr, from a series of mythological gods and goddesses, Giovanni Jacopo Caraglio Italian, Engraving
Plate 17: Bacchus standing in a niche, holding grapes over a plate, accompanied by an infant satyr, from a series of mythological gods and goddesses
Giovanni Jacopo Caraglio
After Rosso Fiorentino
1526
Fury personified as an emaciated man astride a monster, holding a skull in his raised left hand, Giovanni Jacopo Caraglio Italian, Engraving
Fury personified as an emaciated man astride a monster, holding a skull in his raised left hand
Giovanni Jacopo Caraglio
After Rosso Fiorentino
ca. 1520–39
The Marriage of the Virgin, Giovanni Jacopo Caraglio Italian, Engraving
The Marriage of the Virgin
Giovanni Jacopo Caraglio
After Parmigianino (Girolamo Francesco Maria Mazzola)
ca. 1525
Plate 8: Proserpina, standing in a niche, turning to the right while holding mantle in both hands and flowers in her right hand, from "Mythological Gods and Goddesses", Giovanni Jacopo Caraglio Italian, Engraving
Plate 8: Proserpina, standing in a niche, turning to the right while holding mantle in both hands and flowers in her right hand, from "Mythological Gods and Goddesses"
Giovanni Jacopo Caraglio
After Rosso Fiorentino
1526
The Adoration of the Shepherds, Giovanni Jacopo Caraglio Italian, Engraving
The Adoration of the Shepherds
Engraved by Giovanni Jacopo Caraglio
After Parmigianino (Girolamo Francesco Maria Mazzola)
n.d.
The Adoration of the Shepherds, Giovanni Jacopo Caraglio Italian, Etching
The Adoration of the Shepherds
Etched by Giovanni Jacopo Caraglio
Designed by Parmigianino (Girolamo Francesco Maria Mazzola)
The Martyrdom of St. Peter and St. Paul, Giovanni Jacopo Caraglio Italian, Engraving
The Martyrdom of St. Peter and St. Paul
Engraved by Giovanni Jacopo Caraglio
Designed by Parmigianino (Girolamo Francesco Maria Mazzola)
ca. 1527
Diogenes, Giovanni Jacopo Caraglio Italian, Engraving
Diogenes
Engraved by Giovanni Jacopo Caraglio
After Parmigianino (Girolamo Francesco Maria Mazzola)
ca. 1527
Plate 10: Venus in a niche, standing on a conch shell, with Cupid to her right, from "Mythological Gods and Goddesses", Giovanni Jacopo Caraglio Italian, Engraving
Plate 10: Venus in a niche, standing on a conch shell, with Cupid to her right, from "Mythological Gods and Goddesses"
Giovanni Jacopo Caraglio
After Rosso Fiorentino
1526
Plate 1: Saturn in a niche devouring his son, standing before a scythe, from "Mythological Gods and Goddesses", Giovanni Jacopo Caraglio Italian, Engraving
Plate 1: Saturn in a niche devouring his son, standing before a scythe, from "Mythological Gods and Goddesses"
Giovanni Jacopo Caraglio
After Rosso Fiorentino
Publisher Antonio Salamanca
1526
Plate 4: Juno standing in a niche, viewed from behind, stroking a peacock to her right, from "Mythological Gods and Goddesses", Giovanni Jacopo Caraglio Italian, Engraving
Plate 4: Juno standing in a niche, viewed from behind, stroking a peacock to her right, from "Mythological Gods and Goddesses"
Giovanni Jacopo Caraglio
After Rosso Fiorentino
1526
Plate 5: Neptune standing in a niche holding a trident, with a hippocampus (sea-horse) behind him, from "Mythological Gods and Goddesses", Giovanni Jacopo Caraglio Italian, Engraving
Plate 5: Neptune standing in a niche holding a trident, with a hippocampus (sea-horse) behind him, from "Mythological Gods and Goddesses"
Giovanni Jacopo Caraglio
After Rosso Fiorentino
1526
Plate 7: Pluto in a niche, holding a bident, with Cerberus next to him, from "Mythological Gods and Goddesses", Giovanni Jacopo Caraglio Italian, Engraving
Plate 7: Pluto in a niche, holding a bident, with Cerberus next to him, from "Mythological Gods and Goddesses"
Giovanni Jacopo Caraglio
After Rosso Fiorentino
1526
Plate 9: Mars in a niche, holding a sword above his head with his right arm, and a shield on his left arm, from "Mythological Gods and Goddesses", Giovanni Jacopo Caraglio Italian, Engraving
Plate 9: Mars in a niche, holding a sword above his head with his right arm, and a shield on his left arm, from "Mythological Gods and Goddesses"
Giovanni Jacopo Caraglio
After Rosso Fiorentino
1526
Plate 2: Ops standing in a niche with her hands at her breasts, looking to her left, with animals behind her, from "Mythological Gods and Goddesses" , Giovanni Jacopo Caraglio Italian, Engraving; third state of three (TIB)

Plate 2: Ops standing in a niche with her hands at her breasts, looking to her left, with animals behind her, from "Mythological Gods and Goddesses"

Giovanni Jacopo Caraglio
After Rosso Fiorentino
1526
Plate 3: Jupiter emerging from a niche, riding an eagle and holding a thunderbolt in his left hand, from "Mythological Gods and Goddesses" , Giovanni Jacopo Caraglio Italian, Engraving

Plate 3: Jupiter emerging from a niche, riding an eagle and holding a thunderbolt in his left hand, from "Mythological Gods and Goddesses"

Giovanni Jacopo Caraglio
After Rosso Fiorentino
1526
Plate 6: Thetis standing in a niche with a shell and sea creature, pouring water out of a vase, looking to her left, from "Mythological Gods and Goddesses", Giovanni Jacopo Caraglio Italian, Engraving
Plate 6: Thetis standing in a niche with a shell and sea creature, pouring water out of a vase, looking to her left, from "Mythological Gods and Goddesses"
Giovanni Jacopo Caraglio
After Rosso Fiorentino
1526
Marriage of the Virgin, Giovanni Jacopo Caraglio Italian, Engraving
Marriage of the Virgin
Engraved by Giovanni Jacopo Caraglio
Designed by Parmigianino (Girolamo Francesco Maria Mazzola)
ca. 1525–26
The Annunciation, Giovanni Jacopo Caraglio Italian, Engraving
The Annunciation
Giovanni Jacopo Caraglio
After Titian (Tiziano Vecellio)
1537
Ixion attempting to seduce Juno, surrounded by clouds with ruins below, Giovanni Jacopo Caraglio Italian, Engraving
Ixion attempting to seduce Juno, surrounded by clouds with ruins below
Attributed to Giovanni Jacopo Caraglio
After Perino del Vaga (Pietro Buonaccorsi)
ca. 1520–39
Plate 11: Apollo riding his chariot in a niche, facing right, from "Mythological Gods and Goddesses", Giovanni Jacopo Caraglio Italian, Engraving
Plate 11: Apollo riding his chariot in a niche, facing right, from "Mythological Gods and Goddesses"
Giovanni Jacopo Caraglio
After Rosso Fiorentino
1526
Plate 12: Diana standing in a niche, twisting to her left and pulling an arrow out of a quiver, with a deer to her right, from "Mythological Gods and Goddesses" , Giovanni Jacopo Caraglio Italian, Engraving

Plate 12: Diana standing in a niche, twisting to her left and pulling an arrow out of a quiver, with a deer to her right, from "Mythological Gods and Goddesses"

Giovanni Jacopo Caraglio
After Rosso Fiorentino
1526
Plate 14: Mercury standing in a niche playing his pipes, with the severed head of an old man and a sword at his feet, from "Mythological Gods and Goddesses", Giovanni Jacopo Caraglio Italian, Engraving
Plate 14: Mercury standing in a niche playing his pipes, with the severed head of an old man and a sword at his feet, from "Mythological Gods and Goddesses"
Giovanni Jacopo Caraglio
After Rosso Fiorentino
1526
Plate 14: Ceres in a niche, facing right, standing over a two-headed snake and holding a half-moon sickle in her right hand and a torch in her left hand, from "Mythological Gods and Goddesses", Giovanni Jacopo Caraglio Italian, Engraving
Plate 14: Ceres in a niche, facing right, standing over a two-headed snake and holding a half-moon sickle in her right hand and a torch in her left hand, from "Mythological Gods and Goddesses"
Giovanni Jacopo Caraglio
After Rosso Fiorentino
1526
Plate 15: Hercules standing in a niche, wearing a lion skin and holding a club, viewed from behind, with his head turned to the left, from "Mythological Gods and Goddesses", Giovanni Jacopo Caraglio Italian, Engraving
Plate 15: Hercules standing in a niche, wearing a lion skin and holding a club, viewed from behind, with his head turned to the left, from "Mythological Gods and Goddesses"
Giovanni Jacopo Caraglio
After Rosso Fiorentino
1526
Plate 19: Vulcan standing in a niche swinging a hammer, with an anvil, hammer, and tongs at his feet, from "Mythological Gods and Goddesses", Giovanni Jacopo Caraglio Italian, Engraving
Plate 19: Vulcan standing in a niche swinging a hammer, with an anvil, hammer, and tongs at his feet, from "Mythological Gods and Goddesses"
Giovanni Jacopo Caraglio
After Rosso Fiorentino
1526
Plate 20: Pallas Athena holding a shield with Medusa's head in her right hand and a lance in her left hand, from "Mythological Gods and Goddesses", Giovanni Jacopo Caraglio Italian, Engraving
Plate 20: Pallas Athena holding a shield with Medusa's head in her right hand and a lance in her left hand, from "Mythological Gods and Goddesses"
Giovanni Jacopo Caraglio
After Rosso Fiorentino
1526
Mars and Venus, Giovanni Battista Scultori Italian, Engraving
Mars and Venus
Engraved by Giovanni Battista Scultori
Former Attribution Formerly attributed to Giovanni Jacopo Caraglio
Hercules defeating the river god Acheolus in the form of a bull, with three women to his left holding cornucopias, from "Herculean Subjects", Giovanni Jacopo Caraglio Italian, Engraving
Hercules defeating the river god Acheolus in the form of a bull, with three women to his left holding cornucopias, from "Herculean Subjects"
Giovanni Jacopo Caraglio
After Rosso Fiorentino
ca. 1526–27
Assembly of the Gods after the ceiling composition in the Loggia di Psiche, Villa Farnesina, Rome, Giovanni Jacopo Caraglio Italian, Engraving; first state of two
Assembly of the Gods after the ceiling composition in the Loggia di Psiche, Villa Farnesina, Rome
Giovanni Jacopo Caraglio
After Giovanni Francesco Penni
After Raphael (Raffaello Sanzio or Santi)
1527
Diogenes seated with his barrel behind him, and reading a book while holding a stick that rests on a geometry book to his right , Giovanni Jacopo Caraglio Italian, Engraving

Diogenes seated with his barrel behind him, and reading a book while holding a stick that rests on a geometry book to his right

Giovanni Jacopo Caraglio
After Parmigianino (Girolamo Francesco Maria Mazzola)
ca. 1526–27
Aeneas rescuing Anchises, a young boy carrying a lantern at left, Giovanni Jacopo Caraglio Italian, Engraving
Aeneas rescuing Anchises, a young boy carrying a lantern at left
Giovanni Jacopo Caraglio
After Raphael (Raffaello Sanzio or Santi)
ca. 1525
The martyrdom of Saint Paul and the condemnation of Saint Peter, Giovanni Jacopo Caraglio Italian, Engraving; first state of three
The martyrdom of Saint Paul and the condemnation of Saint Peter
Giovanni Jacopo Caraglio
After Parmigianino (Girolamo Francesco Maria Mazzola)
1524–27
The Adoration of the Shepherds, Giovanni Jacopo Caraglio Italian, Engraving
The Adoration of the Shepherds
Engraved by Giovanni Jacopo Caraglio
After Parmigianino (Girolamo Francesco Maria Mazzola)
Pietro Aretino, Giovanni Jacopo Caraglio Italian, Engraving
Pietro Aretino
Engraved by Giovanni Jacopo Caraglio
After ? Titian (Tiziano Vecellio)
Venus and Mars with cupid and the Three Graces, Master HCB, Engraving
Venus and Mars with cupid and the Three Graces
Master HCB
Former Attribution Giovanni Jacopo Caraglio
After Rosso Fiorentino
1560–65