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Bacchanalian Group with Children Drinking, Giulio Carpioni Italian, Pen and brown ink, brush and brown wash.
Bacchanalian Group with Children Drinking
Giulio Carpioni
1613–78
Figure Studies: Men Standing by a Large Vase, a Falling Nude Figure, and Other Figures, Giulio Carpioni Italian, Red chalk
Figure Studies: Men Standing by a Large Vase, a Falling Nude Figure, and Other Figures
Giulio Carpioni
1613–78
Water, represented by a naiad seated at the base of a tree and resting her arm on a supine urn from which water flows, behind her a triton and other inhabitants of the sea rise from the water surface, from "The Elements", Giulio Carpioni Italian, Etching
Water, represented by a naiad seated at the base of a tree and resting her arm on a supine urn from which water flows, behind her a triton and other inhabitants of the sea rise from the water surface, from "The Elements"
Giulio Carpioni
1640–60
Bacchanal, Michel Dorigny French, Black chalk, brush and gray wash, incised
Bacchanal
Michel Dorigny
Former Attribution Formerly attributed to Giulio Carpioni
17th century
(R.)Figure Studies: Standing Nude Figure, Putti, and a Man's Head (V.) Figure Studies: A Flying and a Standing Man, Giulio Carpioni Italian, Red chalk (recto and verso)
(R.)Figure Studies: Standing Nude Figure, Putti, and a Man's Head (V.) Figure Studies: A Flying and a Standing Man
Giulio Carpioni
1613–78
Air, represented by Iris reclining on her rainbow, accompanied by a winged putto bearing a torch and another winged putto riding an eagle, from "The Elements", Giulio Carpioni Italian, Etching
Air, represented by Iris reclining on her rainbow, accompanied by a winged putto bearing a torch and another winged putto riding an eagle, from "The Elements"
Giulio Carpioni
1640–60
Earth, represented by Cybele seated at the base of a tree with fruits of the earth spread before her, a cupid with a torch approaches from the right, a stag and hound look toward Cybele from the left, from "The Elements", Giulio Carpioni Italian, Etching
Earth, represented by Cybele seated at the base of a tree with fruits of the earth spread before her, a cupid with a torch approaches from the right, a stag and hound look toward Cybele from the left, from "The Elements"
Giulio Carpioni
1640–60
Fire, represented by Venus seated before Vulcan's forge, with armor, a cannon, and cannon balls surrounding her, she turns her head toward Cupid, who stretches his body away from her, from "The Elements", Giulio Carpioni Italian, Etching
Fire, represented by Venus seated before Vulcan's forge, with armor, a cannon, and cannon balls surrounding her, she turns her head toward Cupid, who stretches his body away from her, from "The Elements"
Giulio Carpioni
1640–60
The Holy Family with the Virgin holding Christ over the cradle, Giulio Carpioni Italian, Etching; second state of two
The Holy Family with the Virgin holding Christ over the cradle
Giulio Carpioni
Publisher Matteo Cadorin
1640–60
The Holy Family with the infant Saint John kissing Christ's feet, Giulio Carpioni Italian, Etching; second state of two
The Holy Family with the infant Saint John kissing Christ's feet
Giulio Carpioni
Publisher Matteo Cadorin
1640–60
Saint Jerome kneeling beside a tree with his arms outstretched, Giulio Carpioni Italian, Etching in brown ink; second state of two
Saint Jerome kneeling beside a tree with his arms outstretched
Giulio Carpioni
Publisher Matteo Cadorin
1640–60
The Penitent Saint Mary Magdalene, kneeling before a skull and bones, Giulio Carpioni Italian, Etching; second state of two
The Penitent Saint Mary Magdalene, kneeling before a skull and bones
Giulio Carpioni
Publisher Matteo Cadorin
1640–60
The Holy Family with the Virgin reading a book, Giulio Carpioni Italian, Etching; second state of two
The Holy Family with the Virgin reading a book
Giulio Carpioni
Publisher Matteo Cadorin
1640–60
The Massacre of the Innocents, Pietro Monaco Italian, Etching and engraving
The Massacre of the Innocents
Artist and publisher Pietro Monaco
After Giulio Carpioni
1730–50
Fire, represented by Venus seated before Vulcan's forge, with armor, a cannon, and cannon balls surrounding her, she turns her head toward Cupid, who stretches his body away from her, from "The Elements", Giulio Carpioni Italian, Etching
Fire, represented by Venus seated before Vulcan's forge, with armor, a cannon, and cannon balls surrounding her, she turns her head toward Cupid, who stretches his body away from her, from "The Elements"
Giulio Carpioni
1640–60
Air, represented by Iris reclining on her rainbow, accompanied by a winged putto bearing a torch and another winged putto riding an eagle, from "The Elements", Giulio Carpioni Italian, Etching
Air, represented by Iris reclining on her rainbow, accompanied by a winged putto bearing a torch and another winged putto riding an eagle, from "The Elements"
Giulio Carpioni
1640–60
Earth, represented by Cybele seated at the base of a tree with fruits of the earth spread before her, a cupid with a torch approaches from the right, a stag and hound look toward Cybele from the left, from "The Elements", Giulio Carpioni Italian, Etching
Earth, represented by Cybele seated at the base of a tree with fruits of the earth spread before her, a cupid with a torch approaches from the right, a stag and hound look toward Cybele from the left, from "The Elements"
Giulio Carpioni
1640–60
Water, represented by a naiad seated at the base of a tree and resting her arm on a supine urn from which water flows, behind her a triton and other inhabitants of the sea rise from the water surface, from "The Elements", Giulio Carpioni Italian, Etching
Water, represented by a naiad seated at the base of a tree and resting her arm on a supine urn from which water flows, behind her a triton and other inhabitants of the sea rise from the water surface, from "The Elements"
Giulio Carpioni
1640–60
Fire, represented by Venus seated before Vulcan's forge, with armor, a cannon, and cannon balls surrounding her, she turns her head toward Cupid, who stretches his body away from her, from "The Elements", Giulio Carpioni Italian, Etching
Fire, represented by Venus seated before Vulcan's forge, with armor, a cannon, and cannon balls surrounding her, she turns her head toward Cupid, who stretches his body away from her, from "The Elements"
Giulio Carpioni
1640–60
Bacchanal with satyr playing a lute and surrounded by four figures, who look toward a succession of three putti and a satyr dancing with cups and vines, Giulio Carpioni Italian, Etching
Bacchanal with satyr playing a lute and surrounded by four figures, who look toward a succession of three putti and a satyr dancing with cups and vines
Giulio Carpioni
Publisher Matteo Cadorin
1640–60
Penitent Magdalen kneeling on a rocky ground before a skull and bones, an ointment jar lies in the left foreground, rays of light and winged putti descend from above, Giulio Carpioni Italian, Etching
Penitent Magdalen kneeling on a rocky ground before a skull and bones, an ointment jar lies in the left foreground, rays of light and winged putti descend from above
Giulio Carpioni
ca. 1640–55
Holy Family with the Virgin reading, the Virgin sits in profile with a book in her left hand and the Child facing the viewer, Joseph stands behind them with a staff in his right hand, Giulio Carpioni Italian, Etching
Holy Family with the Virgin reading, the Virgin sits in profile with a book in her left hand and the Child facing the viewer, Joseph stands behind them with a staff in his right hand
Giulio Carpioni
Publisher Matteo Cadorin
1640–60
Bacchanal with infant satyrs and putti at left, a naked male figure reclines in front of a pedestal carved in bas-relief, two clothed figures look toward the right, Giulio Carpioni Italian, Etching
Bacchanal with infant satyrs and putti at left, a naked male figure reclines in front of a pedestal carved in bas-relief, two clothed figures look toward the right
Giulio Carpioni
1633–78
Plate 4: marine gods and other cavorting figures, Giulio Carpioni Italian, Etching
Plate 4: marine gods and other cavorting figures
Giulio Carpioni
ca. 1640–70
Plate 6: marine gods and other cavorting figures, Giulio Carpioni Italian, Etching
Plate 6: marine gods and other cavorting figures
Giulio Carpioni
ca. 1640–70
The Holy Family with the infant Saint John kissing Christ's feet, Anonymous, Mezzotint; reverse copy
The Holy Family with the infant Saint John kissing Christ's feet
Anonymous
After Giulio Carpioni
Publisher Matteo Cadorin
1640–60
A guardian angel walking hand in hand with a young child, Giulio Carpioni Italian, Etching
A guardian angel walking hand in hand with a young child
Giulio Carpioni
After Simone Cantarini
Publisher Matteo Cadorin
1640–60
Children's Bacchanal
Giulio Carpioni
1640s
Wilton album, folio 60: A Bacchic frieze scene with putti and satyrs; an old woman seated and a nude man reclining in front of an altar to the right; satyrs and infants revelling on the left
Giulio Carpioni
1640–55
Wilton album, folio 58a: The Madonna of the Rosary
Giulio Carpioni
Publisher Matteo Cadorin
1640–55
Wilton album, folio 58b: Saint Anthony of Padua receiving a vision of the Christ Child
Giulio Carpioni
1640–55
Wilton album, folio 58d: The Holy Family with the Virgin Reading
Giulio Carpioni
Publisher Matteo Cadorin
1640–55
Wilton album, folio 59a: The Nativity; the Holy Family in the lower right corner; God the father above, surrounded by clouds and winged angels
Giulio Carpioni
Publisher Matteo Cadorin
1640–55
Wilton album, folio 59b: The Agony in the Garden; a winged angel, right, offering a chalice to the kneeling Christ
Giulio Carpioni
1640–55
Wilton album, folio 58c: The Penitent Mary Magdalen
Giulio Carpioni
Publisher Matteo Cadorin
1640–55