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Dish with battle scene, Painter of the Coal Mine Service, Maiolica (tin-glazed earthenware), Italian, Urbino
Dish with battle scene
Decorator Painter of the Coal Mine Service
After an engraving by Marco Dente
After a design by Giulio Romano
ca. 1540–45
Dish, Fra Xanto Avelli da Rovigo, Maiolica (tin-glazed earthenware), Italian, Urbino
Dish
Multiple artists/makers
ca. 1530–35
Shepherds and Shepherdesses Dancing from a set of Mythological Subjects after Giulio Romano, Giulio Romano Italian, Wool, silk, metal thread (20-26 warps per inch, 8-12 per cm.), French, Paris
Shepherds and Shepherdesses Dancing from a set of Mythological Subjects after Giulio Romano
Multiple artists/makers
designed 1684–86, woven 1689–92
The Festival of Psyche, with Mercury from a set of Mythological Subjects after Giulio Romano, Giulio Romano Italian, Wool, silk, metal thread (20-26 warps per inch, 8-12 per cm.), French, Paris
The Festival of Psyche, with Mercury from a set of Mythological Subjects after Giulio Romano
Multiple artists/makers
designed 1684–86, woven 1689–92
Cupid and Psyche Bathing from a set of Mythological Subjects after Giulio Romano, Giulio Romano Italian, Wool, silk, metal thread (20-26 warps per inch, 8-12 per cm.), French, Paris
Cupid and Psyche Bathing from a set of Mythological Subjects after Giulio Romano
Multiple artists/makers
designed 1684–86, woven 1692–1700
Cistern, Marcantonio Raimondi Italian, Maiolica (tin-glazed earthenware), Italian, Urbino
Cistern
Interior decoration after an engraving by Marcantonio Raimondi
Possibly after a composition by Raphael (Raffaello Sanzio or Santi)
Possibly after a composition by Giulio Romano
ca. 1550 or later
Venus and Adonis from a set of Mythological Subjects after Raphael, Raphael (Raffaello Sanzio or Santi) Italian, Wool, silk, silver thread (21-24 warps per inch, 8 per cm.), French, Paris
Venus and Adonis from a set of Mythological Subjects after Raphael
Multiple artists/makers
designed 1686, woven 1686–90
The Festival of Psyche, with Bacchus from a set of Mythological Subjects after Giulio Romano, Giulio Romano Italian, Wool, silk, metal thread (20-26 warps per inch, 8-12 per cm.), French, Paris
The Festival of Psyche, with Bacchus from a set of Mythological Subjects after Giulio Romano
Multiple artists/makers
designed 1684–86, woven 1689–92
Naval Battle Between Mythological Forces, Anonymous, Italian, 19th century in style of Giulio Romano Italian
Naval Battle Between Mythological Forces
Anonymous, Italian, 19th century
Style of Giulio Romano
19th century
Eurydice naked standing on a rock, her arms raised to the right, Marco Dente Italian, Engraving
Eurydice naked standing on a rock, her arms raised to the right
Marco Dente
After (?) Giulio Romano
ca. 1515–27
Satyr carrying a nymph restraining her right arm, Anonymous, Italian, 16th to early 17th century Italian, Engraving
Satyr carrying a nymph restraining her right arm
Anonymous, Italian, 16th to early 17th century
After Giulio Romano
ca. 1515–1600
A Roman Army on the March - Troop Convoy, Antonio Fantuzzi Italian, Etching
A Roman Army on the March - Troop Convoy
Antonio Fantuzzi
After Giulio Romano
1540–45
A Roman Army on the March - Marching Slingers, Antonio Fantuzzi Italian, Etching
A Roman Army on the March - Marching Slingers
Antonio Fantuzzi
After Giulio Romano
1540–45
A Battle, Antonio Fantuzzi Italian, Etching
A Battle
Antonio Fantuzzi
After Giulio Romano
1540–45
The adoration of the shepherds, various figures surrounding the Christ Child in the centre, Giulio Bonasone Italian, Engraving
The adoration of the shepherds, various figures surrounding the Christ Child in the centre
Giulio Bonasone
After Giulio Romano
1531–76
Two gladiators fighting in front of an arch, Master of the Die Italian, Engraving
Two gladiators fighting in front of an arch
Master of the Die
After Giulio Romano
1530–60
Hercules and the Nemean Lion, Adamo (Ghisi) Scultori Italian, Engraving
Hercules and the Nemean Lion
Adamo (Ghisi) Scultori
After Giulio Romano
Pan seated near a female figure holding a cornucopia (a nymph or Pomona), at right cupid plays cymbals in front of a herm, at left a pipe, cymbals, bow, and satchel of arrows hang from a tree, Giulio Bonasone Italian, Etching and Engraving
Pan seated near a female figure holding a cornucopia (a nymph or Pomona), at right cupid plays cymbals in front of a herm, at left a pipe, cymbals, bow, and satchel of arrows hang from a tree
Giulio Bonasone
After Giulio Romano
ca. 1550–60
Pluto, seen from behind, entering the Underwold on his chairot, Cereberus and three Furies to right, from "Giove che fulmina li giganti", after the frescoes on the ceiling of the Sala dei Giganti designed by Giulio Romano for the Palazzo del Te, Mantua, Pietro Santi Bartoli Italian, Etching
Pluto, seen from behind, entering the Underwold on his chairot, Cereberus and three Furies to right, from "Giove che fulmina li giganti", after the frescoes on the ceiling of the Sala dei Giganti designed by Giulio Romano for the Palazzo del Te, Mantua
Pietro Santi Bartoli
After Giulio Romano
ca. 1680
Gathering of various Olympian gods and mythological figures among clouds, Apollo at center with his lyre, Vulcan, Mercury, Hercules, and Hermes to right, various figures below, horses and attendants behind in center, from "Giove che fulmina li giganti", after the frescoes on the ceiling of the Sala dei Giganti designed by Giulio Romano for the Palazzo del Te, Mantua, Pietro Santi Bartoli Italian, Etching
Gathering of various Olympian gods and mythological figures among clouds, Apollo at center with his lyre, Vulcan, Mercury, Hercules, and Hermes to right, various figures below, horses and attendants behind in center, from "Giove che fulmina li giganti", after the frescoes on the ceiling of the Sala dei Giganti designed by Giulio Romano for the Palazzo del Te, Mantua
Pietro Santi Bartoli
After Giulio Romano
ca. 1680
A giant heaving a boulder at center, other giants to left and right struggling and recoiling against impending boulders, nude figures climbing rocks and struggling in the background, from "Giove che fulmina li giganti", after the frescoes on the ceiling of the Sala dei Giganti designed by Giulio Romano for the Palazzo del Te, Mantua, Pietro Santi Bartoli Italian, Etching
A giant heaving a boulder at center, other giants to left and right struggling and recoiling against impending boulders, nude figures climbing rocks and struggling in the background, from "Giove che fulmina li giganti", after the frescoes on the ceiling of the Sala dei Giganti designed by Giulio Romano for the Palazzo del Te, Mantua
Pietro Santi Bartoli
After Giulio Romano
ca. 1680
Giants crushed by rocks and the falling columns of the temple, clouds of smoke above, Poseidon in his chariot to left in the background, two spaces at left for doorways, from "Giove che fulmina li giganti", after the frescoes on the ceiling of the Sala dei Giganti designed by Giulio Romano for the Palazzo del Te, Mantua, Pietro Santi Bartoli Italian, Etching
Giants crushed by rocks and the falling columns of the temple, clouds of smoke above, Poseidon in his chariot to left in the background, two spaces at left for doorways, from "Giove che fulmina li giganti", after the frescoes on the ceiling of the Sala dei Giganti designed by Giulio Romano for the Palazzo del Te, Mantua
Pietro Santi Bartoli
After Giulio Romano
ca. 1680
St. Matthew, seated on a cloud with legs crossed and dipping a quill into an inkwell held by an angel, who also holds an inscribed scroll, from a series of the four evangelists after Agostino Veneziano, which are in turn after Giulio Romano, Anonymous, Italian, 16th century Italian, Engraving
St. Matthew, seated on a cloud with legs crossed and dipping a quill into an inkwell held by an angel, who also holds an inscribed scroll, from a series of the four evangelists after Agostino Veneziano, which are in turn after Giulio Romano
Anonymous, Italian, 16th century
After Agostino Veneziano (Agostino dei Musi)
After Giulio Romano
after 1518
St. Luke, seated on a cloud with an open book in both hands, a bull lying at his feet, from a series of the four evangelists after Agostino Veneziano, which are in turn after Giulio Romano, Anonymous, Italian, 16th century Italian, Engraving
St. Luke, seated on a cloud with an open book in both hands, a bull lying at his feet, from a series of the four evangelists after Agostino Veneziano, which are in turn after Giulio Romano
Anonymous, Italian, 16th century
After Agostino Veneziano (Agostino dei Musi)
After Giulio Romano
after 1518
St. John, seated and holding a writing instrument to a tablet, an eagle with outstretched wings below his legs, from a series of the four evangelists after Agostino Veneziano, which are in turn after Giulio Romano, Anonymous, Italian, 16th century Italian, Engraving
St. John, seated and holding a writing instrument to a tablet, an eagle with outstretched wings below his legs, from a series of the four evangelists after Agostino Veneziano, which are in turn after Giulio Romano
Anonymous, Italian, 16th century
After Agostino Veneziano (Agostino dei Musi)
After Giulio Romano
after 1518
St. Matthew, seated on a cloud and dipping a quill into an inkwell held by an angel, who is also holding a scroll, from a series of the four evangelists after Giulio Romano, Agostino Veneziano (Agostino dei Musi) Italian, Engraving
St. Matthew, seated on a cloud and dipping a quill into an inkwell held by an angel, who is also holding a scroll, from a series of the four evangelists after Giulio Romano
Agostino Veneziano (Agostino dei Musi)
After Giulio Romano
Publisher Antonio Salamanca
ca. 1518–20
St. Mark, seated with an unfurled scroll in his hands, a winged lion's head and forefeet emerge beneath his robes, from a series of the four evangelists after Agostino Veneziano, which are in turn after Giulio Romano, Anonymous, Italian, 16th century Italian, Engraving
St. Mark, seated with an unfurled scroll in his hands, a winged lion's head and forefeet emerge beneath his robes, from a series of the four evangelists after Agostino Veneziano, which are in turn after Giulio Romano
Anonymous, Italian, 16th century
After Agostino Veneziano (Agostino dei Musi)
After Giulio Romano
after 1518
Naval Battle, from "Speculum Romanae Magnificentiae", Master of the Die Italian, Engraving
Naval Battle, from "Speculum Romanae Magnificentiae"
Multiple artists/makers
16th century
Naval Battle, from "Speculum Romanae Magnificentiae", Master of the Die Italian, Engraving
Naval Battle, from "Speculum Romanae Magnificentiae"
Master of the Die
After(?) Giulio Romano
Publisher Claudio Duchetti
16th century
Sacrifice to Priapus, from "Speculum Romanae Magnificentiae", Master of the Die Italian, Engraving
Sacrifice to Priapus, from "Speculum Romanae Magnificentiae"
Multiple artists/makers
16th century
Naval Battle, from "Speculum Romanae Magnificentiae", Master of the Die Italian, Engraving
Naval Battle, from "Speculum Romanae Magnificentiae"
Master of the Die
After(?) Giulio Romano
Publisher Antonio Lafreri
16th century
Attilius Regulus in a Barrel, from "Speculum Romanae Magnificentiae", Diana Scultori Italian, Engraving
Attilius Regulus in a Barrel, from "Speculum Romanae Magnificentiae"
Diana Scultori
After Giulio Romano
Publisher Antonio Lafreri
late 16th century
Tarquin attacking Lucretia, a servant at left witnessing the scene, Giorgio Ghisi Italian, Engraving
Tarquin attacking Lucretia, a servant at left witnessing the scene
Giorgio Ghisi
After Giulio Romano
ca. 1540
Saint John and Anthony in a Landscape, Master IQV French, Etching
Saint John and Anthony in a Landscape
Master IQV
After Giulio Romano
After Albrecht Dürer
ca. 1544–45
Saint John and Saint Anthony, Master IQV French, Etching
Saint John and Saint Anthony
Master IQV
After Giulio Romano
After Albrecht Dürer
ca. 1542–45
An allegory of sickness, man laying prostrate on a bed surrounded by figures, Giorgio Ghisi Italian, Engraving (only state)
An allegory of sickness, man laying prostrate on a bed surrounded by figures
Engraved by Giorgio Ghisi
After Giulio Romano
ca. 1540
Silenus sleeping at right, taunted by a Satyr, and a Goat climbing on a table at left, Giorgio Ghisi Italian, Engraving
Silenus sleeping at right, taunted by a Satyr, and a Goat climbing on a table at left
Giorgio Ghisi
After Giulio Romano
ca. 1540
The Mocking of the Prisoners, Giorgio Ghisi Italian, Engraving; first state of three
The Mocking of the Prisoners
Giorgio Ghisi
After Giulio Romano
ca. 1540
The Mocking of the Prisoners, Giorgio Ghisi Italian, Engraving; second state of three (BLL)
The Mocking of the Prisoners
Giorgio Ghisi
After Giulio Romano
Publisher Nicolaus van Aelst
ca. 1540 (republished 1605)
The Death of Procris; Cephalus mournig the death of Procris on the right surrounded by Cupid and mourning satyrs and nymphs, the goddess of dawn in her chariot in the background, Giorgio Ghisi Italian, Engraving; third state of ten (BLL)
The Death of Procris; Cephalus mournig the death of Procris on the right surrounded by Cupid and mourning satyrs and nymphs, the goddess of dawn in her chariot in the background
Giorgio Ghisi
After Giulio Romano
Publisher Antonio Lafreri
ca. 1540
Danae and the infant Perseus cast out to sea by Acrisius, Giorgio Ghisi Italian, Engraving
Danae and the infant Perseus cast out to sea by Acrisius
Giorgio Ghisi
After Giulio Romano
1543
The Mocking of the Prisoners, Giorgio Ghisi Italian, Engraving; third state of three (BLL)
The Mocking of the Prisoners
Multiple artists/makers
ca. 1540 (republished 1605)