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  • Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more
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Plate 57 from "Los Caprichos": The filiation (La filiacion)
Goya (Francisco de Goya y Lucientes)
1799
Plate 54 from "The Disasters of War" (Los Desastres de la Guerra): 'Appeals are in vain' (Clamores en vano)
Goya (Francisco de Goya y Lucientes)
1811–12 (published 1863)
Plate 28 from "The Disasters of War" (Los Desastres de la Guerra): 'Rabble' (Populacho)
Goya (Francisco de Goya y Lucientes)
ca. 1810 (published 1863)
Beggar with a staff in his left hand; folio 70 from the "Images of Spain" Album (F)
Goya (Francisco de Goya y Lucientes)
ca. 1812–20
Plate 45 from "The Disasters of War" (Los Desastres de la Guerra): 'And this too' (Y esto tambien)
Goya (Francisco de Goya y Lucientes)
1810 (published 1863)
Plate 53 from "The Disasters of War" (Los Desastres de la Guerra): 'There was nothing to be done and he died' (Espiró sin remedio)
Goya (Francisco de Goya y Lucientes)
1811–12 (published 1863)
Plate 43 from "Los Caprichos": The sleep of reason produces monsters (El sueño de la razon produce monstruos)
Goya (Francisco de Goya y Lucientes)
1799
Plate 16 from "The Disasters of War" (Los Desastres de la Guerra): 'They make use of them' (Se aprovechan)
Goya (Francisco de Goya y Lucientes)
ca. 1810 (published in 1863)
Plate 44 from "The Disasters of War" (Los Desastres de la Guerra): I saw it (Yo lo vi)
Goya (Francisco de Goya y Lucientes)
1810 (published 1863)
Bound set of "Los Caprichos"
Goya (Francisco de Goya y Lucientes)
1799 (published 1881–1886)
Plate 29 from "The Disasters of War" (Los Desastres de la Guerra): 'He deserved it' (Lo merecia)
Goya (Francisco de Goya y Lucientes)
ca. 1810 (published 1863)
Plate 27 from "La Tauromaquia": The celebrated picador, Fernando del Toro, draws the fierce beast on with his pike
Goya (Francisco de Goya y Lucientes)
1816
Plate 48 from "The Disasters of War" (Los Desastres de la Guerra): Cruel tale of woe! (Cruel Lástima!)
Goya (Francisco de Goya y Lucientes)
1811–12 (published 1863)
Plate 73 from "Los Caprichos": It is better to be lazy (Mejor es holgar)
Goya (Francisco de Goya y Lucientes)
1799
Plate 11 from "Los Caprichos": Lads Making Ready (Muchachos al Avío)
Goya (Francisco de Goya y Lucientes)
1799
Still Life with Dead Hares
Goya (Francisco de Goya y Lucientes)
ca. 1808–12
Figures inside a prison (recto), a monstrous animal (verso)
Goya (Francisco de Goya y Lucientes)
ca. 1820–50 (or later)
Vicente Joaquín Osorio Moscoso y Guzman, Count of Altamira
Goya (Francisco de Goya y Lucientes)
1787
Men hunting; page 105 from the "Images of Spain" Album (F)
Goya (Francisco de Goya y Lucientes)
ca. 1812–20
Plate 24 from "The Disasters of War" (Los Desastres de la Guerra): 'They can still be of use' (Aun podrán servir)
Goya (Francisco de Goya y Lucientes)
1810
Generosity versus Greed; a woman and three men conducting a transaction inside a shop; folio 76 (recto) from the Madrid Album "B"
Goya (Francisco de Goya y Lucientes)
1796–98 (possibly later)
Margaret of Austria on horseback, after Velázquez
Goya (Francisco de Goya y Lucientes)
1778
Plate 21 from "Los Caprichos": How they pluck her! (¡Qual la descañonan!)
Goya (Francisco de Goya y Lucientes)
1799
Maja seated on a chair and two companions behind; folio 18 (verso) from the Madrid Album "B"
Goya (Francisco de Goya y Lucientes)
1795–97
A crowd forming a circle; page 42 from the "Images of Spain" album (F)
Goya (Francisco de Goya y Lucientes)
ca. 1812–20
Plate 6 from the Disparates, Disparate cruel
Goya (Francisco de Goya y Lucientes)
ca. 1816–24
Loyalty, from "The Disparates" (Follies / Irrationalities)
Goya (Francisco de Goya y Lucientes)
ca. 1815–19 (published 1864)
'Well-Known Folly' from the 'Disparates' (Follies / Irrationalities, Plate A)
Goya (Francisco de Goya y Lucientes)
ca. 1815–19 (published before 1877)
Recto: Woman Arranging her Hair; Verso: Woman Sweeping
Goya (Francisco de Goya y Lucientes)
ca. 1794–95
'Folly of Fear' from the 'Disparates' (Follies / Irrationalities)
Goya (Francisco de Goya y Lucientes)
ca. 1815–19 (published 1864)
A woman attacking a sleeping man; page 87 from the "Images of Spain" Album (F)
Goya (Francisco de Goya y Lucientes)
ca. 1812–20
Bullfight in a divided ring, from the 'Bulls of Bordeaux'
Goya (Francisco de Goya y Lucientes)
1825
Plate 4 from "The Disasters of War" (Los Desastres de la Guerra): 'The women give courage' (Las mugeres dan valor)
Goya (Francisco de Goya y Lucientes)
1810 (published 1863)
Plate 64 from "Los Caprichos": Bon Voyage (Buen Viage)
Goya (Francisco de Goya y Lucientes)
1799
Plate 21 from "The Disasters of War" (Los Desastres de la Guerra): 'It will be the same' (Será lo mismo)
Goya (Francisco de Goya y Lucientes)
ca. 1810
Housing (folio) and title page for 'Los Proverbios. Coleccion de diez y ocho láminas inventadas y grabadas al agua fuerte por Don Francisco Goya
Goya (Francisco de Goya y Lucientes)
1864
Plate 46 from "The Disasters of War" (Los Desastres de la Guerra): 'This is bad' (Esto es malo)
Goya (Francisco de Goya y Lucientes)
1810 (published 1863)
Plate 35 from "The Disasters of War" (Los Desastres de La Guerra): 'One Can't Tell Why' (No se puede saber por qué)
Goya (Francisco de Goya y Lucientes)
ca. 1810 (published 1863)
Plate 8 from "La Tauromaquia": A Moor caught by the bull in the ring
Goya (Francisco de Goya y Lucientes)
1816
Plate 30 from "La Tauromaquia": Pedro Romero killing the halted bull
Goya (Francisco de Goya y Lucientes)
1816