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The Disasters of War, plates 1-80 (Los Desastres de la Guerra)
Goya (Francisco de Goya y Lucientes)
1810–15 (published 1863)
Plate 70 from "Los Caprichos": Devout Profession (Devota profesion)
Goya (Francisco de Goya y Lucientes)
1799
They are getting drunk; folio 67 (recto) from the Madrid Album "B"
Goya (Francisco de Goya y Lucientes)
1796–98
Plate 24 from "The Disasters of War" (Los Desastres de la Guerra): 'They can still be of use' (Aun podrán servir)
Goya (Francisco de Goya y Lucientes)
1810
Plate 67 from "Los Caprichos": Wait till you've been anointed (Aguarda que te unten)
Goya (Francisco de Goya y Lucientes)
1799
Plate 69 from "The Disasters of War" (Los Desastres de la Guerra): 'Nothing. The event will tell' (Nada. Ello dirá)
Goya (Francisco de Goya y Lucientes)
1814–15 (published 1863)
Plate 54 from "The Disasters of War" (Los Desastres de la Guerra): 'Appeals are in vain' (Clamores en vano)
Goya (Francisco de Goya y Lucientes)
1811–12 (published 1863)
Plate 65 from "Los Caprichos": Where is mom going? (Donde vá mamá?)
Goya (Francisco de Goya y Lucientes)
1799
'Little Bulls' Folly' from the 'Disparates' (Follies / Irrationalities, Plate D)
Goya (Francisco de Goya y Lucientes)
ca. 1815–19 (published before 1877)
'Folly of Fear' from the 'Disparates' (Follies / Irrationalities)
Goya (Francisco de Goya y Lucientes)
ca. 1815–19 (published 1864)
Plate 56 from "Los Caprichos": To rise and to fall (Subir y bajar)
Goya (Francisco de Goya y Lucientes)
1799
Plate 56, To the cemetery (Al cementerio), from "The Disasters of War" (Los Desastres de la Guerra)
Goya (Francisco de Goya y Lucientes)
1810–11
Self-Portrait; Plate 1 from "Los Caprichos"
Goya (Francisco de Goya y Lucientes)
1799
Plate 4 from "The Disasters of War" (Los Desastres de la Guerra): 'The women give courage' (Las mugeres dan valor)
Goya (Francisco de Goya y Lucientes)
1810 (published 1863)
Plate 49 from "The Disasters of War" (Los Desastres de la Guerra): 'A woman's charity' (Caridad de una muger)
Goya (Francisco de Goya y Lucientes)
1811–12 (published 1863)
Plate 25 from "Los Caprichos": If he broke the pot (Si quebró el Cantaro)
Goya (Francisco de Goya y Lucientes)
1799
'Carnival Folly' from the 'Disparates' (Follies / Irrationalities)
Goya (Francisco de Goya y Lucientes)
ca. 1815–19 (published 1864)
Plate 13 from "Los Caprichos": They are hot (Estan calientes)
Goya (Francisco de Goya y Lucientes)
1799
Rabbit hunter with a Retriever; folio 103 from the "Images of Spain" Album (F)
Goya (Francisco de Goya y Lucientes)
ca. 1812–20
Plate 78 from "Los Caprichos": Be quick, they are waking up (Despacha, que dispiertan)
Goya (Francisco de Goya y Lucientes)
1881–86
Plate 36 from "Los Caprichos": A bad night (Mala noche)
Goya (Francisco de Goya y Lucientes)
1881–86
'General Folly' from the 'Disparates' (Follies / Irrationalities)
Goya (Francisco de Goya y Lucientes)
ca. 1815–19 (published 1864)
Fire eater
Goya (Francisco de Goya y Lucientes)
ca. 1816–24
Plate 57 from "The Disasters of War" (Los Desastres de la Guerra): 'The healthy and the sick' (Sanos y enfermos)
Goya (Francisco de Goya y Lucientes)
1811–12 (published 1863)
Old Spanish Masters, Engraved by Timothy Cole, with Historical Notes by Charles H. Caffin and Comments by the Engraver
Timothy Cole
1907
Bound set of "Los Caprichos"
Goya (Francisco de Goya y Lucientes)
1799 (published 1881–1886)
Monks in an interior (a cell?); page 33 from the "Images of Spain" Album (F)
Goya (Francisco de Goya y Lucientes)
ca. 1812–20
Generosity versus Greed; a woman and three men conducting a transaction inside a shop; folio 76 (recto) from the Madrid Album "B"
Goya (Francisco de Goya y Lucientes)
1796–98 (possibly later)
Mlle. Victorine in the Costume of an "Espada"
Edouard Manet
1862
Portrait of the court dwarf known as el Primo, after Velázquez
Goya (Francisco de Goya y Lucientes)
1778
Plate 54 from "The Disasters of War" (Los Desastres de la Guerra): Appeals are in vain (Clamores en vano)
Goya (Francisco de Goya y Lucientes)
1811–12 (published 1863)
Plate 41 from "The Disasters of War" (Los Desastres de La Guerra): They escape through the flames (Escapan entre las llamas)
Goya (Francisco de Goya y Lucientes)
1810 (published 1863)
'Cruel Folly' from the 'Disparates' (Follies / Irrationalities)
Goya (Francisco de Goya y Lucientes)
ca. 1815–19 (published 1864)
Not [in this case] either (Tampoco), plate 36 from "The Disasters of War" (Los Desastres de La Guerra)
Goya (Francisco de Goya y Lucientes)
1810
Plate 5 from "La Tauromaquia": The spirited Moor Gazul is the first to spear bulls according to the rules
Goya (Francisco de Goya y Lucientes)
1816
Plate 13 of "La Tauromaquia": A Spanish mounted knight in the ring breaking short spears without the help of assistants
Goya (Francisco de Goya y Lucientes)
1816
Plate 69 from "Los Caprichos": Blow (Sopla)
Goya (Francisco de Goya y Lucientes)
1799
Annals of the Artists of Spain. Vols. I-III
Sir William Stirling Maxwell, 9th Baronet
1848
Plate 30 from "Los Caprichos": Why hide them? (Porque esconderlos?)
Goya (Francisco de Goya y Lucientes)
1799
'Folly of Fear' from the 'Disparates' (Follies / Irrationalities)
Goya (Francisco de Goya y Lucientes)
ca. 1815–19 (published ca. 1848)