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Plate 33 from "La Tauromaquia": The unlucky death of Pepe Illo in the ring at Madrid
Goya (Francisco de Goya y Lucientes)
1816

Plate 13 from 'Los Caprichos':They are Hot (Estan Calientes)
Goya (Francisco de Goya y Lucientes)
Ca. 1798

Gaspar de Guzmán, Count Duke of Olivares on horseback, after Velázquez
Goya (Francisco de Goya y Lucientes)
1778

Menippus, after Velázquez
Goya (Francisco de Goya y Lucientes)
1778

The garroted man (El agarrotado)
Goya (Francisco de Goya y Lucientes)
ca. 1775–78 (published 1868)

Plate 31 from "Los Caprichos": She prays for her (Ruega por ella)
Goya (Francisco de Goya y Lucientes)
1799

Blind Guitarist
Goya (Francisco de Goya y Lucientes)
ca. 1778

Late Caprichos of Goya

Goya (Francisco de Goya y Lucientes)

ca. 1824–28

Plate 48 from "The Disasters of War" (Los Desastres de la Guerra): 'Cruel tale of woe!' (Cruel Lástima!)
Goya (Francisco de Goya y Lucientes)
1811–12 (published 1863)

Plate 64 from "The Disasters of War" (Los Desastres de la Guerra): 'Cartloads to the cemetery' (Carretadas al cementerio)
Goya (Francisco de Goya y Lucientes)
1811–12 (published 1863)

'Dancing Giant' from the 'Disparates' (Follies / Irrationalities)
Goya (Francisco de Goya y Lucientes)
ca. 1815–19 (private printing ca.1854)

Plate 77 from "The Disasters of War" (Los Desastres de la Guerra): 'May the cord break' (Que se rompe la cuerda)
Goya (Francisco de Goya y Lucientes)
1814–15 (published 1863)

You'll See Later; a man drinking, a woman trying to stop him; page 24 from the "Black Border Album" (E)
Goya (Francisco de Goya y Lucientes)
ca. 1816–20

Narcisa Barañana de Goicoechea
Goya (Francisco de Goya y Lucientes)

Title Page the first edition of "La Tauromaquia" (Bullfights)

Goya (Francisco de Goya y Lucientes)

ca. 1816–23 (1864)

Plate 21 from "Los Caprichos": How they pluck her! (¡Qual la descañonan!)
Goya (Francisco de Goya y Lucientes)
1799

A woman pulling at her hair accompanied by a group of figures; page 76 from the "Images of Spain" Album (F)
Goya (Francisco de Goya y Lucientes)
ca. 1812–20

'Loyalty' from the 'Disparates' (Follies / Irrationalities)
Goya (Francisco de Goya y Lucientes)
ca. 1815–19 (published 1864)

Exotic Flower
Edouard Manet
1868

Plate 37 from "The Disasters of War" (Los Desastres de La Guerra): This is worse (Esto es peor)
Goya (Francisco de Goya y Lucientes)
1810 (first published 1863)

'Poor Folly' from the 'Disparates' (Follies / Irrationalities)
Goya (Francisco de Goya y Lucientes)
ca. 1815–19 (published 1864)

Plate 45 from "Los Caprichos": There is Plenty to Suck (Mucho hay que chupar)
Goya (Francisco de Goya y Lucientes)
1799

Monks in an interior (a cell?); page 33 from the "Images of Spain" Album (F)
Goya (Francisco de Goya y Lucientes)
ca. 1812–20

Funereal Folly, from "The Disparates" (Follies / Irrationalities)
Goya (Francisco de Goya y Lucientes)
ca. 1815–19 (published 1864)

Plate 54 from "The Disasters of War" (Los Desastres de la Guerra): Appeals are in vain (Clamores en vano)
Goya (Francisco de Goya y Lucientes)
1811–12 (published 1863)

Plate 25 from "La Tauromaquia": They loose dogs on the bull
Goya (Francisco de Goya y Lucientes)
1816

Plate 78 from 'Los Caprichos': Be quick, they are waking up (Despacha, que dispiertan.)
Goya (Francisco de Goya y Lucientes)
1799

Plate 78 from "Los Caprichos": Be quick, they are waking up (Despacha, que dispiértan)
Goya (Francisco de Goya y Lucientes)
1799

Women and children near a cross; folio 78 from the "Images of Spain" Album (F)
Goya (Francisco de Goya y Lucientes)
ca. 1812–20

Plate 37 from "The Disasters of War" (Los Desastres de La Guerra): 'This is worse' (Esto es peor)
Goya (Francisco de Goya y Lucientes)
1810 (published 1863)

Plate 20 from "The Disasters of War" (Los Desastres de la Guerra): 'Get them well, and on to the next' (Curarlos y á otra)
Goya (Francisco de Goya y Lucientes)
1810 (published 1863)

Plate 16 of "La Tauromaquia": The same man throws a bull in the ring at Madrid
Goya (Francisco de Goya y Lucientes)
1816

Dancing Giant, from "The Disparates" (Follies / Irrationalities)
Goya (Francisco de Goya y Lucientes)
ca. 1815–19 (published 1864)

Plate 34 from "The Disasters of War" (Los Desastres de La Guerra): 'On account of a knife' (Por una navaja)
Goya (Francisco de Goya y Lucientes)
1810 (published 1863)

Plate 7 from "Los Caprichos": Even thus he cannot make her out (Ni asi la distingue)
Goya (Francisco de Goya y Lucientes)
1799

Portrait of Francisco Goya, seated, holding a palette and brush, from "Gazette des Beaux Arts"

Adolphe Lalauze

1875

Cruel Folly, from "The Disparates" (Follies / Irrationalities)
Goya (Francisco de Goya y Lucientes)
ca. 1815–19 (published 1864)

Plate 39 from "Los Caprichos": And so was his grandfather (Asta su Abuelo)
Goya (Francisco de Goya y Lucientes)
1799

The agility and audacity of Juanito Apiñani in [the ring] at Madrid, plate 20 from "La Tauromaquia"
Goya (Francisco de Goya y Lucientes)
1816

Pllate 60 from "Los Caprichos": Trials (Ensayos)
Goya (Francisco de Goya y Lucientes)
1799