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  • As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes.
    APIPublic domain data for this object can also be accessed using the Met's Open Access API
  • Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more
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The Potbellied Man, from "The Complete Works of Béranger"
J. J. Grandville
1836
Le Livre des Enfants; Comtes de Fees
Amable Tastu
1836–38
Sir, I offer you my respects and my daughter, from "Metamorphoses of the Day"
J. J. Grandville
1829
Grand Course au Clocher Académique, Pl. 2
J. J. Grandville
1844
Fables
C. G. Sourdille de Lavalette
1847
Children, Obey Me, Do Not Play With Those Weapons, from "L'Association Mensuelle no. 21"
J. J. Grandville
April 1834
De Profundis, from "The Complete Works of Béranger"
J. J. Grandville
1836
The Flower Seller and the Undertaker, from "The Complete Works of Béranger"
J. J. Grandville
1836
New Actaeon, I surprised Diana, not in her bath but with a dealer in the bathroom, from "Little Miseries of Human Life"
J. J. Grandville
1843
The Granary of Abundance, from "L'Association Mensuelle no. 7"
J. J. Grandville
February 1833
Die Pilgerfahrt der Blumengeister
Adolf Böttger
1854
The Song of the Cossack, from "The Complete Works of Béranger"
J. J. Grandville
1836
The further we go, the less we penetrate the horrible mystery of which the unfortunate toad was a victim, from "Scenes from the Private and Public Life of Animals"
J. J. Grandville
ca. 1837–47
Jérôme Paturot a la Recherche d'une Position Sociale
J. J. Grandville
1846
What do you think of the expedition?, from "Metamorphoses of the Day"
J. J. Grandville
1829
As soon as I set foot on the island..., from "Scenes from the Private and Public Life of Animals"
J. J. Grandville
ca. 1837–47
The Proprietor, from "Scenes from the Private and Public Life of Animals"
J. J. Grandville
ca. 1837–47
Having said that, this poor invalid gives us a curtsy, and goes hobbling off, from "Scenes from the Private and Public Life of Animals"
J. J. Grandville
ca. 1837–47
Will-o'-the-wisp, from "The Complete Works of Béranger"
J. J. Grandville
1836
The Double Hunt, from "The Complete Works of Béranger"
J. J. Grandville
1836
The Wolf pleading against the Fox, in front of the Monkey
J. J. Grandville
ca. 1838
Private and Public Life of Animals; Scenes of Customs
J. J. Grandville
ca. 1837–47
Journey for Eternity, No. 6
J. J. Grandville
ca. 1839
Plate with a scene from Métamorphoses du Jour (plate 3)
Creil
ca. 1830–40
Les Fleurs Animées
Taxile Delord
1867
Passing Young Girls, from "The Complete Works of Béranger"
J. J. Grandville
1836
The Neighbor, from "The Complete Works of Béranger"
J. J. Grandville
1836
Second Dream, from "Le Magasin Pittoresque"
J. J. Grandville
1820–47
Illustration in Jérôme Paturot, by Louis Reybaud, Paris, 1846
J. J. Grandville
ca. 1846
The Capuchins, from "The Complete Works of Béranger"
J. J. Grandville
1836
The Son of the Pope, from "The Complete Works of Béranger"
J. J. Grandville
1836
The Two Sisters of Charity, from "The Complete Works of Béranger"
J. J. Grandville
1836
To pay the landlord, a very harsh man, whose name was M. Vautour, from "Scenes from the Private and Public Life of Animals"
J. J. Grandville
ca. 1837–47
"Again, Madame, whether you do or do not want to divorce, you are perfectly free"
J. J. Grandville
1832
Scenes de la Vie Privée et Publique des Animaux
J. J. Grandville
1867
All that remains is to close the blessed trunk!, from "Little Miseries of Human Life"
J. J. Grandville
1843
The Exiled Angel, from "The Complete Works of Béranger"
J. J. Grandville
1836
Louis XI, from "The Complete Works of Béranger"
J. J. Grandville
1836
The People Delivered to the Vampire Taxes, from "L'Association Mensuelle no. 10"
Association Mensuelle
May 1833
This old court apparently has an old falcon..., from "Scenes from the Private and Public Life of Animals"
J. J. Grandville
ca. 1837–47