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Samson Captured by the Philistines, Guercino (Giovanni Francesco Barbieri) Italian, Oil on canvas
Samson Captured by the Philistines
Guercino (Giovanni Francesco Barbieri)
1619
The Vocation of Saint Aloysius (Luigi) Gonzaga, Guercino (Giovanni Francesco Barbieri) Italian, Oil on canvas
The Vocation of Saint Aloysius (Luigi) Gonzaga
Guercino (Giovanni Francesco Barbieri)
ca. 1650
A Seated Young Woman Looking Over Her Shoulder, Guercino (Giovanni Francesco Barbieri) (?) Italian, Pen and brown ink
A Seated Young Woman Looking Over Her Shoulder
Guercino (Giovanni Francesco Barbieri)
early–mid-17th century
A Collection of Etchings and Engravings in Imitation of Drawings from Various Old Masters, Being Facsimiles of Their Respective Performances, Chiefly by Arthur Pond, & Charles Knapton, London 1734 &c,, Arthur Pond British, Engraving, etching, woodcut
A Collection of Etchings and Engravings in Imitation of Drawings from Various Old Masters, Being Facsimiles of Their Respective Performances, Chiefly by Arthur Pond, & Charles Knapton, London 1734 &c,
Multiple artists/makers
1732–69
Landscape with Six Figures, Guercino (Giovanni Francesco Barbieri) Italian, Pen and brown ink and brush and dark brown ink
Landscape with Six Figures
18th Century Imitator of Guercino (Giovanni Francesco Barbieri)
1750–80
Saint Joseph Seen with his Flowering Staff, which is Held by the Christ Child, Guercino (Giovanni Francesco Barbieri) Italian, Red chalk
Saint Joseph Seen with his Flowering Staff, which is Held by the Christ Child
Attributed to Guercino (Giovanni Francesco Barbieri)
1591–1666
Rocky Landscape with Eight Figures, Guercino (Giovanni Francesco Barbieri) Italian, Pen and dark brown ink, brush and dark brown ink.
Rocky Landscape with Eight Figures
Imitator of Guercino (Giovanni Francesco Barbieri)
1750–80
Youth in a Chariot with Attendant Young Woman, Guercino (Giovanni Francesco Barbieri) Italian, Pen and brown ink, brush and brown wash
Youth in a Chariot with Attendant Young Woman
Guercino (Giovanni Francesco Barbieri)
ca. 1621–23
Youth Kneeling before a Prelate (recto); Another Study of a Youth Kneeling before a Prelate (verso), Guercino (Giovanni Francesco Barbieri) Italian, Pen and brown ink, brush and light brown wash (recto and verso)
Youth Kneeling before a Prelate (recto); Another Study of a Youth Kneeling before a Prelate (verso)
Guercino (Giovanni Francesco Barbieri)
ca. 1620
The Adoration of the Magi, Guercino (Giovanni Francesco Barbieri) Italian, Pen and brown ink, brush and brown wash
The Adoration of the Magi
Guercino (Giovanni Francesco Barbieri)
1625–30
Fireworks in a Piazza, Guercino (Giovanni Francesco Barbieri) Italian, Pen and brown ink, brush with gray and brown wash, over traces of leadpoint (?)
Fireworks in a Piazza
Guercino (Giovanni Francesco Barbieri)
ca. 1618–23
Bust of a Man Facing Right, Guercino (Giovanni Francesco Barbieri) Italian, Pen and dark brown ink, brush with brown and gray-brown wash
Bust of a Man Facing Right
Guercino (Giovanni Francesco Barbieri)
1591–1666
A Sibyl Holding a Scroll (Study for the Cimmerian Sibyl), Guercino (Giovanni Francesco Barbieri) Italian, Pen and dark brown ink
A Sibyl Holding a Scroll (Study for the Cimmerian Sibyl)
Guercino (Giovanni Francesco Barbieri)
1638
Two Studies of a Kneeling Male Figure (recto); Handwritten letter (verso), Guercino (Giovanni Francesco Barbieri) Italian, Pen and brown ink
Two Studies of a Kneeling Male Figure (recto); Handwritten letter (verso)
Guercino (Giovanni Francesco Barbieri)
ca. 1652
The Raising of Lazarus, Guercino (Giovanni Francesco Barbieri) Italian, Pen and brown ink, brush and brown wash, over traces of black chalk
The Raising of Lazarus
Guercino (Giovanni Francesco Barbieri)
ca. 1619
Standing Youth Seen from Behind Holding a Bowl (Ganymede?), Guercino (Giovanni Francesco Barbieri) Italian, Red chalk
Standing Youth Seen from Behind Holding a Bowl (Ganymede?)
Guercino (Giovanni Francesco Barbieri)
ca. 1635–45
Endymion Sleeping, Guercino (Giovanni Francesco Barbieri) Italian, Pen and brown ink, brush and light brown wash
Endymion Sleeping
Guercino (Giovanni Francesco Barbieri)
1635–50
The Virgin Immaculate, Guercino (Giovanni Francesco Barbieri) Italian, Pen and brown ink, brush and light brown wash; framing outlines in pen and brown ink
The Virgin Immaculate
Guercino (Giovanni Francesco Barbieri)
ca. 1656
Half-Figure of a Nude Man Facing Right, Guercino (Giovanni Francesco Barbieri) Italian, Pen and brown ink, brush and brown wash
Half-Figure of a Nude Man Facing Right
Guercino (Giovanni Francesco Barbieri)
1640's
Seated Old Man with Right Arm Upraised (Tithonus) (recto); Seated Nude Youth (figure of Day) (verso), Guercino (Giovanni Francesco Barbieri) Italian, Red chalk on blue paper
Seated Old Man with Right Arm Upraised (Tithonus) (recto); Seated Nude Youth (figure of Day) (verso)
Guercino (Giovanni Francesco Barbieri)
1621
Saint Cecilia Playing the Organ, Guercino (Giovanni Francesco Barbieri) Italian, Red chalk
Saint Cecilia Playing the Organ
Guercino (Giovanni Francesco Barbieri)
1650s
Boy Chasing a Butterfly, Guercino (Giovanni Francesco Barbieri) Italian, Pen and brown ink
Boy Chasing a Butterfly
Guercino (Giovanni Francesco Barbieri)
1591–1666
Saint Francis of Assisi and Saint Louis of France Venerating an Image of the Virgin, Guercino (Giovanni Francesco Barbieri) Italian, Pen and brown ink
Saint Francis of Assisi and Saint Louis of France Venerating an Image of the Virgin
Guercino (Giovanni Francesco Barbieri)
ca. 1618
Portrait of Morose Man in Half-Length, Guercino (Giovanni Francesco Barbieri) Italian, Pen and brown ink
Portrait of Morose Man in Half-Length
Guercino (Giovanni Francesco Barbieri)
1591–1666
A Diablerie, Guercino (Giovanni Francesco Barbieri) Italian, Pen and brown ink
A Diablerie
Guercino (Giovanni Francesco Barbieri)
1591–1666
Four Putti with Bow and Arrows on Clouds above a Landscape with a Tower, Guercino (Giovanni Francesco Barbieri) Italian, Pen and brown ink, with brush and brown wash ; some red chalk transferred
Four Putti with Bow and Arrows on Clouds above a Landscape with a Tower
Guercino (Giovanni Francesco Barbieri)
1591–1666
Man Stabbing Himself, Guercino (Giovanni Francesco Barbieri) Italian, Pen and brown ink, squared in black chalk
Man Stabbing Himself
Circle of Guercino (Giovanni Francesco Barbieri)
1591–1666
Landscape with Figures and a Farm House, Guercino (Giovanni Francesco Barbieri) Italian, Pen and dark brown ink, brush and dark brown wash; traces of red chalk in the figures in the first draft.
Landscape with Figures and a Farm House
18th Century Imitator of Guercino (Giovanni Francesco Barbieri)
1750–80
Landscape with Figures and Fortifications, Guercino (Giovanni Francesco Barbieri) Italian, Pen and dark brown ink, brush and black brown ink, over red chalk for the two figures at the left first plan
Landscape with Figures and Fortifications
18th Century Imitator of Guercino (Giovanni Francesco Barbieri)
1750–80
Landscape with Figures and a Two-Arched Bridge, Guercino (Giovanni Francesco Barbieri) Italian, Pen and dark brown ink, some brush and dark brown ink
Landscape with Figures and a Two-Arched Bridge
Imitator of Guercino (Giovanni Francesco Barbieri)
1591–1666
Portrait of a Scholar, Guercino (Giovanni Francesco Barbieri) Italian, Pen and brown ink
Portrait of a Scholar
Imitator of Guercino (Giovanni Francesco Barbieri)
1591–1666
Saint Jerome Writing, Guercino (Giovanni Francesco Barbieri) Italian, Pen and brown ink, on brownish paper
Saint Jerome Writing
Imitator of Guercino (Giovanni Francesco Barbieri)
1591–1666
Two Men, Depicted Half-Length, in Profile, Guercino (Giovanni Francesco Barbieri) Italian, Pen and brown ink, brush and brown wash, over traces of black chalk, on cream paper
Two Men, Depicted Half-Length, in Profile
After Guercino (Giovanni Francesco Barbieri)
17th century
Group of Caricatured Figures with an Artist Drawing, Guercino (Giovanni Francesco Barbieri) Italian, Pen and brown ink, brush and gray wash
Group of Caricatured Figures with an Artist Drawing
Circle of Guercino (Giovanni Francesco Barbieri)
Former Attribution Formerly attributed to Pier Francesco Mola
1612–66
Seated Nude Young Man in Nearly Frontal View, Guercino (Giovanni Francesco Barbieri) Italian, Modified black chalk (dipped in a gum solution), traces of white gouache highlights, on light brown paper
Seated Nude Young Man in Nearly Frontal View
Guercino (Giovanni Francesco Barbieri)
ca. 1618
Woman Soaking a Cloth in a Bowl Held by a Girl (copy from Guercino's Saint Sebastian Tended by Irene), Guercino (Giovanni Francesco Barbieri) Italian, Red chalk
Woman Soaking a Cloth in a Bowl Held by a Girl (copy from Guercino's Saint Sebastian Tended by Irene)
After Guercino (Giovanni Francesco Barbieri)
1591–1666
Saint Paul, Guercino (Giovanni Francesco Barbieri) Italian, Pen and brown ink, brush and brown ink, over leadpoint or graphite.
Saint Paul
Imitator of Guercino (Giovanni Francesco Barbieri)
1591–1666
Saint with Angel and Putto, Guercino (Giovanni Francesco Barbieri) Italian, Pen and brown ink, brush and dark brown ink, over leadpoint.
Saint with Angel and Putto
After Guercino (Giovanni Francesco Barbieri)
n.d.
Waist-Length Portrait of a Man Wearing the Order of the Golden Fleece, in Profile Facing Left, Guercino (Giovanni Francesco Barbieri) Italian, Pen and brown ink; accidental red chalk offset
Waist-Length Portrait of a Man Wearing the Order of the Golden Fleece, in Profile Facing Left
Guercino (Giovanni Francesco Barbieri)
1620s
Madonna and Child with St. John the Baptist, Francesco Bartolozzi Italian, Etching, printed in brown ink; state before letters
Madonna and Child with St. John the Baptist
Francesco Bartolozzi
After Guercino (Giovanni Francesco Barbieri)
1764–95
Guercino Self-Portrait, Francesco Bartolozzi Italian, Etching, printed in brown ink; second state of two
Guercino Self-Portrait
Francesco Bartolozzi
After Guercino (Giovanni Francesco Barbieri)
Publisher John Boydell
1790–99
The Virgin Teaching St. John, John Hamilton Mortimer British, Etching
The Virgin Teaching St. John
John Hamilton Mortimer
After Guercino (Giovanni Francesco Barbieri)
Publisher John Boydell
1766

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