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Department
Samson Captured by the Philistines, Guercino (Giovanni Francesco Barbieri)  Italian, Oil on canvas
Guercino (Giovanni Francesco Barbieri)
1619
The Vocation of Saint Aloysius (Luigi) Gonzaga, Guercino (Giovanni Francesco Barbieri)  Italian, Oil on canvas
Guercino (Giovanni Francesco Barbieri)
ca. 1650
A Seated Young Woman Looking Over Her Shoulder, Guercino (Giovanni Francesco Barbieri) (?) Italian, Pen and brown ink
Guercino (Giovanni Francesco Barbieri)
early–mid-17th century
The Adoration of the Magi, Guercino (Giovanni Francesco Barbieri)  Italian, Pen and brown ink, brush and brown wash
Guercino (Giovanni Francesco Barbieri)
1625–30
Half-Figure of a Nude Man Facing Right, Guercino (Giovanni Francesco Barbieri)  Italian, Pen and brown ink, brush and brown wash
Guercino (Giovanni Francesco Barbieri)
1640's
Saint Cecilia Playing the Organ, Guercino (Giovanni Francesco Barbieri)  Italian, Red chalk
Guercino (Giovanni Francesco Barbieri)
1650s
The Virgin Teaching St. John, John Hamilton Mortimer  British, Etching
John Hamilton Mortimer
After Guercino (Giovanni Francesco Barbieri)
Publisher John Boydell
1766
Saint Joseph Seen with his Flowering Staff, which is Held by the Christ Child, Guercino (Giovanni Francesco Barbieri)  Italian, Red chalk
Attributed to Guercino (Giovanni Francesco Barbieri)
1591–1666
Rocky Landscape with Eight Figures, Guercino (Giovanni Francesco Barbieri)  Italian, Pen and dark brown ink, brush and dark brown ink.
Imitator of Guercino (Giovanni Francesco Barbieri)
1750–80
Youth in a Chariot with Attendant Young Woman, Guercino (Giovanni Francesco Barbieri)  Italian, Pen and brown ink, brush and brown wash
Guercino (Giovanni Francesco Barbieri)
ca. 1621–23
A Diablerie, Guercino (Giovanni Francesco Barbieri)  Italian, Pen and brown ink
Guercino (Giovanni Francesco Barbieri)
1591–1666
Landscape with Figures and a Two-Arched Bridge, Guercino (Giovanni Francesco Barbieri)  Italian, Pen and dark brown ink, some brush and dark brown ink
Imitator of Guercino (Giovanni Francesco Barbieri)
1591–1666
Portrait of a Scholar, Guercino (Giovanni Francesco Barbieri)  Italian, Pen and brown ink
Imitator of Guercino (Giovanni Francesco Barbieri)
1591–1666
Saint Jerome Writing, Guercino (Giovanni Francesco Barbieri)  Italian, Pen and brown ink, on brownish paper
Imitator of Guercino (Giovanni Francesco Barbieri)
1591–1666
Fireworks in a Piazza, Guercino (Giovanni Francesco Barbieri)  Italian, Pen and brown ink, brush with gray and brown wash, over traces of leadpoint (?)
Guercino (Giovanni Francesco Barbieri)
ca. 1618–23
Bust of a Man Facing Right, Guercino (Giovanni Francesco Barbieri)  Italian, Pen and dark brown ink, brush with brown and gray-brown wash
Guercino (Giovanni Francesco Barbieri)
1591–1666
A Sibyl Holding a Scroll (Study for the Cimmerian Sibyl), Guercino (Giovanni Francesco Barbieri)  Italian, Pen and dark brown ink
Guercino (Giovanni Francesco Barbieri)
1638
The Raising of Lazarus, Guercino (Giovanni Francesco Barbieri)  Italian, Pen and brown ink, brush and brown wash, over traces of black chalk
Guercino (Giovanni Francesco Barbieri)
ca. 1619
Standing Youth Seen from Behind Holding a Bowl (Ganymede?), Guercino (Giovanni Francesco Barbieri)  Italian, Red chalk
Guercino (Giovanni Francesco Barbieri)
ca. 1635–45
Endymion Sleeping, Guercino (Giovanni Francesco Barbieri)  Italian, Pen and brown ink, brush and light brown wash
Guercino (Giovanni Francesco Barbieri)
1635–50
The Virgin Immaculate, Guercino (Giovanni Francesco Barbieri)  Italian, Pen and brown ink, brush and light brown wash; framing outlines in pen and brown ink
Guercino (Giovanni Francesco Barbieri)
ca. 1656
Boy Chasing a Butterfly, Guercino (Giovanni Francesco Barbieri)  Italian, Pen and brown ink
Guercino (Giovanni Francesco Barbieri)
1591–1666
Portrait of Morose Man in Half-Length, Guercino (Giovanni Francesco Barbieri)  Italian, Pen and brown ink
Guercino (Giovanni Francesco Barbieri)
1591–1666
Four Putti with Bow and Arrows on Clouds above a Landscape with a Tower, Guercino (Giovanni Francesco Barbieri)  Italian, Pen and brown ink, with brush and brown wash ; some red chalk transferred
Guercino (Giovanni Francesco Barbieri)
1591–1666
Man Stabbing Himself, Guercino (Giovanni Francesco Barbieri)  Italian, Pen and brown ink, squared in black chalk
Circle of Guercino (Giovanni Francesco Barbieri)
1591–1666
Landscape with Figures and a Farm House, Guercino (Giovanni Francesco Barbieri)  Italian, Pen and dark brown ink, brush and dark brown wash; traces of red chalk in the figures in the first draft.
18th Century Imitator of Guercino (Giovanni Francesco Barbieri)
1750–80
Landscape with Figures and Fortifications, Guercino (Giovanni Francesco Barbieri)  Italian, Pen and dark brown ink, brush and black brown ink, over red chalk for the two figures at the left first plan
18th Century Imitator of Guercino (Giovanni Francesco Barbieri)
1750–80
Group of Caricatured Figures with an Artist Drawing, Guercino (Giovanni Francesco Barbieri)  Italian, Pen and brown ink, brush and gray wash
Circle of Guercino (Giovanni Francesco Barbieri)
Former Attribution Formerly attributed to Pier Francesco Mola
1612–66
Two Men, Depicted Half-Length, in Profile, Guercino (Giovanni Francesco Barbieri)  Italian, Pen and brown ink, brush and brown wash, over traces of black chalk, on cream paper
After Guercino (Giovanni Francesco Barbieri)
17th century
Seated Nude Young Man in Nearly Frontal View, Guercino (Giovanni Francesco Barbieri)  Italian, Modified black chalk (dipped in a gum solution), traces of white gouache highlights, on light brown paper
Guercino (Giovanni Francesco Barbieri)
ca. 1618
Saint Paul, Guercino (Giovanni Francesco Barbieri)  Italian, Pen and brown ink, brush and brown ink, over leadpoint or graphite.
Imitator of Guercino (Giovanni Francesco Barbieri)
1591–1666
Saint with Angel and Putto, Guercino (Giovanni Francesco Barbieri)  Italian, Pen and brown ink, brush and dark brown ink, over leadpoint.
After Guercino (Giovanni Francesco Barbieri)
n.d.
The Return of the Prodigal Son, Vincenzio Vangelisti  Italian, Mixed method engraving and etching, printed in brown ink
Multiple artists/makers
1764–98
The Incarceration of St. Roch, Vincenzio Vangelisti  Italian, Mixed method engraving and etching, printed in brown ink
Multiple artists/makers
1764–98