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The Immaculate Conception, Guido Reni Italian, Oil on canvas
The Immaculate Conception
Guido Reni
1627
Charity, Guido Reni Italian, Oil on canvas
Charity
Guido Reni
ca. 1630
Head of the Virgin (Mater Dolorosa), Pietro Ferloni Italian, Wool, silk (19-20 warps per inch, 8 per cm.), Italian, Rome
Head of the Virgin (Mater Dolorosa)
Woven under the direction Pietro Ferloni
Manufactory Woven at the San Michele
Designer Guido Reni
mid-18th century
Bust of the Virgin, Guido Reni Italian, Silk, wool (28-29 warps per inch, 10-11 per cm.), Italian, Rome
Bust of the Virgin
Multiple artists/makers
mid-18th century
Pictorial print, Guido Reni in Rospiglioso Palace, Rome Italian, Cotton, French
Pictorial print
After a design by Guido Reni
mid-19th century
The Magdalen, Anne Hall American, Watercolor on ivory, American
The Magdalen
Anne Hall
After Guido Reni
ca. 1830
Pieta, Detail, John Singer Sargent American, Graphite on off-white wove paper, American
Pieta, Detail
John Singer Sargent
After Guido Reni
ca. 1873
Table top depicting Aurora and the Chariot of Apollo, Gioacchino Barberi Italian, Micromosaic, Italian, Rome
Table top depicting Aurora and the Chariot of Apollo
Gioacchino Barberi
After a composition by Guido Reni
1822
Hesperides sive de Malorum Aureorum cultura et usu. Libri Quatuor, Giovanni Battista Ferrari Italian, plates: etching, engraving
Hesperides sive de Malorum Aureorum cultura et usu. Libri Quatuor
Multiple artists/makers
1646
Saint Mary Magdalen, Angelo Albanesi Italian, Stipple engraving printed in reddish brown ink
Saint Mary Magdalen
Angelo Albanesi
After Guido Reni
January 15, 1779
Methode pour apprendre le dessein.., Charles Antoine Jombert French, Printed book with etched illustrations
Methode pour apprendre le dessein..
Multiple artists/makers
1755
The Holy Family with Scriptural Scene in Background, Guido Reni Italian, etching
The Holy Family with Scriptural Scene in Background
Guido Reni
The Madonna and Child in the Round, Guido Reni Italian, Etching
The Madonna and Child in the Round
Guido Reni
The Holy Family with Two Angels, Guido Reni Italian, Etching
The Holy Family with Two Angels
Guido Reni
The Virgin and Child at a table with the young John the Baptist, Guido Reni Italian, Etching
The Virgin and Child at a table with the young John the Baptist
Guido Reni
ca. 1600–40
Saint Jerome kneeling on a rock in front of a cross and an open book facing left, Anonymous, 17th century, Etching
Saint Jerome kneeling on a rock in front of a cross and an open book facing left
Anonymous, 17th century
After Guido Reni
ca. 1600–40
Two naked boys carrying a third who supports a tray with three goblets, Anonymous, 17th century, Etching
Two naked boys carrying a third who supports a tray with three goblets
Anonymous, 17th century
After Guido Reni
ca. 1600–40
Saint Jerome kneeling on a rock facing right, Anonymous, 17th century, Etching
Saint Jerome kneeling on a rock facing right
Anonymous, 17th century
After Guido Reni
ca. 1600–40
Saint Christopher walking with the infant Christ on his right shoulder, Guido Reni Italian, Etching
Saint Christopher walking with the infant Christ on his right shoulder
Guido Reni
ca. 1600–40
Young Saint John the Baptist kneeling before the infant Christ who caresses his face, the Virgin and Joseph in the background at right, Guido Reni Italian, Etching
Young Saint John the Baptist kneeling before the infant Christ who caresses his face, the Virgin and Joseph in the background at right
Guido Reni
ca. 1600–40
The Virgin seated with the Christ Child on her lap embracing her, Joseph seen through an archway at left, Guido Reni Italian, Etching
The Virgin seated with the Christ Child on her lap embracing her, Joseph seen through an archway at left
Guido Reni
ca. 1600–13
The Virgin seated with the Christ Child on her lap embracing her, Joseph seen through an archway at left, Guido Reni Italian, Etching
The Virgin seated with the Christ Child on her lap embracing her, Joseph seen through an archway at left
Guido Reni
ca. 1600–13
The Virgin holding the infant Christ with the fingers of her right hand hidden, a circular composition, Guido Reni Italian, Etching
The Virgin holding the infant Christ with the fingers of her right hand hidden, a circular composition
Guido Reni
ca. 1600–40
The Virgin holding the infant Christ, an oval composition, Guido Reni Italian, Etching
The Virgin holding the infant Christ, an oval composition
Guido Reni
ca. 1600–40
The Holy Family with young John the Baptist and Saint Elizabeth, two angels above, Guido Reni Italian, Etching
The Holy Family with young John the Baptist and Saint Elizabeth, two angels above
Guido Reni
ca. 1590–1610
The Holy Family seated together in front of a collonade, Saint Joseph reading and the young Christ grasping the Virgin's drapery, Guido Reni Italian, Etching
The Holy Family seated together in front of a collonade, Saint Joseph reading and the young Christ grasping the Virgin's drapery
Guido Reni
ca. 1590–1610
Bust of a Bearded Man, Guido Reni Italian, Etching
Bust of a Bearded Man
Guido Reni
ca. 1600–40
Seated woman holding a tablet and compass (allegory of learning), a winged putto at right, Guido Reni Italian, Etching
Seated woman holding a tablet and compass (allegory of learning), a winged putto at right
Guido Reni
ca. 1600–40
Saint Jerome kneeling on a rock in front of a cross and an open book facing left, Guido Reni Italian, Etching
Saint Jerome kneeling on a rock in front of a cross and an open book facing left
Guido Reni
ca. 1600–40
The Holy Family seated together in front of a collonade, Saint Joseph reading and the young Christ grasping the Virgin's drapery, Guido Reni Italian, Etching
The Holy Family seated together in front of a collonade, Saint Joseph reading and the young Christ grasping the Virgin's drapery
Guido Reni
ca. 1590–1610
The Holy Family with Saint Clare (counterproof), Guido Reni Italian, Etching; counterproof
The Holy Family with Saint Clare (counterproof)
Guido Reni
1590–1600
The Entombment; Christ with legs outstretched, the Virgin at right, Guido Reni Italian, Etching
The Entombment; Christ with legs outstretched, the Virgin at right
Guido Reni
After Parmigianino (Girolamo Francesco Maria Mazzola)
1590–1600
Five numbered scenes, each after a painter in the Accademia Degl'Incamminati, from IL FUNERALE D'AGOSTINO CARRACCIO FATTO IN BOLOGNA SUA PATRIA DAGL'INCAMINATI Academici del Disegno: 1. Virtue vanquishing Envy and Fortune, painted by Giulio Cesare Parigino; 2. Apollo and the Muses at the tomb of Agostino Carracci, painted by Luigi Valesio; 3. Mercury pointing to a constellation with the personification of Painting and that of the city of Bologna, Felsina, painted by Aurelio Benelli; 4. Personification of Painting being comforted by Poetry, and the personification of a river at right, painted by Lodovico Carracci; 5. Allegory of Knowledge and Vigilance chasing Envy out of Heaven, painted by Lorenzo Garbieri., Guido Reni Italian, Etching
Five numbered scenes, each after a painter in the Accademia Degl'Incamminati, from IL FUNERALE D'AGOSTINO CARRACCIO FATTO IN BOLOGNA SUA PATRIA DAGL'INCAMINATI Academici del Disegno: 1. Virtue vanquishing Envy and Fortune, painted by Giulio Cesare Parigino; 2. Apollo and the Muses at the tomb of Agostino Carracci, painted by Luigi Valesio; 3. Mercury pointing to a constellation with the personification of Painting and that of the city of Bologna, Felsina, painted by Aurelio Benelli; 4. Personification of Painting being comforted by Poetry, and the personification of a river at right, painted by Lodovico Carracci; 5. Allegory of Knowledge and Vigilance chasing Envy out of Heaven, painted by Lorenzo Garbieri.
Multiple artists/makers
1603
Five numbered scenes, each after a painter in the Accademia Degl'Incamminati, from IL FUNERALE D'AGOSTINO CARRACCIO FATTO IN BOLOGNA SUA PATRIA DAGL'INCAMINATI Academici del Disegno: 1. Ceres lamenting the death of Carracci before Jupiter, painted by Ippolito Ferrantini; 2. Personification of Painting entrusting Carracci's body to Fame, painted by Giovanni Battista Bertusi; 3. The Fates leading the blindfolded Carracci to the foot of Jupiter's throne, painted by Lucio Massari; 4. Three rivers representing the cities of Bologna, Rome and Parma (Reno, Tiber and Parma) with Fame at left, designed by Sebastiano Razzali and painted by Baldessare Aloisi Galanini; 5. Agostino Carracci abducted by Mars who is jealous of the artist's portrait of Adonis made for a Farnese gallery panel, painted by Giovanni Battista Busi., Guido Reni Italian, Etching
Five numbered scenes, each after a painter in the Accademia Degl'Incamminati, from IL FUNERALE D'AGOSTINO CARRACCIO FATTO IN BOLOGNA SUA PATRIA DAGL'INCAMINATI Academici del Disegno: 1. Ceres lamenting the death of Carracci before Jupiter, painted by Ippolito Ferrantini; 2. Personification of Painting entrusting Carracci's body to Fame, painted by Giovanni Battista Bertusi; 3. The Fates leading the blindfolded Carracci to the foot of Jupiter's throne, painted by Lucio Massari; 4. Three rivers representing the cities of Bologna, Rome and Parma (Reno, Tiber and Parma) with Fame at left, designed by Sebastiano Razzali and painted by Baldessare Aloisi Galanini; 5. Agostino Carracci abducted by Mars who is jealous of the artist's portrait of Adonis made for a Farnese gallery panel, painted by Giovanni Battista Busi.
Multiple artists/makers
1603
Five numbered scenes, each after a painter in the Accademia Degl'Incamminati, from IL FUNERALE D'AGOSTINO CARRACCIO FATTO IN BOLOGNA SUA PATRIA DAGL'INCAMINATI Academici del Disegno: 1. Painting and Poetry mourning the death of Agostino Carracci, painted by Francesco Brizio; 2. Painting with a lyre and Apollo pointing to stars on Carracci's grave, design by Giacomo Cavedone; 3. The head of Christ, painted by Agostino Carracci; 4. Prometheus with a torch and Athena behind him, painted by Alessandro Albini; 5. Aurora abducting Cephalus, painted by Leonello Spada., Guido Reni Italian, Etching
Five numbered scenes, each after a painter in the Accademia Degl'Incamminati, from IL FUNERALE D'AGOSTINO CARRACCIO FATTO IN BOLOGNA SUA PATRIA DAGL'INCAMINATI Academici del Disegno: 1. Painting and Poetry mourning the death of Agostino Carracci, painted by Francesco Brizio; 2. Painting with a lyre and Apollo pointing to stars on Carracci's grave, design by Giacomo Cavedone; 3. The head of Christ, painted by Agostino Carracci; 4. Prometheus with a torch and Athena behind him, painted by Alessandro Albini; 5. Aurora abducting Cephalus, painted by Leonello Spada.
Multiple artists/makers
1603
The Virgin nursing the infant Christ, Guido Reni Italian, Etching
The Virgin nursing the infant Christ
Attributed to Guido Reni
After Annibale Carracci
ca. 1590–1610
Saint Roch at left distributing alms to a group of people gathered around him, after Annibale Caracci, Francesco Brizio Italian, Etching
Saint Roch at left distributing alms to a group of people gathered around him, after Annibale Caracci
Multiple artists/makers
ca. 1590–1600
Girl carrying a crucifix and stepping toward a pilaster, seen from behind, Guido Reni Italian, Etching
Girl carrying a crucifix and stepping toward a pilaster, seen from behind
Guido Reni
After Parmigianino (Girolamo Francesco Maria Mazzola)
ca. 1590–1600
Girl carrying a crucifix and stepping toward a pilaster, seen from behind, Guido Reni Italian, Etching
Girl carrying a crucifix and stepping toward a pilaster, seen from behind
Guido Reni
After Parmigianino (Girolamo Francesco Maria Mazzola)
ca. 1590–1600
Girl carrying a cushion, seen in profile facing right, Guido Reni Italian, Etching
Girl carrying a cushion, seen in profile facing right
Attributed to Guido Reni
After Parmigianino (Girolamo Francesco Maria Mazzola)
1590–1690
Girl carrying a cushion, seen in profile facing right, Guido Reni Italian, Etching
Girl carrying a cushion, seen in profile facing right
Attributed to Guido Reni
After Parmigianino (Girolamo Francesco Maria Mazzola)
1590–1690
Saint Joseph holding the infant Christ, who raises up his hands, an oval composition, Anonymous, 17th century, Etching
Saint Joseph holding the infant Christ, who raises up his hands, an oval composition
Anonymous, 17th century
After Guido Reni
ca. 1600–60