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The Night-Hag Visiting Lapland Witches, Henry Fuseli  Swiss, Oil on canvas
Henry Fuseli
1796
Falstaff with Mrs. Ford and Mrs. Page (Shakespeare, The Merry Wives of Windsor, Act 5, Scene 5), Henry Fuseli  Swiss, Pen and brown ink over faint graphite
Henry Fuseli
Subject William Shakespeare
1790
Hagen and the Nymphs of the Danube, Henry Fuseli  Swiss, Graphite, pen and brown ink, watercolor and gouache on cream wove paper
Henry Fuseli
1802
The Plays of William Shakespeare, vol. 1, containing The Tempest, Two Gentlemen of Verona, Merry Wives of Windsor, William Shakespeare  British, Illustrations: etching and engraving
Multiple artists/makers
1805
The Grave, A Poem, William Blake  British, Illustrations: etchings
Multiple artists/makers
1813
Study for the Prophet Jeremiah (recto); Studies of a Horse Seen from Below and of a Man Seated on a Chair, Probably a Self-Portrait and an Off-Print in Brown Ink of a Nude Female Abdomen and Legs (verso), Henry Fuseli  Swiss, Pen and brown ink over graphite on paper; verso, pen and brown ink; framing lines in graphite
Henry Fuseli
1764–70
King Lear Casting Out His Daughter Cordelia (Shakespeare, King Lear, Act 1, Scene 1), Richard Earlom  British, Stipple engraving; fourth state of four
Multiple artists/makers
first published 1792; reissued 1852
Sin Pursued by Death (John Milton, Paradise Lost, Book 2, 787, 790-792), Moses Haughton the younger  British, Stipple engraving and aquatint; published state
Multiple artists/makers
November 27, 1804
Hamlet, Horatio, Marcellus and the Ghost (Shakespeare, Hamlet, Act 1, Scene 4), Robert Thew  British, Stipple engraving; fourth state of four
Multiple artists/makers
first published 1796; reissued 1852
Doll Tearsheet, Falstaff, Henry and Poins (Shakespeare, King Henry IV, Part 2, Act 2, Scene 4), William Satchwell Leney  American, born England, Stipple engraving; third state of three
Multiple artists/makers
first published 1795; reissued 1852
The Enchanted Island Before the Cell of Prospero - Prospero, Miranda, Caliban and Ariel (Shakespeare, The Tempest, Act 1, Scene 2), Peter Simon  British, Stipple engraving; fourth state of four
Multiple artists/makers
first published 1797; reissued 1852
Portrait of a Young Lady Drawn in Left Profile, Henry Fuseli  Swiss, Graphite
Henry Fuseli
ca. 1778–79
Tornado–Zeus Battling Typhon, from Erasmus Darwin's "Botanic Garden", William Blake  British, Engraving
Multiple artists/makers
August 1, 1795
Tornado–Zeus Battling Typhon, from Erasmus Darwin's "The Botanic Garden", William Blake  British, Engraving
Multiple artists/makers
August 1, 1795
Fertilization of Egypt, from Erasmus Darwin's "The Botanic Garden", William Blake  British, Engraving
William Blake
After Henry Fuseli
Author Erasmus Darwin
1791
The Weird Sisters (Shakespeare, MacBeth, Act 1, Scene 3), John Raphael Smith  British, Mezzotint
Multiple artists/makers
March 10, 1785
Oedipus at Colonus, Cursing his Son Polynices, Henry Fuseli  Swiss, Pen and brown ink, brush and gray wash, traces of black chalk underdrawing
Henry Fuseli
1777
Mother and children [Night and Her Children Aither and Hemera, from Hesiod's "Theogony"], William Young Ottley  British, Soft-ground etching; unfinished
William Young Ottley
Formerly attributed to Henry Fuseli
1803–28
Chrysogone Conceives, in a Ray of Sunshine, Amoretta and Belphoebe (Edmund Spenser, "The Faerie Queene, III, vi), Henry Fuseli  Swiss, Etching
Henry Fuseli
1800–1810
Sleeping Woman with a Cupid (Hush), Henry Fuseli  Swiss, Etching and drypoint; published state
Henry Fuseli
Publisher Robert Pollard
1780–90
The Night Mare, Laurede  French, Stipple engraving, printed in brown ink
Engraver Laurede
After Henry Fuseli
Publisher Lenoir
1782
The Daughter of Herodias (Salome Receiving the Head of John the Baptist, Matthew 14:10-11), Thomas Holloway  British, Engraving
Engraver Thomas Holloway
After Henry Fuseli
Publisher Thomas Holloway
1798
Flora Attired by the Elements (Frontispiece to The Economy of Vegetation, vol. I of Erasmus Darwin's The Botanic Garden), Anker Smith  British, Engraving
Engraver Anker Smith
After Henry Fuseli
Publisher Joseph Johnson
June 1, 1791
Das Gespenst des Dion (The Apparition Appears to Dion Wielding a Broom, Plutarch, Dion, 55), Johann Heinrich Lips  Swiss, Outline engraving and etching
Engraver Johann Heinrich Lips
After Henry Fuseli
1806
Fuessli und Bodmer (Fuseli and Bodmer in Conversation), Johann Heinrich Lips  Swiss, Outline engraving and etching
Engraver Johann Heinrich Lips
After Henry Fuseli
Sitter Henry Fuseli
1806
Der Besessene (The Escapee: A Real Scene in the Hospital of San Spirito at Rome), John Barlow  British, Outline engraving and etching
Engraver John Barlow
After Henry Fuseli
1806
Caius Marius and the Cimbrian Soldier (Plutarch, "Marius," 39; Lucan, "Pharsalia," XI, 75-86), Johann Heinrich Lips  Swiss, Outline engraving and etching
Engraver Johann Heinrich Lips
After Henry Fuseli
1806
Der Kronenräuber (Claudio Murders His Brother, King Hamlet, By Pouring Poison into His Ear as He Lies Sleeping in the Garden, Shakespeare, Hamlet, Act 1, Scene 5: 58-78), Johann Heinrich Lips  Swiss, Outline engraving and etching
Engraver Johann Heinrich Lips
After Henry Fuseli
Subject William Shakespeare
1806
Belisane and Percival Under the Enchantment of Urma, Johann Heinrich Lips  Swiss, Outline engraving and etching
Engraver Johann Heinrich Lips
After Henry Fuseli
1806
Der Schweizerbund (The Oath of the Rütli), Franz Hegi  Swiss, Outline engraving and etching
Engraver Franz Hegi
After Henry Fuseli
1806
Wie Till die Schneider duch Saüe straft (How Till Eugenspiegel Punished the Tailors), Johann Heinrich Lips  Swiss, Outline engraving and etching
Engraver Johann Heinrich Lips
After Henry Fuseli
1806
Wie Till zur Barbier durch's Fenster kömt (How Till Eupenspiegel Came In Through the Barber's Window), Johann Heinrich Lips  Swiss, Outline engraving and etching
Engraver Johann Heinrich Lips
After Henry Fuseli
1806
Der Tod des Oedipus (The Death of Oedipus), Franz Hegi  Swiss, Outline engraving and etching
Engraver Franz Hegi
After Henry Fuseli
1806
Hercules Slays Diomedes and his Flesh-Eating Mares (Apollodorus, II, 5, 8 and Quintus Smyrnaeus, VI, 247-250), Johann Heinrich Lips  Swiss, Outline engraving and etching
Engraver Johann Heinrich Lips
After Henry Fuseli
1806
Menelaus and Patroclus, after the Antique (recto and verso), Henry Fuseli  Swiss, Pen and brown ink (recto); pen and ink over graphite (verso)
Henry Fuseli
1770–78
Multiple artists/makers
1765
Multiple artists/makers
1805
Multiple artists/makers
1805
Multiple artists/makers
1805
Multiple artists/makers
1805
Multiple artists/makers
1805
Multiple artists/makers
1805

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