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The Night-Hag Visiting Lapland Witches, Henry Fuseli Swiss, Oil on canvas
The Night-Hag Visiting Lapland Witches
Henry Fuseli
1796
King Lear Casting Out His Daughter Cordelia (Shakespeare, King Lear, Act 1, Scene 1), Richard Earlom British, Stipple engraving; fourth state of four
King Lear Casting Out His Daughter Cordelia (Shakespeare, King Lear, Act 1, Scene 1)
Multiple artists/makers
first published 1792; reissued 1852
Sin Pursued by Death (John Milton, Paradise Lost, Book 2, 787, 790-792), Moses Haughton the younger British, Stipple engraving and aquatint; published state
Sin Pursued by Death (John Milton, Paradise Lost, Book 2, 787, 790-792)
Multiple artists/makers
November 27, 1804
The Enchanted Island Before the Cell of Prospero - Prospero, Miranda, Caliban and Ariel (Shakespeare, The Tempest, Act 1, Scene 2), Peter Simon British, Stipple engraving; fourth state of four
The Enchanted Island Before the Cell of Prospero - Prospero, Miranda, Caliban and Ariel (Shakespeare, The Tempest, Act 1, Scene 2)
Multiple artists/makers
first published 1797; reissued 1852
Hamlet, Horatio, Marcellus and the Ghost (Shakespeare, Hamlet, Act 1, Scene 4), Robert Thew British, Stipple engraving; fourth state of four
Hamlet, Horatio, Marcellus and the Ghost (Shakespeare, Hamlet, Act 1, Scene 4)
Multiple artists/makers
first published 1796; reissued 1852
Doll Tearsheet, Falstaff, Henry and Poins (Shakespeare, King Henry IV, Part 2, Act 2, Scene 4), William Satchwell Leney American, born England, Stipple engraving; third state of three
Doll Tearsheet, Falstaff, Henry and Poins (Shakespeare, King Henry IV, Part 2, Act 2, Scene 4)
Multiple artists/makers
first published 1795; reissued 1852
Portrait of a Young Lady Drawn in Left Profile, Henry Fuseli Swiss, Graphite
Portrait of a Young Lady Drawn in Left Profile
Henry Fuseli
ca. 1778–79
The Plays of William Shakespeare, vol. 1, containing The Tempest, Two Gentlemen of Verona, Merry Wives of Windsor, William Shakespeare British, Illustrations: etching and engraving
The Plays of William Shakespeare, vol. 1, containing The Tempest, Two Gentlemen of Verona, Merry Wives of Windsor
Multiple artists/makers
1805
The Grave, A Poem, William Blake British, Illustrations: etchings
The Grave, A Poem
Multiple artists/makers
1813
Study for the Prophet Jeremiah (recto); Studies of a Horse Seen from Below and of a Man Seated on a Chair, Probably a Self-Portrait and an Off-Print in Brown Ink of a Nude Female Abdomen and Legs (verso), Henry Fuseli Swiss, Pen and brown ink over graphite on paper; verso, pen and brown ink; framing lines in graphite
Study for the Prophet Jeremiah (recto); Studies of a Horse Seen from Below and of a Man Seated on a Chair, Probably a Self-Portrait and an Off-Print in Brown Ink of a Nude Female Abdomen and Legs (verso)
Henry Fuseli
1764–70
Menelaus and Patroclus, after the Antique (recto and verso), Henry Fuseli Swiss, Pen and brown ink (recto); pen and ink over graphite (verso)
Menelaus and Patroclus, after the Antique (recto and verso)
Henry Fuseli
1770–78
Tornado–Zeus Battling Typhon, from Erasmus Darwin's "Botanic Garden", William Blake British, Engraving
Tornado–Zeus Battling Typhon, from Erasmus Darwin's "Botanic Garden"
Multiple artists/makers
August 1, 1795
Falstaff with Mrs. Ford and Mrs. Page (Shakespeare, The Merry Wives of Windsor, Act 5, Scene 5), Henry Fuseli Swiss, Pen and brown ink over faint graphite
Falstaff with Mrs. Ford and Mrs. Page (Shakespeare, The Merry Wives of Windsor, Act 5, Scene 5)
Henry Fuseli
Subject William Shakespeare
1790
Hagen and the Nymphs of the Danube, Henry Fuseli Swiss, Graphite, pen and brown ink, watercolor and gouache on cream wove paper
Hagen and the Nymphs of the Danube
Henry Fuseli
1802
Tornado–Zeus Battling Typhon, from Erasmus Darwin's "The Botanic Garden", William Blake British, Engraving
Tornado–Zeus Battling Typhon, from Erasmus Darwin's "The Botanic Garden"
Multiple artists/makers
August 1, 1795
Fertilization of Egypt, from Erasmus Darwin's "The Botanic Garden", William Blake British, Engraving
Fertilization of Egypt, from Erasmus Darwin's "The Botanic Garden"
William Blake
After Henry Fuseli
Author Erasmus Darwin
1791
The Weird Sisters (Shakespeare, MacBeth, Act 1, Scene 3), John Raphael Smith British, Mezzotint
The Weird Sisters (Shakespeare, MacBeth, Act 1, Scene 3)
Multiple artists/makers
March 10, 1785
Oedipus at Colonus, Cursing his Son Polynices, Henry Fuseli Swiss, Pen and brown ink, brush and gray wash, traces of black chalk underdrawing
Oedipus at Colonus, Cursing his Son Polynices
Henry Fuseli
1777
Chrysogone Conceives, in a Ray of Sunshine, Amoretta and Belphoebe (Edmund Spenser, "The Faerie Queene, III, vi), Henry Fuseli Swiss, Etching
Chrysogone Conceives, in a Ray of Sunshine, Amoretta and Belphoebe (Edmund Spenser, "The Faerie Queene, III, vi)
Henry Fuseli
1800–1810
Sleeping Woman with a Cupid (Hush), Henry Fuseli Swiss, Etching and drypoint; published state
Sleeping Woman with a Cupid (Hush)
Henry Fuseli
Publisher Robert Pollard
1780–90
Flora Attired by the Elements (Frontispiece to The Economy of Vegetation, vol. I of Erasmus Darwin's The Botanic Garden), Anker Smith British, Engraving
Flora Attired by the Elements (Frontispiece to The Economy of Vegetation, vol. I of Erasmus Darwin's The Botanic Garden)
Engraver Anker Smith
After Henry Fuseli
Publisher Joseph Johnson
June 1, 1791
Das Gespenst des Dion (The Apparition Appears to Dion Wielding a Broom, Plutarch, Dion, 55), Johann Heinrich Lips Swiss, Outline engraving and etching
Das Gespenst des Dion (The Apparition Appears to Dion Wielding a Broom, Plutarch, Dion, 55)
Engraver Johann Heinrich Lips
After Henry Fuseli
1806
Der Kronenräuber (Claudio Murders His Brother, King Hamlet, By Pouring Poison into His Ear as He Lies Sleeping in the Garden, Shakespeare, Hamlet, Act 1, Scene 5: 58-78), Johann Heinrich Lips Swiss, Outline engraving and etching
Der Kronenräuber (Claudio Murders His Brother, King Hamlet, By Pouring Poison into His Ear as He Lies Sleeping in the Garden, Shakespeare, Hamlet, Act 1, Scene 5: 58-78)
Engraver Johann Heinrich Lips
After Henry Fuseli
Subject William Shakespeare
1806
Belisane and Percival Under the Enchantment of Urma, Johann Heinrich Lips Swiss, Outline engraving and etching
Belisane and Percival Under the Enchantment of Urma
Engraver Johann Heinrich Lips
After Henry Fuseli
1806
Der Schweizerbund (The Oath of the Rütli), Franz Hegi Swiss, Outline engraving and etching
Der Schweizerbund (The Oath of the Rütli)
Engraver Franz Hegi
After Henry Fuseli
1806
Hercules Slays Diomedes and his Flesh-Eating Mares (Apollodorus, II, 5, 8 and Quintus Smyrnaeus, VI, 247-250), Johann Heinrich Lips Swiss, Outline engraving and etching
Hercules Slays Diomedes and his Flesh-Eating Mares (Apollodorus, II, 5, 8 and Quintus Smyrnaeus, VI, 247-250)
Engraver Johann Heinrich Lips
After Henry Fuseli
1806
The Night Mare, Laurede French, Stipple engraving, printed in brown ink
The Night Mare
Engraver Laurede
After Henry Fuseli
Publisher Lenoir
1782
The Daughter of Herodias (Salome Receiving the Head of John the Baptist, Matthew 14:10-11), Thomas Holloway British, Engraving
The Daughter of Herodias (Salome Receiving the Head of John the Baptist, Matthew 14:10-11)
Engraver Thomas Holloway
After Henry Fuseli
Publisher Thomas Holloway
1798
Fuessli und Bodmer (Fuseli and Bodmer in Conversation), Johann Heinrich Lips Swiss, Outline engraving and etching
Fuessli und Bodmer (Fuseli and Bodmer in Conversation)
Engraver Johann Heinrich Lips
After Henry Fuseli
Sitter Henry Fuseli
1806
Der Besessene (The Escapee: A Real Scene in the Hospital of San Spirito at Rome), John Barlow British, Outline engraving and etching
Der Besessene (The Escapee: A Real Scene in the Hospital of San Spirito at Rome)
Engraver John Barlow
After Henry Fuseli
1806
Caius Marius and the Cimbrian Soldier (Plutarch, "Marius," 39; Lucan, "Pharsalia," XI, 75-86), Johann Heinrich Lips Swiss, Outline engraving and etching
Caius Marius and the Cimbrian Soldier (Plutarch, "Marius," 39; Lucan, "Pharsalia," XI, 75-86)
Engraver Johann Heinrich Lips
After Henry Fuseli
1806
Wie Till die Schneider duch Saüe straft (How Till Eugenspiegel Punished the Tailors), Johann Heinrich Lips Swiss, Outline engraving and etching
Wie Till die Schneider duch Saüe straft (How Till Eugenspiegel Punished the Tailors)
Engraver Johann Heinrich Lips
After Henry Fuseli
1806
Wie Till zur Barbier durch's Fenster kömt (How Till Eupenspiegel Came In Through the Barber's Window), Johann Heinrich Lips Swiss, Outline engraving and etching
Wie Till zur Barbier durch's Fenster kömt (How Till Eupenspiegel Came In Through the Barber's Window)
Engraver Johann Heinrich Lips
After Henry Fuseli
1806
Der Tod des Oedipus (The Death of Oedipus), Franz Hegi Swiss, Outline engraving and etching
Der Tod des Oedipus (The Death of Oedipus)
Engraver Franz Hegi
After Henry Fuseli
1806
Mother and children [Night and Her Children Aither and Hemera, from Hesiod's "Theogony"], William Young Ottley British, Soft-ground etching; unfinished
Mother and children [Night and Her Children Aither and Hemera, from Hesiod's "Theogony"]
William Young Ottley
Formerly attributed to Henry Fuseli
1803–28
L'Univers, poëme en prose, en douze chants: suivi de notes et d'observations sur le système de Newton et la théorie Physique de la Terre
Multiple artists/makers
1801
Paradise Lost
Multiple artists/makers
1802
Count Ezzelin Bracciaferro Musing over the Body of His Wife Meduna, Slain by Him for Her Infidelity during his Absence in the Holy Land
Engraver John Raphael Smith
After Henry Fuseli
Publisher James Birchall
May 1781
The Witch and the Mandrake (Ben Jonson, "Witch's Song," Masque of Queens)
Henry Fuseli
1812
Sartain's Union Magazine of Literature and Art, vols. 4-5
Multiple artists/makers
January–December 1849
The Plays of William Shakespeare, vol. 2, containing Twelfth Night, Measure for Measure, Much Ado About Nothing, A Midsummer Night's Dream, Love's Labour's Lost
Multiple artists/makers
1805
The Plays of William Shakespeare, vol. 3, containing The Merchant of Venice, As You Like It, All's Well That Ends Well, Taming of the Shrew, A Winter's Tale
Multiple artists/makers
1805