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Hamlet and Ophelia (Shakespeare, Hamlet, Act II, Scene I), William Greatbach  British, Engraving and etching on chine collé; scratched letter state
Multiple artists/makers
1825–26
Prince Henry and Falstaff at the Boar's Head Tavern, Eastcheap (Shakespeare, King Henry the Fourth, Part I, Act 2, Scene 4), Charles Heath  British, Engraving and etching on chine collé
Multiple artists/makers
1825–26
Dromio, Adriana and Luciana (Shakespeare, Comedy of Errors, Act 4, Scene 2), Charles Pye Jr.  British, Engraving and etching on chine collé
Multiple artists/makers
1827
Falstaff on the Battlefield (Shakespeare, King Henry IV, Part I, Act 5, Scene 4), Charles Heath  British, Engraving and etching on chine collé
Multiple artists/makers
1825
Falstaff and Bardolph, on a Road near Coventry (Shakespeare, King Henry IV, Part I, Act 4, Scene 2), Charles Heath  British, Engraving and etching on chine collé
Multiple artists/makers
1825
Macbeth and Macduff (Shakespeare, Macbeth, Act 5, Scene 8), Joseph Phelps  British, Engraving and etching on chine collé
Multiple artists/makers
1827
Sir Toby Belch and Sir Andrew Aguecheek (Shakespeare, Twelfth Night, Act 2, Scene 3), Henry Chawner Shenton, the elder  British, Engraving and etching on chine collé
Multiple artists/makers
1825–27
Timon (Shakespeare, Timon of Athens, Act 4, Scene 3), Benjamin Phelps Gibbon  British, born Wales, Engraving and etching on chine collé
Multiple artists/makers
1827
Imogen and Iachimo  (Shakespeare, Cymbeline, Act 2, Scene 2), William Ensom  British, Engraving and etching on chine collé
Multiple artists/makers
1827
The Straw Hat (Le Chapeau de Paille), Portrait of Susanna Lunden, Robert Cooper  British, Engraving
Multiple artists/makers
1823
Trade Card for Literary Souvenir, Robert Baker  British, Engraving
Robert Baker
Publisher Hurst, Robinson & Co.
19th century
Multiple artists/makers
1819
Multiple artists/makers
1821
Multiple artists/makers
1815–60

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The Metropolitan Museum of Art presents over 5,000 years of art from around the world, and our online collection reflects ongoing work conducted over the course of our more than 150-year history. You may encounter objects or images that may be inappropriate for some viewers or information that may be outdated.