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Model for the so-called "Female Saint of Starnberg", Ignaz Günther German, Linden wood with pencil marks, German, Munich
Model for the so-called "Female Saint of Starnberg"
Ignaz Günther
ca. 1755
Angel, Ignaz Günther German, Lindenwood, traces of gesso, Southern German
Angel
Workshop of Ignaz Günther
ca. 1760–70
Angel, Ignaz Günther German, Lindenwood, traces of gesso, Southern German
Angel
Workshop of Ignaz Günther
ca. 1760–70
Angel, Ignaz Günther German, Lindenwood, traces of gesso, Southern German
Angel
Workshop of Ignaz Günther
ca. 1760–70
Angel, Ignaz Günther German, Lindenwood, traces of gesso, Southern German
Angel
Workshop of Ignaz Günther
ca. 1760–70
Angel, Ignaz Günther German, Lindenwood, traces of gesso, Southern German
Angel
Workshop of Ignaz Günther
ca. 1760–70
God the Father, Ignaz Günther German, Pine, painted white, Southern German, Bavaria
God the Father
Follower of Ignaz Günther
ca. 1770–80
Skull and crossbones, Nymphenburg Porcelain Manufactory German, Hard-paste porcelain, wood, mirror glass, metal pins, German, Nymphenburg
Skull and crossbones
Manufactory Nymphenburg Porcelain Manufactory
Modeler Possibly modeled by Ignaz Günther
ca. 1755–60
Tomb Design, Ignaz Günther German, Pen and black ink, brush and gray brown, and pink wash. Laid down on paper mount with NILSON written below drawing now erased. Gold and black boardering.
Tomb Design
Ignaz Günther
1740–75
Design for a Funerary Monument, Ignaz Günther (?) German, Pen and brown ink, with gray wash; incised for transfer
Design for a Funerary Monument
Circle of Ignaz Günther
Former Attribution Formerly attributed to Anonymous, French, 18th century
ca. 1710–40