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Department
Plate with a scene from Métamorphoses du Jour (plate 3), Creil French, Glazed earthenware with transfer-printed decoration, French, Creil
Plate with a scene from Métamorphoses du Jour (plate 3)
Manufactory Creil
J. J. Grandville
ca. 1830–40
Plate with a scene from Métamorphoses du Jour (plate 37), Creil French, Glazed earthenware with transfer-printed decoration, French, Creil
Plate with a scene from Métamorphoses du Jour (plate 37)
Manufactory Creil
Design after a print by J. J. Grandville
ca. 1830–40
Illustration in Jérôme Paturot, by Louis Reybaud, Paris, 1846, J. J. Grandville French, Pen and brown ink, brush and gray wash, white heightening over graphite.
Illustration in Jérôme Paturot, by Louis Reybaud, Paris, 1846
J. J. Grandville
ca. 1846
Illustration in Jérôme Paturot, by Louis Reybaud, Paris, 1846, J. J. Grandville French, Pen and brown ink over graphite
Illustration in Jérôme Paturot, by Louis Reybaud, Paris, 1846
J. J. Grandville
ca. 1846
Illustration in Jérôme Paturot, by Louis Reybaud, Paris, 1846, J. J. Grandville French, Pen and brown ink, brush and gray and brown wash over graphite.
Illustration in Jérôme Paturot, by Louis Reybaud, Paris, 1846
J. J. Grandville
ca. 1846
Illustration in Jérôme Paturot, by Louis Reybaud, Paris, 1846, J. J. Grandville French, Pen and brown ink, brush and gray and brown wash over graphite.
Illustration in Jérôme Paturot, by Louis Reybaud, Paris, 1846
J. J. Grandville
ca. 1846
Grand Course au Clocher Académique, No. 5, J. J. Grandville French, Hand-colored lithograph
Grand Course au Clocher Académique, No. 5
J. J. Grandville
Printer Aubert et Cie
Printer Bauger et Cie
1844
Les Fleurs Animées, Taxile Delord French, Wood engravings, hand-colored
Les Fleurs Animées
Multiple artists/makers
1867
Les métamorphoses du jour, J. J. Grandville French, Hand-colored lithographs
Les métamorphoses du jour
Illustrator J. J. Grandville
Publisher Aubert et Cie
n.d.
Tableau de Paris, Ouvrage illustre de quinze cents gravures, Vol. I, Edmond Texier, Wood engraving
Tableau de Paris, Ouvrage illustre de quinze cents gravures, Vol. I
Multiple artists/makers
1852–53
Zing! Zing! Boom Boom Boom!!! The Show of the Grrrreat Political Tumblers, from "L'Association Mensuelle no. 13", J. J. Grandville French, Lithograph
Zing! Zing! Boom Boom Boom!!! The Show of the Grrrreat Political Tumblers, from "L'Association Mensuelle no. 13"
J. J. Grandville
Auguste Desperret
Publisher Charles Philipon
August 1833
Le Jardin des Plantes, Descriptions et Moeurs des Mammiferes, François Boitard French, Engravings, wood engravings, lithographs, hand-coloring
Le Jardin des Plantes, Descriptions et Moeurs des Mammiferes
Multiple artists/makers
1842
Man in a Nightshirt Reaching for a Bottle Labeled "Fountain of Youth", J. J. Grandville French, Pen and brown ink on wove paper, laid down on brown wove paper
Man in a Nightshirt Reaching for a Bottle Labeled "Fountain of Youth"
J. J. Grandville
1803–47
"Again, Madame, whether you do or do not want to divorce, you are perfectly free", J. J. Grandville French, Lithograph
"Again, Madame, whether you do or do not want to divorce, you are perfectly free"
J. J. Grandville
After Eugène Forest
Lithographer Delaporte
1832
The Grand Review of the Juste-Milieu Passing La Caricature, October 30, 1832 (Grand revue passée par la caricature le 30 Octobre 1832), from "L'Association Mensuelle no. 3", J. J. Grandville French, Lithograph
The Grand Review of the Juste-Milieu Passing La Caricature, October 30, 1832 (Grand revue passée par la caricature le 30 Octobre 1832), from "L'Association Mensuelle no. 3"
J. J. Grandville
Auguste Raffet
Publisher Charles Philipon
October 1832
Children, Obey Me, Do Not Play With Those Weapons, from "L'Association Mensuelle no. 21", J. J. Grandville French, Lithograph
Children, Obey Me, Do Not Play With Those Weapons, from "L'Association Mensuelle no. 21"
J. J. Grandville
Auguste Desperret
Publisher Charles Philipon
April 1834
The People Delivered to the Vampire Taxes, from "L'Association Mensuelle no. 10", Association Mensuelle French, Lithograph
The People Delivered to the Vampire Taxes, from "L'Association Mensuelle no. 10"
Publisher Association Mensuelle
J. J. Grandville
Auguste Raffet
May 1833
Illustration for Jérôme Paturot à la recherche d'une position sociale (Jérôme Patruot in Search of a Social Position), by Louis Reybaud, Paris, 1846, J. J. Grandville French, Pen and brown ink, brush and wash, and white heightening.
Illustration for Jérôme Paturot à la recherche d'une position sociale (Jérôme Patruot in Search of a Social Position), by Louis Reybaud, Paris, 1846
J. J. Grandville
ca. 1846
Illustration in Jérôme Paturot, by Louis Reybaud, Paris, 1846, J. J. Grandville French, Brush and gray wash over graphite.
Illustration in Jérôme Paturot, by Louis Reybaud, Paris, 1846
J. J. Grandville
ca. 1846
Grand Course-au-Clocher Académique, Planche 1: Perruques Académiques, Auguste Desperret French, Hand-colored lithograph
Grand Course-au-Clocher Académique, Planche 1: Perruques Académiques
Multiple artists/makers
1844
Grand Course au Clocher Académique, Pl. 2, J. J. Grandville French, Hand-colored lithograph
Grand Course au Clocher Académique, Pl. 2
J. J. Grandville
Printer Printed by Aubert et Cie
1844
Les Fleurs Animées, Title Page, J. J. Grandville French, Hand-colored wood engraving
Les Fleurs Animées, Title Page
Multiple artists/makers
1847
Capucine, from "Les Fleurs Animées", J. J. Grandville French, Wood engravings and lithographs, hand-colored
Capucine, from "Les Fleurs Animées"
Multiple artists/makers
1820–70
First Dream, from "Le Magasin Pittoresque", J. J. Grandville French, Wood engraving
First Dream, from "Le Magasin Pittoresque"
After J. J. Grandville
Engraver Paul Constant Soyer
1820–47
Second Dream, from "Le Magasin Pittoresque", J. J. Grandville French, Wood engraving
Second Dream, from "Le Magasin Pittoresque"
J. J. Grandville
Engraver Paul Constant Soyer
1820–47
Perveche Desséchée, from "Les Fleurs Animées", J. J. Grandville French, Wood engravings and lithographs, hand-colored
Perveche Desséchée, from "Les Fleurs Animées"
Multiple artists/makers
1847
Nenuphar, from "Les Fleurs Animées", J. J. Grandville French, Wood engravings and lithographs, hand-colored
Nenuphar, from "Les Fleurs Animées"
Multiple artists/makers
1847
Thé & Café, from "Les Fleurs Animées", J. J. Grandville French, Hand-colored wood engraving
Thé & Café, from "Les Fleurs Animées"
Multiple artists/makers
1847
Animal Kingdom: Natural History Cabinet (Règne animal: Cabinet d'histoire naturelle), from La Caricature, plates 265 and 266, J. J. Grandville French, Lithograph, hand-colored
Animal Kingdom: Natural History Cabinet (Règne animal: Cabinet d'histoire naturelle), from La Caricature, plates 265 and 266
J. J. Grandville
Lithographer Becquet
Publisher Aubert et Cie
April 18, 1833
I hope to prove one day that in the hands of a magpie, a feather is no less valuable than in the claws of a wolf or the legs of a fox, from "Scenes from the Private and Public Life of Animals", J. J. Grandville French, Wood engraving
I hope to prove one day that in the hands of a magpie, a feather is no less valuable than in the claws of a wolf or the legs of a fox, from "Scenes from the Private and Public Life of Animals"
Illustrator J. J. Grandville
Engraver Andrew Best Leloir
Author Honoré de Balzac
ca. 1837–47
There are men who walk around begging on fertile ground, from "Scenes from the Private and Public Life of Animals", J. J. Grandville French, Wood engraving
There are men who walk around begging on fertile ground, from "Scenes from the Private and Public Life of Animals"
Illustrator J. J. Grandville
Engraver Joseph Hippolyte Jules Caqué
Author Honoré de Balzac
ca. 1837–47
We are going to incise the muscles, saw the bones, in a word, heal the sick, from "Scenes from the Private and Public Life of Animals", J. J. Grandville French, Wood engraving
We are going to incise the muscles, saw the bones, in a word, heal the sick, from "Scenes from the Private and Public Life of Animals"
Illustrator J. J. Grandville
Author Honoré de Balzac
ca. 1837–47
Having said that, this poor invalid gives us a curtsy, and goes hobbling off, from "Scenes from the Private and Public Life of Animals", J. J. Grandville French, Wood engraving
Having said that, this poor invalid gives us a curtsy, and goes hobbling off, from "Scenes from the Private and Public Life of Animals"
Illustrator J. J. Grandville
Engraver Andrew Best Leloir
Author Honoré de Balzac
ca. 1837–47
A Stork was called to the presidency..., from "Scenes from the Private and Public Life of Animals", J. J. Grandville French, Wood engraving
A Stork was called to the presidency..., from "Scenes from the Private and Public Life of Animals"
Illustrator J. J. Grandville
Engraver Joseph Hippolyte Jules Caqué
Author Honoré de Balzac
ca. 1837–47
The author of this attack is a delicate little wolf, from "Scenes from the Private and Public Life of Animals", J. J. Grandville French, Wood engraving
The author of this attack is a delicate little wolf, from "Scenes from the Private and Public Life of Animals"
Illustrator J. J. Grandville
Engraver Andrew Best Leloir
Author Honoré de Balzac
ca. 1837–47
I ordinarily opened the ball with the prettiest villager, from "Scenes from the Private and Public Life of Animals", J. J. Grandville French, Wood engraving
I ordinarily opened the ball with the prettiest villager, from "Scenes from the Private and Public Life of Animals"
Illustrator J. J. Grandville
Engraver Joseph Hippolyte Jules Caqué
Author Honoré de Balzac
ca. 1837–47
This is what the men call a church rat, from "Scenes from the Private and Public Life of Animals", J. J. Grandville French, Wood engraving
This is what the men call a church rat, from "Scenes from the Private and Public Life of Animals"
Illustrator J. J. Grandville
Engraver Andrew Best Leloir
Author Honoré de Balzac
ca. 1837–47
All of the wolves are brothers, from "Scenes from the Private and Public Life of Animals", J. J. Grandville French, Wood engraving
All of the wolves are brothers, from "Scenes from the Private and Public Life of Animals"
Illustrator J. J. Grandville
Engraver Pierre François Godard
Author Honoré de Balzac
ca. 1837–47
What do you say about the butterfly hunt?, from "Scenes from the Private and Public Life of Animals", J. J. Grandville French, Wood engraving
What do you say about the butterfly hunt?, from "Scenes from the Private and Public Life of Animals"
Illustrator J. J. Grandville
Engraver Andrew Best Leloir
Honoré de Balzac
ca. 1837–47
The more beautiful the drama, the more sad the orchestra is to hear, from "Scenes from the Private and Public Life of Animals", J. J. Grandville French, Wood engraving
The more beautiful the drama, the more sad the orchestra is to hear, from "Scenes from the Private and Public Life of Animals"
Illustrator J. J. Grandville
Engraver Joseph Hippolyte Jules Caqué
Author Honoré de Balzac
ca. 1837–47
At this frightful story, Zemire throws himself at Azor's feet, from "Scenes from the Private and Public Life of Animals", J. J. Grandville French, Wood engraving
At this frightful story, Zemire throws himself at Azor's feet, from "Scenes from the Private and Public Life of Animals"
J. J. Grandville
Author Honoré de Balzac
ca. 1837–47
He has each of them, as they say in the journals devoted to the fine arts, from "Scenes from the Private and Public Life of Animals", J. J. Grandville French, Wood engraving
He has each of them, as they say in the journals devoted to the fine arts, from "Scenes from the Private and Public Life of Animals"
Illustrator J. J. Grandville
Engraver Charles Tamisier
Author Honoré de Balzac
ca. 1837–47