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The Crucifixion, Jacopo Palma the Younger Italian, Oil on canvas — The Crucifixion
Jacopo Palma the Younger

Judith placing the head of Holofernes onto a cloth held by another female figure, the foreshortened body of Holofernes gushes with blood from the neck, Jacopo Palma the Younger Italian, Etching — Judith placing the head of Holofernes onto a cloth held by another female figure, the foreshortened body of Holofernes gushes with blood from the neck
Jacopo Palma the Younger
ca. 1570–1628

Studies for Four Figures (recto); Composition Sketches for Groupings of Figures on Clouds (verso), Jacopo Palma the Younger Italian, Brush with brown and white oil paint, over black chalk (recto); black chalk and charcoal (verso) — Studies for Four Figures (recto); Composition Sketches for Groupings of Figures on Clouds (verso)
Jacopo Palma the Younger
1600–14

Ecce Homo, Abraham Bloemaert Netherlandish, Pen and brown ink, brown wash, over black chalk, heightened with white gouache — Ecce Homo
Abraham Bloemaert
Former Attribution Jacopo Palma the Younger
late 16th–mid-17th century

Sheet of studies with St. Jerome, seated at right and resting his right forearm on a book, at left an ecclesiastical figure wearing a cope and miter, and at bottom two putti, Jacopo Palma the Younger Italian, Etching — Sheet of studies with St. Jerome, seated at right and resting his right forearm on a book, at left an ecclesiastical figure wearing a cope and miter, and at bottom two putti
Jacopo Palma the Younger
ca. 1570–1628

'Regole per Imparar a Disegnar i corpi humani ... Giacomo Palma' Libro Primo (title page and 7 plates), bound together with Libro Secondo (title page and 11 plates), Jacopo Palma the Younger Italian, Etching — 'Regole per Imparar a Disegnar i corpi humani ... Giacomo Palma' Libro Primo (title page and 7 plates), bound together with Libro Secondo (title page and 11 plates)
Jacopo Palma the Younger
Publisher Stefano Scolari
Publisher Marcus Sadeler
1636 (republished 1659)

Various Figure Groups, Jacopo Palma the Younger Italian, Pen and brown ink, brush and brown wash — Various Figure Groups
Jacopo Palma the Younger
1548–1628

Penitent Woman Anointing the Feet of Christ at the Table of Simon the Pharisee, Jacopo Palma the Younger Italian, Pen and brown ink, over black chalk — Penitent Woman Anointing the Feet of Christ at the Table of Simon the Pharisee
Jacopo Palma the Younger
1548–1628

Figure Studies: Seated Female Holding a Book, Two Heads of Bearded Men, Seated Male Nude, and Four Sketches for Christ Judging (recto); Studies for Cain Slaying Abel (verso), Jacopo Palma the Younger Italian, Pen and brown ink — Figure Studies: Seated Female Holding a Book, Two Heads of Bearded Men, Seated Male Nude, and Four Sketches for Christ Judging (recto); Studies for Cain Slaying Abel (verso)
Jacopo Palma the Younger
1548–1628

Studies of Horsemen and Study of a Figure for a Deposition (recto); Sketch for an Entablature (verso), Jacopo Palma the Younger Italian, Pen and brown ink — Studies of Horsemen and Study of a Figure for a Deposition (recto); Sketch for an Entablature (verso)
Jacopo Palma the Younger
1548–1628

Figure Studies: The Arrest of Christ?, Christ and the Canaanite Woman, Seated Male Figures, and Head of a Child (recto); Studies of an Arm, and of the Heads of an Old Man and Young Woman (verso), Jacopo Palma the Younger Italian, Pen and brown ink, red chalk for child's head (recto); black chalk (verso) — Figure Studies: The Arrest of Christ?, Christ and the Canaanite Woman, Seated Male Figures, and Head of a Child (recto); Studies of an Arm, and of the Heads of an Old Man and Young Woman (verso)
Jacopo Palma the Younger
1548–1628

Studies of Arms, Shoulders and Hands, Giacomo Franco Italian, Pen and brown ink, brush and brown wash, over red chalk — Studies of Arms, Shoulders and Hands
Giacomo Franco
previously attributed to Jacopo Palma the Younger
1548–1628

Seated Doctor of the Church Reading (Saint Ambrose or Saint Gregory), Jacopo Palma the Younger Italian, Black chalk, highlighted with white chalk, on blue paper faded to gray-green — Seated Doctor of the Church Reading (Saint Ambrose or Saint Gregory)
Jacopo Palma the Younger
1600

Juno, Jacopo Palma the Younger Italian, Pen and brown ink, brush and brown wash; framing lines in black chalk — Juno
Attributed to Jacopo Palma the Younger
Previously attributed to Anonymous, Italian, Roman, 16th century
16th century

Allegory of Painting and Sculpture, from Principles of Drawing

Jacopo Palma the Younger

Publisher Giacomo Franco

1611

Jupiter and Antiope, plate 26 from "Schola Italica Picturae"

Giuseppe Sforza Perini

After Jacopo Palma the Younger

Publisher Gavin Hamilton

1770

(XXI) Raccolta di Alcuni Disegni del Barberi da Cento detto il Guernico, incisi in Rame, e presentati al singolar merito del Sig. Tommaso Jenkins pittore, ed accademico di S. Luca, in atto di respetto e d'amicizia dall'architetto e suo coaccademio: Gio. Battista Piranesi (Collection of several drawings after Barbieri da Cento (known as Guercino) etched on copper and presented to Thomas Jenkins, painter and member of the Academy of St. Luke, out of respect and friendship from his fellow member, the architect Gio. Battista Piranesi); (XXII) Schola Italica Picturae

Multiple artists/makers

1764–73

Il vero modo et ordine per dissegnar tutte le parti et membra del corpo humano

Multiple artists/makers

1608

Laura, the Lady of Petrarch

Etcher Wenceslaus Hollar

after Jacopo Palma the Younger

Publisher Franciscus van den Wijngaerde

1650

Christ on the Cross with Mary, St. John, and Mary Magdalen

Raphael Sadeler I

After Jacopo Palma the Younger

1580–1600

The Martyrdom of St. Stephan

Aegidius Sadeler II

After Jacopo Palma the Younger

1585–1627

St. Jerome in the Wilderness

Justus Sadeler

After Jacopo Palma the Younger

1598–1620

Christ on the Cross with Mary, St. John, and Mary Magdalen

Raphael Sadeler I

After Jacopo Palma the Younger

1580–1600

Eyes, Noses, Mouths, and Ears, from Principles of Drawing

Jacopo Palma the Younger

Publisher Stefano Scolari

republished in 1659

Studies of Feet, from Principles of Drawing

Jacopo Palma the Younger

Publisher Stefano Scolari

republished in 1659

Studies of Arms, from Principles of Drawing

Jacopo Palma the Younger

Publisher Stefano Scolari

republished in 1659

Studies of Legs, from Principles of Drawing

Jacopo Palma the Younger

Publisher Stefano Scolari

republished in 1659

Studies of Children, from Principles of Drawing

Jacopo Palma the Younger

Publisher Stefano Scolari

republished in 1659

Fame, from Principles of Drawing

Jacopo Palma the Younger

Publisher Stefano Scolari

republished in 1659

Frontispiece depicting Painting and Sculpture, from Principles of Drawing

Jacopo Palma the Younger

Publisher Stefano Scolari

republished in 1659

Last Supper

Andrea Scacciati

After Jacopo Palma the Younger

1760s

St. Sebastian

Aegidius Sadeler II

After Jacopo Palma the Younger

1580–1612

Studies of Men's and Women's Torsos, from Principles of Drawing

Jacopo Palma the Younger

Publisher Stefano Scolari

republished in 1659

Head Studies of Men of All Ages, from Principles of Drawing

Jacopo Palma the Younger

Publisher Stefano Scolari

republished in 1659

Studies of Men's Arms, from Principles of Drawing

Jacopo Palma the Younger

Publisher Stefano Scolari

republished in 1659

Studies of Female Torsos and a Head, from Principles of Drawing

Jacopo Palma the Younger

Publisher Stefano Scolari

republished in 1659

Eleven Studies of Men's Legs, from Principles of Drawing

Jacopo Palma the Younger

Publisher Stefano Scolari

republished in 1659

Studies of Ears, Eyes, Noses, and Mouths, from Principles of Drawing

Jacopo Palma the Younger

Publisher Stefano Scolari

republished in 1659

Studies of Hands, from Principles of Drawing

Jacopo Palma the Younger

Publisher Stefano Scolari

republished in 1659

The Tutelary Goddess of the City of Rome, from Principles of Drawing

Jacopo Palma the Younger

Publisher Stefano Scolari

republished in 1659

The Tutelary Goddess of the City of Rome, from Principles of Drawing

Jacopo Palma the Younger

Publisher Stefano Scolari

republished in 1659