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The Crucifixion, Jacopo Palma the Younger Italian, Oil on canvas
The Crucifixion
Jacopo Palma the Younger
Judith placing the head of Holofernes onto a cloth held by another female figure, the foreshortened body of Holofernes gushes with blood from the neck, Jacopo Palma the Younger Italian, Etching
Judith placing the head of Holofernes onto a cloth held by another female figure, the foreshortened body of Holofernes gushes with blood from the neck
Jacopo Palma the Younger
ca. 1570–1628
Studies for Four Figures (recto); Composition Sketches for Groupings of Figures on Clouds (verso), Jacopo Palma the Younger Italian, Brush with brown and white oil paint, over black chalk (recto); black chalk and charcoal (verso)
Studies for Four Figures (recto); Composition Sketches for Groupings of Figures on Clouds (verso)
Jacopo Palma the Younger
1600–14
Ecce Homo, Abraham Bloemaert Netherlandish, Pen and brown ink, brown wash, over black chalk, heightened with white gouache
Ecce Homo
Abraham Bloemaert
Former Attribution Jacopo Palma the Younger
late 16th–mid-17th century
Sheet of studies with St. Jerome, seated at right and resting his right forearm on a book, at left an ecclesiastical figure wearing a cope and miter, and at bottom two putti, Jacopo Palma the Younger Italian, Etching
Sheet of studies with St. Jerome, seated at right and resting his right forearm on a book, at left an ecclesiastical figure wearing a cope and miter, and at bottom two putti
Jacopo Palma the Younger
ca. 1570–1628
'Regole per Imparar a Disegnar i corpi humani ... Giacomo Palma' Libro Primo (title page and 7 plates), bound together with Libro Secondo (title page and 11 plates), Jacopo Palma the Younger Italian, Etching
'Regole per Imparar a Disegnar i corpi humani ... Giacomo Palma' Libro Primo (title page and 7 plates), bound together with Libro Secondo (title page and 11 plates)
Jacopo Palma the Younger
Publisher Stefano Scolari
Publisher Marcus Sadeler
1636 (republished 1659)
Various Figure Groups, Jacopo Palma the Younger Italian, Pen and brown ink, brush and brown wash
Various Figure Groups
Jacopo Palma the Younger
1548–1628
Penitent Woman Anointing the Feet of Christ at the Table of Simon the Pharisee, Jacopo Palma the Younger Italian, Pen and brown ink, over black chalk
Penitent Woman Anointing the Feet of Christ at the Table of Simon the Pharisee
Jacopo Palma the Younger
1548–1628
Figure Studies: Seated Female Holding a Book, Two Heads of Bearded Men, Seated Male Nude, and Four Sketches for Christ Judging (recto); Studies for Cain Slaying Abel (verso), Jacopo Palma the Younger Italian, Pen and brown ink
Figure Studies: Seated Female Holding a Book, Two Heads of Bearded Men, Seated Male Nude, and Four Sketches for Christ Judging (recto); Studies for Cain Slaying Abel (verso)
Jacopo Palma the Younger
1548–1628
Studies of Horsemen and Study of a Figure for a Deposition (recto); Sketch for an Entablature (verso), Jacopo Palma the Younger Italian, Pen and brown ink
Studies of Horsemen and Study of a Figure for a Deposition (recto); Sketch for an Entablature (verso)
Jacopo Palma the Younger
1548–1628
Figure Studies: The Arrest of Christ?, Christ and the Canaanite Woman, Seated Male Figures, and Head of a Child (recto); Studies of an Arm, and of the Heads of an Old Man and Young Woman (verso), Jacopo Palma the Younger Italian, Pen and brown ink, red chalk for child's head (recto); black chalk (verso)
Figure Studies: The Arrest of Christ?, Christ and the Canaanite Woman, Seated Male Figures, and Head of a Child (recto); Studies of an Arm, and of the Heads of an Old Man and Young Woman (verso)
Jacopo Palma the Younger
1548–1628
Studies of Arms, Shoulders and Hands, Giacomo Franco Italian, Pen and brown ink, brush and brown wash, over red chalk
Studies of Arms, Shoulders and Hands
Giacomo Franco
previously attributed to Jacopo Palma the Younger
1548–1628
Seated Doctor of the Church Reading (Saint Ambrose or Saint Gregory), Jacopo Palma the Younger Italian, Black chalk, highlighted with white chalk, on blue paper faded to gray-green
Seated Doctor of the Church Reading (Saint Ambrose or Saint Gregory)
Jacopo Palma the Younger
1600
Juno, Jacopo Palma the Younger Italian, Pen and brown ink, brush and brown wash; framing lines in black chalk
Juno
Attributed to Jacopo Palma the Younger
Previously attributed to Anonymous, Italian, Roman, 16th century
16th century
Seated Bishop Holding a Book, Jacopo Palma the Younger Italian, Black chalk(?), highlighted with white chalk on blue paper faded to light brown
Seated Bishop Holding a Book
Attributed to Jacopo Palma the Younger
ca. 1600
Allegory of Painting and Sculpture, from Principles of Drawing
Jacopo Palma the Younger
Publisher Giacomo Franco
1611
Jupiter and Antiope, plate 26 from "Schola Italica Picturae"
Giuseppe Sforza Perini
After Jacopo Palma the Younger
Publisher Gavin Hamilton
1770
(XXI) Raccolta di Alcuni Disegni del Barberi da Cento detto il Guernico, incisi in Rame, e presentati al singolar merito del Sig. Tommaso Jenkins pittore, ed accademico di S. Luca, in atto di respetto e d'amicizia dall'architetto e suo coaccademio: Gio. Battista Piranesi (Collection of several drawings after Barbieri da Cento (known as Guercino) etched on copper and presented to Thomas Jenkins, painter and member of the Academy of St. Luke, out of respect and friendship from his fellow member, the architect Gio. Battista Piranesi); (XXII) Schola Italica Picturae
Multiple artists/makers
1764–73
Il vero modo et ordine per dissegnar tutte le parti et membra del corpo humano
Multiple artists/makers
1608
Laura, the Lady of Petrarch
Etcher Wenceslaus Hollar
after Jacopo Palma the Younger
Publisher Franciscus van den Wijngaerde
1650
Christ on the Cross with Mary, St. John, and Mary Magdalen
Raphael Sadeler I
After Jacopo Palma the Younger
1580–1600
The Martyrdom of St. Stephan
Aegidius Sadeler II
After Jacopo Palma the Younger
1585–1627
St. Jerome in the Wilderness
Justus Sadeler
After Jacopo Palma the Younger
1598–1620

Christ on the Cross with Mary, St. John, and Mary Magdalen

Raphael Sadeler I
After Jacopo Palma the Younger
1580–1600
Eyes, Noses, Mouths, and Ears, from Principles of Drawing
Jacopo Palma the Younger
Publisher Stefano Scolari
republished in 1659
Studies of Feet, from Principles of Drawing
Jacopo Palma the Younger
Publisher Stefano Scolari
republished in 1659
Studies of Arms, from Principles of Drawing
Jacopo Palma the Younger
Publisher Stefano Scolari
republished in 1659
Studies of Legs, from Principles of Drawing
Jacopo Palma the Younger
Publisher Stefano Scolari
republished in 1659
Studies of Children, from Principles of Drawing
Jacopo Palma the Younger
Publisher Stefano Scolari
republished in 1659
Fame, from Principles of Drawing
Jacopo Palma the Younger
Publisher Stefano Scolari
republished in 1659
Frontispiece depicting Painting and Sculpture, from Principles of Drawing
Jacopo Palma the Younger
Publisher Stefano Scolari
republished in 1659
Last Supper
Andrea Scacciati
After Jacopo Palma the Younger
1760s
St. Sebastian
Aegidius Sadeler II
After Jacopo Palma the Younger
1580–1612
Studies of Men's and Women's Torsos, from Principles of Drawing
Jacopo Palma the Younger
Publisher Stefano Scolari
republished in 1659
Head Studies of Men of All Ages, from Principles of Drawing
Jacopo Palma the Younger
Publisher Stefano Scolari
republished in 1659
Studies of Men's Arms, from Principles of Drawing
Jacopo Palma the Younger
Publisher Stefano Scolari
republished in 1659
Studies of Female Torsos and a Head, from Principles of Drawing
Jacopo Palma the Younger
Publisher Stefano Scolari
republished in 1659
Eleven Studies of Men's Legs, from Principles of Drawing
Jacopo Palma the Younger
Publisher Stefano Scolari
republished in 1659
Studies of Ears, Eyes, Noses, and Mouths, from Principles of Drawing
Jacopo Palma the Younger
Publisher Stefano Scolari
republished in 1659
Studies of Hands, from Principles of Drawing
Jacopo Palma the Younger
Publisher Stefano Scolari
republished in 1659
The Tutelary Goddess of the City of Rome, from Principles of Drawing
Jacopo Palma the Younger
Publisher Stefano Scolari
republished in 1659
The Tutelary Goddess of the City of Rome, from Principles of Drawing
Jacopo Palma the Younger
Publisher Stefano Scolari
republished in 1659