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Doge Alvise Mocenigo (1507–1577) Presented to the Redeemer, Jacopo Tintoretto (Jacopo Robusti) Italian, Oil on canvas — Doge Alvise Mocenigo (1507–1577) Presented to the Redeemer
Jacopo Tintoretto (Jacopo Robusti)
probably 1577

The Finding of Moses, Jacopo Tintoretto (Jacopo Robusti) Italian, Oil on canvas — The Finding of Moses
Jacopo Tintoretto (Jacopo Robusti)
1560s?

The Miracle of the Loaves and Fishes, Jacopo Tintoretto (Jacopo Robusti) Italian, Oil on canvas — The Miracle of the Loaves and Fishes
Jacopo Tintoretto (Jacopo Robusti)
ca. 1545–50

Portrait of a Man, Jacopo Tintoretto (Jacopo Robusti) Italian, Oil on canvas — Portrait of a Man
Jacopo Tintoretto (Jacopo Robusti)
1550s

The Marriage at Cana (from scrapbook), John Singer Sargent American, Graphite and watercolor on off-white wove paper, American — The Marriage at Cana (from scrapbook)
John Singer Sargent
After Jacopo Tintoretto (Jacopo Robusti)
ca. 1872–74

Mystical Marriage of St. Catherine Attended by Doge Francesco Donato, John Singer Sargent American, Pen and ink and graphite on tracing paper, American — Mystical Marriage of St. Catherine Attended by Doge Francesco Donato
John Singer Sargent
After Jacopo Tintoretto (Jacopo Robusti)
early 1870s

Adoration of the Shepherds, John Singer Sargent American, Graphite on off-white wove paper, American — Adoration of the Shepherds
John Singer Sargent
After Jacopo Tintoretto (Jacopo Robusti)
ca. 1874–78

Paradise, Detail, John Singer Sargent American, Graphite on off-white wove paper, American — Paradise, Detail
John Singer Sargent
After Jacopo Tintoretto (Jacopo Robusti)
1874–78

Reclining Male Figure, Jacopo Tintoretto (Jacopo Robusti) Italian, Black chalk on blue paper; squared in black chalk. — Reclining Male Figure
Jacopo Tintoretto (Jacopo Robusti)
1560s

The Miracle of Saint Mark, Detail (from Scrapbook)

John Singer Sargent

After Jacopo Tintoretto (Jacopo Robusti)

ca. 1873

Susannah and the Elders, Anonymous, German, 19th century German, Pen and bistre, washed and touched with white — Susannah and the Elders
Anonymous, German, 19th century
Former Attribution Formerly attributed to Jacopo Tintoretto (Jacopo Robusti)
19th century

Paradise, Jacopo Tintoretto (Jacopo Robusti) Italian, Pen and brown ink, washed — Paradise
After Jacopo Tintoretto (Jacopo Robusti)
1519–94

Study after Michelangelo's Giorno (recto and verso), Jacopo Tintoretto (Jacopo Robusti) Italian, Black and white chalk on blue paper — Study after Michelangelo's Giorno (recto and verso)
Jacopo Tintoretto (Jacopo Robusti)
ca. 1550–55

The Disciples at the Tomb, Jean Honoré Fragonard French, Etching, first state of two — The Disciples at the Tomb
Jean Honoré Fragonard
After Jacopo Tintoretto (Jacopo Robusti)
1764

Saint Sebastian, Hans Friedrich Schorer German, Pen and brown ink, brown wash, red chalk, squared and numbered in black chalk. — Saint Sebastian
Hans Friedrich Schorer
After Jacopo Tintoretto (Jacopo Robusti)
1620–49

Massacre of the Innocents, Aegidius Sadeler II Netherlandish, Engraving; third state of four (Hollstein) — Massacre of the Innocents
Aegidius Sadeler II
After Jacopo Tintoretto (Jacopo Robusti)
Publisher Marcus Sadeler
ca. 1600

Massacre of the Innocents, reduced and reversed copy, Anonymous, Engraving — Massacre of the Innocents, reduced and reversed copy
Multiple artists/makers
1600–29

The Circumcision, Jean Honoré Fragonard French, Etching, second state of two — The Circumcision
Jean Honoré Fragonard
After Jacopo Tintoretto (Jacopo Robusti)
ca. 1764

Tintoretto at His Daughter's Deathbed, Achille Martinet French, Engraving on chine collé — Tintoretto at His Daughter's Deathbed
Achille Martinet
After Léon Cogniet
Subject Jacopo Tintoretto (Jacopo Robusti)
after 1843

Partially Nude Man Reclining on Clouds, plate 8 from "Varie pitture a fresco de'principali maestri veneziani ora per la prima volta con le stampe pubblicate" (Frescoes by the Most Important Venetian Masters Published in Print for the First Time), Antonio Maria Zanetti II Italian, Etching — Partially Nude Man Reclining on Clouds, plate 8 from "Varie pitture a fresco de'principali maestri veneziani ora per la prima volta con le stampe pubblicate" (Frescoes by the Most Important Venetian Masters Published in Print for the First Time)
Antonio Maria Zanetti II
After Jacopo Tintoretto (Jacopo Robusti)
1760

The Penitent Mary Magdalene, Raphael Sadeler I Netherlandish, Engraving — The Penitent Mary Magdalene
Artist and publisher Raphael Sadeler I
After Jacopo Tintoretto (Jacopo Robusti)
1602

The Entombment, with Christ's body carried on a sheet at center, the three Maries in the foreground, and an angel overhead, Jacob Matham Netherlandish, Engraving — The Entombment, with Christ's body carried on a sheet at center, the three Maries in the foreground, and an angel overhead
Jacob Matham
After Jacopo Tintoretto (Jacopo Robusti)
1594

The Holy Family with Saint John the Baptist and musicians, Jacob Matham Netherlandish, Engraving — The Holy Family with Saint John the Baptist and musicians
Jacob Matham
After Jacopo Tintoretto (Jacopo Robusti)
Publisher Frederick de Wit
1590–1631

Portrait of Tintoretto, full-length, seated, left hand on a book

After Jacopo Tintoretto (Jacopo Robusti)

18th century

The Virgin Appearing to Saint Jerome

Agostino Carracci

After Jacopo Tintoretto (Jacopo Robusti)

1588

Mercury and the Three Graces

Agostino Carracci

After Jacopo Tintoretto (Jacopo Robusti)

1589

Mars Driven away from Peace and Abundance by Minerva

Agostino Carracci

After Jacopo Tintoretto (Jacopo Robusti)

1589

The Temptation of Saint Anthony; with two temptresses and two demons surrounding him, as God flies down to his rescue

Agostino Carracci

After Jacopo Tintoretto (Jacopo Robusti)

Publisher Luca Bertelli

1582

Madonna Appearing to Saint Jerome

Agostino Carracci

After Jacopo Tintoretto (Jacopo Robusti)

1588

Mars driven away from Peace and Abundance by Minerva

Agostino Carracci

After Jacopo Tintoretto (Jacopo Robusti)

1589

Mercury and the Three Graces; the Grace at right kneels to recieve a rose from the Grace at center, the third Grace leans on a die, Mercury behind the group

Agostino Carracci

After Jacopo Tintoretto (Jacopo Robusti)

1589

The Temptation of Saint Anthony

Agostino Carracci

After Jacopo Tintoretto (Jacopo Robusti)

1557–1602

Varie pitture a fresco de'principali maestri veneziani ora per la prima volta con le stampe pubblicate (Frescoes by the Most Important Venetian Masters Published in Print for the First Time)

Multiple artists/makers

1760

(XXI) Raccolta di Alcuni Disegni del Barberi da Cento detto il Guernico, incisi in Rame, e presentati al singolar merito del Sig. Tommaso Jenkins pittore, ed accademico di S. Luca, in atto di respetto e d'amicizia dall'architetto e suo coaccademio: Gio. Battista Piranesi (Collection of several drawings after Barbieri da Cento (known as Guercino) etched on copper and presented to Thomas Jenkins, painter and member of the Academy of St. Luke, out of respect and friendship from his fellow member, the architect Gio. Battista Piranesi); (XXII) Schola Italica Picturae

Multiple artists/makers

1764–73

Seventy-Five Portraits of Celebrated Painters, From "Authentic Originals"

Multiple artists/makers

1817

Depiction of a Portion of Tintoretto's Crucifixion

Anonymous, 17th century

After Jacopo Tintoretto (Jacopo Robusti)

17th century

Feast at Cana, with Christ and his Disciples, plate 24 from "Schola Italica Picturae"

Giovanni Volpato

After Jacopo Tintoretto (Jacopo Robusti)

Publisher Gavin Hamilton

1772

The Raising of Lazarus

Attributed to Francesco de Nanto

After Jacopo Tintoretto (Jacopo Robusti)

ca. 1543

Partially Nude Woman Reclining on Clouds, plate 9 from "Varie pitture a fresco de'principali maestri veneziani ora per la prima volta con le stampe pubblicate" (Frescoes by the Most Important Venetian Masters Published in Print for the First Time)

Antonio Maria Zanetti II

After Jacopo Tintoretto (Jacopo Robusti)

1760

A Woman Resting Her Head in Her Right Hand, plate 10 from "Varie pitture a fresco de'principali maestri veneziani ora per la prima volta con le stampe pubblicate" (Frescoes by the Most Important Venetian Masters Published in Print for the First Time)

Antonio Maria Zanetti II

After Jacopo Tintoretto (Jacopo Robusti)

1760

A Boy Falling Backward Over a Parapet, plate 11 from "Varie pitture a fresco de'principali maestri veneziani ora per la prima volta con le stampe pubblicate" (Frescoes by the Most Important Venetian Masters Published in Print for the First Time)

Antonio Maria Zanetti II

After Jacopo Tintoretto (Jacopo Robusti)

1760

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