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Doge Alvise Mocenigo (1507–1577) Presented to the Redeemer, Jacopo Tintoretto (Jacopo Robusti) Italian, Oil on canvas
Doge Alvise Mocenigo (1507–1577) Presented to the Redeemer
Jacopo Tintoretto (Jacopo Robusti)
probably 1577
The Finding of Moses, Jacopo Tintoretto (Jacopo Robusti) Italian, Oil on canvas
The Finding of Moses
Jacopo Tintoretto (Jacopo Robusti)
1560s?
The Miracle of the Loaves and Fishes, Jacopo Tintoretto (Jacopo Robusti) Italian, Oil on canvas
The Miracle of the Loaves and Fishes
Jacopo Tintoretto (Jacopo Robusti)
ca. 1545–50
Portrait of a Man, Jacopo Tintoretto (Jacopo Robusti) Italian, Oil on canvas
Portrait of a Man
Jacopo Tintoretto (Jacopo Robusti)
1550s
Mystical Marriage of St. Catherine Attended by Doge Francesco Donato, John Singer Sargent American, Pen and ink and graphite on tracing paper, American
Mystical Marriage of St. Catherine Attended by Doge Francesco Donato
John Singer Sargent
After Jacopo Tintoretto (Jacopo Robusti)
early 1870s
Adoration of the Shepherds, John Singer Sargent American, Graphite on off-white wove paper, American
Adoration of the Shepherds
John Singer Sargent
After Jacopo Tintoretto (Jacopo Robusti)
ca. 1874–78
The Marriage at Cana (from scrapbook), John Singer Sargent American, Graphite and watercolor on off-white wove paper, American
The Marriage at Cana (from scrapbook)
John Singer Sargent
After Jacopo Tintoretto (Jacopo Robusti)
ca. 1872–74
Paradise, Detail, John Singer Sargent American, Graphite on off-white wove paper, American
Paradise, Detail
John Singer Sargent
After Jacopo Tintoretto (Jacopo Robusti)
1874–78
Paradise, Detail, John Singer Sargent American, Graphite on off-white wove paper, American
Paradise, Detail
John Singer Sargent
After Jacopo Tintoretto (Jacopo Robusti)
ca. 1874–78
Reclining Male Figure, Jacopo Tintoretto (Jacopo Robusti) Italian, Black chalk on blue paper; squared in black chalk.
Reclining Male Figure
Jacopo Tintoretto (Jacopo Robusti)
1560s
The Miracle of Saint Mark, Detail (from Scrapbook)
John Singer Sargent
After Jacopo Tintoretto (Jacopo Robusti)
ca. 1873
The Circumcision, Jean Honoré Fragonard French, Etching, second state of two
The Circumcision
Jean Honoré Fragonard
After Jacopo Tintoretto (Jacopo Robusti)
ca. 1764
Massacre of the Innocents, reduced and reversed copy, Anonymous, Engraving
Massacre of the Innocents, reduced and reversed copy
Multiple artists/makers
1600–29
Susannah and the Elders, Anonymous, German, 19th century German, Pen and bistre, washed and touched with white
Susannah and the Elders
Anonymous, German, 19th century
Former Attribution Formerly attributed to Jacopo Tintoretto (Jacopo Robusti)
19th century
Paradise, Jacopo Tintoretto (Jacopo Robusti) Italian, Pen and brown ink, washed
Paradise
After Jacopo Tintoretto (Jacopo Robusti)
1519–94
Study after Michelangelo's Giorno (recto and verso), Jacopo Tintoretto (Jacopo Robusti) Italian, Black and white chalk on blue paper
Study after Michelangelo's Giorno (recto and verso)
Jacopo Tintoretto (Jacopo Robusti)
ca. 1550–55
Saint Sebastian, Hans Friedrich Schorer German, Pen and brown ink, brown wash, red chalk, squared and numbered in black chalk.
Saint Sebastian
Hans Friedrich Schorer
After Jacopo Tintoretto (Jacopo Robusti)
1620–49
Massacre of the Innocents, Aegidius Sadeler II Netherlandish, Engraving; third state of four (Hollstein)
Massacre of the Innocents
Aegidius Sadeler II
After Jacopo Tintoretto (Jacopo Robusti)
Publisher Marcus Sadeler
ca. 1600
The Disciples at the Tomb, Jean Honoré Fragonard French, Etching, first state of two
The Disciples at the Tomb
Jean Honoré Fragonard
After Jacopo Tintoretto (Jacopo Robusti)
1764
Partially Nude Man Reclining on Clouds, plate 8 from "Varie pitture a fresco de'principali maestri veneziani ora per la prima volta con le stampe pubblicate" (Frescoes by the Most Important Venetian Masters Published in Print for the First Time), Antonio Maria Zanetti II Italian, Etching
Partially Nude Man Reclining on Clouds, plate 8 from "Varie pitture a fresco de'principali maestri veneziani ora per la prima volta con le stampe pubblicate" (Frescoes by the Most Important Venetian Masters Published in Print for the First Time)
Antonio Maria Zanetti II
After Jacopo Tintoretto (Jacopo Robusti)
1760
Tintoretto at His Daughter's Deathbed, Achille Martinet French, Engraving on chine collé
Tintoretto at His Daughter's Deathbed
Achille Martinet
After Léon Cogniet
Subject Jacopo Tintoretto (Jacopo Robusti)
after 1843
The Entombment, with Christ's body carried on a sheet at center, the three Maries in the foreground, and an angel overhead, Jacob Matham Netherlandish, Engraving
The Entombment, with Christ's body carried on a sheet at center, the three Maries in the foreground, and an angel overhead
Jacob Matham
After Jacopo Tintoretto (Jacopo Robusti)
1594
The Holy Family with Saint John the Baptist and musicians, Jacob Matham Netherlandish, Engraving
The Holy Family with Saint John the Baptist and musicians
Jacob Matham
After Jacopo Tintoretto (Jacopo Robusti)
Publisher Frederick de Wit
1590–1631
Mars driven away from Peace and Abundance by Minerva
Agostino Carracci
After Jacopo Tintoretto (Jacopo Robusti)
1589
Mercury and the Three Graces; the Grace at right kneels to recieve a rose from the Grace at center, the third Grace leans on a die, Mercury behind the group
Agostino Carracci
After Jacopo Tintoretto (Jacopo Robusti)
1589
The Temptation of Saint Anthony
Agostino Carracci
After Jacopo Tintoretto (Jacopo Robusti)
1557–1602
The Temptation of Saint Anthony; with two temptresses and two demons surrounding him, as God flies down to his rescue
Agostino Carracci
After Jacopo Tintoretto (Jacopo Robusti)
Publisher Luca Bertelli
1582
Madonna Appearing to Saint Jerome
Agostino Carracci
After Jacopo Tintoretto (Jacopo Robusti)
1588
The Virgin Appearing to Saint Jerome
Agostino Carracci
After Jacopo Tintoretto (Jacopo Robusti)
1588
Portrait of Tintoretto, full-length, seated, left hand on a book
After Jacopo Tintoretto (Jacopo Robusti)
18th century
Mercury and the Three Graces
Agostino Carracci
After Jacopo Tintoretto (Jacopo Robusti)
1589
Mars Driven away from Peace and Abundance by Minerva
Agostino Carracci
After Jacopo Tintoretto (Jacopo Robusti)
1589
(XXI) Raccolta di Alcuni Disegni del Barberi da Cento detto il Guernico, incisi in Rame, e presentati al singolar merito del Sig. Tommaso Jenkins pittore, ed accademico di S. Luca, in atto di respetto e d'amicizia dall'architetto e suo coaccademio: Gio. Battista Piranesi (Collection of several drawings after Barbieri da Cento (known as Guercino) etched on copper and presented to Thomas Jenkins, painter and member of the Academy of St. Luke, out of respect and friendship from his fellow member, the architect Gio. Battista Piranesi); (XXII) Schola Italica Picturae
Multiple artists/makers
1764–73
Depiction of a Portion of Tintoretto's Crucifixion
Anonymous, 17th century
After Jacopo Tintoretto (Jacopo Robusti)
17th century
Varie pitture a fresco de'principali maestri veneziani ora per la prima volta con le stampe pubblicate (Frescoes by the Most Important Venetian Masters Published in Print for the First Time)
Multiple artists/makers
1760
Seventy-Five Portraits of Celebrated Painters, From "Authentic Originals"
Multiple artists/makers
1817
Feast at Cana, with Christ and his Disciples, plate 24 from "Schola Italica Picturae"
Giovanni Volpato
After Jacopo Tintoretto (Jacopo Robusti)
Publisher Gavin Hamilton
1772
The Last Supper
Aegidius Sadeler II
After Jacopo Tintoretto (Jacopo Robusti)
1589–1629
Descent from the Cross
Aegidius Sadeler II
After Jacopo Tintoretto (Jacopo Robusti)
Publisher Giacomo Franco
ca. 1590–1620
Descent from the Cross
Aegidius Sadeler II
After Jacopo Tintoretto (Jacopo Robusti)
ca. 1590–1620
Descent from the Cross
Aegidius Sadeler II
After Jacopo Tintoretto (Jacopo Robusti)
Publisher Giacomo Franco
ca. 1590–1620
The Resurrection
Artist and publisher Aegidius Sadeler II
After Jacopo Tintoretto (Jacopo Robusti)
1600–20