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Vase (one of a pair), Saint-Cloud factory French, Soft-paste porcelain with cobalt blue pigment under transparent glaze, French, Saint-Cloud
Vase (one of a pair)
Factory Saint-Cloud factory
Designer After a design by Jacques Androuet Du Cerceau
ca. 1695–1700
Key, Jacques Androuet Du Cerceau French, Iron-gilt, French
Key
Designer Based on a design by Jacques Androuet Du Cerceau
probably ca. 1550–75
Vase, Saint-Cloud factory French, Soft-paste porcelain decorated in underglaze blue, French, probably Saint-Cloud
Vase
Manufactory attributed to Saint-Cloud factory
Decorator Decoration after a design by Jacques Androuet Du Cerceau
ca. 1695–1710
Cabinet, Jacques Androuet Du Cerceau French, Walnut, French
Cabinet
Style of Jacques Androuet Du Cerceau
19th century
Pair of consoles, Jacques Androuet Du Cerceau French, Carved walnut, French
Pair of consoles
Style of Jacques Androuet Du Cerceau
ca. 1550–60
Draw-top table, Jacques Androuet Du Cerceau French, Walnut, kingwood, ivory, French
Draw-top table
Designer Adapted from a design by Jacques Androuet Du Cerceau
1820–50
Covered Vase on a Three-Footed Pedestal, Jacques Androuet Du Cerceau French, Pen and black ink, brush and gray wash
Covered Vase on a Three-Footed Pedestal
Jacques Androuet Du Cerceau
1510–84
Copies after the 'Livre contenant passement de moresques', Jacques Androuet Du Cerceau French, Etching (?)
Copies after the 'Livre contenant passement de moresques'
After Jacques Androuet Du Cerceau
19th century (?)
Design for the Tomb of Christophe de Thou (d. 1582), Barthélemy Prieur French, Graphite
Design for the Tomb of Christophe de Thou (d. 1582)
Barthélemy Prieur
Anonymous, French, 16th century
Former Attribution Workshop of Jacques Androuet Du Cerceau
16th century
Bust of a woman in profile facing left, set in an elaborate frame with figures in niches at left and right, Battista Angolo del Moro Italian, Etching
Bust of a woman in profile facing left, set in an elaborate frame with figures in niches at left and right
Battista Angolo del Moro
Formerly attributed to Andrea Schiavone (Andrea Meldola)
After Jacques Androuet Du Cerceau
ca. 1540–80
Interior View of the Court Yard and Frontal View of the Defense Mechanism at Chateau d'Anet, from "Les plus excellents bastiments de France", Jacques Androuet Du Cerceau French, Engraving
Interior View of the Court Yard and Frontal View of the Defense Mechanism at Chateau d'Anet, from "Les plus excellents bastiments de France"
Jacques Androuet Du Cerceau
1607
Fountain with a Sculpture of the Godess Diana at Chateau d'Anet, Jacques Androuet Du Cerceau French, Engraving
Fountain with a Sculpture of the Godess Diana at Chateau d'Anet
Jacques Androuet Du Cerceau
1607
Cross sections of the Chapel at Chateau d'Anet, Jacques Androuet Du Cerceau French, Engraving
Cross sections of the Chapel at Chateau d'Anet
Jacques Androuet Du Cerceau
1607
Floorplan of Chateau d'Anet, from "Les plus excellents bastiments de France", Jacques Androuet Du Cerceau French, Engraving
Floorplan of Chateau d'Anet, from "Les plus excellents bastiments de France"
Jacques Androuet Du Cerceau
1607
Four women surrounding a seated figure, a bird above them, set within an elaborate frame, Battista Angolo del Moro Italian, Etching
Four women surrounding a seated figure, a bird above them, set within an elaborate frame
Battista Angolo del Moro
Formerly attributed to Andrea Schiavone (Andrea Meldola)
After Jacques Androuet Du Cerceau
ca. 1540–80
Architecturally-Shaped Tabernacle with a Saint and Four Putti, Anonymous , French, 16th century, Etching with gray wash
Architecturally-Shaped Tabernacle with a Saint and Four Putti
Anonymous
Previously attributed to Jacques Androuet Du Cerceau
ca. 1530–49
Classizing Landscape with Three Figures, from a series of architectural ruins with figures, in reverse after prints by Jacques Androuet Ducerceau after Léonard Thiry, Virgil Solis German, Etching
Classizing Landscape with Three Figures, from a series of architectural ruins with figures, in reverse after prints by Jacques Androuet Ducerceau after Léonard Thiry
Virgil Solis
After Jacques Androuet Du Cerceau
After Leonard Thiry
ca. 1550–62
Boats Rowed Through Inundated Ruins, Virgil Solis German, Etching
Boats Rowed Through Inundated Ruins
Virgil Solis
After Jacques Androuet Du Cerceau
After Leonard Thiry
ca. 1550–62
Floorplan, Façade and Cross Section of one of the Chapels at Château d'Anet, from "Les plus excellents bastiments de France", Jacques Androuet Du Cerceau French, Engraving
Floorplan, Façade and Cross Section of one of the Chapels at Château d'Anet, from "Les plus excellents bastiments de France"
Jacques Androuet Du Cerceau
1607
Birds Eye View of the Chateau and Grounds of Anet, from "Les plus excellents bastiments de France", Jacques Androuet Du Cerceau French, Engraving
Birds Eye View of the Chateau and Grounds of Anet, from "Les plus excellents bastiments de France"
Jacques Androuet Du Cerceau
1607
A Monumental Archway with Five Bays in the Corinthian Order, Jacques Androuet Du Cerceau French, Pen and black ink with gray wash and traces of black chalk
A Monumental Archway with Five Bays in the Corinthian Order
Jacques Androuet Du Cerceau
16th century
Design for a Candlestick, Jacques Androuet Du Cerceau French, Etching
Design for a Candlestick
Jacques Androuet Du Cerceau
1548–49
Figure on horseback holding a sword and riding over a figure lying on the ground, set within an elaborate frame, Battista Angolo del Moro Italian, Etching
Figure on horseback holding a sword and riding over a figure lying on the ground, set within an elaborate frame
Battista Angolo del Moro
Formerly attributed to Andrea Schiavone (Andrea Meldola)
After Jacques Androuet Du Cerceau
ca. 1540–80
Four women surrounding a seated figure, a bird above them, set within an elaborate frame, Battista Angolo del Moro Italian, Etching
Four women surrounding a seated figure, a bird above them, set within an elaborate frame
Battista Angolo del Moro
Formerly attributed to Andrea Schiavone (Andrea Meldola)
After Jacques Androuet Du Cerceau
ca. 1540–80
The Judgment of Paris; man seated at left reaches out to a woman who is flanked by two others, set within an elaborate frame, Battista Angolo del Moro Italian, Etching
The Judgment of Paris; man seated at left reaches out to a woman who is flanked by two others, set within an elaborate frame
Battista Angolo del Moro
Formerly attributed to Andrea Schiavone (Andrea Meldola)
After Jacques Androuet Du Cerceau
ca. 1540–80
Bust of a woman in profile facing left, set in an elaborate frame with figures in niches, Battista Angolo del Moro Italian, Etching
Bust of a woman in profile facing left, set in an elaborate frame with figures in niches
Battista Angolo del Moro
Formerly attributed to Andrea Schiavone (Andrea Meldola)
After Jacques Androuet Du Cerceau
ca. 1540–80
Bust of a woman in profile facing right, set within an elaborate frame with putti, Battista Angolo del Moro Italian, Etching
Bust of a woman in profile facing right, set within an elaborate frame with putti
Battista Angolo del Moro
Formerly attributed to Andrea Schiavone (Andrea Meldola)
After Jacques Androuet Du Cerceau
ca. 1540–80
A young man offers his hand to a seated woman, another woman stands between them and a third blows a trumpet behind them, set within an elaborate frame, Battista Angolo del Moro Italian, Etching
A young man offers his hand to a seated woman, another woman stands between them and a third blows a trumpet behind them, set within an elaborate frame
Battista Angolo del Moro
Formerly attributed to Andrea Schiavone (Andrea Meldola)
After Jacques Androuet Du Cerceau
ca. 1540–80
Judith and maidservant with the head of Holofernes, set within an elaborate frame, Battista Angolo del Moro Italian, Etching
Judith and maidservant with the head of Holofernes, set within an elaborate frame
Battista Angolo del Moro
Formerly attributed to Andrea Schiavone (Andrea Meldola)
After Jacques Androuet Du Cerceau
ca. 1540–80
Woman seated with arms outstretched, personification of Fame with trumpet at right, set within an elaborate frame, Battista Angolo del Moro Italian, Etching
Woman seated with arms outstretched, personification of Fame with trumpet at right, set within an elaborate frame
Battista Angolo del Moro
Formerly attributed to Andrea Schiavone (Andrea Meldola)
After Jacques Androuet Du Cerceau
ca. 1540–80
A man and woman offering a platter of coins to a king seated on a throne, set within an elaborate frame, Battista Angolo del Moro Italian, Etching
A man and woman offering a platter of coins to a king seated on a throne, set within an elaborate frame
Battista Angolo del Moro
Formerly attributed to Andrea Schiavone (Andrea Meldola)
After Jacques Androuet Du Cerceau
ca. 1540–80
Design for a Fountain with the Three Graces, Jacques Androuet Du Cerceau French, Pen and brown ink, brush and light brown wash
Design for a Fountain with the Three Graces
Multiple artists/makers
ca. 1570–80
Grotesque Ornament Panel, from "Livre de Grotesques...", Jacques Androuet Du Cerceau French, Etching
Grotesque Ornament Panel, from "Livre de Grotesques..."
Jacques Androuet Du Cerceau
1566
La salle des pas-perdus a l'ancien Palais de Justice (The antechamber of the Palais de Justice, Paris), Charles Meryon French, Etching (from a pewter plate)
La salle des pas-perdus a l'ancien Palais de Justice (The antechamber of the Palais de Justice, Paris)
Charles Meryon
After Jacques Androuet Du Cerceau
1855
Château de Chenonceau, No 1, after Ducerceau, Charles Meryon French, Etching on laid paper; only state
Château de Chenonceau, No 1, after Ducerceau
Charles Meryon
After Jacques Androuet Du Cerceau
1856
Design for a Man's Tomb, Anonymous, French, 16th century French, Black chalk, pen and brown ink, brush and brown wash
Design for a Man's Tomb
Anonymous, French, 16th century
Former Attribution Workshop of Jacques Androuet Du Cerceau
16th century
Design for a Tomb for a Cardinal, Anonymous, French, 16th century French, Pen and brown ink, brush and brown wash
Design for a Tomb for a Cardinal
Anonymous, French, 16th century
Former Attribution Workshop of Jacques Androuet Du Cerceau
16th century
Two Designs for Memorial Tablets, Anonymous, French, 16th century French, Black chalk, pen and brown ink, brush and brown wash
Two Designs for Memorial Tablets
Anonymous, French, 16th century
Former Attribution Workshop of Jacques Androuet Du Cerceau
16th century
Design for a Man's Tomb, Anonymous, French, 16th century French, Black chalk, pen and brown ink, brush and brown wash
Design for a Man's Tomb
Anonymous, French, 16th century
Former Attribution Workshop of Jacques Androuet Du Cerceau
16th century
Design for a Double Tomb, Anonymous, French, 16th century French, Pen and brown ink, brush and gray wash
Design for a Double Tomb
Anonymous, French, 16th century
Former Attribution Workshop of Jacques Androuet Du Cerceau
16th century
Two Plans and Elevations for Fountains, Anonymous, French, 16th century French, Black chalk, pen and brown ink, brush and brown wash
Two Plans and Elevations for Fountains
Anonymous, French, 16th century
Former Attribution Workshop of Jacques Androuet Du Cerceau
16th century
Design for a Lady's Tomb, Anonymous, French, 16th century French, Black chalk, pen and brown ink, brush and brown wash
Design for a Lady's Tomb
Anonymous, French, 16th century
Former Attribution Workshop of Jacques Androuet Du Cerceau
16th century