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The Conversion of Polemon, James Barry Irish, Etching with engraving and roulette and traces of aquatint; ninth state of nine
The Conversion of Polemon
James Barry
1778–90
The Thames, or the Triumph of Navigation, James Barry Irish, Etching with engraving; second state of five
The Thames, or the Triumph of Navigation
James Barry
1792–1801
Divine Justice, James Barry Irish, Etching and engraving; final published state
Divine Justice
James Barry
1808
The Angelic Guards, James Barry Irish, Etching and engraving; fourth state of four
The Angelic Guards
James Barry
1808
Elysium & Tartarus, or The State of Final Retribution, James Barry Irish, Etching and engraving; sixth state of six
Elysium & Tartarus, or The State of Final Retribution
James Barry
first published 1792; this state 1808
Satan, Sin, and Death: "Death and Sin met by Satan on his Return from Earth", James Barry Irish, Graphite, brush and brown ink, gray and brown wash heightened with touches of white
Satan, Sin, and Death: "Death and Sin met by Satan on his Return from Earth"
James Barry
Subject Relates to John Milton
1792–95
Orpheus Instructing a Savage People in Theology and the Arts of Social Life, James Barry Irish, Etching and engraving; second state of three
Orpheus Instructing a Savage People in Theology and the Arts of Social Life
James Barry
plate dated May 1, 1791, issued 1792
Job Reproved by His Friends, James Barry Irish, Etching over traces of aquatint; third state of five
Job Reproved by His Friends
James Barry
dated 1777; issued ca. 1790
King Lear Weeping Over the Body of Cordelia (Shakespeare, King Lear, Act 5, Scene 3), Francis Legat British, Etching and engraving
King Lear Weeping Over the Body of Cordelia (Shakespeare, King Lear, Act 5, Scene 3)
Multiple artists/makers
August 1, 1792
Study for "Divine Justice", James Barry Irish, Pen and brown ink, brush and gray wash over graphite
Study for "Divine Justice"
James Barry
ca. 1802
A Grecian Harvest-Home, or Thanksgiving to the Rural Deities, Ceres, Bacchus, etc., James Barry Irish, Etching and engraving; unrecorded alternate third state of four
A Grecian Harvest-Home, or Thanksgiving to the Rural Deities, Ceres, Bacchus, etc.
James Barry
dated May 1, 1791, issued 1792
The Distribution of Premiums at the Society of Arts
James Barry
Publisher James Barry
1792, printed after 1806
Venus Rising from the Sea
Attributed to Francesco Bartolozzi
After James Barry
early 20th century
Sketches Drawn from the Life, vol. 1
Multiple artists/makers
1814
Specimens of Polyautography, Consisting of Impressions taken from Original Drawings, Made on Stone purposely for this Work
Multiple artists/makers
1806–7
A Collection of Portraits, Sketched from the Life Since the Year 1793...and engraved in imitation of original drawings, vol. 1
Multiple artists/makers
1809
Eastern Patriarch [King Lear]
James Barry
Publisher Georg Jacob Vollweiler
1803–6
Mercury Inventing the Lyre
Engraver Engraved by John Raphael Smith
After James Barry
Publisher John Boydell
February 1, 1775
Jonah
James Barry
After Michelangelo Buonarroti
1801
The Birth of Venus
James Barry
ca. 1791
King George and Queen Charlotte (Projected Chimney Pieces for the Royal Society of Arts)
Artist and publisher James Barry
Sitter Charlotte, Queen of England
Sitter George III, King of Great Britain and Ireland
1792
William Pitt, Earl of Chatham, with the Figure of Britannia
James Barry
Sitter William Pitt, 1st Earl of Chatham
1778
Eastern Patriarch [King Lear]
James Barry
Publisher Published London by Philipp H. André
Publisher James Heath
1803
Venus Anadyomene, or Venus Rising from the Sea
Engraver Valentine Green
After James Barry
Publisher John Boydell
1772