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The Journalist, With a View of Auckinleck–or the Land of Stones (Picturesque Beauties of Boswell, Part the First), Thomas Rowlandson  British, Etching
Multiple artists/makers
May 15, 1786
Walking Up the High Street, Edinburgh (Picturesque Beauties of Boswell, Part the First), Thomas Rowlandson  British, Etching
Multiple artists/makers
May 15, 1786
Chatting (Picturesque Beauties of Boswell, Part the First), Thomas Rowlandson  British, Etching
Multiple artists/makers
May 30, 1786
Veronica, a Breakfast Conversation (Picturesque Beauties of Boswell, Part the First), Thomas Rowlandson  British, Etching
Multiple artists/makers
May 30, 1786
The Contest at Auckinleck (Picturesque Beauties of Boswell, Part the Second), Thomas Rowlandson  British, Etching
Multiple artists/makers
June 10, 1786
Sailing Among the Hebrides (Picturesque Beauties of Boswell, Part the Second), Thomas Rowlandson  British, Etching
Multiple artists/makers
June 10, 1786
Frontispiece (Picturesque Beauties of Boswell, Part the First), Thomas Rowlandson  British, Etching
Multiple artists/makers
May 15, 1786
The Embrace (Picturesque Beauties of Boswell, Part the First), Thomas Rowlandson  British, Etching
Multiple artists/makers
May 15, 1786
Imitations at Drury-Lane Theatre (Picturesque Beauties of Boswell, Part the Second), Thomas Rowlandson  British, Etching
Multiple artists/makers
June 20, 1786
Setting out from Edinburgh (Picturesque Beauties of Boswell, Part the Second), Thomas Rowlandson  British, Etching
Multiple artists/makers
May 30, 1786
The Procession (Picturesque Beauties of Boswell, Part the Second), Thomas Rowlandson  British, Etching
Multiple artists/makers
June 15, 1786
The Vision (Picturesque Beauties of Boswell, Part the Second), Thomas Rowlandson  British, Etching
Multiple artists/makers
May 15, 1786
Frontispiece, Revising for the Second Edition (Picturesque Beauties of Boswell, Part the Second), Thomas Rowlandson  British, Etching
Multiple artists/makers
June 15, 1786
Tea (Picturesque Beauties of Boswell, Part the First), Thomas Rowlandson  British, Etching
Multiple artists/makers
May 15, 1786
Wit and Wisdom (Picturesque Beauties of Boswell, Part the First), Thomas Rowlandson  British, Etching
Multiple artists/makers
May 15, 1786
The Recovery (Picturesque Beauties of Boswell, Part the Second), Thomas Rowlandson  British, Etching
Multiple artists/makers
June 20, 1786
The Reconciliation (Picturesque Beauties of Boswell, Part the Second), Thomas Rowlandson  British, Etching
Multiple artists/makers
June 20, 1786
The Dance on Dun-Can (Picturesque Beauties of Boswell, Part the Second), Thomas Rowlandson  British, Etching
Multiple artists/makers
May 15, 1786
Lodging at M'Queen's (Picturesque Beauties of Boswell, Part the Second), Thomas Rowlandson  British, Etching
Multiple artists/makers
June 20, 1786
Scottifying the Palate (Picturesque Beauties of Boswell, Part the First), Thomas Rowlandson  British, Etching
Multiple artists/makers
May 30, 1786
Known Characters in a Chop House, Anonymous, British, 19th century  British, Hand-colored lithograph
Multiple artists/makers
1800–1820
Les Gourmands, Anonymous, British, late 18th century  British, Etching
Anonymous, British, late 18th century
Sitter James Boswell
Sitter Samuel Johnson
1780–1820
Tea (Picturesque Beauties of Boswell, Part the First), Thomas Rowlandson  British, Etching
Multiple artists/makers
May 15, 1786
Walking Up the High Street, Edinburgh (Picturesque Beauties of Boswell, Part the First), Thomas Rowlandson  British, Etching
Multiple artists/makers
May 15, 1786
The Embrace (Picturesque Beauties of Boswell, Part the First), Thomas Rowlandson  British, Etching
Multiple artists/makers
May 15, 1786
Frontispiece, Revising for the Second Edition (Picturesque Beauties of Boswell, Part the Second), Thomas Rowlandson  British, Etching
Multiple artists/makers
June 15, 1786
Multiple artists/makers
1814
Multiple artists/makers
1809
Multiple artists/makers
1786
Multiple artists/makers
1786

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The Metropolitan Museum of Art presents over 5,000 years of art from around the world, and our online collection reflects ongoing work conducted over the course of our more than 150-year history. You may encounter objects or images that may be inappropriate for some viewers or information that may be outdated.