Tickets
English
DonateMembership
Tickets

Search for Art

1-42 of 266 results
Sort by:
Show only
Images
Date
For BCE dates, enter a negative number. E.g. For 2000 BCE, enter -2000.
–
Artist / culture
1
Object type / material
Match
 
Show results matching
selected filters.
Geographic location
Match
 
Show results matching
selected filters.
Department
The Graces in a High Wind – a Scene taken from Nature in Kensington Gardens, James Gillray British, Hand-colored etching, engraving and aquatint
The Graces in a High Wind – a Scene taken from Nature in Kensington Gardens
Multiple artists/makers
May 28, 1810
French Liberty – British Slavery, James Gillray British, Hand-colored etching
French Liberty – British Slavery
James Gillray
Publisher Hannah Humphrey
December 21, 1792
A Sphere, Projecting Against a Plane, James Gillray British, Hand-colored etching
A Sphere, Projecting Against a Plane
Multiple artists/makers
January 3, 1792
The Wounded Lion, James Gillray British, Hand-colored etching
The Wounded Lion
James Gillray
Publisher Hannah Humphrey
July 16, 1805
A Bouquet of the Last Century, James Gillray British, Hand-colored etching
A Bouquet of the Last Century
James Gillray
Publisher Hannah Humphrey
February 1, 1802
Despair, James Gillray British, Hand-colored etching
Despair
James Gillray
Publisher Hannah Humphrey
April 8, 1802
L'Enfant Trouvé:–a Sample of Roman Charity!–or–the Misfortune of Not Being Born with Marks of "the Talents", James Gillray British, Hand-colored etching
L'Enfant Trouvé:–a Sample of Roman Charity!–or–the Misfortune of Not Being Born with Marks of "the Talents"
Multiple artists/makers
May 19, 1808
The Pigs Possessed:–or–the Broad Bottom'd Litter Running Headlong into Ye Sea of Perdition, James Gillray British, Hand-colored etching
The Pigs Possessed:–or–the Broad Bottom'd Litter Running Headlong into Ye Sea of Perdition
Multiple artists/makers
April 18, 1807
A Plumper for Paul!–or–the Little Taylor Done Over; vide–the terrible Effects of provoking a Red-hot Shot from the Broad-Bottom'd-Whig-Battery, James Gillray British, Hand-colored etching
A Plumper for Paul!–or–the Little Taylor Done Over; vide–the terrible Effects of provoking a Red-hot Shot from the Broad-Bottom'd-Whig-Battery
Multiple artists/makers
March 13, 1807
Tom Paine's Nightly Pest, James Gillray British, Etching and aquatint
Tom Paine's Nightly Pest
Multiple artists/makers
December 10, 1792
Portrait of a Child [Master Lamb], James Gillray British, Soft-ground etching and rocker work
Portrait of a Child [Master Lamb]
Multiple artists/makers
1781
Mendoza, James Gillray British, Etching and aquatint
Mendoza
Multiple artists/makers
April 24 [1788]
The Right Honorable William Pitt, James Gillray British, Etching and engraving
The Right Honorable William Pitt
James Gillray
Publisher John Harris
Sitter William Pitt the Younger
May 28, 1789
Characters in High Life, James Gillray British, Etching
Characters in High Life
James Gillray
Publisher Hannah Humphrey
June 20, 1795
From Sir William Hamilton's Collection, James Gillray British, Hand-colored etching
From Sir William Hamilton's Collection
Multiple artists/makers
May 8, 1801
Introduction of Citizen Volpone & His Suite, at Paris.–Vide, The Moniteur, & Cobbetts Letters, James Gillray British, Hand-colored etching
Introduction of Citizen Volpone & His Suite, at Paris.–Vide, The Moniteur, & Cobbetts Letters
James Gillray
Publisher Hannah Humphrey
November 15, 1802
Counsellor O.P.–Defender of our Theatric Liberties, James Gillray British, Hand-colored etching
Counsellor O.P.–Defender of our Theatric Liberties
James Gillray
Publisher Hannah Humphrey
Subject Henry Clifford
December 5, 1809
Enter Cowslip with a Bowl of Cream. - vide Brandenburg Theatricals, James Gillray British, Hand-colored etching
Enter Cowslip with a Bowl of Cream. - vide Brandenburg Theatricals
James Gillray
Publisher Hannah Humphrey
Subject Albinia Hobart, Countess of Buckinghamshire
June 13, 1795
The Magnanimous–Minster, chastising Prussian–Perfidy.–Vide–Morning Chronicle April 28th, James Gillray British, Hand-colored etching
The Magnanimous–Minster, chastising Prussian–Perfidy.–Vide–Morning Chronicle April 28th
Multiple artists/makers
May 2, 1806
"No Flower that Blows is Like this Rose", James Gillray British, Etching
"No Flower that Blows is Like this Rose"
Attributed to James Gillray
Publisher Hannah Humphrey
Subject Madame Rose Didelot
April 12, 1796
Pillars of the Constitution. Three O'Clock & a Cloudy Morning, James Gillray British, Hand-colored etching
Pillars of the Constitution. Three O'Clock & a Cloudy Morning
Multiple artists/makers
February 1, 1809
Pylades and Orestes, James Gillray British, Hand-colored etching
Pylades and Orestes
James Gillray
Publisher Hannah Humphrey
Subject William V, Prince of Orange
April 1, 1797
Spanish-Patriots Attacking the French-Banditti– Loyal Britons Lending a Lift, James Gillray British, Hand-colored etching
Spanish-Patriots Attacking the French-Banditti– Loyal Britons Lending a Lift
Multiple artists/makers
August 15, 1808
The State Waggoner and John Bull.–or–the Waggon too Much for the Donkeys!, James Gillray British, Hand-colored etching
The State Waggoner and John Bull.–or–the Waggon too Much for the Donkeys!
Multiple artists/makers
March 14, 1804
The Zenith of French Glory; – The Pinnacle of Liberty. Religion, Justice, Loyalty, & all the Bugbears of Unenlightened Minds, Farewell!, James Gillray British, Hand-colored etching and engraving
The Zenith of French Glory; – The Pinnacle of Liberty. Religion, Justice, Loyalty, & all the Bugbears of Unenlightened Minds, Farewell!
James Gillray
Publisher Hannah Humphrey
Subject Louis XVI, King of France
February 12, 1793
The Duke of Athol, East Indiaman, James Gillray British, Etching and engraving
The Duke of Athol, East Indiaman
James Gillray
Publisher Robert Wilkinson
February 1, 1785
"The Inexpressible Air of Dignity,–the Incomprehensible je-ne-sais Quoi of Elegance, which Appertains Solely to Men of High Fashion."–Vide, Lord Chesterfield's Letters, James Gillray British, Hand-colored etching
"The Inexpressible Air of Dignity,–the Incomprehensible je-ne-sais Quoi of Elegance, which Appertains Solely to Men of High Fashion."–Vide, Lord Chesterfield's Letters
James Gillray
Publisher Hannah Humphrey
Subject George Spencer 5th Duke of Marlborough
March 9, 1803
A Kick at the Broad-bottoms!– i.e. Emancipation of "All the Talents &c" - Vide the Fate of Ye Catholic Bill, James Gillray British, Hand-colored etching and aquatint
A Kick at the Broad-bottoms!– i.e. Emancipation of "All the Talents &c" - Vide the Fate of Ye Catholic Bill
Multiple artists/makers
March 23, 1807
Lordly Elevation, James Gillray British, Hand-colored etching
Lordly Elevation
James Gillray
Publisher Hannah Humphrey
January 6, 1802
Maecenas, in pursuit of the Fine Arts.–Scene, Pall Mall; a Frosty Morning, James Gillray British, Hand-colored etching
Maecenas, in pursuit of the Fine Arts.–Scene, Pall Mall; a Frosty Morning
James Gillray
Publisher Hannah Humphrey
Subject George Granville Leveson-Gower, 2nd Marquess of Stafford
May 9, 1808
"–So Skiffy-Skipt On, With his Wonted Grace"–Vide Birthday Ball. See Morning Herald. Jan-y 20th, James Gillray British, Hand-colored etching
"–So Skiffy-Skipt On, With his Wonted Grace"–Vide Birthday Ball. See Morning Herald. Jan-y 20th
James Gillray
Publisher Hannah Humphrey
Subject Hon. Lumley St George Skeffington
February 1, 1800
Two Pair of Portraits, presented to all the unbiased Electors of Great Britain by John Horne Tooke, James Gillray British, Etching with engraving
Two Pair of Portraits, presented to all the unbiased Electors of Great Britain by John Horne Tooke
Multiple artists/makers
December 1, 1798
Tendanda via est qua me quoque possim tollere humo–Virgil, Geor:, James Gillray British, Etching
Tendanda via est qua me quoque possim tollere humo–Virgil, Geor:
James Gillray
Publisher Hannah Humphrey
August 8, 1810
Theologie à la Turque and a Peep of the Coptic Mayor at Cairo, preceded by the Procureur de la Commune, James Gillray British, Etching
Theologie à la Turque and a Peep of the Coptic Mayor at Cairo, preceded by the Procureur de la Commune
After James Gillray
after March 12, 1799
A Peep at Christies;–or–Tally-ho & his Nimeny-pimeney taking the Morning Lounge, James Gillray British, Hand-colored etching and aquatint
A Peep at Christies;–or–Tally-ho & his Nimeny-pimeney taking the Morning Lounge
Multiple artists/makers
September 24, 1796
An Old Maid on a Journey, James Gillray British, Hand-colored etching
An Old Maid on a Journey
Multiple artists/makers
November 20, 1804
Farmer Giles and His Wife Showing Off Their Daughter Betty to Their Neighbours on her Return from School, James Gillray British, Hand-colored etching
Farmer Giles and His Wife Showing Off Their Daughter Betty to Their Neighbours on her Return from School
James Gillray
After Lieutenant Colonel Thomas Braddyll
Publisher Hannah Humphrey
January 1, 1809
Metallic Tractors, James Gillray British, Hand-colored etching and aquatint
Metallic Tractors
After James Gillray
Subject Dr. Elisha Perkins
1802
A Voluptuary Under the Horrors of Digestion, James Gillray British, Hand-colored etching
A Voluptuary Under the Horrors of Digestion
James Gillray
Publisher Hannah Humphrey
Subject George, Prince of Wales
July 2, 1792
Monstrous Craws at a New Coalition Feast, James Gillray British, Etching and aquatint
Monstrous Craws at a New Coalition Feast
Multiple artists/makers
May 29, 1787
Alecto and Her Train, at the Gate of Pandaemonium:–or–The Recruiting Sarjeant Enlisting John Bull, Into the Revolution Service, James Gillray British, Hand-colored etching
Alecto and Her Train, at the Gate of Pandaemonium:–or–The Recruiting Sarjeant Enlisting John Bull, Into the Revolution Service
James Gillray
Publisher S. W. Fores
July 4, 1791
French Volunteers Marching to the Conquest of Great Britain, James Gillray British, Hand-colored etching
French Volunteers Marching to the Conquest of Great Britain
James Gillray
After? Charles Loraine Smith
Publisher Hannah Humphrey
October 25, 1803