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Old Plum, Kano Sansetsu Japanese, Four sliding-door panels (fusuma); ink, color, gold, and gold leaf on paper, Japan
Old Plum
Kano Sansetsu
1646
Small Dish (Kozara) with Three Jars, Porcelain with cobalt blue under transparent glaze and polychrome enamels over the glaze (Hizen ware, Nabeshima type), Japan
Small Dish (Kozara) with Three Jars
Japan
1680–90s
The Bodhisattva Jizō, Intan Japanese, Japanese cypress wood (hinoki) with polychrome pigments, gold paint (kindei), cut gold leaf (kirikane), and rock-crystal eyes, Japan
The Bodhisattva Jizō
Intan
1291
Covered Vessel (Futamono) with Plum Tree, Stoneware with iron brown under transparent glaze and copper-green glaze (Mino ware, Oribe type), Japan
Covered Vessel (Futamono) with Plum Tree
Japan
early 17th century
Night Rain at the Double-Shelf Stand, from the series Eight Parlor Views (Zashiki hakkei), Suzuki Harunobu Japanese, Woodblock print (first edition); ink and colors on paper, medium-sized print (chuban), Japan
Night Rain at the Double-Shelf Stand, from the series Eight Parlor Views (Zashiki hakkei)
Suzuki Harunobu
ca. 1766
Irises at Yatsuhashi (Eight Bridges), Ogata Kōrin Japanese, Pair of six-panel folding screens; ink and color on gold leaf on paper, Japan
Irises at Yatsuhashi (Eight Bridges)
Ogata Kōrin
after 1709
Zaō Gongen, Gilt bronze with incised decoration, Japan
Zaō Gongen
Japan
11th century
Under the Wave off Kanagawa (Kanagawa oki nami ura), or The Great Wave, from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei) , Katsushika Hokusai Japanese, Woodblock print; ink and color on paper, Japan

Under the Wave off Kanagawa (Kanagawa oki nami ura), or The Great Wave, from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei)

Katsushika Hokusai
ca. 1830–32
Gibbons in a Landscape, Sesson Shūkei 雪村周継 Japanese, Pair of six-panel screens; ink on paper, Japan
Gibbons in a Landscape
Sesson Shūkei 雪村周継
ca. 1570
Sake Ewer (Hisage) with Chrysanthemums and Paulownia Crests in Alternating Fields, Lacquered wood with gold hiramaki-e and e-nashiji (“pear-skin picture”) on black ground, Japan
Sake Ewer (Hisage) with Chrysanthemums and Paulownia Crests in Alternating Fields
Japan
early 17th century
Rough Waves, Ogata Kōrin Japanese, Two-panel folding screen; ink, color, and gold leaf on paper, Japan
Rough Waves
Ogata Kōrin
ca. 1704–9
Illustrated Legends of the Kitano Tenjin Shrine (Kitano Tenjin engi emaki), Set of five handscrolls; ink, color, and cut gold leaf (kirikane) on paper, Japan
Illustrated Legends of the Kitano Tenjin Shrine (Kitano Tenjin engi emaki)
Japan
late 13th century
Robe (Kosode) with Shells and Sea Grasses , Embroidery and gold leaf on plain-weave silk patterned with warp floats, Japan

Robe (Kosode) with Shells and Sea Grasses

Japan
early 17th century
Fudō Myōō, the Immovable Wisdom King (Achala Vidyaraja), Kaikei Japanese, Japanese cypress with lacquer, color, gold, cut gold leaf (kirikane), and inlaid crystal eyes, Japan
Fudō Myōō, the Immovable Wisdom King (Achala Vidyaraja)
Kaikei
early 13th century
Portrait of Shun'oku Myōha, Unidentified artist Japanese, Hanging scroll; ink, color, and gold on silk, Japan
Portrait of Shun'oku Myōha
Unidentified artist
ca. 1383
Female Shinto Deity, Japanese bigleaf magnolia with traces of color, Japan
Female Shinto Deity
Japan
ca. mid-11th–mid-12th century
”Abiding nowhere, the awakened mind arises”, Musō Soseki Japanese, Hanging scroll; ink on paper, Japan
”Abiding nowhere, the awakened mind arises”
Musō Soseki
early to mid-14th century
Cosmetic Box (Tebako) with Chrysanthemum Flowers, Lacquered wood with gold, silver takamaki-e, hiramaki-e, gold, silver foil application on nashiji ground; gilt bronze fittings, Japan
Cosmetic Box (Tebako) with Chrysanthemum Flowers
Japan
first half of the 15th century
Daoist Master Fei Zhangfang, Sesson Shūkei Japanese, Hanging scroll; ink on paper, Japan
Daoist Master Fei Zhangfang
Sesson Shūkei
ca. 1555–61
Robe (Kosode) with Floral Roundels, Figured satin-weave silk with tie-dyeing, silk embroidery, and couched gold thread, Japan
Robe (Kosode) with Floral Roundels
Japan
ca. 1670s
Sutra Box (Kyōbako) with Sun and Clouds, Lacquered wood with gold hiramaki-e; gilt bronze fittings, Japan
Sutra Box (Kyōbako) with Sun and Clouds
Japan
late 14th–early 15th century
The Thirty-Six Poetic Immortals, Studio of Kano Takanobu Japanese, Pair of six-panel folding screens; ink, color, gold, and silver on paper, Japan
The Thirty-Six Poetic Immortals
Painting by Studio of Kano Takanobu
Inscriptions by Konoe Nobutada
early 17th century
Ōtsu-e of a Young Woman, Hanging scroll; ink and color on paper, Japan
Ōtsu-e of a Young Woman
Japan
early 19th century
Ōtsu-e of Kabuki Actor Playing the Outlaw Hotei Ichiemon, of the “Karigane Five”, Hanging scroll; hand-colored woodblock print on paper, Japan
Ōtsu-e of Kabuki Actor Playing the Outlaw Hotei Ichiemon, of the “Karigane Five”
Japan
early 18th century
Ōtsu, from the series The Fifty-Three Stations of the Tōkaidō Road (Tōkaidō gojūsan tsugi, Ōtsu), Utagawa Hiroshige Japanese, Woodblock print (nishiki-e); ink and color on paper, Japan
Ōtsu, from the series The Fifty-Three Stations of the Tōkaidō Road (Tōkaidō gojūsan tsugi, Ōtsu)
Utagawa Hiroshige
1841–44
The Kitchen of a Joroya., Hishikawa Moronobu Japanese, Woodblock print; ink and color on paper, Japan
The Kitchen of a Joroya.
Hishikawa Moronobu
ca. 1680
A Banquet in a Joroya, Hishikawa Moronobu Japanese, Monochrome woodblock print; ink and color on paper, Japan
A Banquet in a Joroya
Hishikawa Moronobu
ca. 1680
Interior Scene in the Yoshiwara, Hishikawa Moronobu Japanese, Woodblock print; ink on paper, Japan
Interior Scene in the Yoshiwara
Hishikawa Moronobu
ca. 1680
Freshwater Jar (Mizusashi), Porcelain with celadon glaze (Hizen ware, Arita type); lacquer cover, Japan
Freshwater Jar (Mizusashi)
Japan
mid-17th century
Landscape of the Four Seasons, Kano Chōkichi Japanese, Pair of six-panel folding screens; ink and color on paper, Japan
Landscape of the Four Seasons
Attributed to Kano Chōkichi
16th century
Storage Case (Karabitsu), Wood with layers of black and red lacquer (Negoro ware); gilt-bronze fittings, Japan
Storage Case (Karabitsu)
Japan
1422
Sake vessel (Heishi), Wood with layers of black and red lacquer (Negoro ware), Japan
Sake vessel (Heishi)
Japan
late 16th century
Pair of Negoro Lacquer Candlesticks, Wood with layers of black and red lacquer (Negoro ware), Japan
Pair of Negoro Lacquer Candlesticks
Japan
late 16th century
Dish with Peaches, Porcelain with cobalt blue under transparent glaze and polychrome enamels over the glaze (Hizen ware, Nabeshima type), Japan
Dish with Peaches
Japan
ca. 1690–1720
Saddle (Kura) with Stylized Flowers, Saddle: Gold maki-e with black lacquer decoration:<br/>Pommel: lacquered wood with gold and silver takamaki-e and hiramaki-e on black ground; seat: nashiji (“pear-skin” ground), Japan
Saddle (Kura) with Stylized Flowers
Japan
Saddle: Muromachi period (1392–1573), dated 1491 (Entoku 3); lacquer decoration: Edo period (1615–1868), 17th century
Fan-Shaped Dish, Porcelain painted with cobalt blue under and colored enamels over transparent glaze (Hizen ware; Imari type), Japan
Fan-Shaped Dish
Japan
early 18th century
Eight Views of the Xiao and Xiang Rivers, One of a triptych of hanging scrolls; ink and color on paper, Japan
Eight Views of the Xiao and Xiang Rivers
Japan
16th century
Eight Views of the Xiao and Xiang Rivers, One of a triptych of hanging scrolls; ink and color on paper, Japan
Eight Views of the Xiao and Xiang Rivers
Japan
16th century
Eight Views of the Xiao and Xiang Rivers, Hanging scroll; ink and color on paper, Japan
Eight Views of the Xiao and Xiang Rivers
Japan
16th century
Tea Cup and Saucer, Shakudo (copper alloy) and gold, Japan
Tea Cup and Saucer
Japan
dated 1731
Large Storage Jar (Ōtsubo), Stoneware with natural ash glaze (Shigaraki ware), Japan
Large Storage Jar (Ōtsubo)
Japan
late 15th century
Head of a Clay Tomb Sculpture (Haniwa) , Earthenware with painted, incised, and applied decoration, Japan

Head of a Clay Tomb Sculpture (Haniwa)

Japan
5th–early 6th century

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The Metropolitan Museum of Art presents over 5,000 years of art from around the world, and our online collection reflects ongoing work conducted over the course of our more than 150-year history. You may encounter objects or images that may be inappropriate for some viewers or information that may be outdated.