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Marie Emilie Coignet de Courson (1716–1806) with a Dog, Jean Honoré Fragonard French, Oil on canvas
Marie Emilie Coignet de Courson (1716–1806) with a Dog
Jean Honoré Fragonard
ca. 1769
Roman Interior, Jean Honoré Fragonard French, Oil on canvas
Roman Interior
Jean Honoré Fragonard
ca. 1760
A Shaded Avenue, Jean Honoré Fragonard French, Oil on wood
A Shaded Avenue
Jean Honoré Fragonard
ca. 1775
The Cascade, Jean Honoré Fragonard French, Oil on wood
The Cascade
Jean Honoré Fragonard
ca. 1775
The Two Sisters, Jean Honoré Fragonard French, Oil on canvas
The Two Sisters
Jean Honoré Fragonard
ca. 1769–70
The Love Letter, Jean Honoré Fragonard French, Oil on canvas
The Love Letter
Jean Honoré Fragonard
early 1770s
The Stolen Kiss, Jean Honoré Fragonard French, Oil on canvas
The Stolen Kiss
Jean Honoré Fragonard
ca. 1760
Portrait of a Young Woman, Jean Honoré Fragonard French, Oil on canvas
Portrait of a Young Woman
Jean Honoré Fragonard
1770s
Allegory of Vigilance, Jean Honoré Fragonard French, Oil on canvas
Allegory of Vigilance
Jean Honoré Fragonard
ca. 1772
Landscape with Road and Monument, Jean Honoré Fragonard French, Pencil and pale sepia wash
Landscape with Road and Monument
Imitator of Jean Honoré Fragonard
Former Attribution Jean Honoré Fragonard
mid-18th century–early 19th century
The Dreamer, Jean Honoré Fragonard French, Pencil and sepia wash
The Dreamer
Jean Honoré Fragonard
late 1770s
Vase with cover (probably vase à bâtons rompus), Sèvres Manufactory French, Soft-paste porcelain, French, Sèvres
Vase with cover (probably vase à bâtons rompus)
Manufactory Sèvres Manufactory
Decorator Charles Nicolas Dodin
After a painting by Jean Honoré Fragonard
1771
The Oath of Love, Jean Honoré Fragonard French, Silk, paint, silver thread, paillettes; ivory, silver foil, glass or mother-of-pearl, French
The Oath of Love
after Jean Honoré Fragonard
late 19th century
Snuffbox, Adrien Jean Maximilien Vachette French, Gold, enamel, French, Paris
Snuffbox
Adrien Jean Maximilien Vachette
Miniature on cover after a painting by Jean Honoré Fragonard
Miniature inside base panel after a painting by François Boucher
1789–90
The Draftsman, Jean Honoré Fragonard French, Black chalk
The Draftsman
Jean Honoré Fragonard
1770s
View of a Park, Jean Honoré Fragonard French, Black chalk with gray wash and touches of green and pink watercolor over pencil underdrawing; verso: black chalk.
View of a Park
Jean Honoré Fragonard
late 1770s
Imaginary View of a Roman Villa, Jean Honoré Fragonard French, Bister wash over pencil
Imaginary View of a Roman Villa
Jean Honoré Fragonard
mid-1770s
The Child and the Bulldog, Marguerite Gérard French, Etching; second state of three
The Child and the Bulldog
Marguerite Gérard
After Jean Honoré Fragonard
1778
The Last Supper, Jean Honoré Fragonard French, Etching
The Last Supper
Jean Honoré Fragonard
After Sebastiano Ricci
ca. 1761–64
The Vision of Saint Jerome, Jean Honoré Fragonard French, Etching
The Vision of Saint Jerome
Jean Honoré Fragonard
After Johann Liss
ca. 1761–65
Nymph Supported by Two Satyrs, from "Four Bacchanalia" (Quatre Bacchanales), Jean Honoré Fragonard French, Etching
Nymph Supported by Two Satyrs, from "Four Bacchanalia" (Quatre Bacchanales)
Jean Honoré Fragonard
1763
Saint Mark, Jean Honoré Fragonard French, Etching
Saint Mark
Jean Honoré Fragonard
After Giovanni Lanfranco
ca. 1761–65
The Circumcision, Jean Honoré Fragonard French, Etching, second state of two
The Circumcision
Jean Honoré Fragonard
After Jacopo Tintoretto (Jacopo Robusti)
ca. 1764
Rinaldo in the Enchanted Forest, Jean Honoré Fragonard French, Brush and brown wash over very light black chalk underdrawing
Rinaldo in the Enchanted Forest
Jean Honoré Fragonard
ca. 1763
The Satyr's Family, Jean Honoré Fragonard French, Etching
The Satyr's Family
Jean Honoré Fragonard
1763
Nymph Astride a Satyr, Jean Honoré Fragonard French, Etching
Nymph Astride a Satyr
Jean Honoré Fragonard
1763
Nymph Supported by Two Satyrs, Jean Honoré Fragonard French, Etching
Nymph Supported by Two Satyrs
Jean Honoré Fragonard
1763
The Satyrs' Dance, Jean Honoré Fragonard French, Etching
The Satyrs' Dance
Jean Honoré Fragonard
1763
La Fontaine d'Amour, Jean-Baptiste Audebert French, Etching with aquatint
La Fontaine d'Amour
Jean-Baptiste Audebert
After Jean Honoré Fragonard
n.d.
Moses and a Prophet, Jean Honoré Fragonard French, Etching; first state
Moses and a Prophet
Jean Honoré Fragonard
After Annibale Carracci
1763–64
L'Inspiration Favorable, Jean Honoré Fragonard French, Etching
L'Inspiration Favorable
After Jean Honoré Fragonard
Engraver Louis Michel Halbou
n.d.
La Fuite a Dessein, Jean Honoré Fragonard French, Etching, first state
La Fuite a Dessein
After Jean Honoré Fragonard
Engraver Jacques Couché
Engraver Charles François Adrien Macret
n.d.
Jeu de Societe dans un Parc, Jean Honoré Fragonard French, Etching
Jeu de Societe dans un Parc
After Jean Honoré Fragonard
n.d.
The Disciples at the Tomb, Jean Honoré Fragonard French, Etching, first state of two
The Disciples at the Tomb
Jean Honoré Fragonard
After Jacopo Tintoretto (Jacopo Robusti)
1764
The Tax Collectors (Les Traitants), Jean Honoré Fragonard French, Etching
The Tax Collectors (Les Traitants)
Jean Honoré Fragonard
1778
Jeu de Societe dans un Parc, Jean Honoré Fragonard French, Etching
Jeu de Societe dans un Parc
After Jean Honoré Fragonard
n.d.
A Femme avare galant Escroc, from "Contes et nouvelles en vers par Jean de La Fontaine. A Paris, de l'imprimerie de P. Didot, l'an III de la République, 1795", Jacques Aliamet French, Etching and engraving; second state of three (Cohen)
A Femme avare galant Escroc, from "Contes et nouvelles en vers par Jean de La Fontaine. A Paris, de l'imprimerie de P. Didot, l'an III de la République, 1795"
Multiple artists/makers
1795
Le Pate d'Anguilles, from "Contes et nouvelles en vers par Jean de La Fontaine. A Paris, de l'imprimerie de P. Didot, l'an III de la République, 1795", Jean-Baptiste Patas French, Etching; first state of three (Cohen)
Le Pate d'Anguilles, from "Contes et nouvelles en vers par Jean de La Fontaine. A Paris, de l'imprimerie de P. Didot, l'an III de la République, 1795"
Multiple artists/makers
1795
Le Pate d'Anguilles, from "Contes et nouvelles en vers par Jean de La Fontaine. A Paris, de l'imprimerie de P. Didot, l'an III de la République, 1795", Jean-Baptiste Tilliard French, Etching and engraving; third state of three (Cohen)
Le Pate d'Anguilles, from "Contes et nouvelles en vers par Jean de La Fontaine. A Paris, de l'imprimerie de P. Didot, l'an III de la République, 1795"
Multiple artists/makers
published in 1795
Le Mari Confesseur, from "Contes et nouvelles en vers par Jean de La Fontaine. A Paris, de l'imprimerie de P. Didot, l'an III de la République, 1795", Jean-Baptiste Tilliard French, Etching; first state of three (Cohen)
Le Mari Confesseur, from "Contes et nouvelles en vers par Jean de La Fontaine. A Paris, de l'imprimerie de P. Didot, l'an III de la République, 1795"
Multiple artists/makers
1795
Le Gascon puni, from "Contes et nouvelles en vers par Jean de La Fontaine. A Paris, de l'imprimerie de P. Didot, l'an III de la République, 1795", Louis Michel Halbou French, Etching; first state of three (Cohen)
Le Gascon puni, from "Contes et nouvelles en vers par Jean de La Fontaine. A Paris, de l'imprimerie de P. Didot, l'an III de la République, 1795"
Multiple artists/makers
1795
Cartouche with a Crown, the Virgin (?) and the Holy Ghost, and Four Putti, Johann Matthias Kager German, Pen and black ink, gray wash
Cartouche with a Crown, the Virgin (?) and the Holy Ghost, and Four Putti
Johann Matthias Kager
Former Attribution Carlo Bianconi
Former Attribution Jean Honoré Fragonard
early 17th century