The Temple of Dendur will be closed on Tuesday, June 9 and Thursday, June 11.

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The Pampered Idiot (Niño zangolotino), Leonardo Alenza y Nieto Spanish, Pen and black ink with brush and gray wash; composition outlined in pen and black ink on all sides
The Pampered Idiot (Niño zangolotino)
Leonardo Alenza y Nieto
1807–45
He Has Been Decorated (Y esta' Condecorado!), Leonardo Alenza y Nieto Spanish, Pen and dark brown ink with traces of brush and brown wash; composition outlined in pen and dark brown ink on all sides
He Has Been Decorated (Y esta' Condecorado!)
Leonardo Alenza y Nieto
1807–45
Dust to Dust (Et in pulverem reverteris), Leonardo Alenza y Nieto Spanish, Pen and black ink with brush and gray wash; composition outlined with pen and black ink on all sides
Dust to Dust (Et in pulverem reverteris)
Leonardo Alenza y Nieto
1807–45
They Spin Well (Bien lo hilan), Leonardo Alenza y Nieto Spanish, Pen and black ink with brush and gray wash; composition outlined with pen and black ink on all sides
They Spin Well (Bien lo hilan)
Leonardo Alenza y Nieto
1807–45
Birds of a Feather (Entre los suyos), Leonardo Alenza y Nieto Spanish, Pen and dark brown ink; composition outlined with pen and dark brown ink on all sides; traces of black chalk under the inscription
Birds of a Feather (Entre los suyos)
Leonardo Alenza y Nieto
1807–45
He Will Not Laugh (Y el no se rie), Leonardo Alenza y Nieto Spanish, Pen and dark brown ink; composition outlined with pen and dark brown ink on all sides
He Will Not Laugh (Y el no se rie)
Leonardo Alenza y Nieto
1807–45
At Last She Sees Clearly (Ya ve claro), Leonardo Alenza y Nieto Spanish, Pen and dark brown ink; composition outlined with pen and dark brown ink on all sides
At Last She Sees Clearly (Ya ve claro)
Leonardo Alenza y Nieto
1807–45
They Centainly Can Use It (Bien lo han menester), Leonardo Alenza y Nieto Spanish, Pen and dark brown ink; composition outlined with pen and dark brown ink on all sides
They Centainly Can Use It (Bien lo han menester)
Leonardo Alenza y Nieto
1807–45
Having a Good Time (Se regodean), Leonardo Alenza y Nieto Spanish, Pen and dark brown ink; composition outlined with pen and dark brown ink on all sides; traces of black chalk underscript in inscription; traces of ruling in graphite along lower border of sheet
Having a Good Time (Se regodean)
Leonardo Alenza y Nieto
1807–45
Ex Cathedra (Ex Catedra), Leonardo Alenza y Nieto Spanish, Pen and dark brown ink with some brush and gray-brown wash
Ex Cathedra (Ex Catedra)
Leonardo Alenza y Nieto
1807–45
Human Ailments (Achaques humanos), Leonardo Alenza y Nieto Spanish, Pen and dark brown ink with brush and brown wash; reinforced in places with brush and dark brown ink
Human Ailments (Achaques humanos)
Leonardo Alenza y Nieto
1807–45
They are Polishing Him Up (Y se las pulen), Leonardo Alenza y Nieto Spanish, Pen and dark brown ink with brush and gray-brown wash; composition outlined with pen and dark brown ink on all sides; traces of black chalk underscript under inscription
They are Polishing Him Up (Y se las pulen)
Leonardo Alenza y Nieto
1807–45
Long Live the Chains! (Vivan las caenas [cadenas]), Leonardo Alenza y Nieto Spanish, Pen and dark brown ink; composition outlined with pen and dark brown ink on all sides
Long Live the Chains! (Vivan las caenas [cadenas])
Leonardo Alenza y Nieto
1807–45
It's Raining Elves (Llueven duendes), Leonardo Alenza y Nieto Spanish, Pen and dark brown ink, reinforced with brush and dark brown ink; composition outlined with pen and dark brown ink on all sides
It's Raining Elves (Llueven duendes)
Leonardo Alenza y Nieto
1807–45
Lost Labor (Trabajo perdido), Leonardo Alenza y Nieto Spanish, Pen and dark brown ink; composition outlined with pen and dark brown ink on all sides
Lost Labor (Trabajo perdido)
Leonardo Alenza y Nieto
1807–45
Greed Breaks the Bag (La codicia rompe el saco), Leonardo Alenza y Nieto Spanish, Pen and dark brown ink; outlined with pen and dark brown ink on all sides
Greed Breaks the Bag (La codicia rompe el saco)
Leonardo Alenza y Nieto
1807–45
They'll Get Their Desserts (Buen pelo echará), Leonardo Alenza y Nieto Spanish, Pen and dark brown ink; composition outlined with pen and dark brown ink on all sides
They'll Get Their Desserts (Buen pelo echará)
Leonardo Alenza y Nieto
1807–45
His Excellency is Not at Home (No recibe in Excel), Leonardo Alenza y Nieto Spanish, Pen and dark brown ink with brush and brown wash; composition outlined with pen and dark brown ink on all sides
His Excellency is Not at Home (No recibe in Excel)
Leonardo Alenza y Nieto
1807–45
Already They Are Going (Ya se van), Leonardo Alenza y Nieto Spanish, Pen and dark brown ink; composition outlined with pen and dark brown ink on all sides
Already They Are Going (Ya se van)
Leonardo Alenza y Nieto
1807–45
He Leaves Them in Good Shape (Buenos los deja), Leonardo Alenza y Nieto Spanish, Pen and dark brown ink; composition outlined with pen and dark brown ink on all sides
He Leaves Them in Good Shape (Buenos los deja)
Leonardo Alenza y Nieto
1807–45
A Funeral with Honors (Valientes exequias), Leonardo Alenza y Nieto Spanish, Pen and dark brown ink; composition outlined with pen and dark brown ink on all sides
A Funeral with Honors (Valientes exequias)
Leonardo Alenza y Nieto
1807–45
The Last Song (El aria final), Leonardo Alenza y Nieto Spanish, Pen and dark brown ink; composition outlined with pen and dark brown ink on all sides
The Last Song (El aria final)
Leonardo Alenza y Nieto
1807–45
Shackled to His Treasure (Preso á su tesoro), Leonardo Alenza y Nieto Spanish, Pen and dark brown ink with brush and brown-gray wash; composition outlined with pen and dark brown ink on all sides
Shackled to His Treasure (Preso á su tesoro)
Leonardo Alenza y Nieto
1807–45
The Notaries Flew of With The Prey (Escribanitos volaron con la presa), Leonardo Alenza y Nieto Spanish, Pen and dark brown ink; outlined with pen and dark brown ink on all sides; traces of black chalk
The Notaries Flew of With The Prey (Escribanitos volaron con la presa)
Leonardo Alenza y Nieto
1807–45
They Don't Fall Off Their Donkey (They Don't Admit Their Error), (No caen de su burro), Leonardo Alenza y Nieto Spanish, Pen and dark brown ink with some places reinforced with brush and dark brown ink, some brush and gray-brown wash; outlined with pen and dark brown ink on all sides
They Don't Fall Off Their Donkey (They Don't Admit Their Error), (No caen de su burro)
Leonardo Alenza y Nieto
1807–45
She Doesn't Recognize Herself (No se conoce), Leonardo Alenza y Nieto Spanish, Pen and black ink with brush and gray wash; composition outlined with pen and black ink on all sides
She Doesn't Recognize Herself (No se conoce)
Leonardo Alenza y Nieto
1807–45
They Strut About Elegantly (Lindamente se pavonean), Leonardo Alenza y Nieto Spanish, Pen and dark brown ink with brush over traces of black graphite
They Strut About Elegantly (Lindamente se pavonean)
Leonardo Alenza y Nieto
1807–45
Flying and Other Excesses (Volando y otros excesos), Leonardo Alenza y Nieto Spanish, Pen and dark brown ink; reinforced in some places with brush and heavy application of ink; outlined with pen and dark brown ink on all sides; traces of graphite
Flying and Other Excesses (Volando y otros excesos)
Leonardo Alenza y Nieto
1807–45
There Was No Business (No encontraron avio), Leonardo Alenza y Nieto Spanish, Pen and dark brown ink with brush and gray-brown wash; outlined with pen and dark brown ink on all sides
There Was No Business (No encontraron avio)
Leonardo Alenza y Nieto
1807–45
He Looks and Doesn't Recognize Himself (Se mira y no se ve), Leonardo Alenza y Nieto Spanish, Pen and dark brown ink with traces of black chalk; outlined with pen and dark brown ink on all sides
He Looks and Doesn't Recognize Himself (Se mira y no se ve)
Leonardo Alenza y Nieto
1807–45