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The Nativity, Lorenzo Monaco (Piero di Giovanni) Italian, Tempera and gold on wood
The Nativity
Lorenzo Monaco (Piero di Giovanni)
ca. 1406–10
Three Virtues (Temperance, Hope, and Fortitude or Justice) and Studies of a Seated Man, Lorenzo Monaco (Piero di Giovanni) Italian, Metalpoint, touches of brush and brown wash, heightened with white (partially oxidized in the figure at the lower left), on reddish violet prepared paper. Some lines retraced in pen and brown ink at a later date., Italian, Florence
Three Virtues (Temperance, Hope, and Fortitude or Justice) and Studies of a Seated Man
Circle of Lorenzo Monaco (Piero di Giovanni)
ca. 1420
Abraham, Lorenzo Monaco (Piero di Giovanni) Italian, Tempera on wood, gold ground
Abraham
Lorenzo Monaco (Piero di Giovanni)
ca. 1408–10
David, Lorenzo Monaco (Piero di Giovanni) Italian, Tempera on wood, gold ground
David
Lorenzo Monaco (Piero di Giovanni)
ca. 1408–10
Moses, Lorenzo Monaco (Piero di Giovanni) Italian, Tempera on wood, gold ground
Moses
Lorenzo Monaco (Piero di Giovanni)
ca. 1408–10
The Crucified Christ between the Virgin and Saint John the Evangelist, Lorenzo Monaco (Piero di Giovanni) Italian, Tempera on wood, gold ground
The Crucified Christ between the Virgin and Saint John the Evangelist
Lorenzo Monaco (Piero di Giovanni)
ca. 1406
The Intercession of Christ and the Virgin, Lorenzo Monaco (Piero di Giovanni) Italian, Tempera on canvas, Italian
The Intercession of Christ and the Virgin
Attributed to Lorenzo Monaco (Piero di Giovanni)
before 1402
Noah, Lorenzo Monaco (Piero di Giovanni) Italian, Tempera on wood, gold ground
Noah
Lorenzo Monaco (Piero di Giovanni)
ca. 1408–10
Last Judgment in an Initial C, Lorenzo Monaco (Piero di Giovanni) Italian, Tempera and gold on parchment
Last Judgment in an Initial C
Lorenzo Monaco (Piero di Giovanni)
ca. 1406–7
Unfinished Design for a Choir Book: Initial with Scene of Christ Entering the Temple., Lorenzo Monaco (Piero di Giovanni) Italian, Pen and pale grayish brown ink, brush and pale grayish brown wash (figural scene), pen and pale brown ink, over construction in leadpoint, ruling and compass work (ornamental parts), ruled lines in red ink, notes and words in pen and dark brown ink (musical score), on vellum
Unfinished Design for a Choir Book: Initial with Scene of Christ Entering the Temple.
Lorenzo Monaco (Piero di Giovanni)
1408–11