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The Nativity, Lorenzo Monaco (Piero di Giovanni) Italian, Tempera and gold on wood — The Nativity
Lorenzo Monaco (Piero di Giovanni)
ca. 1406–10

Three Virtues (Temperance, Hope, and Fortitude or Justice) and Studies of a Seated Man, Lorenzo Monaco (Piero di Giovanni) Italian, Metalpoint, touches of brush and brown wash, heightened with white (partially oxidized in the figure at the lower left), on reddish violet prepared paper. Some lines retraced in pen and brown ink at a later date., Italian, Florence — Three Virtues (Temperance, Hope, and Fortitude or Justice) and Studies of a Seated Man
Circle of Lorenzo Monaco (Piero di Giovanni)
ca. 1420

Abraham, Lorenzo Monaco (Piero di Giovanni) Italian, Tempera on wood, gold ground — Abraham
Lorenzo Monaco (Piero di Giovanni)
ca. 1408–10

David, Lorenzo Monaco (Piero di Giovanni) Italian, Tempera on wood, gold ground — David
Lorenzo Monaco (Piero di Giovanni)
ca. 1408–10

Moses, Lorenzo Monaco (Piero di Giovanni) Italian, Tempera on wood, gold ground — Moses
Lorenzo Monaco (Piero di Giovanni)
ca. 1408–10

Noah, Lorenzo Monaco (Piero di Giovanni) Italian, Tempera on wood, gold ground — Noah
Lorenzo Monaco (Piero di Giovanni)
ca. 1408–10

The Crucified Christ between the Virgin and Saint John the Evangelist, Lorenzo Monaco (Piero di Giovanni) Italian, Tempera on wood, gold ground — The Crucified Christ between the Virgin and Saint John the Evangelist
Lorenzo Monaco (Piero di Giovanni)
ca. 1406

The Intercession of Christ and the Virgin, Lorenzo Monaco (Piero di Giovanni) Italian, Tempera on canvas, Italian — The Intercession of Christ and the Virgin
Attributed to Lorenzo Monaco (Piero di Giovanni)
before 1402

Last Judgment in an Initial C, Lorenzo Monaco (Piero di Giovanni) Italian, Tempera and gold on parchment — Last Judgment in an Initial C
Lorenzo Monaco (Piero di Giovanni)
ca. 1406–7

Unfinished Design for a Choir Book: Initial with Scene of Christ Entering the Temple., Lorenzo Monaco (Piero di Giovanni) Italian, Pen and pale grayish brown ink, brush and pale grayish brown wash (figural scene), pen and pale brown ink, over construction in leadpoint, ruling and compass work (ornamental parts), ruled lines in red ink, notes and words in pen and dark brown ink (musical score), on vellum — Unfinished Design for a Choir Book: Initial with Scene of Christ Entering the Temple.
Lorenzo Monaco (Piero di Giovanni)
1408–11

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