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The Assumption of the Virgin (recto); Architectural Notations (verso), Lorenzo de' Ferrari Italian, Black chalk, a little pen and brown ink (recto); architectural notations in black chalk (verso)
The Assumption of the Virgin (recto); Architectural Notations (verso)
Lorenzo de' Ferrari
1680–1744
Christ Driving the Money Changers from the Temple, Lorenzo de' Ferrari Italian, Black chalk and graphite, with partial reinforcements in pen and black ink
Christ Driving the Money Changers from the Temple
Lorenzo de' Ferrari
1700–44
Study of Justice Dispensing Rewards to the Arts (recto); Study of a Lunette and Spandrel (verso), Lorenzo de' Ferrari Italian, Brush and brown wash, over black chalk (recto); faint study of a lunette and spandrel, in black chalk (verso)
Study of Justice Dispensing Rewards to the Arts (recto); Study of a Lunette and Spandrel (verso)
Lorenzo de' Ferrari
1680–1744
Design for a Ceiling Decoration (recto); Daphne Pursued by Apollo (verso), Lorenzo de' Ferrari Italian, Pen and brown ink, over black chalk (recto); black chalk (verso)
Design for a Ceiling Decoration (recto); Daphne Pursued by Apollo (verso)
Lorenzo de' Ferrari
1680–1744
Ceiling Design with the Glorification of the Name of Jesus (recto); Aurora and Cephalus (verso), Lorenzo de' Ferrari Italian, Pen and brown ink, brush and brown wash, heightened with white, on blue-gray paper (recto); pen and brown ink, brush and brown wash, heightened with white, over black chalk (verso)
Ceiling Design with the Glorification of the Name of Jesus (recto); Aurora and Cephalus (verso)
attributed to Lorenzo de' Ferrari
1680–1744