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The Lamentation, Ludovico Carracci Italian, Oil on canvas
The Lamentation
Ludovico Carracci
ca. 1582
The Denial of Saint Peter, Ludovico Carracci Italian, Oil on canvas
The Denial of Saint Peter
Ludovico Carracci
ca. 1616
Madonna and Child with Saints, Ludovico Carracci Italian, Oil on copper
Madonna and Child with Saints
Ludovico Carracci
1607
Virgin and Child, Pierre Brebiette French, Etching
Virgin and Child
Attributed to Pierre Brebiette
After Ludovico Carracci
1555–1619
Head of a Woman Looking to Upper Left, Annibale Carracci Italian, Charcoal, highlighted with white chalk, on blue paper faded light- brown
Head of a Woman Looking to Upper Left
Attributed to Annibale Carracci
or, less likely, Ludovico Carracci
1590–1600
The Last Communion of Saint Jerome, Ludovico Carracci Italian, Pen and brown ink, brush and brown wash, over traces of black chalk; squared in red chalk
The Last Communion of Saint Jerome
Ludovico Carracci
1555–1619
Saint Benedict exorcising a demon, Simone Cantarini Italian, Etching
Saint Benedict exorcising a demon
Etcher Simone Cantarini
After Ludovico Carracci
ca. 1637–39
Saint Benedict exorcising a demon, Simone Cantarini Italian, Etching
Saint Benedict exorcising a demon
Simone Cantarini
After Ludovico Carracci
ca. 1637–39
Saint Benedict exorcising a demon, Simone Cantarini Italian, Etching
Saint Benedict exorcising a demon
Simone Cantarini
After Ludovico Carracci
ca. 1637–39
The Conversion of Saint Paul, Ludovico Carracci Italian, Pen and brown ink, brush and brown wash, heightened with white gouache and cream color oil paint, over black chalk, on paper toned with light brown wash
The Conversion of Saint Paul
Ludovico Carracci
ca. 1587–89
Seven Women Seated Behind a Low Wall, Anne Claude Philippe de Tubières, comte de Caylus French, Etching
Seven Women Seated Behind a Low Wall
Anne Claude Philippe de Tubières, comte de Caylus
After Ludovico Carracci
18th century
Five numbered scenes, each after a painter in the Accademia Degl'Incamminati, from IL FUNERALE D'AGOSTINO CARRACCIO FATTO IN BOLOGNA SUA PATRIA DAGL'INCAMINATI Academici del Disegno: 1. Virtue vanquishing Envy and Fortune, painted by Giulio Cesare Parigino; 2. Apollo and the Muses at the tomb of Agostino Carracci, painted by Luigi Valesio; 3. Mercury pointing to a constellation with the personification of Painting and that of the city of Bologna, Felsina, painted by Aurelio Benelli; 4. Personification of Painting being comforted by Poetry, and the personification of a river at right, painted by Lodovico Carracci; 5. Allegory of Knowledge and Vigilance chasing Envy out of Heaven, painted by Lorenzo Garbieri., Guido Reni Italian, Etching
Five numbered scenes, each after a painter in the Accademia Degl'Incamminati, from IL FUNERALE D'AGOSTINO CARRACCIO FATTO IN BOLOGNA SUA PATRIA DAGL'INCAMINATI Academici del Disegno: 1. Virtue vanquishing Envy and Fortune, painted by Giulio Cesare Parigino; 2. Apollo and the Muses at the tomb of Agostino Carracci, painted by Luigi Valesio; 3. Mercury pointing to a constellation with the personification of Painting and that of the city of Bologna, Felsina, painted by Aurelio Benelli; 4. Personification of Painting being comforted by Poetry, and the personification of a river at right, painted by Lodovico Carracci; 5. Allegory of Knowledge and Vigilance chasing Envy out of Heaven, painted by Lorenzo Garbieri.
Multiple artists/makers
1603
The Calling of Saint Matthew, plate 1 from "Bononiensium Pictorum Celebrioris...", Giuseppe Maria Mitelli Italian, Etching
The Calling of Saint Matthew, plate 1 from "Bononiensium Pictorum Celebrioris..."
Giuseppe Maria Mitelli
After Ludovico Carracci
Publisher Gioseffo Longhi
1678
Title page to IL FUNERALE D'AGOSTIN CARRACCIO FATTO IN BOLOGNA SUA PATRIA DAGL'INCAMINATI Academici del Disegno; title inside a cartouche with a globe and stars at top and a grotesque mask at bottom, Francesco Brizio Italian, Engraving with some etching
Title page to IL FUNERALE D'AGOSTIN CARRACCIO FATTO IN BOLOGNA SUA PATRIA DAGL'INCAMINATI Academici del Disegno; title inside a cartouche with a globe and stars at top and a grotesque mask at bottom
Francesco Brizio
After Ludovico Carracci
Author Vittorio Benacci
1603
Allegorical composition with six Olympian gods gathered around a figure in armor, Oliviero Gatti Italian, Engraving
Allegorical composition with six Olympian gods gathered around a figure in armor
Oliviero Gatti
After Ludovico Carracci
1615–35
The Return from Egypt, Francesco Brizio Italian, Engraving
The Return from Egypt
Francesco Brizio
After Ludovico Carracci
1595–1623
The Return from Egypt, Francesco Brizio Italian, Engraving
The Return from Egypt
Francesco Brizio
After Ludovico Carracci
1595–1623
The Virgin with Saints Jerome and Francis, Girolamo Rossi, the Elder Italian, Etching
The Virgin with Saints Jerome and Francis
Girolamo Rossi, the Elder
After Ludovico Carracci
1660–80
Madonna and Child with Saint John
After Ludovico Carracci
ca. 1602–4
Impresa
Attributed to Ludovico Carracci
n.d.
Holy Family under an Arch
After Ludovico Carracci
ca. 1585–90
Adoration of the Magi
Francesco Brizio
After Ludovico Carracci
ca. 1594–95
Adoration of the Magi
Francesco Brizio
After Ludovico Carracci
ca. 1594–95
Madonna and Child with Angels
After Ludovico Carracci
Engraver Lucas Kilian
Publisher Dominicus Custos
ca. 1595–1610
Holy Family under an Arch
Ludovico Carracci
ca. 1585–90
Holy Family Under an Arch
Ludovico Carracci
ca. 1585–90
Virgin and Child with Angels
Ludovico Carracci
ca. 1595–1610
The Virgin Nursing the Christ Child
Ludovico Carracci
1592
Virgin and Child and Saint John
Ludovico Carracci
ca. 1602–4
Madonna and Child with Angels
Ludovico Carracci
ca. 1595–1610
Eighty-two prints engraved by F. Bartolozzi, etc., from the original drawings of Guercino in the collection of His Majesty, vol. I / Seventy-three prints engraved by F. Bartolozzi &c. from the Original Pictures and Drawings of Michaelangelo, Domenichino, Annibal, Lodovico, and Agostino Carraci, Guercino, P. da Cortona, Carlo Maratti, Elisabetta Sirani, Pellegrino Tibaldi, Franceschino &c. in the collection of His Majesty, &c., vol. II
Multiple artists/makers
1792–98
(XXI) Raccolta di Alcuni Disegni del Barberi da Cento detto il Guernico, incisi in Rame, e presentati al singolar merito del Sig. Tommaso Jenkins pittore, ed accademico di S. Luca, in atto di respetto e d'amicizia dall'architetto e suo coaccademio: Gio. Battista Piranesi (Collection of several drawings after Barbieri da Cento (known as Guercino) etched on copper and presented to Thomas Jenkins, painter and member of the Academy of St. Luke, out of respect and friendship from his fellow member, the architect Gio. Battista Piranesi); (XXII) Schola Italica Picturae
Multiple artists/makers
1764–73
St. Benedict Exorcising a Demon
Simone Cantarini
After Ludovico Carracci
ca. 1637–39
Providence, plate 27 from "Schola Italica Picturae"
After Domenico Cunego
Ludovico Carracci
Publisher Gavin Hamilton
1772
The Birth of St. John the Baptist, plate 28 from "Schola Italica Picturae"
Domenico Cunego
After Ludovico Carracci
Publisher Gavin Hamilton
1769
Hercules in the Palazzo Grassi: Seventy-three prints engraved by F. Bartolozzi &c. from the Original Pictures and Drawings of Michaelangelo, Domenichino, Annibal, Lodovico, and Agostino Carraci, Guercino, P. da Cortona, Carlo Maratti, Elisabetta Sirani, Pellegrino Tibaldi, Franceschino &c. in the collection of His Majesty, &c., vol. II
Multiple artists/makers
1793–98
The Wooden Horse Entering Troy, from "L'Enea Vagante Pitture dei Caracci Intagliate, e Didcate al Serenissimo Principe Leopoldo Medici Da Gioseppe Maria Mitelli Bolongese [...] MDCLXIII"
Multiple artists/makers
1663
Aeneas Departs for the Battle, from "L'Enea Vagante Pitture dei Caracci Intagliate, e Didcate al Serenissimo Principe Leopoldo Medici Da Gioseppe Maria Mitelli Bolongese [...] MDCLXIII"
Multiple artists/makers
1663
Frontispiece, from "L'Enea Vagante Pitture dei Caracci Intagliate, e Didcate al Serenissimo Principe Leopoldo Medici Da Gioseppe Maria Mitelli Bolongese [...] MDCLXIII"
Multiple artists/makers
1663
The Shadow of Creusa Appears to Aeneas, from "L'Enea Vagante Pitture dei Caracci Intagliate, e Didcate al Serenissimo Principe Leopoldo Medici Da Gioseppe Maria Mitelli Bolongese [...] MDCLXIII"
Multiple artists/makers
1663
The Trojans Taking Sinon Prisoner, from "L'Enea Vagante Pitture dei Caracci Intagliate, e Didcate al Serenissimo Principe Leopoldo Medici Da Gioseppe Maria Mitelli Bolongese [...] MDCLXIII"
Multiple artists/makers
1663
The Trojans Sacrifice Bulls to Neptune, from "L'Enea Vagante Pitture dei Caracci Intagliate, e Didcate al Serenissimo Principe Leopoldo Medici Da Gioseppe Maria Mitelli Bolongese [...] MDCLXIII"
Multiple artists/makers
1663

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