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Saint Peter Enthroned, Luigi Vanvitelli  Italian, Pen and brown ink, over graphite underdrawing and compass and ruled construction lines in pen and brown ink and graphite
Luigi Vanvitelli
1700–73
Façade of Palace decorated for the Marriage of the King of Naples to the Archduchess of Austria, Luigi Vanvitelli , workshop of Italian, Pen and black-gray ink, brush and gray wash, over freehand underdrawing in graphite and compass and ruled construction lines in graphite
Luigi Vanvitelli
1700–73
Manuscript page with a Project for a Fountain (recto); Project and Plan for a Monumental Staircase (verso), Luigi Vanvitelli  Italian, Pen and brown ink, brush and gray wash, over black chalk or graphite (recto); pen and brown ink, brush and gray wash, graphite, red chalk (verso)
Luigi Vanvitelli
ca. 1740–60
Detail study for the façade of Milan cathedral, Luigi Vanvitelli  Italian, Pen and black ink over freehand graphite and compass and ruled construction lines in graphite
Luigi Vanvitelli
1700–1773
Design for a Theater Interior, Luigi Vanvitelli  Italian, Pen and brown ink over freehand graphite and ruled construction lines in graphite
Luigi Vanvitelli
1700–1773
Project for a Chapel in the Church of San Ciriaco, Ancona, Luigi Vanvitelli  Italian, Pen and dark brown ink, over freehand graphite and ruled construction lines in graphite
Luigi Vanvitelli
1700–1773
Design for the high altar of the Gesù Nuovo, Naples, Luigi Vanvitelli  Italian, Graphite over compass and ruled construction lines in graphite
Luigi Vanvitelli
1700–1773
Architectural Sketch for the design of a Wall with Doorway, with two smaller sketches for the design of windows or doorways (recto); Sketches for a plan and partial perspective view of ceiling (verso), Luigi Vanvitelli  Italian, Graphite partly reworked with pen and black ink and brush and black ink and ruled construction lines in graphite (recto); graphite (verso)
Luigi Vanvitelli
1700–1773
Longitudinal Section of a Ballroom Decorated for the Marriage of the King of Naples to the Archduchess of Austria, Luigi Vanvitelli , workshop of Italian, Pen and black-gray ink, brush and gray wash over traces of freehand underdrawing in graphite (figures), compass and ruled construction lines in graphite
Luigi Vanvitelli
1700–1773
Transverse Section of the Small Theater in the Palace of Caserta with a View Towards the Royal Box, Luigi Vanvitelli , workshop of Italian, Pen and black-gray ink, brush and gray wash, over traces of compass and ruled construction lines in graphite
Luigi Vanvitelli
1700–1773
Ceiling of Ballroom decorated for the Marriage of the King of Naples to the Archduchess of Austria, Luigi Vanvitelli , workshop of Italian, Pen and black-gray ink, brush and gray wash over traces of freehand graphite (figures) and of compass and ruled construction lines in graphite
Luigi Vanvitelli
1700–1773
Transverse Section of the Small Theater at the Palace of Caserta, with a View of a Stage Design, Luigi Vanvitelli , workshop of Italian, Pen and black-gray ink, brush and gray wash, over freehand underdrawing in graphite (figures) and traces of compass and ruled construction lines in graphite
Luigi Vanvitelli
1700–1773
Projection of Ceiling Over Plan of the Small Theater in the Palace at Caserta, Luigi Vanvitelli , workshop of Italian, Pen and black-gray ink, brush and gray wash over freehand underdrawing in graphite (figures) and compass and ruled construction lines in graphite
Luigi Vanvitelli
1700–1773
Longitudinal Section of the Small Theater in the Palace at Caserta, Luigi Vanvitelli , workshop of Italian, Pen and black ink, brush and gray wash, over traces of compass and ruled construction lines in graphite
Luigi Vanvitelli
1700–1773
Design for an Altar, Luigi Vanvitelli  Italian, Pen, brown ink, with brush and gray wash, over graphite
Luigi Vanvitelli
1700–1773
Design for a Church Interior, Luigi Vanvitelli  Italian, Pen and brown ink, over graphite
Luigi Vanvitelli
1700–1773
Multiple artists/makers
1772
Multiple artists/makers
1756

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The Metropolitan Museum of Art presents over 5,000 years of art from around the world, and our online collection reflects ongoing work conducted over the course of our more than 150-year history. You may encounter objects or images that may be inappropriate for some viewers or information that may be outdated.