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  • As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes.
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  • Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more
Showing 31 results
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View of the Salon of 1785
Pietro Antonio Martini
1785
Sixieme Cahier de Sujets Arabesques, à l'usages des Artistes
Jean Louis Prieur le Jeune
18th century
La Dame du Palais de la Reine (The Lady in Waiting to the Queen), from "Le Monument du Costume"
Pietro Antonio Martini
1777
Roland Furieux, Poëme Héroique de l'Arioste
Ludovico Ariosto
1775–78
Vignette, Volume IV, Canto XXVIII, Page 171, from Orlando furioso di Ludovico Ariosto. Birmingham d'a Torchj. di G. Baskerville Per P. Molini Librajo dell. Academia. Reale è G. Molini. MDCCLXXIII.
Pietro Antonio Martini
1773–74
View of Spoleto
Joseph Vernet
ca. 1770
Roland Furieux, Poëme Héroique de l'Arioste
Ludovico Ariosto
1775–76
Vignette, Volume IV, Canto XXVIII, Page 171, from "Orlando Furioso"
Pietro Antonio Martini
1773–74
Les Précautions (The Precautions), from "Le Monument du Costume"
Pietro Antonio Martini
1777
View of Port Ercole
Joseph Vernet
ca. 1750–1800
Exposition au Salon du Louvre en 1787
Pietro Antonio Martini
1787
Facsimile Reproduction of Les Précautions (The Precautions), from Le Monument du Costume
Alfred Stix
20th century
Recueil d'Ornemens A l'Usage des Jeunes Artistes qui se destinent à la décoration des bâtimens
Gilles Paul Cauvet
1777
Termosiris Teaching Telemachus to Follow the Example of Apollo
Pietro Antonio Martini
Roland Furieux, Poëme Héroique de l'Arioste
Ludovico Ariosto
1775–76
Facsimile Reproduction of La Dame du Palais de la Reine (The Maid of Honor), from Le Monument du Costume
Reichsdruckerei
19th century
The Village Fountain
Joseph Vernet
ca. 1750–1800
Vignette, Canto XXXVIII, Stanza LXXXII, from Orlando furioso di Ludovico Ariosto. Birmingham d'a Torchj. di G. Baskerville Per P. Molini Librajo dell. Academia. Reale è G. Molini. MDCCLXXIII.
Pietro Antonio Martini
1774
Portraits of Their Majesty's and the Royal Family Viewing the Exhibition of the Royal Academy, 1788
Pietro Antonio Martini
March 6, 1789
Vignette opposite Page 1 of Volume I, from "Les Egaremens de l'amour ou Lettres de Fanéli et de Milfort. Par M. Imbert. A Amsterdam. Et se trouve à Paris. Chez Delalain Libraire, rue de la Comédie Française. MDCCLXXVI"
Pietro Antonio Martini
1776
Arabesque Panel from "Recueil d'Ornemens a l'usage des Jeunes Artistes"
Gilles Paul Cauvet
1777
The End of the Fishing
Joseph Vernet
ca. 1765
The Delights of Summer
Joseph Vernet
1772
The Morning Toilet (La Petite Toilette), from "Le Monument du Costume"
Pietro Antonio Martini
1745–97
Recueil d'Ornemens à l'usage des jeunes artistes
Gilles Paul Cauvet
1777
Illustration to Canto XXXVIII, stanza LXXXII, from "Orlando Furioso"
Pietro Antonio Martini
18th century
Orlando Furioso
Ludovico Ariosto
1773
Les Précautions (The Precautions), from "Le Monument du Costume"
Pietro Antonio Martini
1777
Declaration de la Grossesse (Announcement of Pregnancy), from "Le Monument du Costume"
Pietro Antonio Martini
1776
The Exhibition of the Royal Academy, 1787
Pietro Antonio Martini
July 1, 1787
Vignette on page 215 of Volume V, from the 1774 Edition of Emile ou de l'Education par J.-J. Rousseau Citoyen de Genèvre, part of Collection Complette des oeuvres de J. J. Rousseau, Londres. 1774.
Pietro Antonio Martini
1779