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Plate 1: the story (misfortunes) of Job, after the fresco by Taddeo Gaddi in the Campo Santo, Pisa, from the 'Pitture a fresco del Campo Santo di Pisa' (published 1812)
Carlo Lasinio
After Taddeo Gaddi
Publisher Molini Publishing House
ca. 1808–12
Plate 2: the story (misfortunes) of Job, after the frescoes by Taddeo Gaddi in the Campo Santo, Pisa, from "Pitture a fresco del Campo Santo di Pisa"
Carlo Lasinio
After Taddeo Gaddi
Publisher Molini Publishing House
ca. 1808–12
Plate 4: the story of the Pisan saints, here combat with saint Ephesus, after the frescoes by Spinello Aretino in the Campo Santo, Pisa, from the 'Pitture a fresco del Campo Santo di Pisa' (published 1812)
Carlo Lasinio
After Spinello Aretino (Spinello di Luca Spinelli)
Publisher Molini Publishing House
1810
Plate 5: the story of the Pisan saints, here the martyrdom of saints Ephesus and Polito, after the frescoes by Spinello Aretino in the Campo Santo, Pisa, from the 'Pitture a fresco del Campo Santo di Pisa' (published 1812)
Carlo Lasinio
After Spinello Aretino (Spinello di Luca Spinelli)
Publisher Molini Publishing House
ca. 1808–12
Plate 6: the story of the Pisan saints, here the conversion of Saint Ranieri, after the frescoes by Simone Memmi in the Campo Santo, Pisa, from the 'Pitture a fresco del Campo Santo di Pisa' (published 1812)
After Carlo Lasinio
Simone Martini
Publisher Molini Publishing House
ca. 1808–12
Plate 7: the story of the Pisan saints, here Saint Ranieri taking the habit of a hermit, after the frescoes by Simone Memmi in the Campo Santo, Pisa, from the 'Pitture a fresco del Campo Santo di Pisa' (published 1812)
Carlo Lasinio
After Simone Martini
Publisher Molini Publishing House
ca. 1808–12
Plate 8: the story of the Pisan saints, here a miracle associated with Saint Ranieri, after the frescoes by Simone Memmi in the Campo Santo, Pisa, from the 'Pitture a fresco del Campo Santo di Pisa' (published 1812)
Carlo Lasinio
After Simone Martini
Publisher Molini Publishing House
ca. 1808–12
Plate 9: the story of the Pisan saints, here a miracle associated with Saint Ranieri, after the frescoes by Antonio Veneziano in the Campo Santo, Pisa, from the 'Pitture a fresco del Campo Santo di Pisa' (published 1812)
Carlo Lasinio
After Antonio Veneziano
Publisher Molini Publishing House
ca. 1808–12
Plate 10: the story of the Pisan saints, here the death of Saint Ranieri, after the frescoes by Antonio Veneziano in the Campo Santo, Pisa, from the 'Pitture a fresco del Campo Santo di Pisa' (published 1812)
Carlo Lasinio
After Antonio Veneziano
Publisher Molini Publishing House
ca. 1808–12
Plate 12: the story of the Pisan saints, here the anchorites of Thebaid [Egypt], after the frescoes by Antonio Veneziano in the Campo Santo, Pisa, from the 'Pitture a fresco del Campo Santo di Pisa' (published 1812)
Carlo Lasinio
After Pietro Lorenzetti
Publisher Molini Publishing House
ca. 1808–12
Plate 11: the story of the Pisan saints, here the miracles associated with Saint Ranieri, after the frescoes by Antonio Veneziano in the Campo Santo, Pisa, from the 'Pitture a fresco del Campo Santo di Pisa' (published 1812)
Carlo Lasinio
After Antonio Veneziano
Publisher Molini Publishing House
ca. 1808–12
Plate 2: Job and his friends, after the fresco by Taddeo Gaddi in the Campo Santo, Pisa, from the 'Pitture a fresco del Campo Santo di Pisa' (published 1812)
Carlo Lasinio
After Taddeo Gaddi
Publisher Molini Publishing House
ca. 1808–12
Plate 13: the Last Judgement after the frescoes by the Orcagna brothers in the Campo Santo, Pisa, from the 'Pitture a fresco del Campo Santo di Pisa' (published 1812)
Carlo Lasinio
After Andrea di Cione (Orcagna)
Publisher Molini Publishing House
ca. 1808–12
Plate 14: the Triumph of Death after the frescoes by Andrea Orcagna in the Campo Santo, Pisa, from the 'Pitture a fresco del Campo Santo di Pisa' (published 1812)
Carlo Lasinio
After Andrea di Cione (Orcagna)
Publisher Molini Publishing House
ca. 1808–12
Plate 15: the Crucifixion after the frescoes by Buonamico Buffalmacco in the Campo Santo, Pisa, from the 'Pitture a fresco del Campo Santo di Pisa' (published 1812)
Carlo Lasinio
After Buonamico Buffalmacco
Publisher Molini Publishing House
ca. 1808–12
Plate 16: the Creation after the frescoes by Buonamico Buffalmacco in the Campo Santo, Pisa, from the 'Pitture a fresco del Campo Santo di Pisa' (published 1812)
Carlo Lasinio
After Buonamico Buffalmacco
Publisher Molini Publishing House
ca. 1808–12
Plate 22: Abraham and others adoring false gods after the frescoes by Benozzo Gozzoli in the Campo Santo, Pisa, from the 'Pitture a fresco del Campo Santo di Pisa' (published 1812)
Carlo Lasinio
After Benozzo Gozzoli (Benozzo di Lese di Sandro)
Publisher Molini Publishing House
ca. 1808–12
Plate 18: Abraham and Lot in Egypt after the frescoes by Benozzo Gozzoli in the Campo Santo, Pisa, from the 'Pitture a fresco del Campo Santo di Pisa' (published 1812)
Carlo Lasinio
After Benozzo Gozzoli (Benozzo di Lese di Sandro)
Publisher Molini Publishing House
ca. 1808–12
Plate 19: The birth of Jacob and Esau after the frescoes by Benozzo Gozzoli in the Campo Santo, Pisa, from the 'Pitture a fresco del Campo Santo di Pisa' (published 1812)
Carlo Lasinio
After Benozzo Gozzoli (Benozzo di Lese di Sandro)
Publisher Molini Publishing House
ca. 1808–12
Plate 17: The death of Abel after frescoes by Buffalmacco in the Campo Santo, Pisa, from the 'Pitture a fresco del Campo Santo di Pisa' (published 1812)
Carlo Lasinio
After Buonamico Buffalmacco
Publisher Molini Publishing House
ca. 1808–12
Plate 20: The damnation of Ham (Cham) after the frescoes by Benozzo Gozzoli in the Campo Santo, Pisa, from the 'Pitture a fresco del Campo Santo di Pisa' (published 1812)
Carlo Lasinio
After Benozzo Gozzoli (Benozzo di Lese di Sandro)
Publisher Molini Publishing House
ca. 1808–12
Plate 21: The tower of Babel after the frescoes by Benozzo Gozzoli in the Campo Santo, Pisa, from the 'Pitture a fresco del Campo Santo di Pisa' (published 1812)
Multiple artists/makers
ca. 1808–12
Plate 24: Abraham victorious after the frescoes by Benozzo Gozzoli in the Campo Santo, Pisa, from the 'Pitture a fresco del Campo Santo di Pisa' (published 1812)
Multiple artists/makers
1808
Plate 25: Hagar leaving the house of Abraham after the frescoes by Benozzo Gozzoli in the Campo Santo, Pisa, from the 'Pitture a fresco del Campo Santo di Pisa' (published 1812)
Carlo Lasinio
After Benozzo Gozzoli (Benozzo di Lese di Sandro)
Publisher Molini Publishing House
ca. 1808–12
Plate 28: The marriage of Rebekah and Isaac after the frescoes by Benozzo Gozzoli in the Campo Santo, Pisa, from the 'Pitture a fresco del Campo Santo di Pisa' (published 1812)
Carlo Lasinio
After Benozzo Gozzoli (Benozzo di Lese di Sandro)
Publisher Molini Publishing House
ca. 1808–12
Plate 32: The innocence of Joseph after the frescoes by Benozzo Gozzoli in the Campo Santo, Pisa, from the 'Pitture a fresco del Campo Santo di Pisa' (published 1812)
Carlo Lasinio
After Benozzo Gozzoli (Benozzo di Lese di Sandro)
Publisher Molini Publishing House
ca. 1808–12
Plate 35: crossing the Red Sea after the frescoes by Benozzo Gozzoli in the Campo Santo, Pisa, from the 'Pitture a fresco del Campo Santo di Pisa' (published 1812)
Multiple artists/makers
ca. 1808–12
Plate 38: the fall of Jericho and David and Goliath after the frescoes by Benozzo Gozzoli in the Campo Santo, Pisa, from the 'Pitture a fresco del Campo Santo di Pisa' (published 1812)
Carlo Lasinio
After Benozzo Gozzoli (Benozzo di Lese di Sandro)
Publisher Molini Publishing House
ca. 1808–12
Plate 18: Noah's ark and the deluge after the frescoes by Benozzo Gozzoli in the Campo Santo, Pisa, from the 'Pitture a fresco del Campo Santo di Pisa' (published 1812)
Carlo Lasinio
After Buonamico Buffalmacco
Publisher Molini Publishing House
ca. 1808–12
Plate 3: the presentation of Saint Efeso after the frescoes by Spinello Arentino in the Campo Santo, Pisa, from the 'Pitture a fresco del Campo Santo di Pisa' (published 1812)
Carlo Lasinio
After Spinello Aretino (Spinello di Luca Spinelli)
Publisher Molini Publishing House
ca. 1808–12
Plate 40: the resurrection of Christ and other scenes after the frescoes by Spinello Arentino and Bruno in the Campo Santo, Pisa, from the 'Pitture a fresco del Campo Santo di Pisa' (original series published 1812, this plate added after 1816)
Carlo Lasinio
After Spinello Aretino (Spinello di Luca Spinelli)
Publisher Molini Publishing House
after 1816

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